29:
398:
422:
410:
1239:
385:
Bernini gave the audience the chance to "see" these gods in person; in movement. This was
Bernini's first sculpture to " …work where the silhouette is broken, where the climax of a transitory action is given and where the action extends beyond the physical limits". The point of the sculpture is to
348:
As a side-note, it has also been noticed that ends of
Neptune's drapery are made to look like a dolphin's head. It has been suggested this pays homage to the classical writing by Ovid, at a different passage that mentions the Neptune and dolphins (but not Triton), as well as to the general Ovidian
340:
pointed out the defect that
Bernini did not include the nereid if he was reenacting Virgil's passage, and suggested a quote from Ovid as basis; it was then counter-argued that this Ovid passage too was defective in failing to mention the trident explicitly. Collier pointed out it was peculiar that
365:
Triton, Neptune's son, is positioned below
Neptune's legs, thrusting himself forward to blow the conch shell. He is noticeably younger, maybe a teenage boy, though also with defined musculature. He blows his shell as a horn to announce that the king of the earth and oceans is approaching. Triton
382:
grabbing
Neptune's thigh. His face looks to be full of anxiety as if he knows that he should obey whatever Neptune commands him to do. His timid nature and Neptune's dominate presence display the reality of human emotion and brings back the point of Bernini's plan to convey myths coming to life.
381:
The naturalism of the figures suggests the artist's intention to elicit an immediate emotional response to the viewer. Neptune's furrowed brow gives a sense of his fierce strength. His stance is set in stone, solidifying his divine power. In contrast, Triton looks somewhat submissive while he is
344:
Collier also remarked that if Virgil was the source, Neptune might not have been waving the trident at the sea, but rather using the instrument to dislodge the ships from the rocks, as stated in the poem. But since
Bernini's work failed to hint at any presence of ships, this proposition seemed
329:
Neptune is represented as a "mature bearded", muscular figure of male authority, twisting his torso as he is about to thrust his trident in downward motion towards water. Neptune sports a cloak, but is otherwise naked. His "touseled hair and beard", suggests the storminess in this scene.
386:
bring the viewer to face a myth or story to be true and real by its dramatic tension in the body positions and subtle hints at natural life. He was making the myths, rumours and stories an opportunity to be true and demand its viewer to believe in its truth.
308:
by another figure (of Triton), were "radical" departures from for
Bernini, as it was his "first work in which the silhouette (i.e. block-shape) is broken", and his achievement of "full Baroque freedom", in the words of
341:
Neptune should wear a wrathful expression calming the sea, and suggested a different passage from Ovid where
Neptune was in wrath, but this too was flawed as it did not mention Trident.
1545:
336:
who subscribed to the view this was a reenactment of Virgil, was satisfied that this gesture was
Neptune, with an "angry look towards the water", calming the waves with his trident.
2127:
1310:
2137:
397:
1270:
290:
consists of
Neptune standing astride over Triton; Triton lies in sort of a "crouching" position; the two figures mounted on a large half-shell, which serves as
222:
233:. It was bought from the family by the Victoria and Albert Museum in 1950, although it had appeared at an exhibition at the Royal Academy in London in 1938.
2142:
1837:
1629:
2162:
1243:
301:
seawards, while Triton is blowing his conch. The conch was designed to spurt out gushing water, in order that the sculpture could serve as a fountain.
28:
2152:
1805:
1338:
1879:
1601:
1482:
195:
in 1620, and executed March 1622 to February 1623, serving as a fountain to decorate the pond in the garden of his Villa Peretti Montalto on the
1503:
1461:
1288:
1090:
1047:
1021:
576:
438:
113:
1777:
1703:
1608:
1538:
1489:
824:, p. 101. Her exact words:"The dynamic composition has been recognized as radical in its rejection of the silhouette-block-shape".
2167:
1975:
1263:
500:
421:
357:
on the other hand perceived light-heartedness in the artistic touch here, which was "evocative of the spirit of Hellenistic Rococo".
