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According to
Tarkovsky, while shooting the film he realized that he would be able to express "something distinctive", which he believed he couldn't in his previous films – for only then he had become aware that "a film can make the inner life of its author visible", and, thereby, he "expanded into ."
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about the need of mankind of being true brothers and sisters and to return to a simpler way of life. Finally, he plays the fourth movement of
Beethoven's Ninth Symphony and immolates himself. An onlooker imitates the action of him writhing on the ground in agony, while Eugenia arrives too late, along
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Tarkovsky spoke of the profound form of nostalgia which he believes is unique to
Russians when traveling abroad, comparing it to a disease, "an illness that drains away the strength of the soul, the capacity to work, the pleasure of living", but also, "a profound compassion that binds us not so much
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by chance and that he asked if Andrei has walked across the pool himself as he promised. Andrei says he has, although that is not true. Eugenia is with her boyfriend, but he seems uninterested in her and appears to be involved in dubious business affairs. Later, Domenico delivers a speech on top the
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Andrei meets and befriends a strange man named
Domenico, who is famous in the village for trying to cross through the waters of a mineral pool with a lit candle. He claims that when finally achieving it, he will save the world. They both share a feeling of alienation from their surroundings. Andrei
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with Tonino Guerra, as they visited cities, Tonino would show him
Renaissance architecture, art, monuments, and he admired them, and would take notes, but what struck him the most was the sky, the blue sky, black sky, with clouds, with the sun, at dawn, at noon, in the evening. A sky, he said, is
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state closed them; Domenico now lives in the street. He also learns that
Domenico had a family and was obsessed in keeping them inside his house in order to save them from the end of the world, until they were freed by the local police after seven years. Before leaving, Domenico gives Andrei his
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always simply just that, but a change in the hour of the day, the wind, climate, can have it speak to you in a different way, with love, violence, longing, fear, etc. Cinema, he said, can give these "ways" back to you and that it must, with courage, and honest, always starting from the real.
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Back at their hotel Andrei feels displaced and longs to go back to Russia, but unnamed circumstances seem to get in the way. Eugenia is smitten with Andrei and is offended that he will not sleep with her, claiming that she has a better boyfriend waiting for her.
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Tarkovsky answered: “There isn’t 'realism' on the one hand, and on the other hand (in contrast, in contradiction) 'dreams.' We spend a third of our life asleep (and thus dreaming): what is there that is more real than dreams?”
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was mildly positive, considering it to be "packed with imagery that seems at once hopelessly obscure and crushingly obvious" while also arguing that the work "does succeed in inducing some kind of trance." The film won the
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to research the life of 18th-century
Russian composer Pavel Sosnovsky, who lived there and committed suicide after his return to Russia. He and his comely interpreter Eugenia travel to a convent in the
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as being all one and the same. Andrei seems to cut his research short and plans to leave for Russia, until he gets a call from
Eugenia, who wishes to say goodbye and tell him that she met Domenico in
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Today, it is one of
Tarkovsky's lesser-known works. In 2010, scholar Thomas Redwood wrote that "critics on the whole have tended to ignore the film. Relatively little has been written about
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demands patience—and rewards the investment with a hypnotic viewing experience that finds
Tarkovsky in gratifyingly uncompromising form. The film received nine total votes in the 2012
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At one point, Domenico questions mathematics, displaying that "1+1≠2" with two drops of olive oil. This is a reference to one of Guerra's collaborations with
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in terms of style, was to portray the soul, the memory, of Italy, of which it felt to him being there. When he visited Italy to begin studying the project of
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elements drawn from Tarkovsky's own experiences visiting Italy, and explores themes surrounding the untranslatability of art and culture.
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to complete the film in Italy and cut some Russian scenes from the script, while recreating Russian locations for other scenes in Italy.
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528:(1954) by Roberto Rossellini, starring Ingrid Bergman, that bore that name, they searched for something else, eventually deciding upon
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When Mosfilm support was withdrawn, Tarkovsky used part of the budget provided by Italian State Television and French film company
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with our own privation, our longing, our separation, but rather with the suffering of others, a passionate empathy."
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utilizes long takes, dream sequences, and minimal story. Of his use of dream sequences, to the question asked by
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said that Tarkovsky "may well be a film poet but he's a film poet with a tiny vocabulary. Nothing happens."
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During a dream-like sequence, Andrei sees himself as Domenico and has visions of his wife, Eugenia and
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is featured both during Andrei's visit at Domenico's home and during his demonstration in Rome.
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1103:"Nostalghia.com | The Topics :: Tarkovsky interviewed by Natalia Aspesi at Cannes, 1983"
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in 1982, forcing Tarkovsky to seek a new protagonist. Tarkovsky eventually decided upon
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Donatella Baglivo filmed a ninety-minute documentary on the making of the film titled
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shot the film, though Tovoli would take that role in Tarkovsky’s 1982 documentary
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later learns that Domenico used to live in a lunatic asylum until the post-
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candle and asks him if he will cross the waters with the candle for him.
