122:. "I had some amazing character studies of people, very spot on,” she says. “What it brought home was how old fashioned it was up there, because I'm from the north of England as well. It was quite interesting to look at real stuff and it was a hard brief for myself, because they're real clothes and not particularly theatrical enough." She welcomed the opportunity to design for chorus members who were not typical characters in musicals, and liked working with the vibrant colors of the era. "What we wear nowadays is far more muted than what was available then," she said. "I really enjoyed putting a terrible sweater onstage. You look at it and you know it's dead right, no matter how awful it is."
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