1095:"Its usually words and phrases that get stuck in my head like some sort of fish hook that I can't get out, and with a mind to finding some kind of ribbon that would tie up any given bouquet of disparate songs which makes up an album, because they're all totally disparate blooms. You got roses in there, you got nettles, you got common daisies, you got the most exotic orchids, and how the hell do you wrap them all up and present them so that people are going to be able to accept it as a whole thing? So its finding that piece of ribbon and finding that piece of cellophane. What type of ribbon and cellophane you use to wrap all these things up."
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substitute did like them. Then, we had a lot of problems to find a producer. Hugh
Padgham and Steve Lillywhite, whom we had worked at the beginning with, had in mind to produce the album. But finally, Lillywhite had no time for it. We contacted John Paul Jones, but he was too expensive. Then, Bill Bottrell, the engineer of Michael Jackson's "Dangerous" was ready to come in our homes with his studio. But the deal did not work. Then Gus Dudgeon produced it.
893:: "I was really frightened. I mean, I couldn't even finish the demo because I was in tears. It felt like seeing yourself in a mirror and recognising your own mortality. Maybe it's something in the chord changes." Featuring piano playing, strings and horns, it has been compared to classical music. Though Partridge said he did not understand the lyrics, which he found "exciting," the lyrics concern death and the cycle of life.
1757:, with remastering by Ian Cooper, as part of their XTC remasters series released without input from the band. The original back cover design, reproduced on the back cover of the new remastered edition, was accidentally printed an inch and a half too far to the right. Moulding said of the remasters: "The whole thing was a shambles. I think the artwork in particular. A lot of it's all wrong, and so badly printed. I think
3791:"'Balloon'. I think that's such a lovely, round word, and it evokes associations with relaxed traveling, and that's how I see our music: exploring the world without any tribes being slaughtered or exploited. Then it became 'The Last Balloonride Home'. Then 'Milk'. Because Colin likes to bathe in ass's milk. And then it became 'Milkfloat', and after that 'The Last BalloonMilkFloatRide Home'. Absolutely mad.
481:, was convinced the band "could do better" and asked them to write other songs. Band leader Andy Partridge reflected: "We were ready , but our English record company refused all our songs." In Partridge's recollection, the director threatened that Virgin would drop the band if the band don't write an album "of twelve Top Ten guaranteed singles," and noted that this attitude held the band up in recording
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and it was the band's final single before leaving Virgin. Partridge reflected: "It was the great cot-death single – they pressed it and then changed their minds, such a shame." Promotional videos for all three songs were made, with the "Peter
Pumpkinhead" video receiving much airplay on MTV that summer; the band also performed "Books Are Burning" live with Mattacks on
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1009:" is about tapping into one's emotions in order to realise life "isn't all grey," while "The Ugly Underneath" concerns itself with politicians. Moulding wrote "Bungalow" and described its musical style as being "ery seaside-y and cheesy organ, like something a cruddy trio in holiday camp might play." It was inspired by his childhood holidays to
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with engineer Barry
Hammond, who had listened to Partridge's suggestions. Both Partridge and Virgin Records were vocal in their dissatisfaction with the first three mixes that Dudgeon had created, with one Virgin executive even comparing one such mix to "ice blasts"; as a result, Dudgeon was subsequently fired, with
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elaborating that "the experience was enjoyable. Great songs." Meanwhile, Partridge felt that Dave
Gregory improved at arranging musical structures during the sessions. During recording of the album, Moulding and Gregory "found themselves working at a car rental spot to sustain themselves between royalty checks."
957:"Omnibus", with an offbeat rhythm, is praiseful of women. Partridge wrote: "I love women in every way, shape and form. If that's sexist, then nail me up. I worship at the church of women. The world would be a better place if it were just women and me." Musically, the song was intended as a pastiche on
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contains 17 dense, melodic, intelligent and occasionally irritating pop songs," while commenting that "he level of XTC's invention is evidenced by the arrangements of the guitars and the layers of backing vocals." However, he criticised the album's "tendency to underscore the lyrical message of tunes
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sound harmless, when in fact it's XTC's most political album." Each song on the album has its own illustration on the back cover. Partridge explained: "hey call them chapbook drawings, they're supposed to educate children, you know, you gave a pic then you have a word underneath it, and the child is
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orchestra feel," Partridge and
Mattacks took careful attention in writing the rhythmic feel for the song. The song has a traditional structure, but although Partridge wanted Mattacks to play "a real straight backbeat," he also asked he "put a little skip-and-drag in there that fell somewhere between
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sessions, and "had come in armed with a heavy supply for vitriol;" Partridge, meanwhile, started to compare his relationship with
Dudgeon to Rundgren, especially after Dudgeon suggested removing one of Partridge's favourite songs on the album, "Rook", though the recording sessions were civil and the
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writer Jim
Sullivan, although Partridge pleased with the acclaim the album received, he remained modest about its success. In the seven years following the album's release, XTC went on strike against Virgin Records, partly because of the label's refusal to release "Wrapped in Grey" as a single, and
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concerning a perfect, honest person with a pumpkin for a head and about "how perfect we all could be, and how scared people are of truth." Moulding's first song on the album, "My Bird
Performs," is "a metaphor for feeling good about how life's going." He explained: "I hadn't got fond memories of my
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in 1993. The second single "The Ballad of Peter
Pumpkinhead" reached number 71 in the UK. "Wrapped in Grey" was intended as the third single in September 1992, but was withdrawn by Virgin immediately as they did not think it would be commercially successful. Ultimately 1,000 CD copies were pressed
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in
November and December 1991. The mixing was due to be done by Dudgeon who instructed Partridge not to attend, but Partridge insisted he would appear anyway. At the studios, Dudgeon refuted suggestions from Partridge concerning the mix and insisted he mix the album as he desired. This was at odds
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We had a lot of problems. First with our record company : our musical director did not like the songs we had written. He asked us to write some others, because he was convinced we could do better. Until the day he left the label, just when we had in mind to break the contract. Hopefully, his
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When Dudgeon arrived in the studio and Partridge saw his attire and expensive lifestyle, he felt "he was wrong , but by that time it was difficult to go back." The band nicknamed him Guff Dungeon "because he was so flatulent." Partridge reflected: "Gus is old school, full of blusters and bluff
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in a radio interview, commented that he "just had to get on the phone to him straight away." Mattacks agreed to appear on the album because of the band's personality and the quality of the songs, and later reflected that although it was challenging fitting into the band, it was not difficult,
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version of the album, home demos of the songs by Andy Partridge, work tapes of several songs by Colin Moulding and, exclusively to the Blu-Ray edition, a 48-minute "making of" documentary documenting the album's recording and the music videos for "The Disappointed" and "The Ballad of Peter
1091:, who razed a village for it. The edifice quickly disappeared, it exists only on two second-rate drawings." He felt the album title was a good way to sum up the otherwise disparate content of the album and present them as an entirety, explaining to one interviewer how he picked the title:
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played drums on the album. When discussing "what drummer, as a fantasy, would really like to work with," Mattacks was top of the band's list. The same week, a friend of the band saw him perform live with Fairport Convention and brought XTC back a tour programme, in which Mattacks stated
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wrote that the record "would be an improvement to anyone's record shelf another extremely good XTC album with the usual fractured guitar melodies coupled with cute and curious lyrics about what a nice place England is. Oddly enough, it's the Americans who buy most of this stuff."
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s Robert Ham evaluated the album as the second-worst of the group's discography. He criticised the production's "digital sheen" which he thought was most audible in "poor Dave Mattacks' drums. Each cymbal crash and snare hit appears to be spilling over with ones and zeros."
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Thirteen of the songs are written by Partridge, with the remaining four written by Colin Moulding. In Isler's opinion, Partridge's songs are concerned with themes such as "love, politics and the human comedy," and noting songs which " these topical boundaries," while the
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thirties and naivety got me through my twenties, but as I came closer to my forties it all started to come clear and this, I suppose, was the start of that awakening in me." It took a whole night to loop Mattacks' intricate drum shuffle into the four-minute song.
485:, which they refused to rewrite, believing its songs to be among the greatest they had written. With the band sitting on the material, the director left the label a year later, and his replacement liked the band's content, hurrying the band to record the album.
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using the keyboard, an instrument Partridge referred to as "this grinning shark; stroke its teeth and any minute it'll swallow you up." He said he was so unfamiliar with the keyboard that he played it "by drumming on it, two fingers here, two fingers there."
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musicals. "That Wave" combines Partridge's fear of water and the subject of love "into the sensation of drowning in a wave of love." Moulding described the song's music as a "psychedelic grenade." "Then She Appeared" originated when Partridge wrote it as a
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two regularly exchanged banter. Dudgeon reportedly kept a tape of him and Partridge joking in the sessions and played it to party guests. Nonetheless, Partridge later commented that "ultimately he wasn't the right producer for us."
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was, and holds up a lot better today." He elaborated: "Listening to it today, it feels like XTC realizing that it may be their last chance, and therefore putting everything they've got into making something timeless." Conversely,
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869:" concerns itself with people who have been turned down romantically and come together to form an organisation "of the disappointed," while "Holly Up on Poppy" is about Partridge's daughter Holly, Poppy being the name of the
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were released by Partridge's label Ape Records on 4 November 2013. It was released as single CD, CD+DVD and CD+Blu-Ray editions, the video disc of the latter two editions including a plethora of bonus material, including a
1087:, which releases this old music I like a lot. I then discovered it was the most marvellous castle ever, covered with gold, sculptures and paints, it looked like a fairy tale's wedding cake. It was built by that tyrant,
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dismissed the album as a "dud" and later remarked that " idea of a class pop arranger was the same as Elton John's, I figured that if they were feuding with their record company their record company was right."
