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Nikolaos Tzafouris

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Historians have records of the painter's activities in Crete between 1487 and 1501 involving economic affairs. In 1492, he worked with famous Greek painter Georgios Vlastos and the sculptor Nikolaos Varvarigos. The artists worked on a Catholic church in
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tradition but also exhibited qualities of Byzantine paintings and frescos. Many Cretan painters began to adopt a style mixing Byzantine and Italian techniques. One work executed by Nikolaos Tzafouris was a
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and may have trained with him. He returned to Crete towards the end of his life where he had a successful workshop. His workshop mass-produced icons.
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called Pala D'altare. Regrettably, nothing from the church survived. The existing documents notate Tzafouris had a workshop in
151:. The painting exhibits a combination of Byzantine and Italian styles. Another notable painter in Crete around the same time was 906: 985: 850: 781: 842: 322: 1060: 1055: 953: 930: 612: 1065: 1001: 665: 658: 826: 269: 205: 898: 881: 873: 858: 834: 801: 265: 217: 148: 178: 196: 221:
which was considered the Italian style and was the standard for the next hundred years. He also emulated
586:"From Domestic Devotion to the Church Altar: Venerating Icons in Late Medieval and Early Modern Adriatic" 756: 189:. The artist traveled to Venice to continue his painting education. He was exposed to the works of 766: 167: 1024: 818: 776: 771: 705: 241:
around 1501. Tzafouris was mentioned in a will found in Venetian archives on February 23, 1537.
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Catalog of Nikolaos Tzafouris Signed and Attributed Works with Detailed Analysis (Greek)
523: 423: 786: 720: 710: 152: 105: 1044: 751: 746: 730: 681: 209: 120: 93: 132: 17: 791: 238: 234: 695: 254: 171: 602: 585: 237:. Tzafouris painted religious themes for local churches. He died in 230: 635:Ο Κρητικός Ζωγράφος Νικόλαος Τζαφούρης Ενυπόγραφα και Αποδιδόμενα Εργα 411:. Athens, GR: Center for Modern Greek Studies E.I.E. pp. 292–294. 650: 113: 112:; 1468–1501), also Niccolo, Niccolò, Niccolö, Zafuri, Zafuris, was a 646:. Ioannina Greece: The University of Ioannina Philosophical School. 458: 456: 195: 166: 144: 73: 58: 245: 654: 443: 441: 264:. Another example of signed icon from Nikolaos Tzafouris, 562:
Hatzidakis, Manolis & Drakopoulou, Eugenia (1997).
143:. Tzafouris was one of the most respected artists in 579:. Athens, GR: Center for Modern Greek Studies E.I.E. 568:. Athens, GR: Center for Modern Greek Studies E.I.E. 557:. Athens, GR: Center for Modern Greek Studies E.I.E. 1012: 810: 739: 688: 89: 81: 66: 51: 32: 576:Greek painters after the fall (1450-1830) Volume C 565:Greek painters after the fall (1450-1830) Volume B 554:Greek painters after the fall (1450–1830) Volume A 409:Greek painters after the fall (1450–1830) Volume A 159:, thirteen paintings are attributed to Tzafouris. 185:Nikolaos was born in Crete. He was influenced by 424:"Ζαφούρης (Τζαφούρης, Zafuri) Νικόλαος (Nicolo)" 500:"Ashmolean Museum Brief Bio Nikolaos Tzafouris" 462: 666: 8: 119:painter. He was one of the founders of the 258:Pietà with Saints Francis and Mary Magdalen 970:Beheading of John the Baptist (Damaskinos) 673: 659: 651: 447: 40: 29: 617:. United Kingdom: Yale University Press. 