1823:
1317:
1191:
1131:
1112:
1069:
313:. However, Wittkower also qualified that Bernini was yet to attain the dynamism ("the great sweeping movement which animates both
1791:
1717:
1643:
1496:
409:
1682:
1517:
1405:
2147:
2046:
2039:
1851:
1359:
729:
192:
148:
2025:
1524:
369:
Bernini's Triton is double-tailed, simulating the two-legged human, both in this sculpture group and in his later work, the
1858:
1784:
1763:
1256:
709:
812:, p. 14: "(H)e turns his , which gushes forth at his feet, imposing his command by thrusting down with his trident".
1689:
105:
1872:
1830:
1552:
1531:
1426:
1950:
1231:
206:
It was purchased by the Englishman Thomas Jenkins in 1786, from whom it was purchased later that year by the painter
2132:
1965:
1904:
1897:
1675:
1622:
1510:
1447:
1007:
176:
96:
2157:
2122:
2053:
2032:
1995:
1985:
1738:
1636:
1594:
1387:
1366:
1345:
1324:
370:
278:. But neither passages precisely match and the artist must have patched together a version using other sources.
1911:
1865:
1756:
1566:
1475:
199:
in Rome. The group was placed in the pre-existing oval pool (called the Peschiera or Peschierone), designed by
1440:
2060:
1980:
1731:
1696:
1573:
1559:
1468:
1433:
1419:
1380:
158:
1724:
1373:
1945:
516:
215:
1844:
1798:
1650:
1279:
634:
490:
291:
172:
39:
1918:
1352:
242:
1955:
1214:
1167:
1158:
1057:
939:
930:
922:
672:
337:
271:
246:
218:'s engraving (1704), and also later corrected to "Neptune and Triton" following Reynolds' notes.
211:
1990:
1960:
1331:
1187:
1127:
1108:
1086:
1080:
1065:
1043:
1035:
1017:
572:
566:
496:
2085:
2000:
1770:
1657:
1201:
1177:
1150:
1100:
914:
457:
Actually more like rearing up its upper body (while grasping Neptune's thigh with one hand).
333:
310:
200:
229:, Walpole House. His descendants moved it in 1906 to their country house, Brocklesby Park,
1710:
1615:
1454:
1031:
354:
226:
207:
1141:
Wilkins, Ann Thomas (2000). "Bernini and Ovid: Expanding the Concept of Metamorphosis".
2090:
562:
305:
2116:
2095:
1970:
1162:
934:
230:
196:
1181:
1011:
366:
grasps Neptune's leg and ducks his left shoulder between the thighs of Neptune.
568:
Italian and Spanish Sculpture: Catalogue of the J. Paul Getty Museum Collection
1154:
629:
128:
115:
1238:
1171:
304:
The posture of Neptune's stance, the filling-in of the reverse-V-shaped
1248:
1082:
Classical Sculpture and the Culture of Collecting in Britain since 1760
298:
275:
264:, Neptune bids Triton to blow his shell to calm the waves, In Virgil's
1218:
943:
926:
905:
Collier, William (1968). "New Light on Bernini's Neptune and Triton".
266:
250:
180:
918:
274:
dislodge Aeneas's ships, helped in the effort by Neptune using the
214:'s biography of the artist, but appears as "Nettvno, e Tritone" in
191:
The marble sculpture group was originally commissioned by Cardinal
270:, Neptune calms the waves and afterwards, the nereid Cymothoe and
1204:(1952). "Bernini Studies - I. The Group of Neptune and Triton".
677:
Catalogue of Italian sculpture in the Victoria and Albert Museum
254:
1252:
1042:. Michael Silk. Cambridge University Press. pp. 164–180.
210:. The work had been called "Neptune and Glaucus" following
1040:
Gender, Identity and the Body in Greek and Roman Sculpture
790:
788:
786:
761:
759:
757:
592:
590:
588:
1107:. University Park: Pennsylvania State University Press.
1064:. University Park: Pennsylvania State University Press.
536:
534:
1183:
Gian Lorenzo Bernini: The Sculptor of the Roman Baroque
667:
665:
805:
803:
241:
The scene is thought to be making loose allusions to
179:
of London and was executed c. 1622–1623. Carved from
1311:
The Goat Amalthea with the Infant Jupiter and a Faun
492:
European Sculpture at the Victoria and Albert Museum
183:, it stands 182.2 cm (71.7 in) in height.
