Knowledge (XXG)

Next to No Time

Source đź“ť

514:
employers of his ability. “I know I’ve got it in me” the character says in effect, “but when it comes to putting myself over to people, I don’t know how to do it.” In the course of the story. The Little Guy learns how to do it, and becomes a Big Guy. Remembering his own early struggles to convince people of his ability, studying his own development as a man, ever grateful for the success which his ability and determination attained, Cornelius had a passionate belief that his new film, for all its trappings of comedy, would give help and encouragement to the millions of Little Guys who would be given an opportunity to see it. This perhaps serves best to illustrate his overall attitude towards film-making. From boyhood, he saw the medium as a means of disseminating ideas. And the idea that seemed most to excite him is that in our world, The Big Guy is only The Little Guy who has crossed the rubicon by his belief in himself. His death robs the British cinema of its most serious comedy maker."
404:
called it "a bit of a mess of a film" and said Cornelius was "a lovely man but a bit of a muddler. And the film didn't make a lot of sense, it needed a bit of stronger direction and by now, unfortunately, one of the problems may have been, by now Kenny More who I liked very much, Kenny More was a bit
253:
David Webb is a mild-mannered British planning engineer sent across the Atlantic by his firm to negotiate a deal, a task for which he feels hugely out of his depth. However, a friendly barman, with the help of one of his special cocktails, convinces Webb that his personality changes during the hour
513:
was to the writer-director, adding: "A man of acute introspection and self-examination, he identified himself closely with The Little Guy in the story ... The character in the film, played by Kenneth More, is a planning engineer in a large factory who finds a difficulty in convincing his
31: 458:
type part, as a nerdy engineer who gets brave at certain times of the day – More is always so cheery and confident that the device of the “worm turning” doesn't work. (And why not have him romance Betsy Drake?)"
417:, on which some of the film was shot, while the ship was docked at Southampton. It was released in the US by Rank Distributors of America, the first time that company had distributed a non- 245:. It was the last feature film completed by Cornelius before his death in 1958. The film concerns an underconfident engineer who is helped by the advice of a ship's barman. 475:
gave the film 3/5 stars, writing: "This whimsical comedy was something of a disappointment considering it marked the reunion of director Henry Cornelius with his
563: 945: 965: 858: 491:
to persuade wealthy Roland Culver to back his latest project. His romantic interest is provided by Betsy Drake, who was then married to Cary Grant."
442:
wrote, "Mr. Cornelius' little frolic is very much like the bubbles cascading around the opening title and credits – thin, transparent and bouncy."
670: 960: 651: 618: 581: 980: 950: 481:
star Kenneth More. Sadly, it proved to be Cornelius's last picture before his tragically early death the same year during the production of
405:
of a law unto himself and Corny hadn't done anything for a long time. So I've an idea that Kenny may have been a bit too strong for Corny."
780: 751: 723: 955: 851: 143: 985: 970: 483: 498: 940: 888: 975: 844: 534: 394:
In March 1957 Cornelius travelled to the US to look for an American co-star to appear opposite Kenneth More.
743: 369: 315: 501:
rated the film as "good", writing: "Pleasant, if uneasy mixture of genres. Smiles rather than guffaws."
904: 671:"Movie Review – Next to No Time – Screen: Breezy Charade:' Next to No Time' Bows at Little Carnegie" 935: 880: 696: 438: 430: 303: 30: 805: 776: 747: 719: 375: 297: 254:
when the clocks on the ship are stopped when it enters a new time zone in its progress west.
896: 476: 462: 509:
After Cornelius' death, a friend of his wrote how "intensely personal, of all this films",
