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is a compound musical interval spanning 15 semitones, or 3 semitones above an octave. Enharmonically equivalent to a compound minor third, if transposed into a single octave, it becomes a minor third or major sixth.
502:
equivalent to an augmented octave). If transposed into a single octave, it becomes a minor second or major seventh. The minor ninth is rather dissonant in sound, and in
European classical music, often appears as a
869:, p.32. Ginn and Company. "In major keys the dominant ninth is usually major, though occasionally it is chromatically altered to a minor. In minor keys a similar chromatic change from minor to major takes places."
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51:
710:
Three types of ninth chords may be distinguished: dominant (9), major (M9), and minor (m9). They may easily be remembered as the chord quality of the seventh does not change with the addition of the second
377:, or an octave plus 2 semitones. If transposed into a single octave, it becomes a major second or minor seventh. The major ninth is somewhat dissonant in sound.
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551:, 'Black Mass' is based around the interval of a minor ninth, creating an uncomfortable and harsh sound. Several of
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498:(m9 or -9) is a compound musical interval spanning 13 semitones, or 1 semitone above an octave (thus it is
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555:'s works open with a striking gesture that includes the interval of a minor 9th, either as a chord:
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466: in this section. Unsourced material may be challenged and removed.
16:
This article is about the musical interval. For the ordinal of 9, see
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Like the second, the interval of a ninth is classified as a
389:
sound a major ninth lower than written. These include the
420:
When baritone/euphonium or trombone parts are written in
17:
291:. Since a ninth is an octave larger than a second, its
741:) is a dominant seventh plus a major or minor ninth.
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511:wrote a study in minor 9ths for piano. The fourth
846:Complete Idiot's Guide to Solos and Improvisation
529:is constructed to feature prominent notes of the
540:Schumann, Faschingsschwank Intermezzo, bars 1-4
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891:
726:+ ninth = dominant ninth chord 0 4 7 e + 2 =
8:
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373:is a compound musical interval spanning 14
337:. Unsourced material may be challenged and
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730:+ ninth = major ninth chord 0 3 7 t + 2 =
482:Learn how and when to remove this message
357:Learn how and when to remove this message
819:
817:
823:Bruce Buckingham, Eric Paschal (2001).
767:
533:a minor ninth above the accompaniment:
166:
64:
7:
799:McCormick, Scott (18 January 2019).
464:adding citations to reliable sources
335:adding citations to reliable sources
801:"The Lush World of Eleventh Chords"
715:, which is a major second in both
637:Dominant seventh sharp ninth chord
14:
867:Practical Lesson Plans in Harmony
825:Rhythm Guitar: The Complete Guide
594:Movements for Piano and Orchestra
576:Capriccio for Piano and Orchestra
1926:
573:; or as an upward melodic leap:
440:
307:
295:level is considered less dense.
779:An Introduction to Tonal Theory
451:needs additional citations for
1:
413:when written in treble clef (
734:+ ninth = minor ninth chord
1548:septimal chromatic semitone
657:Dominant ninth chord on C.
585:Symphony in Three Movements
47:Major ninth interval on C.
32:. For the 2011 albums, see
1977:
1554:septimal diatonic semitone
1342:(Numbers in brackets refer
646:
34:Ninth (Peter Murphy album)
30:Symphony No. 9 (Beethoven)
15:
1924:
1344:to fractional semitones.)
1337:24-tone equal temperament
913:
865:Helen S. Leavitt (1916).
526:Faschingsschwank aus Wien
221:12-Tone equal temperament
132:12-Tone equal temperament
38:Ninth (The Gazette album)
695:Minor ninth chord on C.
676:Major ninth chord on C.
28:. For the symphony, see
1932:List of pitch intervals
1670:Subminor and supermajor
1609:minor diatonic semitone
1519:refer to pitch ratios.)
844:Michael Miller (2004).
428:they sound as written.
387:transposing instruments
1730:Undecimal quarter tone
707:
688:
669:
624:
612:Augmented ninth on C.
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1725:Septimal quarter tone
1536:septimal quarter tone
781:, p.74. W.W. Norton.
