Knowledge (XXG)

Nocturnes, Op. 48 (Chopin)

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Jim Samson notes that the nocturne intensifies "not through ornamentation, but through a new textural background." Kleczyński commented that the middle section "is the tale of a still greater grief told in an agitated recitando; celestial
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at measure 49 which features fortissimo octave passages and double octave arpeggios. Finally, the piece ends with a reprise of the initial melody with extremely fast chordal accompaniment. The piece is a total of 77 measures long.
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come to bring one ray of hope, which is powerless in its endeavor to calm the wounded soul, which...sends forth to heaven a cry of deepest anguish." The ending, according to Samson, is "in the nature of an elaborated
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in 1841 and published the following year in 1842. They are dedicated to Mlle. Laure Duperré. Chopin later sold the copyright for the nocturnes for 2,000 francs along with several other pieces.
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said of the piece, "the design and poetic contents of this nocturne make it the most important one that Chopin created; the chief subject is a masterly expression of a great powerful grief."
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calls the nocturne "broad and most imposing with its powerful intermediate movement, a thorough departure from the nocturne style." Some musical critics, including Charles Willeby and
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commented that the middle section "is finer" and contains "soothing, simple chord progressions." Chopin once noted that the middle section was like a
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The Nocturne in C minor is one of the more well known nocturnes, and has been categorized as one of Chopin's greatest emotional achievements.
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found the music to have "the most imposing instrumental effect of any of the nocturnes," calling the crescendo and octaves "almost
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and should be played as if "a tyrant commands, and the other asks for mercy." The recapitulation is cut short by the
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25 and enters its middle section, which is a chorale in C major. Later, it moves to a technically demanding
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at measure 57 and returns to the original tempo at measure 101. The piece is a total of 137 measures long.
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agrees with this assessment, he notes that the nocturne is still "the noblest nocturne of them all."
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Music for the Piano: A handbook of concert and teaching material from 1580 to 1952
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When compared with the more melancholy outer themes, the middle section,
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The Art of the Piano: Its Performers, Literature, and Recordings
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The Nocturne in F-sharp minor, Op 48, No. 2 is initially marked
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The Nocturne in C minor, Op. 48, No. 1 is initially marked
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Woodstra, Chris; Brennan, Gerald; Schrott, Allen (2005).
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See 188: 712:Nocturne in C minor, Op. posth. 600:Isabella Stewart Gardner Museum 166:Opening bars from Op. 48 No. 2. 62:Opening bars from Op. 48 No. 1. 1: 838:Compositions in F-sharp minor 797:List of compositions by genre 323:Chopin: The Man and His Music 823:Nocturnes by FrĂ©dĂ©ric Chopin 564:Friskin (1973), pp. 106-107 492:Huneker (1966), pp. 262-263 859: 320:Huneker, James G. (1966). 46:for solo piano written by 720: 651: 18:Nocturnes Op. 48 (Chopin) 107:doppio movimento agitato 833:Compositions in C minor 843:Music with dedications 555:Huneker (1966), p. 264 501:Huneker (1966), p. 263 233:meter. It switches to 177: 167: 63: 35: 592:Nocturne Op. 48 No. 2 588:Nocturne Op. 48 No. 1 351:Dubal, David (2004). 176: 165: 61: 30: 546:Samson (2005), p. 89 480:Dubal (2004), p. 464 384:Samson, Jim (1985). 94:and follows A–B–A′. 691:2 Nocturnes, Op. 62 686:2 Nocturnes, Op. 55 681:2 Nocturnes, Op. 48 676:2 Nocturnes, Op. 37 671:2 Nocturnes, Op. 32 666:2 Nocturnes, Op. 27 661:3 Nocturnes, Op. 15 417:Deutsche Grammophon 411:Pollini, Maurizio. 387:The Music of Chopin 656:3 Nocturnes, Op. 9 178: 168: 119:Jan KleczyĹ„ski Sr. 97:The piece becomes 64: 36: 828:1841 compositions 810: 809: 707:minor, Op. posth. 578:Nocturnes, Op. 48 193: 42:are a set of two 40:Nocturnes, Op. 48 16:(Redirected from 850: 706: 705: 634: 627: 620: 611: 586:Performances of 580:: Scores at the 565: 562: 556: 553: 547: 544: 535: 534: 518: 508: 502: 499: 493: 490: 481: 478: 469: 468: 466: 464: 441: 432: 431: 429: 428: 419:. 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Index

Nocturnes Op. 48 (Chopin)

nocturnes
Frédéric Chopin

lento
meter
ternary form
measure
Theodor Kullak
Jan Kleczyński Sr.
Frederick Niecks
James Huneker
James Friskin
Lisztian
harps
feminine ending
amphibrach

Recording by Luke Faulkner (Musopen)
media help
andantino
minor to major
meter
tempo
Frederick Niecks
recitative
coda
F major
Picardy third

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