514:
employers of his ability. “I know I’ve got it in me” the character says in effect, “but when it comes to putting myself over to people, I don’t know how to do it.” In the course of the story. The Little Guy learns how to do it, and becomes a Big Guy. Remembering his own early struggles to convince people of his ability, studying his own development as a man, ever grateful for the success which his ability and determination attained, Cornelius had a passionate belief that his new film, for all its trappings of comedy, would give help and encouragement to the millions of Little Guys who would be given an opportunity to see it. This perhaps serves best to illustrate his overall attitude towards film-making. From boyhood, he saw the medium as a means of disseminating ideas. And the idea that seemed most to excite him is that in our world, The Big Guy is only The Little Guy who has crossed the rubicon by his belief in himself. His death robs the
British cinema of its most serious comedy maker."
404:
called it "a bit of a mess of a film" and said
Cornelius was "a lovely man but a bit of a muddler. And the film didn't make a lot of sense, it needed a bit of stronger direction and by now, unfortunately, one of the problems may have been, by now Kenny More who I liked very much, Kenny More was a bit
253:
David Webb is a mild-mannered
British planning engineer sent across the Atlantic by his firm to negotiate a deal, a task for which he feels hugely out of his depth. However, a friendly barman, with the help of one of his special cocktails, convinces Webb that his personality changes during the hour
513:
was to the writer-director, adding: "A man of acute introspection and self-examination, he identified himself closely with The Little Guy in the story ... The character in the film, played by
Kenneth More, is a planning engineer in a large factory who finds a difficulty in convincing his
31:
458:
type part, as a nerdy engineer who gets brave at certain times of the day – More is always so cheery and confident that the device of the “worm turning” doesn't work. (And why not have him romance Betsy Drake?)"
417:, on which some of the film was shot, while the ship was docked at Southampton. It was released in the US by Rank Distributors of America, the first time that company had distributed a non-
245:. It was the last feature film completed by Cornelius before his death in 1958. The film concerns an underconfident engineer who is helped by the advice of a ship's barman.
475:
gave the film 3/5 stars, writing: "This whimsical comedy was something of a disappointment considering it marked the reunion of director Henry
Cornelius with his
563:
945:
965:
858:
491:
to persuade wealthy Roland Culver to back his latest project. His romantic interest is provided by Betsy Drake, who was then married to Cary Grant."
442:
wrote, "Mr. Cornelius' little frolic is very much like the bubbles cascading around the opening title and credits – thin, transparent and bouncy."
670:
960:
651:
618:
581:
980:
950:
481:
star
Kenneth More. Sadly, it proved to be Cornelius's last picture before his tragically early death the same year during the production of
405:
of a law unto himself and Corny hadn't done anything for a long time. So I've an idea that Kenny may have been a bit too strong for Corny."
780:
751:
723:
955:
851:
143:
985:
970:
483:
498:
940:
888:
975:
844:
534:
394:
In March 1957 Cornelius travelled to the US to look for an
American co-star to appear opposite Kenneth More.
743:
369:
315:
501:
rated the film as "good", writing: "Pleasant, if uneasy mixture of genres. Smiles rather than guffaws."
904:
671:"Movie Review – Next to No Time – Screen: Breezy Charade:' Next to No Time' Bows at Little Carnegie"
935:
880:
696:
438:
430:
303:
30:
805:
776:
747:
719:
375:
297:
254:
when the clocks on the ship are stopped when it enters a new time zone in its progress west.
896:
476:
462:
509:
After
Cornelius' death, a friend of his wrote how "intensely personal, of all this films",
868:
599:
401:
333:
291:
214:
99:
44:
772:
75:
929:
827:
455:
451:
360:
276:
119:
109:
836:
321:
285:
264:
238:
218:
85:
65:
470:
354:
342:
327:
309:
270:
234:
226:
222:
89:
821:
418:
348:
230:
816:
810:
487:. More is curiously out of sorts as an engineer who uses a voyage on the
799:
446:
840:
831:
213:, is a 1958 British colour comedy film written and directed by
619:"Beacoup British Showmanship in Selling Yank and Anglo Pix"
434:
called it "a flimsy comedy" with "impeccable casting".
465:
said: "Whimsical comedy which never gains momentum."
192:
184:
174:
150:
139:
125:
115:
105:
95:
81:
71:
58:
50:
40:
23:
769:British Sound Films: The Studio Years 1928–1959
636:"Rank to Handle Outside British Film in U.S.".
496:British Sound Films: The Studio Years 1928–1959
718:(7th ed.). London: Paladin. p. 724.
852:
8:
413:The film was premiered at the cinema on the
529:
527:
859:
845:
837:
29:
20:
539:British Film Institute Collections Search
397:The film was shot at Shepperton Studios.
570:. Vol. 27, no. 5. p. 262.