2074:
2013:
1932:
1889:
1815:
1748:
1667:
1586:
1397:
1302:
1295:
517:"Neptune and Triton by Gianlorenzo Bernini, 1620–2"
495:. London: Victoria and Albert Museum. p. 132.
154:
144:
103:
92:
84:
76:
68:
60:
45:
35:
21:
1143:International Journal of the Classical Tradition
907:Journal of the Warburg and Courtauld Institutes
638:. Rockhampton, Qld. 24 January 1938. p. 7
519:. Victoria and Albert Museum. 16 February 2012
221:After Reynolds's death in 1792 it was sold to
1546:Busts of Cardinals Agostino and Pietro Valier
1264:
223:Charles Anderson-Pelham, 1st Baron Yarborough
8:
2128:Sculptures in the Victoria and Albert Museum
565:; Fusco, Peter; Cambareri, Marietta (2002).
484:
482:
480:
478:
257:or both, together with additional material.
171:is an early sculpture by the Italian artist
1630:Busts of Paolo Giordano and Isabella Orsini
225:, who kept it in the garden of his home in
2078:
2017:
1938:
1299:
1271:
1257:
1249:
1036:"Epilogue: Bernini's 'Neptune and Triton'"
900:
898:
646:– via National Library of Australia.
607:
605:
557:
555:
553:
551:
549:
27:
18:
990:
889:
885:
845:
833:
809:
794:
656:
596:
1126:. Chicago: University of Chicago Press.
571:. Getty Publications. pp. 170–172.
2138:Marble sculptures in the United Kingdom
1602:Two Busts of Cardinal Scipione Borghese
1483:Bust of Monsignor Pedro de Foix Montoya
1186:(4th ed.). London: Phaidon Press.
954:
849:
821:
765:
744:
716:
696:
616:
540:
474:
450:
393:
1504:Bust of Cardinal Escoubleau de Sourdis
1462:Bust of Alessandro Peretti di Montalto
978:
966:
861:
777:
748:
684:
193:Alessandro Damascenti-Peretti Montalto
873:
439:List of works by Gian Lorenzo Bernini
249:aiding Trojan ships as described, by
7:
1880:Equestrian Statue of King Louis XIV
1704:Confessio of Santa Francesca Romana
1609:Tomb of Countess Matilda of Tuscany
1490:Bust of Cardinal Roberto Bellarmine
2143:Sculptures by Gian Lorenzo Bernini
747:, pp. 403–405, also cited by
14:
2163:Sculptures based on Metamorphoses
1838:Statue of King Philip IV of Spain
1318:Bust of Giovanni Battista Santoni
1244:Nettuno e Tritone (Bernini, 1622)
1105:The Life of Giano Lorenzo Bernini
16:Sculpture by Gian Lorenzo Bernini
2153:Sculptures of Triton (mythology)
1497:Bust of Cardinal Giovanni Dolfin
1237:
420:
408:
396:
349:theme of transformations in the
1976:Fountains of St. Peter's Square
1806:Saints Jerome and Mary Magdalen
1683:Memorial to Alessandro Valtrini
1518:Bust of Cardinal Melchior Klesl
1406:Bust of Carlo Antonio del Pozzo
1339:The Martyrdom of Saint Lawrence
630:"TO BE SHOWN AT ART EXHIBITION"
1852:Angel with the Crown of Thorns
1360:Aeneas, Anchises, and Ascanius
1124:Bernini: His Life and His Rome
1013:Bernini: Genius of the Baroque
489:Williamson, Paul, ed. (1996).
149:Aeneas, Anchises, and Ascanius
1:
2047:Self-Portrait as a Mature Man
2040:Saint Andrew and Saint Thomas
1859:Angel with the Superscription
1085:. OUP Oxford. pp. 101–.
1016:. London: Thames and Hudson.
286:The composition of Bernini's
2026:Self-Portrait as a Young Man
1690:Memorial to Ippolito Merenda
321:") in his subsequent works.
88:182 cm (72 in)
2033:Portrait of Pope Urban VIII
1553:Memorial to Carlo Barberini
1532:Bust of Francesco Barberini
1525:Two Angels in Sant'Agostino
679:. Vol. 2. p. 600.