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String and brass arrangements by Dave Gregory, except "Rook" and "Omnibus" by Andy Partridge and "War Dance" by Colin Moulding. Strings on "The Disappointed" arranged by Andy Partridge and Dave Gregory.
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reflected that the album was "very much malt XTC, a fine blend of all their various styles matured to an extraordinary refinement. So no hits then, but 17 excellent songs." Writing in 2014, Nick Reed of
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was recruited on drums. Unlike previous XTC albums, Partridge composed many of his songs using a keyboard. Due to the album's lyric content, which covers topics ranging from love and humanity to the
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The following discounts the alternate 2.0 stereo, 5.1 surround sound, and instrumental mixes included in this edition (each of which duplicate the above running order) as well as the bonus videos.
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into a music magazine while using a secret pseudonym preporting to be an unknown 1960s band, sharing musical similarities with the other track, "Goodbye Humanosaurus", which the band rehearsed for
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sad ballad ("Rook")." Guitar and keyboard textures on the album regularly shift, and strings, horns and piano are included in the album's instrumentation in a fashion that has been compared to
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that Partridge carved for Halloween, which he decided not to dispose of after the Halloween celebrations, and watched as it decomposed in his back garden. He immortalised it in the song, a
786:," and felt it was arguably the band's darkest album. It has also been cited as the band's most political album. Unlike previous XTC albums, Partridge composed many of his songs on
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s Bill Wyman called the album a "kaleidoscopic, highly intelligent collection of off-kilter pop craft that goes on a bit too long. At its best, however, it’s a witty and engaging
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and is a tribute to British seaside holidays, featuring a Welsh male voice choir added by Gregory. Partridge considers the song to be the best song Moulding had written. An anti-
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called it a powerful picture of "alienation verging on madness", while Isler said that, "with impressionistic piano block chords and yearning, dreamy lyric, it is simply an
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Pumpkinhead". One notable change with the 2013 versions is that the crossfades between several songs were removed, a decision Wilson persuaded Partridge into allowing.
1145:, becoming their second consecutive and final Top 40 album, although it only stayed on the chart for two weeks. Comparatively, the album spent eleven weeks on the US
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dotted and straight, because we both agreed that we liked the tension where you get dotted vs. straight, and straight vs. dotted." Mattacks used one of 50 special
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influences into new musical styles, and displaying a particular interest in orchestral arrangements. The LP received critical acclaim, charted at number 28 in the
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4066:"Quintessential Englishman Andy Partridge, front man of Eighties band, XTC, talks to Karen O'Brien about rebirth, recording contracts and the value of hindsight"
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s J.R. Jones dismissed it as "downright awful, and its album cover, a two-dimensional drawing of a Tudor palace, is an apt illustration for its opaque sound."
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in a musical structure Partridge described as "a piece of dream logic." Written by Moulding, "The Smartest Monkeys" was described by Johan Kugelberg of
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as being less immediate and simpler sounding: "It's not as immediate, and that's the way we want it." Noting the album's eclecticism, music critic
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by 1991, it nonetheless took some time for the album to get off the ground. Initially, the band had issue with the musical director of their label
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gave the album a perfect score, calling it "a paragon of peerless songwriting and enchanted, inimitable musicianship." Stephen Thomas Erlewine of
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she had. In writing the song, Partridge hoped to avoid the saccharine nature he felt plagued songs with similar subjects. "Crocodile" deals with
1666:"modest, minor masterpiece" and the band's "most immaculate album to date," finding the album's content to be "carefully composed and crafted."
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1083:. Partridge said of the final title: "It is a very beautiful word, but also one of my favorite record companies, the American record company
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flourishes that defined the band's late 1980s work, except here "integrated into an elaborate, lush pop setting that falls somewhere between
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just wants to know if it gets chicks hot." Other advertisements featured the tagline: "Still Not on Tour (Cheer up, there is a new album)".
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1556:, too challenging for legions of baby boomers unwilling to progress, XTC has built itself a very gorgeous golden cage." Brent Anderson of
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felt that the "certain formal elegance" of the Nonsuch Palace illustration and the typeface used in the packaging—a variation of
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psychedelia," "Humble Daisy" features multiple key changes and what Farmer perceives to be references to the Beach Boys and
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word "Nonsuch" meant "does not exist" rather than, as he later learned, "unique". Other proposed names for the album were
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sing-song, lilting melodies, delightful odes to everyday pleasures and humbling introspection," while T.J. McGrath of
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402:(1989) was released to acclaim from music critics and modest commercial success, XTC took a short break. Band leader
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has been described as the band's darkest and most political album. The cover depicts an illustration of the former
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936:" on a "three-note pattern" that he "stumbled" on while playing piano, thinking, "Wow, that kind of sounds like
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and I said, 'Oh Elton darling...'" Dudgeon had heard of the tense relationship between Partridge and producer
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in April 1992. The album was promoted with music magazine advertisements that featured joke quotes such as "
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called the album "precisely of its time," feeling it to reflect "the mental and physical landscape of the
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The album produced two singles, the first of which was "The Disappointed", which reached number 33 on the
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1162:. Music critic Nick Reed described its minor commercial success as "business as usual for the band."
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is "a multidimensional feast that shows XTC at its most adept and affecting," while Scott Isler of
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636:, which he did in a comparatively fast space of two and a half weeks. The album was mastered by
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364:. XTC soon left Virgin Records in the UK following a dispute over the cancelled third single, "
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Partridge suddenly wrote "Rook", one of his favourite songs on the album, after a period of
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The album cover features an illustration of the palace, taken from a 1611 map of Surrey by
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and is intended to sound like 1965, the year the film was set. Also intended to possess a "
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perhaps his favourite XTC album and "a treasure trove to be dipped into again and again."
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is a relatively less immediate and more restrained sounding album, carrying the band's
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and Padgham did not want to produce the album alone, while the band found that hiring
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The band's initial choice of producers for the album were not available; they pursued
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4527:"Steven Wilson Prepping Surround Mixes for Yes and XTC, More King Crimson on the Way"
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College album chart, at the time a significant feat, and number 75 in the Australian
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Partridge selected the name of the album after encountering a drawing of the former
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and instrumental mixes of the original album along with various demos and outtakes.
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4584:(PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 306.
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a day later in the United States. In addition to single CD and cassette releases,
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and XTC were the artists he would most like to drum for. Partridge, speaking to
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supposed to look at the drawing and copy the word and all that sort of stuff."
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2839:"A Chat With Andy Partridge Of XTC – 1992 – Past Daily Weekend Pop Chronicles"
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376:. In 2013, a remixed and expanded version of the album was released. Mixed by
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was released on 27 April 1992 by Virgin Records in the United Kingdom and by
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Higraff, Gjermund (10 September 1996). "The Back Page: FORGOTTEN GOLDIES".
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like which is sometimes tiresome." In 1993, the album was nominated for a
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he owned for the song, while Gregory incorporates numerous subtle guitar
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819:"Dear Madam Barnum" was written for, but unused by the Australian film
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The Guinness Encyclopedia of Popular Music : Threepenny Opera-Z.Z. Top
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performed a special event concert with David Marx and the Refugees, a
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which gave the song a new poignancy. The song features a synthesized
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that Partridge later dismissed as sounding "like a singing penis." "
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2994:(25 April 1992). "BBC Radio 1" (Interview: Audio). Interviewed by
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XTC: Song Stories: The Exclusive Authorized Story Behind the Music
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as his favourite XTC album, calling it "lousy with masterpieces."
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felt that "the vast majority of the 17 songs are dazzlers," while
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was the band's final choice, having been enticed by his work with
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Described by band biographer Neville Farmer as "a piece of near-
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Top 100 (ARIA Chart) peaks from January 1990 to December 2010:
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noted lyrics about omnibuses, orchards and miscreants. Blogger
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noises, but are in fact a sample of a tuned down pig's grunt.
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had made the band absent from their families back in England.
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4261:(2004). "XTC". In Brackett, Nathan; Hoard, Christian (eds.).
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as producer would be too expensive, and a deal to work with
4475:"What I'm Listening To October 2019: Tour Edition, Part 2"
1141:
in the UK but not in the US. It reached number 28 on the
940:!". The backing vocals were also Beach Boys-influenced.
348:" reached number 33 in the UK and was nominated for an
4653:
3717:
The Art of Noise: Conversations with Great Songwriters
3962:"australian-charts.com > XTC in Australian Charts"
1522:
received acclaim from music critics. Greg Kot of the
450:-based band that reunited him with former XTC member
414:, while also compering for an unbroadcast children's
3015:(documentary). Special Treats Productions Ltd. 2017.
1017:
song, "Books are Burning" was inspired by the G–E7/A
5296:
5164:
5132:
4953:
4935:
4833:
4724:
3982:. Mt. Martha, VIC, Australia: Moonlight Publishing.
3061:"25 Years On: XTC's Oranges & Lemons Revisited"
2380:
2372:
2102:
2094:
2063:
2052:
1817:
1809:
1610:-ish collection of fairy tales and funny stories."
193:
144:
132:
120:
104:
81:
66:
58:
50:
37:
23:
4064:
3233:McGrath, T.J. (1 February 1993). "XTC - Nonsuch".