523:
697:"Surviving Cold Streaks: Kenneth More"
557:
555:
604:British Entertainment History Project
7:
564:"Henry Cornelius and the Little Guy"
562:Danischewsky, Monja (Summer 1958).
300:as Warren, Sir Godfrey's secretary
62:"The Enchanted Hour" (short story)
14:
946:Films directed by Henry Cornelius
617:Richards, Dick (7 January 1959).
330:as Abercrombie, Scottish Director
966:Films shot at Shepperton Studios
669:Thompson, Howard (28 May 1960).
600:"Interview with Freddie Francis"
381:Valerie Buckley as American girl
695:Vagg, Stephen (16 April 2023).
640:. 19 November 1958. p. 12.
450:argued "More was miscast in an
1:
961:Films scored by Georges Auric
658:. 20 August 1958. p. 10.
144:British Lion Film Corporation
981:1950s English-language films
951:Films based on short fiction
16:1958 film by Henry Cornelius
159:29 September 1958
1002:
740:Radio Times Guide to Films
714:Halliwell, Leslie (1989).
282:Harry Green as Saul Wiener
35:Original UK 1-sheet poster
875:
742:(18th ed.). London:
384:Paul Cole as American boy
28:
767:Quinlan, David (1984).
744:Immediate Media Company
366:Sandra Walden as Hester
716:Halliwell's Film Guide
339:Eleanor Bryan as Susie
316:Howard Marion-Crawford
746:. 2017. p. 656.
378:as Mario's girlfriend
336:as factory supervisor
956:British comedy films
363:as auction organiser
306:as Steve, the barman
279:as Sir Godfrey Cowan
986:1950s British films
971:Films set in London
889:The Galloping Major
881:Passport to Pimlico
867:Films directed by
773:B.T. Batsford Ltd.
439:The New York Times
425:Critical reception
243:The Enchanted Hour
237:. It was based on
941:1958 comedy films
923:
922:
652:"Next to No Time"
535:"Next to No Time"
376:Yvonne Buckingham
298:Reginald Beckwith
207:, also known as
200:
199:
993:
861:
854:
847:
838:
824:at Letterbox DVD
787:
786:
764:
758:
757:
736:
730:
729:
711:
705:
704:
692:
686:
685:
683:
681:
666:
660:
659:
648:
642:
641:
633:
627:
626:
614:
608:
607:
596:
590:
589:
588:. 13 March 1957.
578:
572:
571:
559:
550:
549:
547:
545:
531:
484:Law and Disorder
463:Leslie Halliwell
400:Cinematographer
351:as Cabin Steward
273:as Georgia Brent
210:Next to No Time!
166:
164:
33:
21:
1001:
1000:
996:
995:
994:
992:
991:
990:
976:Seafaring films
926:
925:
924:
919:
913:Next to No Time
871:
869:Henry Cornelius
865:
828:Next To No Time
822:Next to No Time
812:Next to No Time
801:Next to No Time
796:
791:
790:
783:
766:
765:
761:
754:
738:
737:
733:
726:
713:
712:
708:
694:
693:
689:
679:
677:
668:
667:
663:
650:
649:
645:
635:
634:
630:
616:
615:
611:
598:
597:
593:
580:
579:
575:
568:Sight and Sound
561:
560:
553:
543:
541:
533:
532:
525:
520:
511:Next to No Time
507:
489:Queen Elizabeth
427:
415:Queen Elizabeth
411:
402:Freddie Francis
392:
387:
334:Raymond Huntley
312:as Becky Wiener
292:Maureen Connell
260:
251:
241:'s short story
215:Henry Cornelius
204:Next to No Time
177:
169:
162:
160:
153:
135:
130:
128:
100:Freddie Francis
88:
63:
54:Henry Cornelius
45:Henry Cornelius
36:
24:Next to No Time
17:
12:
11:
5:
999:
997:
989:
988:
983:
978:
973:
968:
963:
958:
953:
948:
943:
938:
928:
927:
921:
920:
918:
917:
909:
901:
893:
885:
876:
873:
872:
866:
864:
863:
856:
849:
841:
835:
834:
825:
819:
808:
795:
794:External links
792:
789:
788:
781:
759:
752:
731:
724:
706:
687:
675:New York Times
661:
643:
628:
625:. p. 177.