737:The dominant ninth (V
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24:. For the curse, see
20:. For the chord, see
1912:Incomposite interval
1665:Pythagorean interval
1517:(Numbers in brackets
1025:(Numbers in brackets
460:improve this article
331:improve this section
1695:Pythagorean apotome
1542:septimal third tone
169:
67:
1961:Compound intervals
1808:Septimal semicomma
775:Westergaard, Peter
708:
689:
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625:
549:Piano Sonata No. 9
545:Alexander Scriabin
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415:British brass band
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60:
26:Curse of the ninth
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1750:Pythagorean comma
1690:Pythagorean limma
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1584:supermajor fourth
1560:supermajor second
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1027:are the number of
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854:978-1-59257-210-6
833:978-0-7935-8184-9
787:978-0-393-09342-1
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269:consisting of an
235:Cmaj9 chord (see
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1968:
1930:
1929:
1820:Septimal kleisma
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1590:subminor seventh
1572:supermajor third
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1512:Just intonations
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751:Augmented octave
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1956:Seconds (music)
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1788:Septimal diesis
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629:augmented ninth
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521:Robert Schumann
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286:common practice
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149:interval on C.
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1782:Greater diesis
1779:
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1768:Septimal comma
1765:
1762:Holdrian comma
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1756:Syntonic comma
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722:0 4 7 t + 2 =
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647:Main article:
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500:enharmonically
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1951:Chord factors
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1776:Lesser diesis
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1711:Quarter tones
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1701:
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1660:Pseudo-octave
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907:Chord factors
901:
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749:
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742:
733:
732:minor seventh
729:
728:major seventh
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538:
534:
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518:
514:
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497:
486:
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475:
472:December 2009
465:
461:
455:
454:
449:This section
447:
443:
438:
437:
431:
429:
427:
423:
418:
416:
412:
408:
404:
400:
396:
395:bass clarinet
392:
388:
381:Transposition
380:
378:
376:
372:
361:
358:
350:
340:
336:
332:
326:
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321:
316:This section
314:
310:
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294:
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237:chord symbols
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179:major seventh
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118:
116:
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107:
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96:
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90:
86:
81:
78:
77:minor seventh
75:
73:
69:
55:
45:
39:
35:
31:
27:
23:
19:
1883:
1850:
1836:(0.72 cents)
1830:(1.95 cents)
1810:(13.8 cents)
1804:(10.1 cents)
1798:(19.5 cents)
1790:(35.7 cents)
1784:(62.6 cents)
1778:(41.1 cents)
1770:(27.3 cents)
1764:(22.6 cents)
1758:(21.5 cents)
1752:(23.5 cents)
1739:
1720:Quarter tone
1710:
1709:
1680:
1679:
1636:
1601:Higher-limit
1516:
1510:
1422:major fourth
1366:quarter tone
1341:
1335:
1269:
1024:
937:
866:
861:
845:
840:
824:
804:. Retrieved
794:
778:
770:
736:
713:scale degree
709:
643:Ninth chords
634:
628:
626:
592:
583:
574:
565:
556:
543:
524:
495:
493:
478:
469:
458:Please help
453:verification
450:
419:
385:Some common
384:
370:
368:
353:
344:
329:Please help
317:
279:
259:
253:
190:Abbreviation
101:Abbreviation
1869:Millioctave
1851:Measurement
1842:(0.4 cents)
1822:(7.7 cents)
1816:(8.1 cents)
1700:Major limma
1442:minor fifth
649:Ninth chord
509:Béla Bartók
496:minor ninth
432:Minor ninth
407:treble clef
371:major ninth
299:Major ninth
168:minor ninth
147:Minor ninth
88:Other names
66:major ninth
22:Ninth chord
1945:Categories
1902:Semiditone
1796:Diaschisma
1611:(17-limit)
1302:(22 or 23)
1300:fourteenth
1296:(20 or 21)
1294:thirteenth
1290:(18 or 19)
1284:(17 or 18)
1278:(15 or 16)
1272:(13 or 14)
1207:Diminished
1034:interval.)