1753:On 11 June 2001, Virgin released a new version of
983:Moulding's "War Dance" originated in 1983 for the
333:, chosen after the band had settled on the title "
2805:Fevret, Christian (1992). "XTC - Quality Sweet".
2769:. London: Helter Skelter Publishing. p. 55.
1652:Among retrospective reviews, Oregano Rathbone of
4597:(in Dutch). Hung Medien. Retrieved 4 June 2021.
4404:Quantick, David (February 1997). "XTC Nonsuch".
4180:
4178:
3785:Simonart, Serge (1992). "XTC: "We Were First"".
3626:Eichenberger, Bill (28 April 1992). "The Arts".
3175:
3173:
3171:
1728:would not return with new music until the album
4319:"Pop's perfectionists deserve a wider audience"
2952:: CS1 maint: others in cite AV media (notes) (
2331:"The Disappointed (Second Reference Recording)"
1093:
1055:, which served as the basis of the album cover.
255:) is the 12th studio album by the English band
4905:Transistor Blast: The Best of the BBC Sessions
3595:
3593:
2576:– "ringmaster," tambourine, percussion, chorus
2320:"The Disappointed (First Reference Recording)"
1540:is what happens when three men who grew up on
1266:
1228:
1033:the religious controversy surrounding his work
861:that can only be born in a pub," and features
4669:
1627:Grammy Award for Best Alternative Music Album
374:Grammy Award for Best Alternative Music Album
356:" was the band's second single to top the US
8:
4884:Drums and Wireless: BBC Radio Sessions 77–89
4877:Rag and Bone Buffet: Rare Cuts and Leftovers
3472:
3470:
3257:Isler, Scott (July 1992). "Record Reviews".
3007:
3005:
1475:
1437:
1399:
1361:
1299:
4870:Explode Together: The Dub Experiments 78-80
4549:
4547:
3942:CD-DVD and CD-Blu-Ray press release". 2013.
3907:
3905:
3111:
3109:
3107:
3105:
5319:Seagull Screaming Kiss Her Kiss Her (band)
4676:
4662:
4654:
3272:
3270:
3268:
3228:
3226:
3054:
3052:
3050:
3048:
2757:
2755:
2659:
1643:rated the album five stars out of five in
1203:
632:, being hired to mix the final version of
29:
20:
4143:
4141:
4139:
3719:. St. Martin's Press. pp. 203, 218.
3513:
3511:
2934:
2932:
2930:
2928:
2926:
2924:
2922:
2570:, tambourine, samples, shaker, percussion
1192:thinks it contains communist codes" and "
477:, who, after seeing 32 songs written for
4378:"One critic handicaps tonight's Grammys"
3710:
3708:
3399:Levinson, Deborah A. (29 January 1993).
3252:
3250:
3248:
3246:
3244:
2800:
2798:
2366:
2364:All tracks are written by Colin Moulding
2088:
2086:All tracks are written by Andy Partridge
2046:
1806:
1027:" (1964) while the lyrics were based on
3426:
3424:
3394:
3392:
3390:
2832:
2830:
2828:
2826:
2824:
2822:
2820:
2818:
2816:
2751:
2024:
5173:A Testimonial Dinner: The Songs of XTC
4609:. Hung Medien. Retrieved 4 June 2021.
4460:
3993:
3991:
3678:
3640:
3569:
3502:
3461:
3374:
3372:
3317:
3315:
3313:
3096:
3084:
2978:
2966:
2945:
2789:
1685:is "refreshingly more restrained than
947:
4220:
4218:
3740:
3738:
3736:
3194:
3192:
3190:
2025:
1209:
686:of the aforesaid albums. Compared to
554:. He produced the album, recorded at
542:that he "would have done it with the
7:
5141:Seagulls Screaming Kiss Her Kiss Her
4891:Fossil Fuel: The XTC Singles 1977–92
3518:Thelen, Christopher (13 June 1998).
3479:"Andy discusses 'Dear Madam Barnum'"
3477:Bernhardt, Bern (22 February 2009).
3379:Townsend, Dave (April 1992). "XTC".
3151:"XTC: The Times They Are A Changin'"
2877:
2875:
2873:
2871:
2869:
2867:
2865:
2863:
2861:
2859:
4607:"Swedishcharts.com – XTC – Nonsuch"
4554:Sinclair, Paul (23 November 2013).
4296:Harrison, Andrew (May 1992). "XTC:
4225:Rathbone, Oregano (November 2013).
4063:O'Brien, Karen (5 September 1998).
3807:(Interview: Audio). Interviewed by
3546:"Andy discusses 'The Disappointed'"
2466:"Where Did the Ordinary People Go?"
1268:
1230:
1023:chord change from the Beach Boys' "
760:noted lyrical content ranging from
4582:Australia's Music Charts 1988–2010
4376:DeYoung, Bill (23 February 1993).
3980:Australia's Music Charts 1988-2010
3602:"Andy discusses 'Wrapped in Grey'"
3544:Bernhardt, Todd (4 October 2009).
2532:, electric guitar, acoustic guitar
14:
4863:Chips from the Chocolate Fireball
4556:"XTC / Nonsuch CD+Blu-ray review"
4440:Ham, Robert (15 September 2014).
4264:The New Rolling Stone Album Guide
4154:The Encyclopedia of Popular Music
4077:from the original on 21 June 2022
3654:"Song of the Week -- Andy's take"
3600:Bernhardt, Todd (18 March 2017).
3028:"10 Questions with Dave Mattacks"
2232:"The Ballad of Peter Pumpkinhead"
1878:"The Smartest Monkeys" (Moulding)
1646:The Encyclopedia of Popular Music
1477:
1439:
1401:
1363:
1301:
989:sessions in the aftermath of the
562:, between July and October 1991.
556:Chipping Norton Recording Studios
498:Chipping Norton Recording Studios
469:Having written some 32 songs for
71:Chipping Norton Recording Studios
4842:Waxworks: Some Singles 1977–1982
4824:Wasp Star (Apple Venus Volume 2)
4595:"Dutchcharts.nl – XTC – Nonsuch"
4124:"XTC: Stupidly Happy Ever After"
3401:"1992's Crop of Music Below Par"
3357:Friedman, Roger (October 1992).
2837:Skene, Gordon (21 August 2016).
2368:Blu-ray disc: Colin's Work Tapes
2111:"Always Winter, Never Christmas"
1713:Aftermath and alternate versions
1496:
1491:
1486:
1481:
1476:
1458:
1453:
1448:
1443:
1438:
1420:
1415:
1410:
1405:
1400:
1382:
1377:
1372:
1367:
1362:
1320:
1315:
1310:
1305:
1300:
1282:
1277:
1272:
1267:
1249:
1244:
1239:
1234:
1229:
948:Problems playing this file? See
922:
877:and features what appears to be
372:was also nominated for the 1993
5266:Take Away / The Lure of Salvage
5116:The Ballad of Peter Pumpkinhead
5004:Sgt. Rock (Is Going to Help Me)
4849:Beeswax: Some B-Sides 1977–1982
4619:"Official Albums Chart Top 100"
4442:"XTC Albums From Worst To Best"
4317:Anderson, Brent (31 May 1992).
4122:Dominic, Serene (11 May 2000).
3322:Staunton, Terry (16 May 1992).
3059:Reed, Nick (11 February 2014).
2641:Simon Dawson – mixing assistant
2298:"I'm the Man Who Murdered Love"
2090:Blu-ray disc: Andy's Home Demos
1828:The Ballad of Peter Pumpkinhead
801:The Ballad of Peter Pumpkinhead
698:considered the album "a mix of
622:, who had just finished mixing
354:The Ballad of Peter Pumpkinhead
225:The Ballad of Peter Pumpkinhead
5350:Albums produced by Gus Dudgeon
4525:Marchese, Joe (24 June 2013).
3912:Sullivan, Jim (12 June 1992).
3838:The Official UK Charts Company
3431:Kugelberg, Johan (June 1992).
3204:"The XTC Legacy: An Appraisal"
2883:"A history of the middle ages"
2647:Kevin Westenberg – photography
2373:
2095:
2053:
1810:
1169:, and became nominated for an
546:," eccentric English producer
396:After the band's double album
1:
3914:"On Pop's High Road with XTC"
3149:Quantick, David (June 1992).
1572:favourably compared parts of
1470:The Rolling Stone Album Guide
1294:Encyclopedia of Popular Music
528:, who had recently worked on
4419:Jones, J.R. (12 June 2000).
2738:
2724:
2709:
2697:
2685:
2538:– electric guitar, electric
1051:illustrated by cartographer
980:but ultimately did not use.
410:(1989), the second album by
259:, released 27 April 1992 on
18:1992 studio album by XTC
4029:, p.. Guinness Publishing.
3959:) peaks from 26 June 1988:
2942:(liner). XTC. Virgin. 1992.
1717:Partridge was pleased with
380:, the edition included new
305:, with the rest by bassist
5371:
5148:Garden of Earthly Delights
4421:"Too Much of a Good Thing"
4185:Wyman, Bill (8 May 1992).
2039:2013 CD and Blu-ray extras
1800:All tracks are written by
1582:(1967). Terry Staunton of
1552:stay true. Too lovely for
1077:The Last Balloon Ride Home
552:the Bonzo Dog Doo-Dah Band
438:whilst also producing for
281:, and number 97 on the US
5309:The Dukes of Stratosphear
5039:Love on a Farmboy's Wages
4691:
4647:. Retrieved 4 June 2021.
