Knowledge (XXG)

Non-fiction

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producing non-fiction. Audience is important in any artistic or descriptive endeavour, but it is perhaps most important in non-fiction. In fiction, the writer believes that readers will make an effort to follow and interpret an indirectly or abstractly presented progression of theme, whereas the production of non-fiction has more to do with the direct provision of information. Understanding of the potential readers' use for the work and their existing knowledge of a subject are both fundamental for effective non-fiction. Despite the claim to truth of non-fiction, it is often necessary to persuade the reader to agree with the ideas and so a balanced, coherent, and informed argument is vital. However, the boundaries between fiction and non-fiction are continually blurred and argued upon, especially in the field of
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Non-fictional discourse is usually embedded in a context that tells you how to take it: an instruction manual, a newspaper report, a letter from a charity. The context of fiction, though, explicitly leaves open the question of what the fiction is really about. Reference to the world is not so much a
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of non-fiction are instructional, explanatory, discussion-based, report-based (non-chronological), opinion-based (persuasive) and relating (chronological recounting) non-fiction. Non-fictional works of these different genres can be created with the help of a range of structures or formats such as:
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used within fiction are generally thought inappropriate for use in non-fiction. They are still present particularly in older works, but are often muted so as not to overshadow the information within the work. Simplicity, clarity, and directness are some of the most important considerations when
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said: "if we think of truth as something of granite-like solidity and of personality as something of rainbow-like intangibility and reflect that the aim of biography is to weld these two into one seamless whole, we shall admit that the problem is a stiff one and that we need not wonder if
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While specific claims in a non-fiction work may prove inaccurate, the sincere author aims to be truthful at the time of composition. A non-fiction account is an exercise in accurately representing a topic, and remains distinct from any implied endorsement.
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Including information that the author knows to be untrue within such works is usually regarded as dishonest. Still, certain kinds of written works can legitimately be either fiction or non-fiction, such as journals of self-expression,
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based on historical, scientific, and empirical information. However, some non-fiction ranges into more subjective territory, including sincerely held opinions on real-world topics.
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articles, and other expressions of imagination. Though they are mostly either one or the other, a blend of both is also possible. Some fiction may include non-fictional elements;
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is fiction implementing a great deal of non-fiction, (such as a fictional description based on a true story). Some non-fiction may include elements of unverified
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Guiding Readers Through Non-fiction: Effective Strategies for Small-group Instruction
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property of literary works as a function they are given by interpretation.
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The Role of Narrative Fiction and Semi-Fiction in Organizational Studies
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Based on the author's intention or the purpose of the content, the main
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writing, non-fiction is one of the two fundamental approaches to
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Quality Reading Instruction in the Age of Common Core Standards
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Farner, Geir (2014). "Chapter 2: What is Literary Fiction?".
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And so on. Common literary examples of non-fiction include
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The National Literacy Strategy: Developing Early Writing
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Literary Fiction: The Ways We Read Narrative Literature
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biographers, for the most part failed to solve it."
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Index

Non Fiction
Non-fiction (disambiguation)
Literature

Oral literature
Folklore
fable
fairy tale
folk play
folksong
heroic epic
legend
myth
proverb
Oration
Performance
audiobook
spoken word
Saying
Drama
closet drama
Poetry
lyric
narrative
Prose
Nonsense
verse
Ergodic
Electronic
Anthology

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