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large, angry man in the lower berth and manages to hit him with a mallet and convince him that someone else did it. At one point, Gloria Jean asks Uncle Bill why he never married, and he answers "I was in love with a beautiful blonde once, dear. She drove me to drink. That's the one thing I'm indebted to her for." When Fields's flask falls out of the plane, Fields jumps after it. and his niece cries out in horror. He lands safely in a "nest" high atop a cliff, a home populated by a beautiful, young, naive girl (Susan Miller) and her cynical mother (Margaret Dumont). Meanwhile, the plane lands, and Gloria Jean sings a traditional
Russian song to a group of peasants. She reunites with Fields in the village, where Fields learns that Dumont is wealthy. He returns to Dumont's mountaintop retreat, only to find a romantic rival (Leon Errol). Fields is about to marry Dumont when Gloria Jean takes him aside and convinces him that this is a bad idea, and they make a swift exit.
324:) asks for help getting to the maternity hospital, where her daughter is about to give birth. Fields volunteers, thinking the matron is in distress, and she takes the back seat of his car. He speeds her through the streets and expressways of Los Angeles, where he tangles with pedestrians, cars, and a hook-and-ladder fire truck. When his passenger passes out, Fields drives even more urgently. He arrives at the hospital, wrecking his car in the process, and his passenger is shaken but unhurt. Gloria Jean, who has just arrived by taxi, asks Uncle Bill if he's all right. He replies "Good thing I didn't have an accident. I'd never have gotten here." Gloria Jean smiles and says to the audience "My Uncle Bill...but I still love him!"
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and pineapples", which they felt was "a play upon an obscene story." A revised script was approved two months later. The studio hired a number of writers to continue work on the script, none of them billed, but Fields hated their version, calling it "the worst script I ever read." He was inclined to "throw it in their faces", but director
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because it was "filled with vulgar and suggestive scenes and dialogue" and had "innumerable jocular references to drinking and liquor," the producer was referred to as a "pansy", and the Fields character ogled women's breasts and legs. The censors also objected to "all dialogue and showing of bananas
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Pangborn reads through the script, which comes to life in a series of scenes. Fields and Gloria Jean are flying to an exotic location on an airplane, which Fields specifies has an open-air rear observatory platform. Fields has run-ins with a couple of eccentric characters in which he tangles with a
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wrote "We are not yet quite sure that this latest opus is even a movie – no such harum-scarum collection of song, slapstick and thumbnail sketches has defied dramatic law in recent history. We are more certain that at its worst the film is extravagantly bad, no less that
William Claude is
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This movie was Fields's last starring role. By this time, he was 61 years old and in declining health, and a lifetime of alcoholism had taken its toll. Fields often had to recuperate in his dressing room between takes. He was planning his next film for
Universal, with Gloria Jean and
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At this point, Pangborn has had enough of the absurdity of the script and tells Fields to leave the studio. Fields goes to an ice cream parlor to drown his sorrows. In a rare aside to the camera, Fields remarks "This scene is supposed to be in a saloon, but the censor cut it out!"
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as one of its major features of the year, to be released during the holiday season of 1941. "That was the plan until the studio heads saw the film," reported Gloria Jean's biographers. "In late
September they conveniently forgot about their bonded schedule, changed the title from
231:. Fields also wrote the original story, under the pseudonym Otis Criblecoblis. Fields plays himself, promoting an extravagant screenplay he has written. As he describes the script to a skeptical producer, the often surreal scenes are shown. It was produced and distributed by
614:, Universal could bridge Fields's chaotic continuity and gloss over his occasional absences." The outrageously zany film played to mixed reviews but is today considered one of Fields's classics. It has been called "a thinly disguised attack on the Hollywood studio system."
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At the studio, when Gloria Jean learns Fields has been sent away, she tells the flustered
Pangborn that she will quit if her uncle is fired. She and Fields make plans to travel, and she goes into a shop to buy some new clothes. Just then, a middle-aged matron
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Fields fought with studio producers, directors, and writers over the content of his films. He was determined to make a movie his way, with his own script and staging, and his choice of supporting players. Universal finally gave him the chance, and
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became a non-event." Parts of the film were reshot without Fields's participation, and the film was re-edited and rearranged into a crazy-quilt of comedy sequences. "By keeping the film as nonsensical as possible, like
258:(1939), he tells a customer that his grandfather's last words, "just before they sprung the trap", were "You can't cheat an honest man; never give a sucker an even break, or smarten up a chump."
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Fields' first version of the script was only 12 pages long. The studio told him to expand it, which Fields' did, to 96 pages. This was still not enough, so Fields hired screenwriters
252:(1936), he tells his daughter "If we should ever separate, my little plum, I want to give you just one bit of fatherly advice: Never give a sucker an even break!" In
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and
Prescott Chaplin to expand it. This version came in at 156 pages. This was the version of the script that was rejected in April 1941 by the
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286:' matronly foil, was cast as the haughty Mrs. Hemogloben. Fields was paid $ 125,000 for his performance and $ 25,000 for his original story.