4625:. Retrieved 4 June 2021.
2729:
2714:
2702:
2690:
2678:
2462:
2451:
2440:
2429:
2418:
2407:
2396:
2385:
2377:
2349:
2338:
2327:
2316:
2305:
2294:
2283:
2272:
2261:
2250:
2239:
2228:
2217:
2206:
2195:
2184:
2173:
2162:
2151:
2140:
2129:
2118:
2107:
2099:
2068:
2060:
2057:
2014:
2003:
1992:
1977:
1966:
1955:
1944:
1933:
1922:
1911:
1900:
1885:
1874:
1863:
1852:
1837:
1822:
1814:
1217:
1214:
1103:. Deborah A. Levinson of
772:and felt the album was a
682:found it to continue the
640:at Masterdisk, New York.
588:At Gregory's suggestion,
238:
204:
189:
152:
28:
3952:Australian chart peaks:
3859:Erlewine, Stephen Thomas
3117:Erlewine, Stephen Thomas
2632:Barry Hammond – engineer
1772:mixes from the original
807:." It was inspired by a
5018:Senses Working Overtime
4623:Official Charts Company
3715:Rachel, Daniel (2014).
3181:Press Release (Nonsuch)
3026:Ritchie, Jason (2003).
1067:and, thinking that the
1039:Album artwork and title
724:("Then She Appeared"),
666:Stephen Thomas Erlewine
664:," according to critic
609:The album was mixed at
294:s College album chart.
4983:Making Plans for Nigel
4976:Life Begins at the Hop
4912:Coat of Many Cupboards
3830:"Official Charts: XTC"
3803:Owens, Amanda (1992).
2661:Chart performance for
2629:Gus Dudgeon – producer
2411:"The Smartest Monkeys"
2166:"Goodbye Humanosaurus"
1970:"War Dance" (Moulding)
1097:
1056:
1047:A 17th-century map of
911:
690:, Partridge described
648:The detailed sound of
505:
341:when issued on vinyl.
5355:Virgin Records albums
4898:Upsy Daisy Assortment
4560:Super Deluexe Edition
4103:: 9. July–August 1992
3628:The Columbus Dispatch
2765:(10 September 1998).
2613:Gina Griffin – violin
2592:Florence Lovegrove –
2254:"It's Snowing Angels"
2210:"The Ugly Underneath"
2007:"Bungalow" (Moulding)
1996:"The Ugly Underneath"
1795:Original compact disc
1194:William Kennedy Smith
1122:Release and promotion
1046:
997:, recorded after the
964:Dukes of Stratosphear
910:
716:"studiously explores
652:retains parts of the
496:
287:, as well as topping
5053:All You Pretty Girls
5046:Thanks for Christmas
4817:Apple Venus Volume 1
4803:Oranges & Lemons
4635:"XTC Chart History (
4580:Ryan, Gavin (2011).
4269:Simon & Schuster
4196:Entertainment Weekly
4097:"XTC Nonsuch advert"
3978:Ryan, Gavin (2011).
3766:on 27 September 2007
3762:(68). Archived from
2909:Guitares et Claviers
2644:Dave Dragon – sleeve
2558:Additional personnel
2455:"Car Out of Control"
1841:"My Bird Performs" (
1804:, except where noted
1731:Apple Venus Volume 1
1687:Oranges & Lemons
1600:Entertainment Weekly
1332:Entertainment Weekly
1205:Professional ratings
688:Oranges & Lemons
662:Oranges & Lemons
460:Oranges & Lemons
399:Oranges & Lemons
266:Oranges & Lemons
217:Released: March 1992
177:Apple Venus Volume 1
159:Oranges & Lemons
4990:Generals and Majors
4926:Psurroundabout Ride
4500:"Didn't Hurt A Bit"
4383:The Gainesville Sun
4326:Sunday Morning Post
4203:on 7 September 2008
3885:"Chart Stats - XTC"
3805:"KITS FM: Live 105"
3660:. 30 September 2007
2948:cite AV media notes
2679:Australian Albums (
2665:
2542:, acoustic guitar,
2400:"Didn't Hurt a Bit"
2369:
2243:"Then She Appeared"
2221:"Holly Up on Poppy"
2177:"Dear Madam Barnum"
2122:"Books Are Burning"
2091:
2072:"Didn't Hurt a Bit"
2049:
2018:"Books Are Burning"
1959:"Then She Appeared"
1904:"Holly Up on Poppy"
1856:"Dear Madam Barnum"
1576:to the Beach Boys'
1559:Sunday Morning Post
1206:
849:the Lovin' Spoonful
594:Fairport Convention
315:Fairport Convention
263:. The follow-up to
62:July – October 1991
5095:Mayor of Simpleton
5011:Respectable Street
4761:English Settlement
4259:Frere-Jones, Sasha
3359:"The Agony of XTC"
2807:Les Inrockuptibles
2660:
2550:, backing vocals,
2389:"My Bird Performs"
2367:
2342:"The Disappointed"
2089:
2047:
1770:5.1 surround sound
1693:The Chicago Reader
1204:
1200:Critical reception
1188:doesn't get it", "
1171:Ivor Novello Award
1137:was released as a
1057:
912:
506:
362:Crash Test Dummies
358:Modern Rock Tracks
230:Released: May 1992
5327:
5326:
5245:Great Aspirations
5081:The Meeting Place
4962:Statue of Liberty
4504:Optimism's Flames
4348:Christgau, Robert
4168:978-0-85712-595-8
4129:Phoenix New Times
3298:on 17 August 2007
3099:, pp. 57–61.
3032:Get Ready to Rock
2907:"XTC Interview".
2743:
2742:
2705:Sverigetopplistan
2473:
2472:
2360:
2359:
2144:"Wrapped in Grey"
2082:
2081:
2035:
2034:
1734:(1999). Musician
1517:
1516:
932:Partridge based "
927:
918:"Wrapped in Grey"
859:social commentary
611:Rockfield Studios
436:Francesco Messina
428:Johnny Hates Jazz
242:
241:
185:
184:
5362:
5280:XTC: This Is Pop
5109:The Disappointed
4997:Towers of London
4678:
4671:
4664:
4655:
4648:
4632:
4626:
4616:
4610:
4604:
4598:
4592:
4586:
4585:
4577:
4571:
4570:
4568:
4566:
4551:
4542:
4541:
4539:
4537:
4522:
4516:
4515:
4513:
4511:
4496:
4490:
4489:
4487:
4485:
4470:
4464:
4458:
4452:
4451:
4437:
4431:
4430:
4416:
4410:
4409:
4401:
4395:
4394:
4392:
4390:
4373:
4367:
4366:
4364:
4362:
4356:Robert Christgau
4344:
4338:
4337:
4335:
4333:
4323:
4314:
4308:
4307:
4293:
4287:
4286:
4267:(4th ed.).
4255:
4249:
4248:
4246:
4244:
4236:Record Collector
4222:
4213:
4212:
4210:
4208:
4199:. Archived from
4182:
4173:
4172:
4157:(5th ed.).