2184:
1966:Palazzo di Propaganda Fide
1905:Tomb of Pope Alexander VII
1898:Blessed Ludovica Albertoni
1764:Bust of Francesco I d'Este
1676:Bust of Cardinal Richilieu
1623:Bust of Costanza Bonarelli
1511:Bust of Antonio Cepparelli
1448:Charity with Four Children
613:Raccolta di statue di Roma
177:Victoria and Albert Museum
97:Victoria and Albert Museum
2168:Works based on the Aeneid
2081:
2020:
1996:Fontana dei Quattro Fiumi
1941:
1778:The Vision of Constantine
1637:Statue of Pope Urban VIII
1595:Statue of Carlo Barberini
1539:Bust of Antonio Barberini
1388:Bust of Camilla Barbadoni
1367:Bust of Giovanni Vigevano
1325:A Faun Teased by Children
1286:
1155:10.1007/s12138-000-0003-5
1122:Mormando, Franco (2011).
611:Domenico de Rossi (1704)
26:
1951:Sant'Andrea al Quirinale
1912:Statue of Pope Clement X
1866:Bust of Gabriele Fonseca
1757:Busts of Pope Innocent X
1476:Busts of Pope Urban VIII
1212:(588): 68, 70–73, 75–76.
2096:Luigi Bernini (brother)
2091:Pietro Bernini (father)
1981:Fontana della Barcaccia
1824:Statue of Alexander VII
1732:Ecstasy of Saint Teresa
1697:Memorial to Maria Raggi
1574:Sleeping Hermaphroditus
1560:Tomb of Pope Urban VIII
1434:Bust of Pope Gregory XV
1206:The Burlington Magazine
1079:Coltman, Viccy (2009).
848:, p. 75, cited by
129:51.4968222°N 0.171917°W
2086:Domenico Bernini (son)
1831:Busts of Alexander VII
1792:Habakkuk and the Angel
1718:Truth Unveiled by Time
1644:Bust of King Charles I
1420:The Rape of Proserpina
619:, p. 103, fig. 37
175:. It is housed in the
159:The Rape of Proserpina
2148:Sculptures of Neptune
1441:St. Peter's Baldachin
1246:at Wikimedia Commons
134:51.4968222; -0.171917
1845:Elephant and Obelisk
1799:Chair of Saint Peter
1651:Bust of Thomas Baker
1280:Gian Lorenzo Bernini
635:The Morning Bulletin
173:Gian Lorenzo Bernini
40:Gian Lorenzo Bernini
1986:Fontana del Tritone
1919:Bust of the Saviour
1785:Daniel and the Lion
1353:Bust of Pope Paul V
1062:The Life of Bernini
1058:Baldinucci, Filippo
957:, pp. 405–406.
864:, pp. 170, 169
699:, pp. 403–404.
673:Pope-Hennessy, John
125: /
1956:Lateran Baptistery
1946:St. Peter's Square
1725:Bust of Pope Leo X
1413:Neptune and Triton
1232:Web Gallery of Art
719:, pp. 403–404
345:untenable to him.
338:John Pope-Hennessy
288:Neptune and Triton
237:Literary reference
216:Domenico de' Rossi
212:Filippo Baldinucci
168:Neptune and Triton
22:Neptune and Triton
2133:Fountains in Rome
2108:
2107:
2104:
2103:
2070:
2069:
2054:Portrait of a Boy
2009:
2008:
1991:Fontana delle Api
1961:Palazzo Barberini
1928:
1927:
1873:Bust of Louis XIV
1579:
1427:Apollo and Daphne
1332:Boy with a Dragon
1242:Media related to
1202:Wittkower, Rudolf
1178:Wittkower, Rudolf
1101:Bernini, Domenico
1092:978-0-191-60953-4
1049:978-1-108-58386-2
1023:978-0-500-28633-3
578:978-0-892-36689-7
445:Explanatory notes
353:and other works.
