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viewer when it happens, a bombardment of visions that feel like a wet dream of David Lynch or
Cronenberg with plenty of drug use. In a way they are similar to pop videos on music channels, only without the dreadful music. And with images of blood or people being killed. They are all accompanied by a brooding and engaging score. Matching the imagery the soundtrack enhances the stylized vibe set throughout the entire feature. It creates a vibe that adds to what Night Kaleidoscope is trying to accomplish, namely a low budget horror that is rich in style.... Although at times it does feel like something else is needed to try and match the impressive visuals and style of the movie. The story doesn’t take up much of what is happening."
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daytime and nighttime sequences: when the sun is up, the camerawork is still and the cutting mostly calm; at night, when the wild things come out to play, the shots become jittery and chaotic, the editing reminiscent of a late-period Tony Scott film with its rapid-fire jump cuts and changes in film stock.......The film, for sure, has style to burn, but its problems mostly arise in the story department. Too often, (it) seems torn between pursuing the psychedelic abstraction conjured up by its title and telling a standard, if pulpy, good-versus-evil tale....“
207:), a police officer who needs Fion's help in tracking down the vampire couple responsible - Carrie and Lewis (Kitty Colquhoun and Jason Harvey). Although accustomed to working by himself, Fion is approached by Isobel, the girlfriend of one of the victims of the vampires. Together, and with the help of Harry (Robert Williamson), who supplies Fion with a drug that helps to induce his visions, they work.
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FilmThreat: “...Night
Kaleidoscope looks and sounds incredible – especially considering that it was reportedly shot in just a single week around a few city blocks in Edinburgh. McPhee, who also serves as cinematographer, lends the film an attractively moody color palette and a distinct flavor for its
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InfernalCinema: "...a sleek and ultra stylish vampire flick that does leave other aspects behind in favour of its pursuit of some alluring and eye catching cinema.Throughout the entirety of Night
Kaleidoscope it is loaded with bursts of footage and images that are all disturbing. It overwhelms the
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Night
Kaleidoscope was shot in 5 days for £4,000. It was one of three micro-budget films McPhee worked on over the space of a month in December 2013 and January 2014 (the other two were Take It Back and Start All Over Again and
195:. It follows psychic investigator, Fion (Patrick O’Brien), who has been hired by the local police to track down a pair of vampires responsible for a spate of murders.
220:). All three had the same ethos and guidelines - to be made for under $ 6,000 and to use the opportunity of this micro-budget as a way to experiment.
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Fion is a gifted psychic, a trait passed down the generations from his father and grandfather. He is called to the scene of a murder by
Pollock (
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488:"Review Fix Exclusive: Grant McPhee Talks 'Night Kaleidoscope' And More - Review Fix"
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The film was released in 2017 on VHS, DVD and
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Kaleidoscope premiered at the Days of the Dead convention in February 2017.
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513:"Vampire Film 'Night Kaleidoscope' Now Streaming on Amazon | Horror Geek Life"
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The soundtrack of the film by Alec Cheer was released on cd by
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is a 2017 micro-budget psychedelic vampire horror directed by
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254:in the US
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658:2017 films
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619:2021-03-28
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571:2018-08-29
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523:2018-06-19
498:2018-06-19
492:Review Fix
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451:References
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396:Nominated
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211:Production
164:83 minutes
148:2017-02-04
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177:Language
172:Scotland
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180:English
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