4145:
4134:
4133:
4119:
4113:
4112:
4110:
4108:
4093:
4087:
4086:
4084:
4082:
4068:
4060:
4054:
4020:
4014:
4013:
4011:
4009:
3995:
3986:
3983:
3973:
3971:
3969:
3950:
3944:
3943:
3935:
3929:
3928:
3926:
3924:
3918:The Boston Globe
3909:
3900:
3899:
3897:
3895:
3881:
3875:
3874:
3872:
3870:
3855:
3849:
3848:
3846:
3844:
3826:
3820:
3819:
3817:
3815:
3800:
3794:
3793:
3782:
3776:
3775:
3773:
3771:
3742:
3731:
3730:
3712:
3703:
3702:
3700:
3698:
3688:
3682:
3676:
3670:
3669:
3667:
3665:
3650:
3644:
3638:
3632:
3631:
3623:
3617:
3616:
3614:
3612:
3597:
3588:
3587:
3579:
3573:
3567:
3561:
3560:
3558:
3556:
3541:
3535:
3534:
3532:
3530:
3515:
3506:
3500:
3494:
3493:
3491:
3489:
3474:
3465:
3459:
3453:
3452:
3450:
3448:
3428:
3419:
3418:
3416:
3414:
3405:
3396:
3385:
3384:
3376:
3367:
3366:
3354:
3348:
3347:
3345:
3343:
3332:
3319:
3308:
3307:
3305:
3303:
3294:. Archived from
3278:Azerrad, Michael
3274:
3263:
3262:
3254:
3239:
3238:
3230:
3221:
3220:
3218:
3216:
3196:
3185:
3184:
3177:
3166:
3165:
3163:
3161:
3146:
3140:
3139:
3137:
3135:
3113:
3100:
3094:
3088:
3082:
3076:
3075:
3073:
3071:
3056:
3043:
3042:
3040:
3038:
3023:
3017:
3016:
3013:XTC: This Is Pop
3009:
3000:
2999:
2988:
2982:
2976:
2970:
2964:
2958:
2957:
2951:
2943:
2936:
2917:
2916:
2904:
2898:
2897:
2895:
2893:
2879:
2854:
2853:
2851:
2849:
2834:
2811:
2810:
2802:
2793:
2787:
2781:
2780:
2759:
2703:Swedish Albums (
2666:
2546:, synthesizers,
2540:12-string guitar
2375:
2370:
2287:"Rip Van Reuben"
2097:
2092:
2055:
2050:
2028:
1891:The Disappointed
1812:
1807:
1724:The Boston Globe
1707:
1698:
1655:Record Collector
1594:Robert Christgau
1501:
1500:
1499:
1495:
1494:
1490:
1489:
1485:
1484:
1480:
1479:
1463:
1462:
1461:
1457:
1456:
1452:
1451:
1447:
1446:
1442:
1441:
1425:
1424:
1423:
1419:
1418:
1414:
1413:
1409:
1408:
1404:
1403:
1394:Record Collector
1387:
1386:
1385:
1381:
1380:
1376:
1375:
1371:
1370:
1366:
1365:
1325:
1324:
1323:
1319:
1318:
1314:
1313:
1309:
1308:
1304:
1303:
1287:
1286:
1285:
1281:
1280:
1276:
1275:
1271:
1270:
1254:
1253:
1252:
1248:
1247:
1243:
1242:
1238:
1237:
1233:
1232:
1207:
1167:UK Singles Chart
1022:
1021:
929:
928:
909:
867:The Disappointed
857:as "the kind of
805:shaggy-dog story
726:soundtrack muzak
644:Music and lyrics
510:Steve Lillywhite
408:And Love For All
346:The Disappointed
231:
228:
218:
215:
212:The Disappointed
154:
153:
116:
115:
111:
33:
21:
5370:
5369:
5365:
5364:
5363:
5361:
5360:
5359:
5330:
5329:
5328:
5323:
5292:
5160:
5155:Wrapped in Grey
5128:
5060:This World Over
4949:
4931:
4856:The Compact XTC
4829:
4796:Psonic Psunspot
4775:The Big Express
4747:Drums and Wires
4720:
4687:
4682:
4652:
4651:
4633:
4629:
4617:
4613:
4605:
4601:
4593:
4589:
4579:
4578:
4574:
4564:
4562:
4553:
4552:
4545:
4535:
4533:
4531:The Second Disc
4524:
4523:
4519:
4509:
4507:
4498:
4497:
4493:
4483:
4481:
4472:
4471:
4467:
4459:
4455:
4439:
4438:
4434:
4418:
4417:
4413:
4403:
4402:
4398:
4388:
4386:
4375:
4374:
4370:
4360:
4358:
4346:
4345:
4341:
4331:
4329:
4321:
4316:
4315:
4311:
4295:
4294:
4290:
4283:
4257:
4256:
4252:
4242:
4240:
4224:
4223:
4216:
4206:
4204:
4184:
4183:
4176:
4169:
4147:
4146:
4137:
4121:
4120:
4116:
4106:
4104:
4095:
4094:
4090:
4080:
4078:
4071:The Independent
4062:
4061:
4057:
4021:
4017:
4007:
4005:
4003:Official Charts
3997:
3996:
3989:
3977:
3967:
3965:
3960:
3951:
3947:
3937:
3936:
3932:
3922:
3920:
3911:
3910:
3903:
3893:
3891:
3883:
3882:
3878:
3868:
3866:
3857:
3856:
3852:
3842:
3840:
3834:Official Charts
3828:
3827:
3823:
3813:
3811:
3802:
3801:
3797:
3784:
3783:
3779:
3769:
3767:
3746:Hepworth, David
3744:
3743:
3734:
3727:
3714:
3713:
3706:
3696:
3694:
3690:
3689:
3685:
3677:
3673:
3663:
3661:
3652:
3651:
3647:
3639:
3635:
3625:
3624:
3620:
3610:
3608:
3599:
3598:
3591:
3581:
3580:
3576:
3568:
3564:
3554:
3552:
3543:
3542:
3538:
3528:
3526:
3524:The Daily Vault
3517:
3516:
3509:
3501:
3497:
3487:
3485:
3476:
3475:
3468:
3460:
3456:
3446:
3444:
3430:
3429:
3422:
3412:
3410:
3403:
3398:
3397:
3388:
3378:
3377:
3370:
3356:
3355:
3351:
3341:
3339:
3330:
3321:
3320:
3311:
3301:
3299:
3280:(28 May 1992).
3276:
3275:
3266:
3256:
3255:
3242:
3232:
3231:
3224:
3214:
3212:
3209:Chicago Tribune
3198:
3197:
3188:
3179:
3178:
3169:
3159:
3157:
3148:
3147:
3143:
3133:
3131:
3115:
3114:
3103:
3095:
3091:
3083:
3079:
3069:
3067:
3058:
3057:
3046:
3036:
3034:
3025:
3024:
3020:
3011:
3010:
3003:
2990:
2989:
2985:
2977:
2973:
2965:
2961:
2944:
2938:
2937:
2920:
2906:
2905:
2901:
2891:
2889:
2881:
2880:
2857:
2847:
2845:
2836:
2835:
2814:
2804:
2803:
2796:
2788:
2784:
2777:
2763:Farmer, Neville
2761:
2760:
2753:
2748:
2673:
2658:
2500:acoustic guitar
2496:electric guitar
2479:
2474:
2361:
2353:"Wonder Annual"
2199:"Difficult Age"
2133:"Goosey Goosey"
2083:
2041:
2036:
2026:
1983:Wrapped in Grey
1797:
1792:
1776:multitracks by
1715:
1705:
1696:
1530:Michael Azerrad
1525:Chicago Tribune
1497:
1492:
1487:
1482:
1459:
1454:
1449:
1444:
1421:
1416:
1411:
1406:
1383:
1378:
1373:
1368:
1321:
1316:
1311:
1306:
1283:
1278:
1273:
1261:Chicago Tribune
1250:
1245:
1240:
1235:
1202:
1143:UK Albums Chart
1124:
1041:
1019:
1018:
1007:Wrapped in Grey
955:
954:
946:
944:
943:
942:
941:
934:Wrapped in Grey
930:
923:
920:
913:
907:
887:
863:jangley guitars
840:-based bridge.
797:
720:("That Wave"),
646:
536:Michael Jackson
522:John Paul Jones
491:
394:
366:Wrapped in Grey
279:UK Albums Chart
234:
229:
222:
221:
216:
209:
208:
180:
171:
162:
113:
109:
108:
100:
46:
19:
12:
11:
5:
5368:
5366:
5358:
5357:
5352:
5347:
5342:
5332:
5331:
5325:
5324:
5322:
5321:
5316:
5311:
5306:
5300:
5298:
5294:
5293:
5291:
5290:
5287:Planet England
5283:
5276:
5273:Waspstrumental
5269:
5262:
5255:
5248:
5241:
5240:
5239:
5232:
5225:
5218:
5211:
5204:
5197:
5190:
5176:
5168:
5166:
5162:
5161:
5159:
5158:
5151:
5144:
5136:
5134:
5130:
5129:
5127:
5126:
5123:Easter Theatre
5119:
5112:
5105:
5102:King for a Day
5098:
5091:
5084:
5077:
5070:
5063:
5056:
5049:
5042:
5035:
5028:
5025:Ball and Chain
5021:
5014:
5007:
5000:
4993:
4986:
4979:
4972:
4965:
4957:
4955:
4951:
4950:
4948:
4947:
4939:
4937:
4933:
4932:
4930:
4929:
4922:
4915:
4908:
4901:
4894:
4887:
4880:
4873:
4866:
4859:
4852:
4845:
4837:
4835:
4831:
4830:
4828:
4827:
4820:
4813:
4806:
4799:
4792:
4785:
4778:
4771:
4764:
4757:
4750:
4743:
4736:
4728:
4726:
4722:
4721:
4719:
4718:
4713:
4708:
4706:Terry Chambers
4703:
4701:Colin Moulding
4698:
4696:Andy Partridge
4692:
4689:
4688:
4683:
4681:
4680:
4673:
4666:
4658:
4650:
4649:
4627:
4611:
4599:
4587:
4572:
4543:
4517:
4506:. 16 June 2003
4491:
4473:Jackson, Joe.
4465:
4453:
4432:
4426:Chicago Reader
4411:
4396:
4368:
4339:
4309:
4288:
4281:
4250:
4214:
4174:
4167:
4135:
4114:
4088:
4055:
4025:; ed. (1995).
4015:
3987:
3985:
3984:
3974:
3945:
3930:
3901:
3876:
3850:
3821:
3809:Andy Partridge
3795:
3777:
3732:
3725:
3704:
3683:
3671:
3645:
3633:
3618:
3589:
3574:
3562:
3536:
3507:
3495:
3466:
3454:
3420:
3386:
3368:
3349:
3309:
3264:
3240:
3222:
3202:(3 May 1992).