1015:(post-Bach
948:Thirteenth
762:References
517:intermezzo
505:suspension
426:tenor clef
409:, and the
347:March 2007
282:dissonance
1864:Centitone
1802:Semicomma
1681:Semitones
1645:Microtone
1629:intervals
1306:fifteenth
1152:Augmented
1030:semitones
1002:Intervals
959:Bass note
953:Fifteenth
558:Les Noces
422:bass clef
403:euphonium
375:semitones
318:does not
204:Semitones
115:Semitones
1834:Breedsma
1282:eleventh
1262:Compound
1017:Western)
1012:semitone
943:Eleventh
848:, p.51.
827:, p.58.
806:31 March
777:(1975).
745:See also
719:, thus:
513:movement
417:music).
411:trombone
399:baritone
293:sonority
289:tonality
267:interval
264:compound
92:compound
1840:Ragisma
1828:Schisma
1814:Kleisma
1650:5-limit
1556:(15:14)
1550:(21:20)
1544:(28:27)
1538:(36:35)
1528:7-limit
1493:⁄
1482:seventh
1473:⁄
1453:⁄
1433:⁄
1413:⁄
1393:⁄
1373:⁄
1355:Neutral
1328:systems
1288:twelfth
1245:seventh
1196:seventh
1141:seventh
1104:seventh
1042:Perfect
1010:Twelve-
933:Seventh
339:removed
324:sources
273:plus a
174:Inverse
72:Inverse
1897:Ditone
1884:Others
1874:Savart
1741:Commas
1637:Groups
1586:(10:7)
1382:second
1326:tuning
1251:octave
1227:fourth
1215:second
1178:fourth
1166:second
1160:unison
1123:second
1086:second
1067:octave
1055:fourth
1049:unison
1032:in the
852:
831:
785:
598:(1960)
591:, and
589:(1946)
580:(1929)
571:(1958)
567:Threni
562:(1923)
531:melody
397:, the
393:, the
275:second
271:octave
225:1300.0
136:1400.0
95:second
1907:Secor
1655:Comma
1627:Other
1592:(7:4)
1580:(7:5)
1574:(9:7)
1568:(7:6)
1562:(8:7)
1462:sixth
1402:third
1324:Other
1276:tenth
1270:ninth
1239:sixth
1233:fifth
1221:third
1190:sixth
1184:fifth
1172:third
1135:sixth
1129:third
1115:Minor
1098:sixth
1092:third
1078:Major
1061:fifth
938:Ninth
928:Fifth
923:Third
635:See:
519:) of
262:is a
260:ninth
256:music
214:Cents
125:Cents
1892:Wolf
1859:Cent
1308:(24)
1253:(11)
1198:(12)
1192:(10)
1143:(10)
1106:(11)
1069:(12)
918:Root
850:ISBN
829:ISBN
808:2019
783:ISBN
701:Play
682:Play
663:Play
618:Play
564:and
515:(an
322:any
320:cite
258:, a
245:Play
198:Size
185:Name
155:Play
109:Size
83:Name
53:Play
36:and
1247:(9)
1241:(7)
1235:(6)
1229:(4)
1223:(2)
1217:(0)
1186:(8)
1180:(6)
1174:(5)
1168:(3)
1162:(1)
1137:(8)
1131:(3)
1125:(1)
1100:(9)
1094:(4)
1088:(2)
1063:(7)
1057:(5)
1051:(0)
627:An
547:'s
523:'s
462:by
424:or
333:by
284:in
254:In
1947::
1486:10
816:^
639:.
600:.
582:,
507:.
494:A
369:A
277:.
239:)
208:13
193:m9
119:14
104:M9
1498:)
1495:2
1491:1
1488:+
1484:(
1478:)
1475:2
1471:1
1468:+
1466:8
1464:(
1458:)
1455:2
1451:1
1448:+
1446:6
1444:(
1438:)
1435:2
1431:1
1428:+
1426:5
1424:(
1418:)
1415:2
1411:1
1408:+
1406:3
1404:(
1398:)
1395:2
1391:1
1388:+
1386:1
1384:(
1378:)
1375:2
1371:1
1368:(
994:e
987:t
980:v
961:)
957:(
899:e
892:t
885:v
856:.
835:.
810:.
789:.
739:9
485:)
479:(
474:)
470:(
456:.
401:/
360:)
354:(
349:)
345:(
341:.
327:.
40:.
18:9
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