601: 422:Eugenia Drakopoulou (November 5, 2021). 225:'s Pieta which was also heavily copied. 175:Deposition, Lamentation and Resurrection 399: 279: 962:The Last Judgement Triptych (Klontzas) 215:He painted a new style Madonna called 7: 426:. Institute for Neohellenic Research 939:Adoration of the Kings (Damaskinos) 915:Dormition of the Virgin (El Greco) 584:Voulgaropoulou, Margarita (2020). 25: 1030:Institute of Neohellenic Research 994:Vision of the Apocalypse (Bathas) 157:Institute of Neohellenic Research 907:Adoration of the Magi (El Greco) 369: 357: 345: 333: 321: 309: 297: 282: 248:survive. His works followed the 986:Stoning of Stephen (Damaskinos) 340:Virgin and Child and St Francis 1: 943: 863: 611:Richardson, Carol M. (2007). 573:Drakopoulou, Eugenia (2010). 534: 486: 474: 110:Νικόλαος Ζαφούρης η Τζαφούρης 46:Madre della Consolazione 1490 954:The Last Supper (Damaskinos) 931:In Thee Rejoiceth (Klontzas) 551:Hatzidakis, Manolis (1987). 407:Hatzidakis, Manolis (1987). 147:. His most notable work is 1071:15th-century Greek painters 1051:Cretan Renaissance painters 1002:Portrait of Gabriel Severus 268:, is in the collection of 1087: 827:Saint Anne with the Virgin 632:Mantas, Apostolos (2018). 524:Metropolitan Museum of Art 270:Metropolitan Museum of Art 260:which can be found at the 206:Metropolitan Museum of Art 1020:Hellenic Institute Venice 899:Madonna of Constantinople 890:Nursing Madonna and Child 109: 39: 27:Greek Renaissance painter 882:Madre della Consolazione 874:Christ Bearing the Cross 859:The Crucifixion (Pavias) 802:Nikolaos Philanthropinos 614:Locating Renaissance Art 266:Christ Bearing the Cross 218:Madre della Consolazione 202:Christ Bearing the Cross 149:Madre della Consolazione 127:. His works influenced 123:. He was influenced by 204:by Nikolaos Tzafouris, 181:, between 1489 and 1501 179:National Museum, Warsaw 177:by Nikolaos Tzafouris, 851:Jesus Hominum Salvator 212: 182: 843:The Virgin Pantanassa 782:Antonios Papadopoulos 757:Theophanes the Cretan 304:triptych Resurrection 199: 170: 689:Principal proponents 328:Lamentation of Jesus 316:triptych Lamentation 155:. According to the 1061:16th-century deaths 1056:15th-century births 767:Ioannis Permeniates 603:10.3390/rel10060390 463:Voulgaropoulou 2020 244:Five of his signed 1066:Byzantine painters 1025:Manolis Hatzidakis 819:The Virgin Eleousa 777:Nikolaos Lampoudis 772:Angelos Pitzamanos 726:Nikolaos Tzafouris 706:Michael Damaskinos 682:Cretan Renaissance 465:, pp. 213–15. 213: 183: 141:Theodoros Poulakis 102:Nikolaos Tzafouris 34:Nikolaos Tzafouris 1038: 1037: 762:Frangos Katelanos 716:Angelos Akotantos 701:Georgios Klontzas 187:Angelos Akotantos 137:Georgios Klontzas 125:Angelos Akotantos 99: 98: 18:Nikolaos Zafouris 16:(Redirected from 1078: 978:Virgin Nikopoios 948: 947: 1587–1591 945: 868: 867: 1440–1512 865: 675: 668: 661: 652: 647: 645: 628: 607: 605: 580: 569: 558: 538: 535:Hatzidakis, 1987 532: 526: 521: 515: 514: 512: 511: 502:. Archived from 496: 490: 487:Hatzidakis, 1987 484: 478: 475:Hatzidakis, 1987 472: 466: 460: 451: 445: 436: 435: 433: 431: 419: 413: 412: 404: 376:Virgin and Child 373: 361: 349: 337: 325: 313: 301: 286: 262:Ashmolean Museum 191:Giovanni Bellini 111: 44: 30: 21: 1086: 1085: 1081: 1080: 1079: 1077: 1076: 1075: 1041: 1040: 1039: 1034: 1008: 946: 923:Modena Triptych 866: 835:Christ the Vine 806: 797:Nikolaos Ritzos 735: 684: 679: 643: 631: 625: 610: 583: 572: 561: 550: 547: 542: 541: 533: 529: 522: 518: 509: 507: 498: 497: 493: 485: 481: 473: 469: 461: 454: 450:, pp. 200. 