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and getting a BFA in
Theatre. She acted in Los Angeles in both theatre and film before taking an eight-year hiatus when she lived and worked in Central and Eastern Europe. After returning to the United States, she began to work in theatre and film in New York and founded Nicu's Spoon Theatre in 2001.
218:
Stephanie Barton-Farcas (born
Stephanie Melissa French) is the artistic director. She has worked extensively in theater in Los Angeles and New York City and was the co-founder of Nicu's Spoon Theater Company in 2001. She has more than twenty years experience as an actress. Barton-Farcas began her
257:"Theatre practitioners such as Stephanie Barton-Farcas demonstrate inclusion and accommodation reflecting the social model through the ways in which they take responsibility for providing accessible materials and physical space, and how they value differences as strengths in a diverse world".
227:
She sits on the board of Nicu's Spoon as well as on the board of
Identity Theater Company in NYC. She has guest lectured on Inclusion in the Arts for many universities as well as groups including Accessibility New York and the
1122:
43:. The company works with actors regardless of age, ability, gender, color or ethnicity and seeks to challenge stereotypes and expectations. Nicu's Spoon was the first fully inclusive company in
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254:. as well as being a contributor to "Applied Theatre with Youth, Education, Engagement, Activism" by Routledge Press in 2021, authoring the chapter on youth with disabilities.
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Community Fund for "excellence in programming for the diverse city of New York". It also won a 2004 OOBR award for its production of
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In 2013 and 2014 they were followed for six months for a documentary film produced by The School of Visual Arts in NYC, called
168:
897:
Unlocking Doors: Inclusive
Leadership in Stage Management pp.15, Columbia University, Caitlyn Annalise Dominquez April 8, 2019
622:
20:
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Denton, Rochelle. "Darren
Fudenske, Buried Child", NYTheater Voices Interview, September 25, 2006, retrieved October 6, 2006
30:
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Marmor, Jessica. "Not So
Ordinary People", Columbia School of Journalism, November 1, 2004, retrieved October 6, 2006
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As artistic director of Nicu's Spoon
Theatre Company, she has received a range of reviews. The 2007 production of
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as well as over forty-five new plays in their years of their new plays reading series. They produced the
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952:"Leave No Trace" (Though Invisible to Most) An Examination of Social Work Skill at Its Best
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623:"Ep 445 Off-Broadway Play "A Kite Cut Loose In The Middle Of The Sky/Plus Party Tonight"
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with its double-casting of the lead role was called "a disjointed production" by
47:. Nicu's Spoon are also co-founders of the Disability in Cinema Coalition (DCC).
1040:
Review Fix
Exclusive: Interview with 'Bad Seed' Director Stephanie Barton-Farcas
364:
219:
theatrical career as a child actor in the
Pacific Northwest, later studying at
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747:
465:"Off-Off-Broadway Company Plans Richard III with All Differently Abled Actors"
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List of
California Institute of the Arts people § School of Theater Arts
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Off-Off-Broadway Company Plans Richard III with All Differently Abled Actors
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Barton-Farcas, Stephanie. "Why Aren't you Working with Disabled Artists?",
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Her written work is often on the subject of inclusive theatre, including
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but also hailed for the convention "it worked particularly well here."
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491:"Theatre Artists With Disabilities Are Ready, Willing, and, Yes, Able"
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Disability & Theatre: A Practical Manual for Inclusion in the Arts
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by Nancy Gilsenan (from the book by Judith Guest); Elizabeth Egloff's
19:
1072:"New York Innovative Theatre Guest Blogger Stephanie Barton-Farcas"
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Theatre Artists With Disabilities Are Ready, Willing, and, Yes, Able
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in Hawaii at the University of Hilo in 2019, and two virtual plays
867:
Brenner, Lisa S.; Ceraso, Chris; Cruz, Evelyn Diaz (22 July 2021).
