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wanted to fire him as "they didn't feel they were getting what they wanted" although
Aronofsky retained him in the project, which he described "Filmmaking at that level is not about art and expressing yourself. It's about maximizing your box office potential. Darren, to his credit, protected me from
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Music critic
Jonathan Broxton complimented: "the larger concentration on the orchestral core, the much less severe electronic and experimental aspects, the significantly heightened emotional content, and the generally improved dramatic sensibility that Mansell has developed over the course of the
216:
in their sixth film together. While discussing about the film's music, Aronofsky did not want typical epic music, but needed to have that epic scale and wanted to figure out "something timeless". He did not want ethnic instrumentation and specific feel of time and place as the story takes place
229:'s style, as it should be "tension-building, fear-evoking, and mind-expanding". According to Aronofsky, "he creation sequence was so hard, but he came up with this sweet melody". Mansell created several themes that relate to different characters. He needed a theme for Noah (
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that to the point that, through lots of shenanigans", the score was recorded without the studio hearing another note or having any more input. Mansell felt that he put the stress and creative frustration to good use, as the score was "very heavy, angry and dark".
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wrote "Underneath all the madness is Clint
Mansell's surging, swirling, haunting score, featuring a recurrent refrain that reminded me of the aching longing of David Bowie's Warszawa (some of the instrumental soundscapes from
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593:'s instrumentation and motific adherence to norms into the equation to produce an entertaining middle ground Mansell really has excelled at matching Aronofsky's continued, eccentric views on life, and, in
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Mansell and
Aronofsky examined the scene where Noah's family were under captive by the Watchers. He recalled that the Watchers theme should sound primitive which Aronofsky agreed, saying that he need an
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commented it as "must-own score". Soctt
Foundas of Variety commented it as "richly orchestrated score" that "alternates thunderous percussive beats with New Age-y twangs and hums". Choire Sicha of
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before culture and "more primal and connected to the earth". They deviated from piano and brass and held a day-long choir to avoid sounding it like "church music" but can be from any period.
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to contribute to the film score. While the orchestra recorded each portion, Mansell had recorded the score with the Kronos
Quartet for a week, blending and mixing the score similar to
192:. Featuring music produced by Aronofsky's regular collaborator Clint Mansell, the album features 22 tracks from the score and an original song written by Aronofsky and performed by
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617:– another genetic link to sci-fi). With its blend of eerie futurism and ancient bombast, Mansell's music lends harmony to the cacophony of human voices." Matt Goldberg of
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Although
Mansell felt it as a "big budget" and "high calibre", he found the demands to be "burdensome, and even offensive and insulting". He recalled the executives from
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565:,” but it’s a watertight score that surges and drifts along, transporting the listener into legend-minded headspace." John Robb of
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soundtrack unfortunately doesn’t reach the soaring heights of psychological terror found in the latter film’s leitmotif “
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686:"Clint Mansell's Soundtrack to Darren Aronofsky Film "Noah" Out Now on Nonesuch, Featuring Kronos Quartet, Patti Smith"
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817:"Kronos Quartet Joins Clint Mansell To Score 'Noah' & Max Richter To Tune Up 'Paradise Lost'"
717:"Darren Aronofsky Confirms Clint Mansell Is Scoring 'Noah,' Discusses Their Working Relationship"
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reviewed "Noah is an exceptional score, noteworthy even in
Mansell's distinguished oeuvre."
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playing violins, "ripping, shredding and make crazy sounds with their instruments".
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237:), which was "the mother of humanity". Along with the orchestra, Mansell roped in
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wrote "The entire score takes the best intentions of the thoughtfulness behind
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233:), which is about living at peace with the planet, a theme for Ila (
907:"Clint Mansell: Noah: Music from the Motion Picture - Album Review"
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gave a 10/10 rating calling it as a "masterpiece". Thom Jurek of
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1036:"Noah review – 'a preposterous but endearingly unhinged epic'"
457:"The Spirit Of The Creator Moved Upon The Face Of The Waters"
969:"Review: Noah [Original Motion Picture Soundtrack]"
597:, that work yields a solid listening experience on album."
747:"Darren Aronofsky Salutes His 'Noah' Production Artisans"
553:, a much more fulfilling experience". Josh Goller of
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413:"Your Eyes Shall Be Opened,And Ye Shall Be As Gods"
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611:were originally intended as incidental music for
1136:"Why Won't Anybody Say That "Noah" Is Terrible?"
938:"Clint Mansell: Noah Soundtrack - album review"
212:, Aronofsky confirmed that Mansell would score
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8:
648:"Listen to Clint Mansell's Music For 'Noah'"
629:criticised it as the "worst score to date".
402:"In Sorrow Thou Shalt Bring Forth Children"
225:'s free jazz-kind of score, reminiscent of
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715:Jagernauth, Kevin (December 11, 2012).
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424:"The Flood Waters Were Upon The World"
336:"For Seasons, And For Days, And Years"
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281:"In The Beginning, There Was Nothing"
210:Marrakech International Film Festival
7:
815:Rodriguez, Cain (January 27, 2014).
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292:"The World Was Filled With Violence"
177:Noah (Music from the Motion Picture)
18:2014 film score by Clint Mansell
479:"What Is This That Thou Hast Done?"
303:"The End Of All Flesh Is Before Me"
1005:"Filmtracks: Noah (Clint Mansell)"
358:"Every Creeping Thing That Creeps"
14:
1104:Foundas, Scott (March 21, 2014).