297:Neptune aims his
164:
163:
2175:
2158:Seashells in art
2123:1620s sculptures
2079:
2018:
2001:Fontana del Moro
1939:
1577:
1300:
1273:
1266:
1259:
1250:
1241:
1213:
1197:
1166:
1137:
1118:
1096:
1075:
1053:
1032:Barrow, Rosemary
1027:
994:
991:Wittkower (1997)
988:
982:
976:
970:
964:
958:
952:
946:
938:
902:
893:
890:Wittkower (1997)
886:Wittkower (1952)
883:
877:
871:
865:
859:
853:
846:Wittkower (1952)
843:
837:
834:Wittkower (1952)
831:
825:
819:
813:
810:Wittkower (1997)
807:
798:
795:Wittkower (1952)
792:
781:
775:
769:
763:
752:
742:
736:
735:
726:
720:
715:
706:
700:
694:
688:
680:
669:
660:
657:Wittkower (1997)
654:
648:
647:
645:
643:
626:
620:
609:
600:
597:Wittkower (1952)
594:
583:
582:
559:
544:
538:
529:
528:
526:
524:
513:
507:
506:
486:
458:
455:
424:
412:
403:Detail of Triton
400:
311:Rudolf Wittkower
201:Domenico Fontana
155:Followed by
145:Preceded by
140:
139:
137:
136:
135:
130:
126:
123:
122:
121:
118:
108:
56:
54:
31:
19:
2183:
2182:
2178:
2177:
2176:
2174:
2173:
2172:
2113:
2112:
2109:
2100:
2066:
2005:
1934:
1924:
1885:
1811:
1744:
1739:Noli Me Tangere
1711:Raimondi Chapel
1663:
1616:Pasce Oves Meas
1582:
1393:
1346:Saint Sebastian
1291:
1282:
1277:
1228:
1223:
1200:
1194:
1176:
1140:
1134:
1121:
1115:
1099:
1093:
1078:
1072:
1056:
1050:
1030:
1024:
1006:
997:
989:
985:
977:
973:
965:
961:
953:
949:
904:
903:
896:
884:
880:
872:
868:
860:
856:
844:
840:
832:
828:
820:
816:
808:
801:
793:
784:
776:
772:
764:
755:
743:
739:
728:
727:
723:
708:
707:
703:
695:
691:
671:
670:
663:
655:
651:
641:
639:
628:
627:
623:
610:
603:
595:
586:
579:
563:Fogelman, Peggy
561:
560:
547:
539:
532:
522:
520:
515:
514:
510:
503:
488:
487:
476:
467:
462:
461:
456:
452:
447:
435:
428:
425:
416:
413:
404:
401:
392:
379:
371:Triton Fountain
363:
327:
284:
239:
227:Chelsea, London
208:Joshua Reynolds
189:
133:
131:
127:
124:
119:
116:
114:
112:
111:
104:
52:
50:
17:
12:
11:
5:
2181:
2179:
2171:
2170:
2165:
2160:
2155:
2150:
2145:
2140:
2135:
2130:
2125:
2115:
2114:
2106:
2105:
2102:
2101:
2099:
2098:
2093:
2088:
2082:
2076:
2072:
2071:
2068:
2067:
2065:
2064:
2057:
2050:
2043:
2036:
2029:
2021:
2015:
2011:
2010:
2007:
2006:
2004:
2003:
1998:
1993:
1988:
1983:
1978:
1973:
1968:
1963:
1958:
1953:
1948:
1942:
1936:
1930:
1929:
1926:
1925:
1923:
1922:
1915:
1908:
1901:
1893:
1891:
1887:
1886:
1884:
1883:
1876:
1869:
1862:
1855:
1848:
1841:
1834:
1827:
1819:
1817:
1813:
1812:
1810:
1809:
1802:
1795:
1788:
1781:
1774:
1767:
1760:
1752:
1750:
1746:
1745:
1743:
1742:
1735:
1728:
1721:
1714:
1707:
1700:
1693:
1686:
1679:
1671:
1669:
1665:
1664:
1662:
1661:
1654:
1647:
1640:
1633:
1626:
1619:
1612:
1605:
1598:
1590:
1588:
1584:
1583:
1581:
1580:
1570:
1567:Saint Longinus
1563:
1556:
1549:
1542:
1535:
1528:
1521:
1514:
1507:
1500:
1493:
1486:
1479:
1472:
1465:
1458:
1451:
1444:
1437:
1430:
1423:
1416:
1409:
1401:
1399:
1395:
1394:
1392:
1391:
1384:
1377:
1370:
1363:
1356:
1349:
1342:
1335:
1328:
1321:
1314:
1306:
1304:
1297:
1293:
1292:
1287:
1284:
1283:
1278:
1276:
1275:
1268:
1261:
1253:
1235:
1234:
1227:
1226:External links
1224:
1222:
1221:
1198:
1192:
1174:
1149:(3): 383–408.
