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290:, which also points out that the debate over the 'romanticism' was also a fissure within the Christian poets over style—indeed harking back to the religious and psychological depths of
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group of writers, though not necessarily by publication in London. Others sometimes mentioned in this connection include
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produced a post-war anthology covering the period, but it had little circulation in the UK. Another view was that from
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whose style marked them off, or on the other hand a tag for those addressed polemically and retrospectively by the
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Wartime conditions had posed great editorial difficulties, and the London operations of the publishers such as
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Their reaction against the political realism of much of the
Thirties poetry drew for support upon
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has been postulated to cover many of the
British poets between the Auden group of the 1930s and
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under the heading of in it, though not of it. This was in the introduction to an anthology
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could write of the New
Romantics as a movement of the past, though acutely singling out
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were a poetry grouping in the United
Kingdom in the 1940s, taking their name from the
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Personal
Modernisms: Anarchist Networks and the Later Avant-Gardes
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Others closely associated were the
Scottish (as Hendry was) poets
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The other poets in the three anthologies were Ian
Bancroft,
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by Arthur Edward Salmon; Boston Twayne
Publishers, 1983.
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228:was used at the time, though, for example by
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395:Andrew Duncan's notes on 1940s British poets
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342:The Cambridge Guide to Literature in English
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42:. There followed the further anthologies
384:, edited by James Keery, Carcanet, 2020.
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328:The Penguin Companion to Literature I
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100:There was quite an overlap with the
16:British poetry grouping in the 1940s
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232:; it is usually attributed to
1:
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865:British literary movements
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776:San Francisco Renaissance
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382:Apocalypse - An Anthology
274:Retrospect from the 1950s
378:by James Gifford, 2014.
370:Poets of the Apocalypse
34:), which was edited by
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481:British Poetry Revival
224:anthology. The phrase
200:A broader movement of
133:Modern Scottish Poetry
656:Informationist poetry
781:Scottish Renaissance
476:Black Mountain poets
240:Effects of the times
220:introduction to the
103:Scottish Renaissance
52:The Crown and Sickle
721:New American Poetry
471:Black Arts Movement
451:Akhmatova's Orphans
256:had been stopgaps.
192:, and Peter Wells.
184:, Gervase Stewart,
81:Scottish connection
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691:Metaphysical poets
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288:Images of Tomorrow
44:The White Horseman
28:The New Apocalypse
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636:Harvard Aesthetes
611:Generation of '98
601:Generation of '27
576:The poets of Elan
280:John Heath-Stubbs
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506:Churchyard poets
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536:Cyclic Poets
531:Culteranismo
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331:(1971) p. 22
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154:Dorian Cooke
150:Alex Comfort
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124:Edwin Morgan
108:Ruthven Todd
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73:, myth, and
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40:Henry Treece
36:J. F. Hendry
27:
20:
18:
806:Sung poetry
791:Sons of Ben
716:Neotericism
696:Misty Poets
661:Ä°kinci Yeni
511:Conceptismo
486:Cairo poets
461:Auden Group
268:New Writing
859:Categories
811:Surrealism
766:Précieuses
761:La Pléiade
671:Lake Poets
546:Deep image
501:Chhayavaad
314:References
293:apocalypse
246:Tambimuttu
71:surrealism
67:Apocalypse
816:Symbolism
711:NĂ©gritude
646:Imaginism
626:The Group
596:Gay Saber
586:Fugitives
566:Ecopoetry
466:The Beats
222:New Lines
112:Tom Scott
69:, 1931),
25:anthology
681:Marinism
521:Créolité
300:See also
278:By 1953
826:Zutiste
651:Imagism
621:Goliard
446:Acmeism
431:Schools
751:Others
741:Oberiu
435:poetry
144:Others
50:) and
591:Garip
581:Flarf
541:Dada
252:and
212:and
138:1946
89:and
56:1944
48:1941
32:1939
19:The
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58:).
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