3186:
3167:
3141:
3101:
3089:
3077:
3044:
3018:
3001:
2996:Andy Partridge
2983:
2971:
2959:
2918:
2899:
2855:
2812:
2794:
2782:
2775:
2750:
2749:
2747:
2744:
2741:
2740:
2737:
2727:
2726:
2723:
2712:
2711:
2708:
2700:
2699:
2696:
2691:Dutch Albums (
2688:
2687:
2684:
2676:
2675:
2670:
2657:
2654:
2649:
2648:
2645:
2642:
2639:
2633:
2630:
2621:
2620:
2617:Neville Farmer
2614:
2611:
2602:
2596:
2590:
2577:
2571:
2555:
2554:
2533:
2526:Colin Moulding
2523:
2488:Andy Partridge
2478:
2475:
2471:
2470:
2467:
2464:
2460:
2459:
2456:
2453:
2449:
2448:
2445:
2442:
2438:
2437:
2434:
2431:
2427:
2426:
2423:
2420:
2416:
2415:
2412:
2409:
2405:
2404:
2401:
2398:
2394:
2393:
2390:
2387:
2383:
2382:
2379:
2376:
2362:
2358:
2357:
2354:
2351:
2347:
2346:
2343:
2340:
2336:
2335:
2332:
2329:
2325:
2324:
2321:
2318:
2314:
2313:
2310:
2307:
2303:
2302:
2299:
2296:
2292:
2291:
2288:
2285:
2281:
2280:
2277:
2276:"Humble Daisy"
2274:
2270:
2269:
2266:
2263:
2259:
2258:
2255:
2252:
2248:
2247:
2244:
2241:
2237:
2236:
2233:
2230:
2226:
2225:
2222:
2219:
2215:
2214:
2211:
2208:
2204:
2203:
2200:
2197:
2193:
2192:
2189:
2186:
2182:
2181:
2178:
2175:
2171:
2170:
2167:
2164:
2160:
2159:
2156:
2153:
2149:
2148:
2145:
2142:
2138:
2137:
2134:
2131:
2127:
2126:
2123:
2120:
2116:
2115:
2112:
2109:
2105:
2104:
2101:
2098:
2084:
2080:
2079:
2076:
2075:Colin Moulding
2073:
2070:
2066:
2065:
2062:
2059:
2056:
2048:CD bonus track
2045:
2040:
2037:
2033:
2032:
2029:
2023:
2022:
2019:
2016:
2012:
2011:
2008:
2005:
2001:
2000:
1997:
1994:
1990:
1989:
1986:
1979:
1975:
1974:
1971:
1968:
1964:
1963:
1960:
1957:
1953:
1952:
1949:
1946:
1942:
1941:
1938:
1935:
1931:
1930:
1927:
1924:
1920:
1919:
1916:
1913:
1909:
1908:
1905:
1902:
1898:
1897:
1894:
1887:
1883:
1882:
1879:
1876:
1872:
1871:
1868:
1867:"Humble Daisy"
1865:
1861:
1860:
1857:
1854:
1850:
1849:
1846:
1843:Colin Moulding
1839:
1835:
1834:
1831:
1824:
1820:
1819:
1816:
1813:
1802:Andy Partridge
1798:
1796:
1793:
1791:
1788:
1714:
1711:
1668:David Quantick
1629:, but lost to
1612:David Hepworth
1515:
1514:
1511:
1503:
1502:
1473:
1465:
1464:
1435:
1427:
1426:
1397:
1389:
1388:
1359:
1351:
1350:
1347:
1339:
1338:
1335:
1327:
1326:
1297:
1289:
1288:
1264:
1256:
1255:
1226:
1220:
1219:
1216:
1212:
1211:
1201:
1198:
1131:Geffen Records
1123:
1120:
1061:Nonsuch Palace
1049:Nonsuch Palace
1040:
1037:
1029:Salman Rushdie
945:
938:Burt Bacharach
931:
921:
916:
915:
914:
905:
904:
903:
891:writer's block
886:
883:
796:
793:
752:Roger Friedman
738:the Beach Boys
728:("Bungalow"),
704:McCartneyesque
674:David Quantick
645:
642:
625:We Can't Dance
544:window cleaner
518:Kirsty MacColl
490:
487:
475:Virgin Records
444:Colin Moulding
412:The Lilac Time
404:Andy Partridge
393:
390:
386:surround sound
352:award, while "
331:Nonsuch Palace
307:Colin Moulding
303:Andy Partridge
261:Virgin Records
240:
239:
236:
235:
233:
232:
219:
205:
202:
201:
191:
190:
187:
186:
183:
182:
173:
164:
150:
149:
142:
141:
136:
130:
129:
124:
118:
117:
106:
102:
101:
99:
98:
93:
87:
85:
79:
78:
68:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
5367:
5356:
5353:
5351:
5348:
5346:
5343:
5341:
5338:
5337:
5335:
5320:
5317:
5315:
5312:
5310:
5307:
5305:
5302:
5301:
5299:
5295:
5289:
5288:
5284:
5282:
5281:
5277:
5275:
5274:
5270:
5268:
5267:
5263:
5261:
5260:
5256:
5254:
5253:
5249:
5247:
5246:
5242:
5238:
5237:
5233:
5231:
5230:
5226:
5224:
5223:
5219:
5217:
5216:
5212:
5210:
5209:
5205:
5203:
5202:
5198:
5196:
5195:
5191:
5189:
5188:
5184:
5183:
5182:
5181:
5180:Fuzzy Warbles
5177:
5175:
5174:
5170:
5169:
5167:
5165:Related media
5163:
5156:
5152:
5149:
5145:
5142:
5138:
5137:
5135:
5131:
5124:
5120:
5117:
5113:
5110:
5106:
5103:
5099:
5096:
5092:
5089:
5085:
5082:
5078:
5075:
5071:
5068:
5064:
5061:
5057:
5054:
5050:
5047:
5043:
5040:
5036:
5033:
5029:
5026:
5022:
5019:
5015:
5012:
5008:
5005:
5001:
4998:
4994:
4991:
4987:
4984:
4980:
4977:
4973:
4970:
4966:
4963:
4959:
4958:
4956:
4952:
4946:
4945:
4941:
4940:
4938:
4934:
4928:
4927:
4923:
4921:
4920:
4916:
4914:
4913:
4909:
4907:
4906:
4902:
4900:
4899:
4895:
4893:
4892:
4888:
4886:
4885:
4881:
4879:
4878:
4874:
4872:
4871:
4867:
4865:
4864:
4860:
4858:
4857:
4853:
4851:
4850:
4846:
4844:
4843:
4839:
4838:
4836:
4832:
4826:
4825:
4821:
4819:
4818:
4814:
4812:
4811:
4807:
4805:
4804:
4800:
4798:
4797:
4793:
4791:
4790:
4786:
4784:
4783:
4779:
4777:
4776:
4772:
4770:
4769:
4765:
4763:
4762:
4758:
4756:
4755:
4751:
4749:
4748:
4744:
4742:
4741:
4737:
4735:
4734:
4730:
4729:
4727:
4725:Studio albums
4723:
4717:
4714:
4712:
4711:Barry Andrews
4709:
4707:
4704:
4702:
4699:
4697:
4694:
4693:
4690:
4686:
4679:
4674:
4672:
4667:
4665:
4660:
4659:
4656:
4646:
4645:
4640:
4638:
4631:
4628:
4624:
4620:
4615:
4612:
4608:
4603:
4600:
4596:
4591:
4588:
4583:
4576:
4573:
4561:
4557:
4550:
4548:
4544:
4532:
4528:
4521:
4518:
4505:
4501:
4495:
4492:
4480:
4476:
4469:
4466:
4462:
4457:
4454:
4449:
4448:
4443:
4436:
4433:
4428:
4427:
4422:
4415:
4412:
4407:
4400:
4397:
4385:
4384:
4379:
4372:
4369:
4357:
4353:
4349:
4343:
4340:
4327:
4320:
4313:
4310:
4305:
4304:
4299:
4292:
4289:
4284:
4282:0-7432-0169-8
4278:
4274:
4270:
4266:
4265:
4260:
4254:
4251:
4238:
4237:
4232:
4230:
4221:
4219:
4215:
4202:
4198:
4197:
4192:
4190:
4181:
4179:
4175:
4170:
4164:
4160:
4159:Omnibus Press
4156:
4155:
4150:
4149:Larkin, Colin
4144:
4142:
4140:
4136:
4131:
4130:
4125:
4118:
4115:
4102:
4098:
4092:
4089:
4076:
4072:
4067:
4059:
4056:
4052:
4051:9780857125958
4048:
4044:
4043:9780753501597
4040:
4036:
4035:9781561591763
4032:
4028:
4024:
4023:Larkin, Colin
4019:
4016:
4004:
4000:
3994:
3992:
3988:
3981:
3975:
3964:. Hung Medien
3963:
3958:
3954:
3953:
3949:
3946:
3941:
3934:
3931:
3919:
3915:
3908:
3906:
3902:
3890:
3886:
3880:
3877:
3864:
3860:
3854:
3851:
3839:
3835:
3831:
3825:
3822:
3810:
3806:
3799:
3796:
3792:
3788:
3781:
3778:
3765:
3761:
3760:
3755:
3753:
3747:
3741:
3739:
3737:
3733:
3728:
3726:9781466865211
3722:
3718:
3711:
3709:
3705:
3693:
3687:
3684:
3681:, p. 71.
3680:
3675:
3672:
3659:
3655:
3649:
3646:
3643:, p. 69.
3642:
3637:
3634:
3629:
3622:
3619:
3607:
3603:
3596:
3594:
3590:
3585:
3578:
3575:
3572:, p. 68.
3571:
3566:
3563:
3551:
3547:
3540:
3537:
3525:
3521:
3514:
3512:
3508:
3505:, p. 65.
3504:
3499:
3496:
3484:
3480:
3473:
3471:
3467:
3464:, p. 63.
3463:
3458:
3455:
3442:
3438:
3434:
3427:
3425:
3421:
3409:
3402:
3395:
3393:
3391:
3387:
3382:
3375:
3373:
3369:
3364:
3360:
3353:
3350:
3338:
3337:
3329:
3327:
3318:
3316:
3314:
3310:
3297:
3293:
3292:
3291:Rolling Stone
3287:
3285:
3279:
3273:
3271:
3269:
3265:
3260:
3253:
3251:
3249:
3247:
3245:
3241:
3236:
3229:
3227:
3223:
3211:
3210:
3205:
3201:
3195:
3193:
3191:
3187:
3182:
3176:
3174:
3172:
3168:
3156:
3152:
3145:
3142:
3130:
3126:
3124:
3118:
3112:
3110:
3108:
3106:
3102:
3098:
3093:
3090:
3087:, p. 57.