1073:Goldberg, Matt (March 27, 2014).
913:. April 24, 2014. Archived from
692:. March 25, 2014. Archived from
435:"By Man Shall His Blood Be Shed"
1034:Kermode, Mark (April 6, 2014).
883:. April 3, 2014. Archived from
745:Gray, Tim (November 12, 2014).
719:. indiewire.com. Archived from
646:Fusilli, Jim (March 28, 2014).
512:"Day And Night Shall Not Cease"
490:"The Fear And The Dread Of You"
26:(Music from the Motion Picture)
776:Friend, Tad (March 10, 2014).
265:
1:
208:On December 11, 2012, at the
1356:Nonesuch Records soundtracks
936:Robb, John (April 1, 2014).
196:. The album was released by
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847:"Interview: Clint Mansell"
186:2014 film of the same name
1351:Clint Mansell soundtracks
614:The Man Who Fell to Earth
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523:"Mercy Is" (Patti Smith)
501:"And He Remembered Noah"
468:"Forty Days And Nights"
391:"The Wickedness Of Man"
1346:2016 soundtrack albums
877:"NOAH – Clint Mansell"
549:last eight years make
446:"The Judgement Of Man"
1106:"Film Review: 'Noah'"
369:"I Will Destroy Them"
851:The Line of Best Fit
757:on November 18, 2014
723:on December 12, 2012
1318:Pop Will Eat Itself
1215:Requiem for a Dream
985:on January 24, 2023
948:on October 16, 2014
796:on October 17, 2014
652:Wall Street Journal
380:"Flesh Of My Flesh"
200:on March 25, 2014.
1009:www.filmtracks.com
857:on January 4, 2015
347:"Make Thee An Ark"
250:Paramount Pictures
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1116:on March 28, 2014
1085:on March 29, 2014
1054:on April 14, 2014
696:on March 28, 2014
666:on March 29, 2014
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325:"The Fallen Ones"
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911:Spectrum Culture
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555:Spectrum Culture
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198:Nonesuch Records
190:Darren Aronofsky
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1075:"NOAH Review"
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257:Track listing
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236:
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231:Russell Crowe
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194:Clint Mansell
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16:
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1300:
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1271:
1264:
1259:The Wrestler
1257:
1252:Smokin' Aces
1250:
1245:The Fountain
1243:
1236:
1229:
1213:
1206:
1148:. Retrieved
1144:the original
1139:
1130:
1118:. Retrieved
1114:the original
1109:
1099:
1087:. Retrieved
1083:the original
1078:
1068:
1056:. Retrieved
1052:the original
1040:The Guardian
1039:
1029:
1017:. Retrieved
1013:the original
1008:
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987:. Retrieved
983:the original
972:
962:
950:. Retrieved
946:the original
941:
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919:. Retrieved
915:the original
910:
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889:. Retrieved
885:the original
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859:. Retrieved
855:the original
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829:. Retrieved
825:the original
820:
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798:. Retrieved
794:the original
781:
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759:. Retrieved
755:the original
750:
727:December 11,
725:. Retrieved
721:the original
710:
698:. Retrieved
694:the original
689:
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668:. Retrieved
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651:
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603:The Guardian
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584:The Fountain
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547:
247:
243:Jimi Hendrix
227:Jimi Hendrix
219:
213:
207:
188:directed by
176:
175:
174:
155:
147:
146:
137:
15:
1222:Lux Aeterna
1200:Soundtracks
563:Lux Aeterna
235:Emma Watson
204:Development
182:score album
1340:Categories
1280:Last Night
1273:Black Swan
633:References
128:chronology
75:Film score
41:Film score
1048:0261-3077
821:IndieWire
790:0028-792X
660:0099-9660
544:Reception
157:High-Rise
64:2013–2014
1150:June 22,
1120:June 22,
1089:June 22,
1079:Collider
1058:June 22,
1019:June 22,
989:June 22,
974:AllMusic
952:June 22,
921:June 22,
891:June 22,
861:June 22,
831:June 22,
800:June 22,
761:June 22,
700:June 22,
670:June 22,
620:Collider
572:AllMusic
110:Producer
103:Nonesuch
61:Recorded
53:Released
43: by
1311:Related
1140:The Awl
1110:Variety
751:Variety
626:The Awl
184:to the
180:is the
161:(2016)
152:(2014)
143:(2013)
1294:Stoker
1266:Faster
1046:
788:
658:
590:Sahara
273:Length
81:Length
1231:Sonny
536:78:30
270:Title
139:Filth
98:Label
70:Genre
24:Noah
1301:Noah
1238:Doom
1152:2023
1122:2023
1091:2023
1060:2023
1044:ISSN
1021:2023
991:2023
954:2023
923:2023
893:2023
863:2023
833:2023
802:2023
786:ISSN
763:2023
729:2012
702:2023
672:2023
656:ISSN
595:Noah
559:Noah
551:Noah
526:4:10
515:5:49
504:4:18
493:4:23
482:2:10
471:3:19
460:2:59
449:2:44
438:3:32
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405:3:55
394:1:38
383:1:42
372:2:53
361:5:46
350:5:09
339:2:25
328:3:57
317:4:27
306:2:14
295:1:29
284:4:08
214:Noah
148:Noah
609:Low
520:23.
509:22.
498:21.
487:20.
476:19.
465:18.
454:17.
443:16.
432:15.
421:14.
410:13.
399:12.
388:11.
377:10.
266:No.
1342::
1208:Pi
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737:^
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278:1.
90:30
86:78
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