868: 599: 401: 333: 291: 214: 99: 44: 772: 75: 929: 827: 455: 451: 360: 276: 119: 109: 836: 321: 285: 264: 238: 218: 85: 65: 470: 354: 342: 327: 309: 270: 234: 226: 222: 89: 821: 418: 348: 230: 816: 810: 487:. More is curiously out of sorts as an engineer who uses a voyage on the 799: 446: 840: 831: 213:, is a 1958 British colour comedy film written and directed by 619:"Beacoup British Showmanship in Selling Yank and Anglo Pix" 434:
called it "a flimsy comedy" with "impeccable casting".
465:
said: "Whimsical comedy which never gains momentum."
192: 184: 174: 150: 139: 125: 115: 105: 95: 81: 71: 58: 50: 40: 23: 769:British Sound Films: The Studio Years 1928–1959 636:"Rank to Handle Outside British Film in U.S.". 496:British Sound Films: The Studio Years 1928–1959 718:(7th ed.). London: Paladin. p. 724. 852: 8: 413:The film was premiered at the cinema on the 529: 527: 859: 845: 837: 29: 20: 539:British Film Institute Collections Search 397:The film was shot at Shepperton Studios. 570:. Vol. 27, no. 5. p. 262. 523: 697:"Surviving Cold Streaks: Kenneth More" 557: 555: 604:British Entertainment History Project 7: 564:"Henry Cornelius and the Little Guy" 562:Danischewsky, Monja (Summer 1958). 300:as Warren, Sir Godfrey's secretary 62:"The Enchanted Hour" (short story) 14: 946:Films directed by Henry Cornelius 617:Richards, Dick (7 January 1959). 330:as Abercrombie, Scottish Director 966:Films shot at Shepperton Studios 669:Thompson, Howard (28 May 1960). 600:"Interview with Freddie Francis" 381:Valerie Buckley as American girl 695:Vagg, Stephen (16 April 2023). 640:. 19 November 1958. p. 12. 450:argued "More was miscast in an 1: 961:Films scored by Georges Auric 658:. 20 August 1958. p. 10. 144:British Lion Film Corporation 981:1950s English-language films 951:Films based on short fiction 16:1958 film by Henry Cornelius 159:29 September 1958 1002: 740:Radio Times Guide to Films 714:Halliwell, Leslie (1989). 282:Harry Green as Saul Wiener 35:Original UK 1-sheet poster 875: 742:(18th ed.). London: 384:Paul Cole as American boy 28: 767:Quinlan, David (1984). 744:Immediate Media Company 366:Sandra Walden as Hester 716:Halliwell's Film Guide 339:Eleanor Bryan as Susie 316:Howard Marion-Crawford 746:. 2017. p. 656. 378:as Mario's girlfriend 336:as factory supervisor 956:British comedy films 363:as auction organiser 306:as Steve, the barman 279:as Sir Godfrey Cowan 986:1950s British films 971:Films set in London 889:The Galloping Major 881:Passport to Pimlico 867:Films directed by 773:B.T. Batsford Ltd. 439:The New York Times 425:Critical reception 243:The Enchanted Hour 237:. It was based on 941:1958 comedy films 923: 922: 652:"Next to No Time" 535:"Next to No Time" 376:Yvonne Buckingham 298:Reginald Beckwith 207:, also known as 200: 199: 993: 861: 854: 847: 838: 824:at Letterbox DVD 787: 786: 764: 758: 757: 736: 730: 729: 711: 705: 704: 692: 686: 685: 683: 681: 666: 660: 659: 648: 642: 641: 633: 627: 626: 614: 608: 607: 596: 590: 589: 588:. 13 March 1957. 578: 572: 571: 559: 550: 549: 547: 545: 531: 484:Law and Disorder 463:Leslie Halliwell 400:Cinematographer 351:as Cabin Steward 273:as Georgia Brent 210:Next to No Time! 166: 164: 33: 21: 1001: 1000: 996: 995: 994: 992: 991: 990: 976:Seafaring films 926: 925: 924: 919: 913:Next to No Time 871: 869:Henry Cornelius 865: 828:Next To No Time 822:Next to No Time 812:Next to No Time 801:Next to No Time 796: 791: 790: 783: 766: 765: 761: 754: 738: 737: 733: 726: 713: 712: 708: 694: 693: 689: 679: 677: 668: 667: 663: 650: 649: 645: 635: 634: 630: 616: 615: 611: 598: 597: 593: 580: 579: 575: 568:Sight and Sound 561: 560: 553: 543: 541: 533: 532: 525: 520: 511:Next to No Time 507: 489:Queen Elizabeth 427: 415:Queen Elizabeth 411: 402:Freddie Francis 392: 387: 334:Raymond Huntley 312:as Becky Wiener 292:Maureen Connell 260: 251: 241:'s short story 215:Henry Cornelius 204:Next to No Time 177: 169: 162: 160: 153: 135: 130: 128: 100:Freddie Francis 88: 63: 54:Henry Cornelius 45:Henry Cornelius 36: 24:Next to No Time 17: 12: 11: 5: 999: 997: 989: 988: 983: 978: 973: 968: 963: 958: 953: 948: 943: 938: 928: 927: 921: 920: 918: 917: 909: 901: 893: 885: 876: 873: 872: 866: 864: 863: 856: 849: 841: 835: 834: 825: 819: 808: 795: 794:External links 792: 789: 788: 781: 759: 752: 731: 724: 706: 687: 675:New York Times 661: 643: 628: 625:. p. 177. 