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containing a five-dollar bill and a one-way train ticket to San
Francisco. Retrieving the envelope, Helen pulls out the ticket, causing the money to fall to the floor, unseen. Helen, humiliated and exhausted, realizes she has no choice but to go to the station and board the train. Helen's train later crashes during the journey, and when she is found by authorities in the wreckage, she is mistaken for another pregnant woman, Patrice Harkness, who was killed in the crash. Helen gives birth to her child in the hospital and is accepted by the Harknesses, the family of the dead woman's husband, Hugh Harkness, who was also killed in the train crash. Since the family has never seen their son's new wife, they believe Helen to be her and, for the sake of her child, she does not reveal her true identity. The family decides her lapses of memory and uncertain behavior are aftereffects of the train wreck. With a better life provided for her son, Helen continues the ruse while Bill Harkness, who is the elder brother of the deceased Hugh, falls in love with her.
490:"No Man of Her Own" combines an adult love story with melodrama, runs off with the intensity of a full-bloom soap opera, and is altogether satisfying screen dramatics...Barbara Stanwyck does a beautiful job of portraying the heroine... John Lund wraps up his role as the man who falls in love with a girl he believes to be the widow of his dead brother. It's a fine job...Richard Maibaum's production does not miss on any phase of the story, whether drama or melodrama, and the lineup of behind-the-camera credits are in keeping. Donald L. Fapp's photography, the score by Hugo Friedhofer, editing, costumes, settings and art direction all figure importantly.
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assumed identity and that she has wealthy in-laws, he blackmails Helen into giving him a check for $ 500 and marrying him. She gets a gun, goes to
Stephen's office, where he is living, and finds him dead on his bed but fires the gun at him. Bill comes to the office and helps Helen dispose of the body and conceal evidence of her relationship with Stephen. Bill and his mother have realized that Helen is in trouble and, because they love her regardless of her past, will do anything they can to protect her.
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reviewed the film positively. "The pot-boiler is extremely well acted and its clever cast, headed by attractive and talented
Barbara Stanwyck, enables it to confound the moralists and prove that two or more wrongs can make a right, while, at the same time, handing out moving and occasionally gripping
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Helen's ex-boyfriend, the father of her child, tracks her down several months after the accident. Stephen was called in to identify the body at the morgue after the train accident, but instead of telling the truth, he said that the dead woman was Helen. After figuring out that she is living under an
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Bill's mother dies of heart failure, but not before writing a letter that she gives to her maid, making her swear to give it to Helen only if police come for her. In the letter, Mrs. Harkness claims to have killed
Stephen, which she could not have done. Three months later, when police find his body
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and the check Helen gave to him, they do come for her. Helen confesses to shooting him, but she is told that her bullet missed him and was found in his mattress, that a bullet of another caliber was found in his body, and that his girlfriend has confessed to shooting him. Bill and Helen embrace.
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For the fact is that it is...a lurid and artificial tale, loaded with far-fetched situations and deliberate romantic clichés. And the script which Sally Benson and
Catherine Turney prepared from a novel by William Irish ("I Married a Dead Man") makes a silly botch of same. This sort of female
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A year earlier in New York, Helen is eight months pregnant, unmarried, and broke. She goes to her unfaithful boyfriend
Stephen Morley, tearfully pleading for help as she stands in the hallway outside his apartment door. He refuses to answer, but slips under the door an envelope for her, one
295:
Helen
Ferguson, filled with dread, holds her baby as Bill Harkness reads a book. The phone rings, and police tell Bill that they are on the way to their home. She puts the child to bed, praying that the boy will not suffer for her mistakes and whispering that she was desperate.
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was far more upbeat in its review. After previewing the film in
Hollywood on February 17, 1950–two and a half months prior to the feature's national release–the critic for
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endorsed the film and drew special attention to the quality of
Stanwyck's and Lund's performances and to the overall quality of the motion picture's production values:
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agonizing, in which morals are irresponsibly confused for the sake of effect, makes diversion for none but the suckers, we feel sure.
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generally compliments the principal cast's performances, but he pans both the structure and tone of the
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Crowther, Bosley. "THE SCREEN IN REVIEW: 'No Man of Her Own,' Starring Barbara Stanwyck, Opens at
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screen fiction. See it by all means, but fight shy of the heroine's way of life".