1138:
1132:
1119:
1113:
1097:
1091:
1076:
1070:
1054:
1048:
1028:
1022:
1008:Avery, Charles
1003:
1002:
1001:
996:
995:
983:
981:, p. 175.
971:
969:, p. 169.
959:
955:Wilkins (2000)
947:
919:10.2307/750654
894:
888:, p. 75;
878:
876:, p. 181.
866:
854:
850:Coltman (2009)
838:
826:
822:Coltman (2009)
814:
799:
782:
780:, p. 176.
770:
768:, p. 101.
766:Coltman (2009)
753:
745:Wilkins (2000)
737:
721:
717:Wilkins (2000)
701:
697:Wilkins (2000)
689:
661:
649:
621:
617:Coltman (2009)
601:
584:
577:
545:
543:, p. 401.
541:Wilkins (2000)
530:
508:
502:978-1851771738
501:
473:
472:
471:
466:
463:
460:
459:
449:
448:
446:
443:
442:
441:
434:
431:
430:
429:
426:
419:
417:
414:
407:
405:
402:
395:
391:
388:
378:
375:
362:
359:
326:
323:
306:negative space
283:
280:
238:
235:
188:
185:
162:
161:
156:
152:
151:
146:
142:
141:
109:
101:
100:
94:
90:
89:
86:
82:
81:
78:
74:
73:
70:
66:
65:
62:
58:
57:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
2180:
2169:
2166:
2164:
2161:
2159:
2156:
2154:
2151:
2149:
2146:
2144:
2141:
2139:
2136:
2134:
2131:
2129:
2126:
2124:
2121:
2120:
2118:
2111:
2097:
2094:
2092:
2089:
2087:
2084:
2083:
2080:
2077:
2073:
2063:
2062:
2061:Christ Mocked
2058:
2056:
2055:
2051:
2049:
2048:
2044:
2042:
2041:
2037:
2035:
2034:
2030:
2028:
2027:
2023:
2022:
2019:
2016:
2012:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1971:Santa Bibiana
1969:
1967:
1964:
1962:
1959:
1957:
1954:
1952:
1949:
1947:
1944:
1943:
1940:
1937:
1935:and fountains
1931:
1921:
1920:
1916:
1914:
1913:
1909:
1907:
1906:
1902:
1900:
1899:
1895:
1894:
1892:
1888:
1882:
1881:
1877:
1875:
1874:
1870:
1868:
1867:
1863:
1861:
1860:
1856:
1854:
1853:
1849:
1847:
1846:
1842:
1840:
1839:
1835:
1833:
1832:
1828:
1826:
1825:
1821:
1820:
1818:
1814:
1808:
1807:
1803:
1801:
1800:
1796:
1794:
1793:
1789:
1787:
1786:
1782:
1780:
1779:
1775:
1773:
1772:
1768:
1766:
1765:
1761:
1759:
1758:
1754:
1753:
1751:
1747:
1741:
1740:
1736:
1734:
1733:
1729:
1727:
1726:
1722:
1720:
1719:
1715:
1713:
1712:
1708:
1706:
1705:
1701:
1699:
1698:
1694:
1692:
1691:
1687:
1685:
1684:
1680:
1678:
1677:
1673:
1672:
1670:
1666:
1660:
1659:
1655:
1653:
