205:"Nicola Verlato retains a kind of classicism that has traditionally implied conservatism, upholding a neorealist style evocative of Old Master painting, which he puts to use in near-apocalyptic, largely allegorical scenes of soldiers and bodies leaping from crashing vehicles. Verlato appropriates the campy, exaggerated violence common to the High Baroque and contemporary video games to comment on the clash of civilizations played out between polytheism and monotheism, and to underline its consequences for representation: cults of idols (figuration) versus prohibitions on graven images (abstraction). This is an important reminder of the different histories of form and the ideologies that underpin them, whose use depends on local context and other factors."
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he also worked on almost everything that was connected with drawing: stage design, temporary decorations, illustrations, comics, storyboard etc. In 1995, he won an artist residency at
Fondazione Bevilacqua La Masa. Around 28 years old, he started to be involved in contemporary art scene, and, consequentially, to show in numerous gallery in Italy and abroad in solo and group shows. In 1996, Verlato moved to
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His first serious show was at the age of 15 in the town hall of Lonigo, a 3-person show in collaboration with another 2 artists from the same area. After moving to Venice, he began working for the local aristocracy and the affluent foreigners living in the city. During this period, besides painting,
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Nicola
Verlato creates his works through an articulated process that makes use of classical techniques as well as modern technology such as 3D Modeling programs such as
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where he created his well grounded notoriety in Italy. In the same year, he exhibited his work at XII Quadriennale at
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and began painting at a very early age, learning from Fra' Terenzio, a painter in the monastery of
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His works are in the permanent collection at Jack
Helgesen collection (Norway), M.A.R.T. Museum (Treno and Rovereto),
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247:(Castilla and León), ENECO art collection (Netherlands), MUDIMA Foundation (Milan).
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208:ー "Painting Now" by Suzanne Hudson, Thames & Hudson 2015, pg 128-129
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from 1984 to 1990, though he never completed his degree.
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201:His work has been defined by Suzanne Hudson as,
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183:, and an installation exhibited at the 2009
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284:NICOLA VERLATO From Verona with Rage
171:and internationally, including the
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459:20th-century Italian male artists
155:In 2004, Verlato relocated from
250:His work has been published in
404:21st-century American painters
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424:21st-century Italian painters
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121:. He studied architecture at
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151:United States (2004–present)
16:American painter (born 1965)
109:Nicola Verlato was born in
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296:, New York Academy of Art,
187:in the Italian Pavilion.
138:Early career (1980–2004)
105:Early life and education
165:New York Academy of Art
99:Los Angeles, California
449:American male painters
384:Interview with Verlato
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419:Italian male painters
319:www.comune.venezia.it
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177:Museum of Modern Art
434:Artists from Verona
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362:"Prague Biennale"
268:Artpulse magazine
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301:References
294:The Figure
274:and more.
234:Mark Ryden
214:Erwin Olaf
39:1965-02-19
290:, (2013).
256:Flash Art
133:Biography
67:Education
260:Juxtapoz
236:, and
79:Painter
61:Italian
196:ZBrush
127:Venice
115:Lonigo
111:Verona
85:Awards
245:MUSAC
157:Milan
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194:and
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