945:
Stephanie Barton-Farcas - Routledge & CRC Press Author Profile
748:"Diversity and Inclusion in the Arts Guest Lecture March 19, 2018"
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1002:
Disabled Actors in NYC - Theater Scene New York Broadway Review
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Full of IT: Guest Blogger of the Week: Stephanie Barton-Farcas
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772:"USITT Offers Accessibility & Diversity Sessions for 2016"
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Nicu's Spoon productions began in 2001 with the original work
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18:
870:
Applied Theatre with Youth: Education, Engagement, Activism
387:"TIBET DOES NOT EXIST Runs At Spoon Theatre 4/8 - 4/26"
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They have presented world premieres of original works,
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How the Day Runs Down, reviewed by Jody Christopherson
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A Life in Art ep 33 Interview Stephanie Barton-Farcas
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Disability organizations based in the United States
275:"Nicu's Spoon Stirs Nontraditional Plays and Casts"
936:A Life in Art ep 33 May 18 Stephanie Barton-Farcas
103:by Ric Cummins and John Scoullar; Mark Medoff's
786:"The New York Sun - A Voice Apart For Richard"
230:United States Institute for Theatre Technology
1015:Richard III with all Differently Abled Actors
843:Acting & Auditioning for the 21st Century
252:Acting & Auditioning for the 21st Century
59:, and was followed with a 2002 production of
8:
413:"This Lame King Has Another Self to Lean On"
304:"An Actor Uses His Second Language: Speech"
198:The company was the recipient of the 2006
137:, which after its run moved to New York's
1042:'Interview with Stephanie Barton-Farcas"
926:Backstage Magazine" reprinted on ADA site
517:"Shakespeare Cast Party by Royal Command"
158:A Kite Cut Loose in the Middle of the Sky
991:"Playbill interview about Richard III"
928:, May, 2006, retrieved October 6, 2006.
489:Considine, Allison (October 20, 2015).
437:Collins-Hughes, Laura (July 23, 2007).
265:
141:in August 2008 for a one-month limited
65:. Others works include Eric Overmyer's
974:Considine, Allison (October 20, 2015)
965:Spotlight On...Stephanie Barton-Farcas
800:"Theatre: Richard III at Nicu's Spoon"
706:"2008 IT Award Winners are Announced"
569:"You could die laughing at this play"
67:In Perpetuity Throughout the Universe
7:
894:Dominguez, Caitlyn Annelise (2019).
515:Genzlinger, Neil (August 18, 2008).
463:Viagas, Robert (September 1, 2015).
351:"National Disability Center listing"
302:McElroy, Steven (October 15, 2006).
987:Viafas, Robert (September 1, 2015)
950:Smullens, SarahKay (October 2018).
681:"2004 OOBR Award Winners Announced"
1133:Theatre companies in New York City
632:. October 23, 2008. Archived from
273:Horwitz, Simi (January 11, 2004).
14:
840:Barton-Farcas, Stephanie (2018).
813:Barton-Farcas, Stephanie (2017).
679:Murray, Matthew (June 10, 2004).
567:Martinez, Gina (April 12, 2015).
1088:
1075:NYITA Awards Inclusion Spotlight
963:Block, Michael (April 5, 2015).
846:. Routledge Press. p. 206.
819:. Routledge Press. p. 232.
760:from the original on 2021-12-19.
385:Loki, Reynard (March 10, 2009).
149:in 2015, and Maxwell Anderson's
16:Theatre company in New York City
1029:"How the Day Runs Down Review"
900:(Thesis). Columbia University.
593:Miller, Marc (April 10, 2011).
411:Saltz, Rachel (July 21, 2007).
169:The Importance of Being Earnest
1:
610:Last Updated: August 14, 2012
365:"Disability Cinema Coalition"
290:Last Updated: March 25, 2013
934:Ovalles, Henry (May 2016).
439:"A Voice Apart for Richard"
123:Tales of the Lost Formicans
1154:
947:; Routledge Author profile
734:"Identity Theatre Company"
145:engagement; Peter Barnes'
1068:Barton-Farcas, Stephanie
1004:"Disabled Actors in NYC"
981:American Theatre Magazine
856:– via Google Books.
829:– via Google Books.
659:"Two and Twenty Troubles"
128:Shakespeare's Richard III
1065:"CalArts Theater Alumni"
1054:'Elizabeth Rex Returns"
816:Disability & Theatre
1019:All the World's a Stage
188:Two and Twenty Troubles
97:; a play adaptation of
89:; a play adaptation of
720:"Spoontheater Website"
131:in 2007 and 2015, and
121:; Constance Congdon's
23:
1052:Elizabeth Rex Returns
1025:Christopherson, Jodi
957:The New Social Worker
62:To Kill a Mockingbird
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1038:Hickey, Patrick Jr.
906:10.7916/d8-eqqe-ta96
175:Dancing at Llughnasa
72:Nineteen Eighty-Four
1045:ReviewFix Exclusive
1000:Linnehan, Nicholas
204:New York University
200:Thom Fluellen Award
107:; Gary Henderson's
1128:Disability theatre
969:Theatre in the Now
521:The New York Times
417:The New York Times
308:The New York Times
31:inclusion-oriented
24:
1050:Fox, Jenna Tesse
1032:NY Theatre Review
548:. August 22, 2008
214:Artistic director
163:Vagina Monologues
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232:(USITT).
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753:YouTube
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