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American Literature on Stage and Screen: 525 Works and their Adaptations
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590:(New York City and Hollywood), February 22, 1950, p. 6. Retrieved via
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Collier, Lionel. "Previews and Reviews: No Man of Her Own".
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656:. June 3, 1950. pg. 16. Via Proquest.
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517:(1960), the Brazilian TV soap opera
533:(1983), and by Hollywood again for
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1118:Films directed by Mitchell Leisen
19:For the unrelated 1932 film, see
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507:The film is based on the novel
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1108:American black-and-white films
561:List of American films of 1950
473:The widely read entertainment
425:as Justice of the Peace's Wife
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21:No Man of Her Own (1932 film)
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611:AFI Catalog of Feature Films
523:(1962), the Bollywood movie
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1128:Films about identity theft
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261:. Made and distributed by
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859:Artists and Models Abroad
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40:Theatrical release poster
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1123:Paramount Pictures films
529:(1970), the French film
1043:Darling, How Could You!
637:Historical Newspapers,
915:Take a Letter, Darling
811:Hands Across the Table
787:Murder at the Vanities
633:, May 4, 1950, p. 32.
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1027:Captain Carey, U.S.A.
979:Suddenly, It's Spring
835:Swing High, Swing Low
779:Death Takes a Holiday
531:J'ai épousé une ombre
183:May 3, 1950
1158:1950s American films
1148:American drama films
1075:The Girl Most Likely
1051:Young Man with Ideas
963:Masquerade in Mexico
723:: September 21, 1951
510:I Married a Dead Man
280:I Married a Dead Man
75:I Married a Dead Man
907:The Lady Is Willing
803:Four Hours to Kill!
639:Ann Arbor, Michigan
584:"No Man of Her Own"
515:Shisha to no Kekkon
344:as Patrice Harkness
287:, "William Irish".
230:is a 1950 American
1003:Bride of Vengeance
899:Hold Back the Dawn
875:Remember the Night
757:Films directed by
665:Thomas S. Hishak,
630:The New York Times
494:Lionel Collier of
453:The New York Times
431:as Clara Larrimore
392:as Plainclothesman
263:Paramount Pictures
170:Paramount Pictures
160:Paramount Pictures
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1035:The Mating Season
1019:No Man of Her Own
1011:Song of Surrender
947:Practically Yours
939:Frenchman's Creek
716:No Man of Her Own
696:No Man of Her Own
684:No Man of Her Own
625:Paramount Theatre
605:No Man of Her Own
536:Mrs. Winterbourne
350:as Stephen Morley
326:as Helen Ferguson
273:was adapted from
227:No Man of Her Own
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541:Shirley MacLaine
539:(1996) starring
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429:Kathleen Freeman
423:Virginia Brissac
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362:as Hugh Harkness
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332:as Bill Harkness
324:Barbara Stanwyck
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237:directed by
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199:Running time
176:Release date
117:Lyle Bettger
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60:Sally Benson
843:Easy Living
771:Cradle Song
653:Picturegoer
526:Kati Patang
503:Adaptations
496:Picturegoer
475:trade paper
384:Esther Dale
87:Produced by
46:Directed by
1098:1950 films
1092:Categories
1067:Bedevilled
995:Dream Girl
567:References
545:Ricki Lake
462:screenplay
410:Uncredited
285:pseudonyms
271:screenplay
203:97 minutes
187:1950-05-03
152:Production
1113:Film noir
520:A Intrusa
446:Reception
368:as Blonde
336:Jane Cowl
330:John Lund
255:Jane Cowl
247:John Lund
232:film noir
133:Edited by
113:Jane Cowl
105:John Lund
16:1950 film
867:Midnight
635:ProQuest
582:"Brog."
555:See also
419:as Nurse
386:as Josie
317:Credited
216:Language
141:Music by
97:Starring
70:Based on
719:on the
703:YouTube
608:at the
588:Variety
484:Variety
479:Variety
464:itself:
219:English
208:Country
185: (
154:company
1078:(1958)
1070:(1955)
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269:. Its
955:Kitty
235:drama
689:IMDb
547:and
312:Cast
291:Plot
257:and
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