3086:
3081:
3078:
3066:
3062:
3055:
3053:
3051:
3049:
3045:
3033:
3029:
3022:
3019:
3014:
3008:
3006:
3002:
2997:
2993:
2987:
2984:
2981:, p. 59.
2980:
2975:
2972:
2969:, p. 58.
2968:
2963:
2960:
2955:
2949:
2941:
2935:
2933:
2931:
2929:
2927:
2925:
2923:
2919:
2915:
2910:
2903:
2900:
2888:
2884:
2878:
2876:
2874:
2872:
2870:
2868:
2866:
2864:
2862:
2860:
2856:
2844:
2840:
2833:
2831:
2829:
2827:
2825:
2823:
2821:
2819:
2817:
2813:
2808:
2801:
2799:
2795:
2792:, p. 54.
2791:
2786:
2783:
2778:
2772:
2768:
2764:
2758:
2756:
2752:
2745:
2736:
2734:
2728:
2721:
2717:
2713:
2706:
2701:
2694:
2693:Album Top 100
2689:
2682:
2677:
2671:
2669:Chart (1992)
2668:
2667:
2664:
2655:
2653:
2646:
2643:
2640:
2637:
2634:
2631:
2628:
2627:
2626:
2625:
2618:
2615:
2612:
2610:
2606:
2605:Stuart Gordon
2603:
2601:
2597:
2595:
2591:
2589:
2585:
2581:
2578:
2575:
2572:
2569:
2565:
2564:Dave Mattacks
2562:
2561:
2560:
2559:
2553:
2549:
2548:Hammond organ
2545:
2541:
2537:
2534:
2531:
2527:
2524:
2521:
2517:
2513:
2509:
2505:
2501:
2497:
2493:
2489:
2486:
2485:
2484:
2483:
2476:
2468:
2465:
2461:
2457:
2454:
2450:
2446:
2443:
2439:
2435:
2432:
2428:
2424:
2421:
2417:
2413:
2410:
2406:
2402:
2399:
2395:
2391:
2388:
2384:
2371:
2365:
2355:
2352:
2348:
2344:
2341:
2337:
2333:
2330:
2326:
2322:
2319:
2315:
2311:
2308:
2304:
2300:
2297:
2293:
2289:
2286:
2282:
2278:
2275:
2271:
2267:
2264:
2260:
2256:
2253:
2249:
2245:
2242:
2238:
2234:
2231:
2227:
2223:
2220:
2216:
2212:
2209:
2205:
2201:
2198:
2194:
2190:
2187:
2183:
2179:
2176:
2172:
2168:
2165:
2161:
2157:
2154:
2150:
2146:
2143:
2139:
2135:
2132:
2128:
2124:
2121:
2117:
2113:
2110:
2106:
2093:
2087:
2077:
2074:
2071:
2067:
2051:
2044:
2038:
2030:
2027:Total length:
2020:
2017:
2013:
2009:
2006:
2002:
1998:
1995:
1991:
1987:
1984:
1980:
1976:
1972:
1969:
1965:
1961:
1958:
1954:
1950:
1947:
1943:
1939:
1936:
1932:
1928:
1925:
1921:
1917:
1914:
1910:
1906:
1903:
1899:
1895:
1892:
1888:
1884:
1880:
1877:
1873:
1869:
1866:
1862:
1858:
1855:
1851:
1847:
1844:
1840:
1836:
1832:
1829:
1825:
1821:
1808:
1805:
1803:
1794:
1790:Track listing
1789:
1787:
1784:
1779:
1778:Steven Wilson
1775:
1771:
1767:
1762:
1760:
1756:
1751:
1749:
1745:
1741:
1737:
1733:
1732:
1726:
1725:
1720:
1712:
1710:
1704:
1703:
1695:
1694:
1688:
1684:
1680:
1679:
1673:
1669:
1665:
1661:
1657:
1656:
1650:
1648:
1647:
1642:
1638:
1637:
1632:
1628:
1623:
1619:
1618:
1613:
1609:
1608:
1603:
1601:
1595:
1592:By contrast,
1590:
1587:
1586:
1581:
1580:
1575:
1571:
1570:
1565:
1561:
1560:
1555:
1554:college radio
1551:
1550:
1545:
1544:
1539:
1535:
1534:Rolling Stone
1531:
1527:
1526:
1521:
1512:
1510:
1509:
1505:
1504:
1474:
1472:
1471:
1467:
1466:
1436:
1434:
1433:
1432:Rolling Stone
1429:
1428:
1398:
1396:
1395:
1391:
1390:
1360:
1358:
1357:
1353:
1352:
1348:
1346:
1345:
1341:
1340:
1336:
1334:
1333:
1329:
1328:
1298:
1296:
1295:
1291:
1290:
1265:
1263:
1262:
1258:
1257:
1227:
1225:
1222:
1221:
1213:
1210:Review scores
1208:
1199:
1197:
1195:
1191:
1187:
1183:
1179:
1178:
1177:The Late Show
1172:
1168:
1163:
1161:
1157:
1156:
1155:Rolling Stone
1151:
1149:
1144:
1140:
1136:
1132:
1128:
1121:
1119:
1116:
1112:
1108:
1107:
1102:
1096:
1092:
1090:
1086:
1082:
1078:
1074:
1070:
1066:
1062:
1054:
1050:
1045:
1038:
1036:
1034:
1030:
1026:
1016:
1012:
1008:
1004:
1000:
996:
992:
991:Falklands War
988:
987:
981:
979:
975:
972:
969:
965:
960:
953:
951:
939:
935:
919:
902:
900:
896:
892:
884:
882:
880:
876:
872:
871:rocking horse
868:
864:
860:
856:
855:
850:
846:
845:Stratospheric
841:
839:
838:Hammond organ
835:
831:
826:
822:
817:
814:
810:
806:
802:
794:
792:
789:
785:
781:
780:
775:
771:
767:
763:
759:
758:
753:
749:
748:
741:
739:
735:
731:
727:
723:
719:
715:
711:
710:
705:
701:
697:
693:
689:
685:
681:
680:
675:
672:. Similarly,
671:
667:
663:
659:
655:
651:
643:
641:
639:
635:
631:
627:
626:
621:
616:
612:
607:
604:
600:
599:Joni Mitchell
595:
591:
590:Dave Mattacks
586:
583:
582:
577:
576:Todd Rundgren
573:
570:gave me this
569:
563:
561:
557:
553:
549:
545:
541:
537:
533:
532:
527:
526:Bill Bottrell
523:
519:
515:
511:
504:was recorded.
503:
499:
495:
488:
486:
484:
480:
476:
472:
467:
465:
461:
457:
453:
452:Barry Andrews
449:
445:
441:
437:
433:
429:
425:
421:
417:
413:
409:
405:
401:
400:
391:
389:
387:
383:
379:
378:Steven Wilson
375:
371:
367:
363:
359:
355:
351:
347:
344:Lead single "
342:
340:
336:
332:
328:
324:
320:
316:
312:
311:Dave Mattacks
308:
304:
300:
295:
293:
291:
290:Rolling Stone
286:
285:
284:Billboard 200
280:
276:
272:
268:
267:
262:
258:
254:
253:
248:
247:
237:
226:
220:
213:
207:
206:
203:
200:
196:
192:
188:
179:
178:
174:
170:
169:
165:
161:
160:
156:
155:
151:
147:
143:
140:
137:
135:
131:
128:
125:
123:
119:
107:
103:
97:
94:
92:
89:
88:
86:
84:
80:
76:
72:
69:
65:
61:
57:
54:27 April 1992
53:
49:
45:
40:
36:
32:
27:
22:
16:
5297:Other topics
5285:
5278:
5271:
5264:
5257:
5250:
5243:
5234:
5227:
5220:
5213:
5206:
5199:
5192:
5185:
5178:
5171:
4969:This Is Pop?
4942:
4924:
4917:
4910:
4903:
4896:
4889:
4882:
4875:
4868:
4861:
4854:
4847:
4840:
4834:Compilations
4822:
4815:
4809:
4808:
4801:
4794:
4787:
4780:
4773:
4766:
4759:
4752:
4745:
4738:
4731:
4716:Dave Gregory
4643:
4636:
4630:
4614:
4602:
4590:
4581:
4575:
4565:25 September
4563:. Retrieved
4559:
4534:. Retrieved
4530:
4520:
4510:25 September
4508:. Retrieved
4503:
4494:
4482:. Retrieved
4478:
4468:
4456:
4445:
4435:
4424:
4414:
4405:
4399:
4387:. Retrieved
4381:
4371:
4359:. Retrieved
4355:
4342:
4332:25 September
4330:. Retrieved
4325:
4312:
4301:
4297:
4291:
4262:
4253:
4241:. Retrieved
4234:
4228:
4205:. Retrieved
4201:the original
4194:
4188:
4152:
4127:
4117:
4107:25 September
4105:. Retrieved
4100:
4091:
4081:25 September
4079:. Retrieved
4070:
4058:
4037:. See also:
4026:
4018:
4008:25 September
4006:. Retrieved
4002:
3979:
3966:. Retrieved
3948:
3939:
3933:
3921:. Retrieved
3917:
3892:. Retrieved
3888:
3879:
3869:25 September
3867:. Retrieved
3853:
3841:. Retrieved
3833:
3824:
3814:25 September
3812:. Retrieved
3798:
3790:
3786:
3780:
3768:. Retrieved
3764:the original
3757:
3751:
3748:(May 1992).
