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Another important artist, Lorenzo di Niccolò di
Martino, trained in Niccolò di Pietro Gerini's workshop and later collaborated with him, but was not his son as is sometimes erroneously stated. Gerini did have a son named Bindo di Niccolo di Pietro Gerini, born in 1363, who was registered as a member
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Guild (Guild of
Doctors and Apothecaries, which included painters until 1378) in Florence. Niccolo worked mainly in Florence, although he also carried out commissions in Rome at the Vatican, and in Pisa and Prato.
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although he also carried out commissions in Pisa and Prato. He was not an innovative painter but relied on traditional compositions in which he placed his figures in a stiff and dramatic movement.
200:. This fresco clearly shows the work of two very different artists: Niccolò di Pietro Gerini (design and very fine painting) and Jacopo di Cione (broadly painted saints and side decoration).
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185:(for the design of the altarpiece) in November of the same year. In addition to the altarpiece, he designed the elaborate throne canopy, while Jacopo di Cione actually produced the piece.
196:) in 1372. It was commissioned by the mint of Florence Zecca Vecchia that same year. In 1383 Gerini again worked with Cione on a fresco of the Annunciation in the Palazzo dei Priori,
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on frescoes for the Guild hall of the Judges and
Notaries in Florence in 1366. He is the
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Gerini's father, Pietro Geri, was registered as a member of the
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in the same city, depicting scenes from the life of Christ.
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Between 1391 and 1392 he worked in Prato where he frescoed
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who worked with Jacopo di Cione on the altarpiece of the
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370:14th-century people from the Republic of Florence
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92:1340 – 1414) was an Italian painter of the late
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203:In 1386 Niccolò frescoed the façade of the
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161:Gerini is recorded as collaborating with
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181:in 1370. He was paid 12 golden florins
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138:of the Guild of Saint Luke in 1408.
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288:is in London, National Gallery.
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211:in Milano and executed a
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329:Niccolò di Pietro Gerini
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104:Early life and family
331:at Wikimedia Commons
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