448:Richardson 2007 446: 439: 429: 427: 421: 420: 416: 406: 405: 401: 396: 384: 377: 374: 365: 362: 353: 350: 341: 338: 329: 326: 317: 314: 305: 302: 293: 287: 278: 165: 129:Emmanuel Tzanes 77: 71: 62: 56: 47: 35: 28: 23: 22: 15: 12: 11: 5: 1084: 1082: 1074: 1073: 1068: 1063: 1058: 1053: 1043: 1042: 1036: 1035: 1033: 1032: 1027: 1022: 1016: 1014: 1010: 1009: 1007: 1006: 998: 990: 982: 974: 966: 958: 950: 935: 927: 919: 911: 903: 895: 886: 878: 870: 855: 847: 839: 831: 823: 814: 812: 808: 807: 805: 804: 799: 794: 789: 787:Ioannis Apakas 784: 779: 774: 769: 764: 759: 754: 749: 743: 741: 737: 736: 734: 733: 728: 723: 721:Andreas Ritzos 718: 713: 711:Andreas Pavias 708: 703: 698: 692: 690: 686: 685: 680: 678: 677: 670: 663: 655: 649: 648: 629: 623: 608: 581: 570: 559: 546: 543: 540: 539: 527: 516: 491: 479: 467: 452: 437: 414: 398: 397: 395: 392: 391: 390: 383: 380: 379: 378: 375: 368: 366: 363: 356: 354: 351: 344: 342: 339: 332: 330: 327: 320: 318: 315: 308: 306: 303: 296: 294: 288: 281: 277: 274: 164: 161: 153:Andreas Pavias 97: 96: 91: 87: 86: 83: 79: 78: 72: 68: 64: 63: 57: 53: 49: 48: 45: 37: 36: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1083: 1072: 1069: 1067: 1064: 1062: 1059: 1057: 1054: 1052: 1049: 1048: 1046: 1031: 1028: 1026: 1023: 1021: 1018: 1017: 1015: 1011: 1004: 1003: 999: 996: 995: 991: 988: 987: 983: 980: 979: 975: 972: 971: 967: 964: 963: 959: 956: 955: 951: 941: 940: 936: 933: 932: 928: 925: 924: 920: 917: 916: 912: 909: 908: 904: 901: 900: 896: 893: 892:(Permeniates) 891: 887: 884: 883: 879: 876: 875: 871: 861: 860: 856: 853: 852: 848: 845: 844: 840: 837: 836: 832: 829: 828: 824: 821: 820: 816: 815: 813: 809: 803: 800: 798: 795: 793: 790: 788: 785: 783: 780: 778: 775: 773: 770: 768: 765: 763: 760: 758: 755: 753: 752:Markos Bathas 750: 748: 747:Thomas Bathas 745: 744: 742: 740:Other artists 738: 732: 731:Michael Fokas 729: 727: 724: 722: 719: 717: 714: 712: 709: 707: 704: 702: 699: 697: 694: 693: 691: 687: 683: 676: 671: 669: 664: 662: 657: 656: 653: 641: 637: 636: 630: 626: 624:9780300121889 620: 616: 615: 609: 604: 599: 595: 591: 587: 582: 578: 577: 571: 567: 566: 560: 556: 555: 549: 548: 544: 536: 531: 528: 525: 520: 517: 506:on 2014-08-21 505: 501: 495: 492: 488: 483: 480: 476: 471: 468: 464: 459: 457: 453: 449: 444: 442: 438: 425: 418: 415: 410: 403: 400: 393: 389: 388:Maniera greca 386: 385: 381: 372: 367: 360: 355: 348: 343: 336: 331: 324: 319: 312: 307: 300: 295: 292: 285: 280: 275: 273: 271: 267: 263: 259: 256: 251: 250:maniera greca 247: 242: 240: 236: 232: 226: 224: 220: 219: 211: 210:New York City 207: 203: 198: 194: 192: 188: 180: 176: 173: 169: 162: 160: 158: 154: 150: 146: 142: 138: 134: 130: 126: 122: 121:Cretan School 118: 115: 107: 103: 95: 94:Cretan School 92: 88: 84: 80: 75: 69: 65: 60: 54: 50: 43: 38: 31: 19: 1000: 992: 984: 976: 968: 960: 952: 937: 929: 921: 913: 905: 897: 889: 880: 872: 857: 849: 841: 833: 825: 817: 725: 639: 634: 613: 593: 589: 575: 564: 553: 545:Bibliography 537:, p. 292-294 530: 519: 508:. 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Index

Nikolaos Zafouris

Crete
Crete
Cretan School
Greek
Greek
Renaissance
Cretan School
Angelos Akotantos
Emmanuel Tzanes
Elias Moskos
Georgios Klontzas
Theodoros Poulakis
Crete
Madre della Consolazione
Andreas Pavias
Institute of Neohellenic Research

triptych
National Museum, Warsaw
Angelos Akotantos
Giovanni Bellini

Metropolitan Museum of Art
New York City
Madre della Consolazione
Bellini
Nafplio
Heraklion

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