3716:
3697:25 September
3695:. Retrieved
3686:
3674:
3664:25 September
3662:. Retrieved
3657:
3648:
3636:
3627:
3621:
3611:25 September
3609:. Retrieved
3605:
3584:L'Avîntguárd
3583:
3577:
3565:
3555:25 September
3553:. Retrieved
3549:
3539:
3529:25 September
3527:. Retrieved
3523:
3498:
3488:25 September
3486:. Retrieved
3482:
3457:
3447:25 September
3445:. Retrieved
3440:
3436:
3413:25 September
3411:. Retrieved
3407:
3380:
3362:
3352:
3340:. Retrieved
3334:
3325:
3300:. Retrieved
3296:the original
3289:
3283:
3258:
3234:
3213:. Retrieved
3207:
3180:
3158:. Retrieved
3154:
3144:
3132:. Retrieved
3122:
3092:
3080:
3070:25 September
3068:. Retrieved
3064:
3037:25 September
3035:. Retrieved
3031:
3021:
3012:
2986:
2974:
2962:
2939:
2912:
2911:. May 1992.
2908:
2902:
2892:25 September
2890:. Retrieved
2886:
2848:25 September
2846:. Retrieved
2842:
2806:
2785:
2766:
2732:
2662:
2650:
2623:
2622:
2598:Rose Hull –
2557:
2556:
2536:Dave Gregory
2520:synthesizers
2481:
2480:
2422:"Down a Peg"
2363:
2085:
2042:
1799:
1773:
1763:
1758:
1754:
1752:
1747:
1739:
1729:
1722:
1718:
1716:
1700:
1691:
1686:
1682:
1676:
1671:
1663:
1653:
1651:
1644:
1641:Colin Larkin
1636:Bone Machine
1634:
1621:
1620:wrote that "
1615:
1605:
1598:
1591:
1583:
1579:Smiley Smile
1577:
1573:
1567:
1563:
1557:
1547:
1541:
1537:
1533:
1523:
1519:
1518:
1506:
1468:
1430:
1392:
1354:
1342:
1330:
1292:
1259:
1175:
1164:
1153:
1147:
1139:double vinyl
1134:
1126:
1125:
1114:
1104:
1098:
1094:
1080:
1076:
1072:
1058:
1025:I Get Around
994:
984:
982:
977:
956:
894:
888:
852:
842:
821:The Crossing
820:
818:
798:
787:
777:
766:the Gulf War
762:book burning
755:
745:
742:
713:
707:
691:
687:
677:
661:
657:
649:
647:
633:
623:
608:
587:
579:
564:
539:
529:
514:Hugh Padgham
507:
501:
482:
478:
470:
468:
459:
455:
424:Dave Gregory
419:
407:
397:
395:
369:
350:Ivor Novello
343:
339:double album
326:
323:P. T. Barnum
297:Produced by
296:
288:
282:
270:
264:
251:
250:
245:
244:
243:
198:
175:
167:
166:
157:
39:Studio album
15:
5345:1992 albums
5304:Discography
5133:Other songs
4733:White Music
4479:Joe Jackson
4461:Farmer 1998
4361:21 December
4271:. pp.
3923:24 December
3679:Farmer 1998
3641:Farmer 1998
3570:Farmer 1998
3503:Farmer 1998
3462:Farmer 1998
3235:Dirty Linen
3160:24 December
3097:Farmer 1998
3085:Farmer 1998
3065:The Quietus
2992:Harris, Bob
2979:Farmer 1998
2967:Farmer 1998
2887:Panda Yates
2790:Farmer 1998
2584:flugelhorns
2574:Gus Dudgeon
2552:church bell
2530:bass guitar
2522:, bell tree
2444:"War Dance"
2188:"Crocodile"
2155:"That Wave"
1948:"That Wave"
1915:"Crocodile"
1744:Joe Jackson
1681:wrote that
1678:The Quietus
1607:White Album
1543:Sgt. Pepper
1536:felt that "
1186:George Bush
1160:ARIA Charts
885:Tracks 9–17
830:snare drums
770:P.T. Barnum
730:cowboy punk
718:jazz-fusion
709:Dirty Linen
684:jangle rock
654:psychedelic
615:South Wales
578:during the
572:Rolls-Royce
560:Oxfordshire
548:Gus Dudgeon
464:Los Angeles
432:Marc Almond
426:played for
420:Matchmakers
299:Gus Dudgeon
275:psychedelic
249:(styled as
139:Gus Dudgeon
96:jangle rock
75:Oxfordshire
5340:XTC albums
5334:Categories
5032:Wonderland
4789:Skylarking
4782:25 O'Clock
3957:ARIA Chart
3865:. AllMusic
3692:"Bungalow"
3658:Chalkhills
3606:Chalkhills
3550:Chalkhills
3483:Chalkhills
2843:Past Daily
2776:190092403X
2746:References
2636:Nick Davis
2580:Guy Barker
2528:– vocals,
2512:percussion
2508:tambourine
2433:"Bungalow"
1766:2.0 stereo
1736:John Grant
1662:described
1549:Pet Sounds
1190:David Duke
1101:John Speed
1089:Henry VIII
1053:John Speed
1015:censorship
974:covermount
968:seven-inch
950:media help
795:Tracks 1–8
774:song cycle
658:Skylarking
638:Bob Ludwig
620:Nick Davis
603:Bob Harris
581:Skylarking
534:(1991) by
489:Production
392:Background
148:chronology
5259:Homegrown
4919:Apple Box
4754:Black Sea
4644:Billboard
4637:Billboard
4484:3 October
4447:Stereogum
4306:(23): 74.
3894:7 October
3889:Billboard
3520:"Nonsuch"
3200:Kot, Greg
2733:Billboard
2716:UK Albums
2674:position
2624:Technical
2504:harmonica
2477:Personnel
2309:"Omnibus"
2061:Writer(s)
1937:"Omnibus"
1783:DVD-Audio
1702:Stereogum
1631:Tom Waits
1148:Billboard
1081:Milkfloat
971:flexidisc
879:crocodile
834:arpeggios
784:recession
734:classical
722:folk-rock
531:Dangerous
416:game show
406:produced
77:, England
5314:Ian Reid
5252:Homespun
5088:Dear God
4389:29 April
4243:26 March
4151:(2007).
4075:Archived
3955:Top 50 (
3408:The Tech
3259:Musician
3129:AllMusic
2638:– mixing
2619:– chorus
1660:AllMusic
1569:Musician
1224:AllMusic
1106:The Tech
1085:Nonesuch
1020:♭
1011:Weymouth
1003:clarinet
999:Gulf War
959:West End
899:art song
875:jealousy
700:Broadway
696:Greg Kot
670:AllMusic
500:, where
442:, while
335:nonesuch
319:Gulf War
309:, while
269:(1989),
252:NONSVCH.
199:Nonsuch
134:Producer
59:Recorded
51:Released
41: by
5067:Wake Up
4954:Singles
4810:Nonsuch
4536:13 June
4298:Nonsuch
4229:Nonsuch
4227:"XTC –
4207:18 June
4189:Nonsuch
3968:25 July
3940:Nonsuch
3770:18 June
3752:Nonsuch
3433:"Spins"
3342:18 June
3326:Nonsuch
3302:18 June
3284:Nonsuch
3215:22 June
3183:. 1992.
3134:18 June
3123:Nonsuch
2940:Nonsuch
2663:Nonsuch
2588:trumpet
1774:Nonsuch
1759:Nonsuch
1755:Nonsuch
1748:Nonsuch
1746:called
1740:Nonsuch
1719:Nonsuch
1683:Nonsuch
1664:Nonsuch
1622:Nonsuch
1574:Nonsuch
1564:Nonsuch
1538:Nonsuch
1520:Nonsuch
1182:BBC Two
1135:Nonsuch
1127:Nonsuch
1115:Nonsuch
1073:Balloon
1069:archaic
995:Nonsuch
978:Nonsuch
809:pumpkin
788:Nonsuch
757:Details
714:Nonsuch
692:Nonsuch
650:Nonsuch
634:Nonsuch
630:Genesis
540:Nonsuch
502:Nonsuch
483:Nonsuch
479:Nonsuch
471:Nonsuch
456:Nonsuch
448:Swindon
370:Nonsuch
327:Nonsuch
271:Nonsuch
246:Nonsuch
195:Singles
181:(1999)
172:(1992)
168:Nonsuch
163:(1989)
24:Nonsuch
4768:Mummer
4303:Select
4279:
4273:890–92
4165:
4049:
4041:
4033:
3843:5 June
3750:"XTC:
3723:
3363:Guitar
3324:"XTC:
3282:"XTC:
3261:(165).
3125:– XTC"
2773:
2656:Charts
2609:violin
2516:shaker
2492:vocals
2469:
2458:
2447:
2436:
2425:
2414:
2403:
2392:
2381:Length
2356:
2345:
2334:
2323:
2312:
2301:
2290:
2279:
2268:
2265:"Rook"
2257:
2246:
2235:
2224:
2213:
2202:
2191:
2180:
2169:
2158:
2147:
2136:
2125:
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