1652:
1648:
1646:
1645:
1641:
1639:
1638:
1634:
1632:
1631:
1627:
1625:
1624:
1620:
1618:
1617:
1613:
1611:
1610:
1606:
1604:
1603:
1599:
1597:
1596:
1592:
1591:
1589:
1585:
1576:
1575:
1571:
1569:
1568:
1564:
1562:
1561:
1557:
1555:
1554:
1550:
1548:
1547:
1543:
1541:
1540:
1536:
1534:
1533:
1529:
1527:
1526:
1522:
1520:
1519:
1515:
1513:
1512:
1508:
1506:
1505:
1501:
1499:
1498:
1494:
1492:
1491:
1487:
1485:
1484:
1480:
1478:
1477:
1473:
1471:
1470:
1469:Saint Bibiana
1466:
1464:
1463:
1459:
1457:
1456:
1452:
1450:
1449:
1445:
1443:
1442:
1438:
1436:
1435:
1431:
1429:
1428:
1424:
1422:
1421:
1417:
1415:
1414:
1410:
1408:
1407:
1403:
1402:
1400:
1396:
1390:
1389:
1385:
1383:
1382:
1378:
1376:
1375:
1371:
1369:
1368:
1364:
1362:
1361:
1357:
1355:
1354:
1350:
1348:
1347:
1343:
1341:
1340:
1336:
1334:
1333:
1329:
1327:
1326:
1322:
1320:
1319:
1315:
1313:
1312:
1308:
1307:
1305:
1301:
1298:
1294:
1290:
1289:List of works
1285:
1281:
1274:
1269:
1267:
1262:
1260:
1255:
1254:
1251:
1247:
1245:
1240:
1233:
1230:
1229:
1225:
1220:
1216:
1211:
1207:
1203:
1199:
1195:
1193:9780801414305
1189:
1185:
1184:
1179:
1175:
1173:
1169:
1164:
1160:
1156:
1152:
1148:
1144:
1139:
1135:
1133:9780226538525
1129:
1125:
1120:
1116:
1114:9780271037486
1110:
1106:
1102:
1098:
1094:
1088:
1084:
1083:
1077:
1073:
1071:9780271730769
1067:
1063:
1059:
1055:
1051:
1045:
1041:
1037:
1033:
1029:
1025:
1019:
1015:
1014:
1009:
1005:
1004:
999:
998:
992:
987:
984:
980:
979:Barrow (2018)
975:
972:
968:
967:Barrow (2018)
963:
960:
956:
951:
948:
945:
941:
936:
932:
928:
924:
920:
916:
912:
908:
901:
899:
895:
891:
887:
882:
879:
875:
870:
867:
863:
862:Barrow (2018)
858:
855:
852:, p. 101
851:
847:
842:
839:
836:, p. 76.
835:
830:
827:
823:
818:
815:
811:
806:
804:
800:
797:, p. 75.
796:
791:
789:
787:
783:
779:
778:Barrow (2018)
774:
771:
767:
762:
760:
758:
754:
751:, p. 169
750:
749:Barrow (2018)
746:
741:
738:
734:
732:
725:
722:
718:
714:
712:
711:Metamorphoses
705:
702:
698:
693:
690:
687:, p. 169
686:
685:Barrow (2018)
683:
678:
674:
668:
666:
662:
659:, p. 235
658:
653:
650:
637:
636:
631:
625:
622:
618:
614:
608:
606:
602:
599:, p. 71.
