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man's movements it almost gives the piece a minstrel quality. Miller has said about the piece herself that " became very excited by the prospect of having a figure of authority—a conductor—who is also a performer that refuses to be placed in any one instant of any recognizable character." This statement also sheds light to the idea that this piece is supposed to make you feel, and you could potentially relate it back to its
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quality, in that the minstrels of reconstruction, took away the identity of the
African American people as whole, blanketing them as one group, and one way. But this piece is in a direct opposition to that America, as the Conductor refuses to be placed in one character, reclaiming power over self and
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t-shirt moves in a way such to act as if conducting a musical piece. The silence of the piece however, gives "The
Conductor" another life, beyond just how you feel when you watch a man conducting silence. The silence creates a call back to silent movies, and even farther with the animation behind the
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Overall Miller's works speak to ideas of race, and the place of racial history in today's world. Her pieces often have people speaking to past events, watching an event happen over something (a structure), or are a call back to the past in some way. All with deep roots in her
African American
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Miller uses film and installations to explore the transformative capabilities of the moving image to reconstruct interpretations of self and culture. Her videos focus on the interplay between preconception and reality in terms of
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the identity of a culture in a way. The idea that a conductor belongs within a structure can also be seen as a metaphor for culture. A lot of Miller's works speak to a self with in structure or as a part of a structure.
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identity. The result of her work transforms into a powerful storytelling tool wielded for the possible reconstitution of lost histories and identities.
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Smith, Roberta. "A Beating Heart of Social Import." New York Times, Late
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art museum. In 2014, Miller completed an 18-month project entitled "Believing is Seeing" with The Los
Angeles County Museum of the Arts.
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Ollman, Leah. "AROUND THE GALLERIES; Negative Side of Venice." Los
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Miller has also been the recipient of many awards. She received the Louis
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and Rema Hort Mann
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is a piece that speaks to a spectrum of emotion. The piece is silent, as an
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Additionally, she has participated in major museum exhibitions such as
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Miller's works have also been featured in the collections of the
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and at LAXART in Los
Angeles. Her work has also been featured at
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culture, and ideas surrounding "self" and structure.
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Artist who lives and works in Los
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