609: 591: 573: 551: 522: 521: 519: 516: 506: 503: 473:Guide to Films 426: 423: 410: 407: 391: 388: 386: 385: 382: 379: 373: 370:Fred Griffiths 367: 364: 358: 352: 346: 345:as greengrocer 340: 337: 331: 325: 319: 313: 307: 301: 295: 289: 283: 280: 274: 268: 261: 259: 256: 250: 247: 198: 197: 194: 190: 189: 188:United Kingdom 186: 182: 181: 178: 175: 172: 171: 168: 167: 156: 154: 151: 148: 147: 141: 140:Distributed by 137: 136: 133: 131: 126: 123: 122: 117: 113: 112: 107: 103: 102: 97: 96:Cinematography 93: 92: 83: 79: 78: 76:Albert Fennell 73: 69: 68: 60: 56: 55: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 998: 987: 984: 982: 979: 977: 974: 972: 969: 967: 964: 962: 959: 957: 954: 952: 949: 947: 944: 942: 939: 937: 934: 933: 931: 915: 914: 910: 907: 906: 905:I Am a Camera 902: 899: 898: 894: 891: 890: 886: 883: 882: 878: 877: 874: 870: 862: 857: 855: 850: 848: 843: 842: 839: 833: 829: 826: 823: 820: 818: 814: 813: 809: 807: 803: 802: 798: 797: 793: 784: 782:0-7134-1874-5 778: 775:p. 352. 774: 770: 763: 760: 755: 753:9780992936440 749: 745: 741: 735: 732: 727: 721: 717: 710: 707: 702: 698: 691: 688: 676: 672: 665: 662: 657: 653: 647: 644: 639: 632: 629: 624: 620: 613: 610: 605: 601: 595: 592: 587: 583: 577: 574: 569: 565: 558: 556: 552: 540: 536: 530: 528: 524: 517: 515: 512: 504: 502: 500: 499:David Quinlan 497: 492: 490: 486: 485: 480: 479: 474: 472: 466: 464: 460: 457: 456:Norman Wisdom 453: 452:Alec Guinness 449: 448: 443: 441: 440: 435: 433: 432: 424: 422: 420: 416: 408: 406: 403: 398: 395: 389: 383: 380: 377: 374: 371: 368: 365: 362: 361:Rupert Davies 359: 356: 353: 350: 347: 344: 341: 338: 335: 332: 329: 326: 323: 320: 317: 314: 311: 308: 305: 302: 299: 296: 293: 290: 288:as Jerry Lane 287: 284: 281: 278: 277:Roland Culver 275: 272: 269: 267:as David Webb 266: 263: 262: 257: 255: 248: 246: 244: 240: 236: 232: 228: 224: 220: 217:and starring 216: 212: 211: 206: 205: 195: 191: 187: 183: 179: 173: 158: 157: 155: 149: 145: 142: 138: 132: 124: 121: 120:Georges Auric 118: 114: 111: 110:Peter R. Hunt 108: 104: 101: 98: 94: 91: 87: 84: 80: 77: 74: 70: 67: 61: 57: 53: 49: 46: 43: 39: 32: 27: 22: 19: 912: 911: 903: 895: 887: 879: 811: 800: 768: 762: 739: 734: 715: 709: 700: 690: 678:. Retrieved 674: 664: 655: 646: 637: 631: 622: 612: 606:. 1993–1994. 603: 594: 585: 576: 567: 542:. Retrieved 538: 510: 508: 495: 493: 488: 482: 477: 468: 467: 461: 445: 444: 437: 436: 429: 428: 414: 412: 399: 396: 393: 349:Sidney James 322:Clive Morton 286:Patrick Barr 265:Kenneth More 252: 242: 239:Paul Gallico 219:Kenneth More 209: 208: 203: 202: 201: 176:Running time 152:Release date 86:Kenneth More 66:Paul Gallico 18: 832:ReelStreets 544:10 November 471:Radio Times 372:as customer 355:Ferdy Mayne 343:Irene Handl 328:John Laurie 310:Bessie Love 271:Betsy Drake 235:Irene Handl 227:John Laurie 223:Betsy Drake 90:Betsy Drake 72:Produced by 41:Directed by 936:1958 films 930:Categories 771:. London: 725:0586088946 518:References 390:Production 304:John Welsh 180:93 minutes 163:1958-09-29 134:Montpelier 127:Production 51:Written by 897:Genevieve 478:Genevieve 324:as Wallis 231:Sid James 106:Edited by 817:AllMovie 582:"London" 357:as Mario 318:as Hobbs 193:Language 170:(London) 116:Music by 82:Starring 59:Based on 701:Filmink 680:26 June 656:Variety 638:Variety 623:Variety 586:Variety 447:Filmink 431:Variety 409:Release 294:as Mary 196:English 185:Country 161: ( 129:company 916:(1958) 908:(1955) 900:(1953) 892:(1951) 884:(1949) 779:  750:  722:  421:film. 505:Notes 806:IMDb 777:ISBN 748:ISBN 720:ISBN 682:2014 546:2023 469:The 419:Rank 258:Cast 249:Plot 233:and 146:(UK) 830:at 815:at 804:at 494:In 64:by 932:: 699:. 673:. 654:. 621:. 602:. 584:. 566:. 554:^ 537:. 526:^ 229:, 225:, 221:, 860:e 853:t 846:v 785:. 756:. 728:. 703:. 684:. 548:. 454:/ 165:)

Index


Henry Cornelius
Paul Gallico
Albert Fennell
Kenneth More
Betsy Drake
Freddie Francis
Peter R. Hunt
Georges Auric
British Lion Film Corporation
Henry Cornelius
Kenneth More
Betsy Drake
John Laurie
Sid James
Irene Handl
Paul Gallico
Kenneth More
Betsy Drake
Roland Culver
Patrick Barr
Maureen Connell
Reginald Beckwith
John Welsh
Bessie Love
Howard Marion-Crawford
Clive Morton
John Laurie
Raymond Huntley
Irene Handl

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