598:
593:
591:
589:
585:
580:
574:
570:
569:
564:
558:
556:
554:
552:
550:
546:
542:
537:
535:
531:
518:
512:
509:
504:
498:
494:
493:
485:
483:
481:
479:
475:
469:
468:
464:
454:
451:
444:
440:
437:
436:
432:
423:
418:
411:
406:
399:
394:
389:
387:
383:
376:
374:
372:
367:
360:
358:
356:
352:
351:Metamorphosis
346:
342:
339:
335:
331:
324:
322:
320:
316:
312:
307:
302:
300:
295:
293:
289:
281:
279:
277:
273:
269:
268:
263:
262:Metamorphoses
258:
256:
252:
248:
244:
236:
234:
232:
228:
224:
219:
217:
213:
209:
204:
202:
198:
194:
186:
184:
182:
178:
174:
170:
169:
160:
157:
153:
150:
147:
143:
138:
117:51°29′48.56″N
110:
107:
102:
98:
95:
91:
87:
83:
79:
75:
71:
67:
63:
59:
48:
44:
41:
38:
34:
30:
25:
20:
2110:
2059:
2052:
2045:
2038:
2031:
2024:
1933:Architecture
1917:
1910:
1903:
1896:
1878:
1871:
1864:
1857:
1850:
1843:
1836:
1829:
1822:
1804:
1797:
1790:
1783:
1776:
1769:
1762:
1755:
1737:
1730:
1723:
1716:
1709:
1702:
1695:
1688:
1681:
1674:
1656:
1649:
1642:
1635:
1628:
1621:
1614:
1607:
1600:
1593:
1572:
1565:
1558:
1551:
1544:
1537:
1530:
1523:
1516:
1509:
1502:
1495:
1488:
1481:
1474:
1467:
1460:
1453:
1446:
1439:
1432:
1425:
1418:
1412:
1411:
1404:
1386:
1381:Blessed Soul
1379:
1372:
1365:
1358:
1351:
1344:
1337:
1330:
1323:
1316:
1309:
1236:
1209:
1205:
1182:
1146:
1142:
1123:
1104:
1081:
1061:
1039:
1012:
1000:Bibliography
986:
974:
962:
950:
910:
906:
892:, p. 14
881:
874:Avery (2006)
869:
857:
841:
829:
817:
773:
740:
730:
724:
710:
704:
692:
681:
676:
652:
640:. Retrieved
633:
624:
612:
567:
521:. Retrieved
511:
491:
453:
415:(front view)
384:
380:
368:
364:
350:
347:
343:
332:
328:
318:
314:
303:
296:
287:
285:
265:
261:
259:
240:
231:Lincolnshire
220:
205:
203:in 1579–81.
197:Viminal Hill
190:
167:
166:
165:
1374:Damned Soul
913:: 438–440.
427:(side view)
282:Iconography
132: /
120:0°10′18.9″W
106:Coordinates
2117:Categories
1578:(mattress)
642:9 November
615:Pl. LXXI.
465:References
377:Naturalism
260:In Ovid's
85:Dimensions
2014:Paintings
1296:Sculpture
1180:(1997) .
1163:162574041
1010:(2006) .
935:195023360
373:in Rome.
334:Wittkower
72:Sculpture
61:Catalogue
1172:30222585
1103:(2011).
1060:(2006).
1034:(2018).
675:(1964).
433:See also
99:, London
93:Location
2075:Related
733:1.132ff
713:1.348ff
523:3 March
390:Gallery
325:Neptune
299:trident
276:trident
243:Neptune
187:History
53:1622–23
51: (
49:1622–23
1771:Corpus
1658:Medusa
1219:870677
1217:
1190:
1170:
1161:
1130:
1111:
1089:
1068:
1046:
1020:
944:750654
942:
933:
927:750654
925:
731:Aeneid
575:
499:
361:Triton
355:Barrow
272:Triton
267:Aeneid
251:Virgil
247:Triton
181:marble
80:Marble
77:Medium
36:Artist
1890:1670s
1816:1660s
1749:1650s
1668:1640s
1587:1630s
1455:David
1398:1620s
1303:1610s
1215:JSTOR
1168:JSTOR
1159:S2CID
940:JSTOR
931:S2CID
923:JSTOR
470:Notes
319:Pluto
315:David
292:socle
253:, or
1188:ISBN
1128:ISBN
1109:ISBN
1087:ISBN
1066:ISBN
1044:ISBN
1018:ISBN
682:apud
644:2013
573:ISBN
525:2012
497:ISBN
317:and
255:Ovid
245:and
69:Type
46:Year
1151:doi
915:doi
2119::
1210:94
1208:.
1157:.
1145:.
1038:.
929:.
921:.
911:31
909:.
897:^
802:^
785:^
756:^
664:^
632:.
604:^
587:^
548:^
533:^
477:^
294:.
1272:e
1265:t
1258:v
1196:.
1165:.
1153::
1147:6
1136:.
1117:.
1095:.
1074:.
1052:.
1026:.
993:.
937:.
917::
581:.
527:.
505:.
64:9
55:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