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At the
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wonderful...Yes, some parts of the film you will find incomprehensibly silly. Probably you also will laugh your head off."
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soprano. Fields is also on the premises to pitch a script to
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was the result. Fields chose most of the supporting cast. He chose
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Classic Movies presentation of the film
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785:"W.C. Fields Opens Here in 'Never Give a Sucker an Even Break' -- New Soviet Film Seen"
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539:("Ochi chyornye" or "Dark Eyes") - in Russian, traditional Russian folk song
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810:(January 3, 2018) Outro to Turner Classic Movies presentation of the film
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After the positive reception of Fields' previous Universal picture,
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Billy Lenhart and Kenneth Brown as His Hecklers (as Butch and Buddy)
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planned to star with him, but after the lukewarm performance of
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to play his niece and hired two of his favorite comedians,
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The title is derived from lines from two earlier films. In
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Gloria Jean sings the following songs in this film:
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747:"Never Give a Sucker an Even Break (1941)"
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1452:Films directed by Edward F. Cline
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993:Ladies' Night in a Turkish Bath
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255:You Can't Cheat an Honest Man
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830:AFI Catalog of Feature Films
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431:as Gloria Jean's accompanist
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1457:Universal Pictures films
617:Upon release, columnist
586:, the studio had touted
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394:as Tom, the soda jerk
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461:as a Russian peasant
282:, best known as the
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1193:Forty Naughty Girls
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491:W. C. Fields and Me
211:is a 1941 American
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1185:On Again-Off Again
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953:When a Man's a Man
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759:Scott MacGillivray
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358:as Mrs. Hemogloben
349:as His Rival, Leon
233:Universal Pictures
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140:Universal Pictures
1437:1941 comedy films
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1321:Give Out, Sisters
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1209:Hawaii Calls
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1097:Cracked Nuts
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1009:The Head Man
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537:"Очи чёрные"
522:-- music by
510:
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479:
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473:
471:
435:Dave Willock
429:Leon Belasco
422:
421:
410:Emmett Vogan
398:Jody Gilbert
392:Irving Bacon
388:as salesgirl
335:W. C. Fields
318:
314:
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302:Jody Gilbert
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221:W. C. Fields
207:
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180:Running time
156:Release date
83:W. C. Fields
1345:Crazy House
1337:He's My Guy
1201:High Flyers
1121:Parole Girl
977:Let It Rain
969:Old Clothes
961:The Rag Man
913:Circus Days
619:Ted Strauss
572:Eddie Cline
567:Hays Office
496:Rod Steiger
480:Cast notes:
441:Jack Lipson
423:Uncredited:
371:Mona Barrie
341:Gloria Jean
268:Gloria Jean
241:What a Man!
225:Gloria Jean
213:comedy film
171: (U.S.)
87:Gloria Jean
69:Produced by
39:Directed by
1432:1941 films
1426:Categories
1057:Sweet Mama
921:Three Ages
650:References
632:Anne Nagel
544:Production
453:Kay Deslys
386:Nell O'Day
380:Anne Nagel
347:Leon Errol
322:Kay Deslys
306:coloratura
272:Leon Errol
229:Leon Errol
167:1941-10-10
132:Production
91:Leon Errol
73:Jack Gross
1017:The Crash
603:instead.
578:Aftermath
107:Edited by
864:AllMovie
595:back to
474:Sources:
197:Language
117:Music by
79:Starring
61:Story by
851:at the
827:at the
749:TCM.com
679:at the
200:English
189:Country
165: (
134:company
1412:(1947)
1404:(1946)
1396:(1945)
1388:(1945)
1380:(1945)
1372:(1944)
1364:(1944)
1356:(1943)
1348:(1943)
1340:(1943)
1332:(1942)
1324:(1942)
1316:(1942)
1308:(1942)
1300:(1942)
1292:(1941)
1284:(1941)
1276:(1941)
1268:(1941)
1260:(1940)
1252:(1940)
1244:(1940)
1236:(1938)
1228:(1938)
1220:(1938)
1212:(1938)
1204:(1937)
1196:(1937)
1188:(1937)
1180:(1936)
1172:(1935)
1164:(1935)
1156:(1934)
1148:(1934)
1140:(1934)
1132:(1933)
1124:(1933)
1116:(1932)
1108:(1931)
1100:(1931)
1092:(1931)
1084:(1930)
1076:(1930)
1068:(1930)
1060:(1930)
1052:(1930)
1044:(1929)
1036:(1929)
1028:(1929)
1020:(1928)
1012:(1928)
1004:(1928)
996:(1928)
988:(1927)
980:(1927)
972:(1925)
964:(1925)
956:(1924)
948:(1924)
940:(1924)
932:(1924)
924:(1923)
916:(1923)
640:Sucker
636:Sucker
605:Sucker
227:, and
1177:F-Man
507:Songs
249:Poppy
842:IMDb
498:and
328:Cast
290:Plot
274:and
862:at
840:at
704:154
621:in
1428::
730:^
716:^
657:^
223:,
892:e
885:t
878:v
706:.
535:"
518:"
502:.
320:(
169:)
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