609:
591:
573:
551:
522:
521:
519:
516:
506:
503:
473:Guide to Films
426:
423:
410:
407:
391:
388:
386:
385:
382:
379:
373:
370:Fred Griffiths
367:
364:
358:
352:
346:
345:as greengrocer
340:
337:
331:
325:
319:
313:
307:
301:
295:
289:
283:
280:
274:
268:
261:
259:
256:
250:
247:
198:
197:
194:
190:
189:
188:United Kingdom
186:
182:
181:
178:
175:
172:
171:
168:
167:
156:
154:
151:
148:
147:
141:
140:Distributed by
137:
136:
133:
131:
126:
123:
122:
117:
113:
112:
107:
103:
102:
97:
96:Cinematography
93:
92:
83:
79:
78:
76:Albert Fennell
73:
69:
68:
60:
56:
55:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
998:
987:
984:
982:
979:
977:
974:
972:
969:
967:
964:
962:
959:
957:
954:
952:
949:
947:
944:
942:
939:
937:
934:
933:
931:
915:
914:
910:
907:
906:
905:I Am a Camera
902:
899:
898:
894:
891:
890:
886:
883:
882:
878:
877:
874:
870:
862:
857:
855:
850:
848:
843:
842:
839:
833:
829:
826:
823:
820:
818:
814:
813:
809:
807:
803:
802:
798:
797:
793:
784:
782:0-7134-1874-5
778:
775:p. 352.
774:
770:
763:
760:
755:
753:9780992936440
749:
745:
741:
735:
732:
727:
721:
717:
710:
707:
702:
698:
691:
688:
676:
672:
665:
662:
657:
653:
647:
644:
639:
632:
629:
624:
620:
613:
610:
605:
601:
595:
592:
587:
583:
577:
574:
569:
565:
558:
556:
552:
540:
536:
530:
528:
524:
517:
515:
512:
504:
502:
500:
499:David Quinlan
497:
492:
490:
486:
485:
480:
479:
474:
472:
466:
464:
460:
457:
456:Norman Wisdom
453:
452:Alec Guinness
449:
448:
443:
441:
440:
435:
433:
432:
424:
422:
420:
416:
408:
406:
403:
398:
395:
389:
383:
380:
377:
374:
371:
368:
365:
362:
361:Rupert Davies
359:
356:
353:
350:
347:
344:
341:
338:
335:
332:
329:
326:
323:
320:
317:
314:
311:
308:
305:
302:
299:
296:
293:
290:
288:as Jerry Lane
287:
284:
281:
278:
277:Roland Culver
275:
272:
269:
267:as David Webb
266:
263:
262:
257:
255:
248:
246:
244:
240:
236:
232:
228:
224:
220:
217:and starring
216:
212:
211:
206:
205:
195:
191:
187:
183:
179:
173:
158:
157:
155:
149:
145:
142:
138:
132:
124:
121:
120:Georges Auric
118:
114:
111:
110:Peter R. Hunt
108:
104:
101:
98:
94:
91:
87:
84:
80:
77:
74:
70:
67:
61:
57:
53:
49:
46:
43:
39:
32:
27:
22:
19:
912:
911:
903:
895:
887:
879:
811:
800:
768:
762:
739:
734:
715:
709:
700:
690:
678:. Retrieved
674:
664:
655:
646:
637:
631:
622:
612:
606:. 1993–1994.
603:
594:
585:
576:
567:
542:. Retrieved
538:
510:
508:
495:
493:
488:
482:
477:
468:
467:
461:
445:
444:
437:
436:
429:
428:
414:
412:
399:
396:
393:
349:Sidney James
322:Clive Morton
286:Patrick Barr
265:Kenneth More
252:
242:
239:Paul Gallico
219:Kenneth More
209:
208:
203:
202:
201:
176:Running time
152:Release date
86:Kenneth More
66:Paul Gallico
18:
832:ReelStreets
544:10 November
471:Radio Times
372:as customer
355:Ferdy Mayne
343:Irene Handl
328:John Laurie
310:Bessie Love
271:Betsy Drake
235:Irene Handl
227:John Laurie
223:Betsy Drake
90:Betsy Drake
72:Produced by
41:Directed by
936:1958 films
930:Categories
771:. London:
725:0586088946
518:References
390:Production
304:John Welsh
180:93 minutes
163:1958-09-29
134:Montpelier
127:Production
51:Written by
897:Genevieve
478:Genevieve
324:as Wallis
231:Sid James
106:Edited by
817:AllMovie
582:"London"
357:as Mario
318:as Hobbs
193:Language
170:(London)
116:Music by
82:Starring
59:Based on
701:Filmink
680:26 June
656:Variety
638:Variety
623:Variety
586:Variety
447:Filmink
431:Variety
409:Release
294:as Mary
196:English
185:Country
161: (
129:company
916:(1958)
908:(1955)
900:(1953)
892:(1951)
884:(1949)
779:
750:
722:
421:film.
505:Notes
806:IMDb
777:ISBN
748:ISBN
720:ISBN
682:2014
546:2023
469:The
419:Rank
258:Cast
249:Plot
233:and
146:(UK)
830:at
815:at
804:at
494:In
64:by
932::
699:.
673:.
654:.
621:.
602:.
584:.
566:.
554:^
537:.
526:^
229:,
225:,
221:,
860:e
853:t
846:v
785:.
756:.
728:.
703:.
684:.
548:.
454:/
165:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.