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Kyle Kallgren used the candle-holding scene from this film to point out
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was considered for director of photography, although ultimately
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Several scenes of the film were set in the countryside of
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was initially cast as Andrei Gorchakov, but died from
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Nostalghia.com – An Andrei Tarkovsky Information Site
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Border crossings: mapping identities in modern Europe
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The best video essays of 2018|Sight & Sound|BFI
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384:The Russian writer Andrei Gorchakov travels to
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1575:The Films of Andrei Tarkovsky: A Visual Fugue
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646:Similarly to Tarkovsky's previous films,
329:. Tarkovsky co-wrote the screenplay with
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1006:. British Film Institute. Archived from
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1667:Films with screenplays by Tonino Guerra
1543:Time Within Time: The Diaries 1970–1986
1132:The Exile and Death of Andrei Tarkovsky
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778:polls of the greatest films ever made.
807:can be viewed in this 2016 video game.
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1234:Andrei Tarkovsky's Poetics of Cinema
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336:The film depicts a Russian writer (
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1145:Canby, Vincent (October 5, 1983).
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760:has an approval rating of 87% on
483:Patrizia Terreno as Andrei's Wife
309:in the United Kingdom) is a 1983
44:Italian theatrical release poster
1126:Demant, Ebbo (Director) (1988).
977:"Festival de Cannes: Nostalghia"
1128:Andrej Tarkowskijs Exil und Tod
1079:"Talking with Andrei Tarkovsky"
510:, with most of the dialogue in
1427:The Steamroller and the Violin
622:, the mysterious crypt of the
559:Andrei Tarkovsky in Nostalghia
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1004:"Votes for NOSTALGHIA (1983)"
375:the greatest films ever made.
16:1983 film by Andrei Tarkovsky
1692:Russian-language drama films
1627:1980s Russian-language films
1622:1980s Italian-language films
1419:There Will Be No Leave Today
727:Prize of the Ecumenical Jury
353:Prize of the Ecumenical Jury
1203:. Peter Lang. p. 169.
687:The film features music by
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1682:Italian multilingual films
1147:"'Nostalghia,' In Italian"
846:, rather than the Italian
25:Nostalgia (disambiguation)
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1702:Soviet multilingual films
1677:Italian independent films
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743:1983 Cannes Film Festival
365:1983 Cannes Film Festival
102:Daniel Toscan du Plantier
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49:
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1657:Films partially in color
1231:Redwood, Thomas (2010).
1197:Wagstaff, Peter (2004).
393:countryside, to look at
1612:1983 multilingual films
1064:Internet Movie Database
843:[nəstɐlʲˈɡʲijə]
913:Michelangelo Antonioni
852:[nostalˈdʒiːa]
23:. For other uses, see
19:For the musician, see
1335:University of Calgary
1057:Filming locations of
831:transcription of the
419:Mary, mother of Jesus
399:Piero della Francesca
221:2 June 1983
206:17 May 1983
21:Nostalghia (musician)
1662:Films set in Tuscany
1134:] (Documentary).
707:Reception and legacy
689:Ludwig van Beethoven
666:Tarkovsky's goal in
624:Chiesa di San Pietro
608:Abbey of San Galgano
506:with the support of
448:Abbey of San Galgano
344:. The film utilizes
1672:Italian drama films
1647:Films about writers
1642:Films about suicide
1617:1980s Italian films
1259:"Nostalghia (2013)"
981:festival-cannes.com
1697:Soviet drama films
1632:1980s Soviet films
1151:The New York Times
1107:www.nostalghia.com
1083:A-BitterSweet-Life
1034:Dmitry Bortniansky
954:www.nostalghia.com
717:The New York Times
574:Anatoly Solonitsyn
480:as Domenico's Wife
472:Domiziana Giordano
323:Domiziana Giordano
120:Domiziana Giordano
1637:Films about poets
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1536:Sculpting in Time
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1210:978-3-03910-279-2
1030:Maksym Berezovsky
879:Nostalghia (1983)
775:Sight & Sound
762:review aggregator
636:Province of Rieti
620:Province of Siena
516:Viaggio in Italia
435:with the police.
370:Sight & Sound
351:The film won the
313:film directed by
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1266:. Retrieved
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1214:. Retrieved
1199:
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1180:. Retrieved
1176:
1173:"Nostalghia"
1171:Kehr, Dave.
1166:
1154:. Retrieved
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1110:. Retrieved
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1008:the original
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253:Soviet Union
238:Running time
229: (Italy)
149:Amedeo Salfa
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1553:Works about
1411:The Killers
1382:Filmography
1268:January 17,
1182:January 17,
1156:January 17,
1014:January 17,
800:The Witness
668:Nostalghia,
632:Cittaducale
530:Nostalghia.
468:as Domenico
444:Val d'Orcia
242:125 minutes
92:Produced by
70:Directed by
1602:1983 films
1596:Categories
1486:Nostalghia
1316:Nostalghia
1299:Nostalghia
1112:2018-07-11
1088:2018-07-11
1059:Nostalghia
986:2009-06-16
959:2018-07-11
918:Red Desert
863:References
838:Ностальгия
825:Nostalghia
805:Nostalghia
758:Nostalghia
754:Nostalghia
747:Palme d'Or
737:) and the
672:Nostalghia
648:Nostalghia
494:Production
474:as Eugenia
426:statue of
300:Nostalghia
289:Box office
225:1983-06-02
210:1983-05-17
158:Production
80:Written by
60:Ностальгия
33:Nostalghia
848:nostalgia
770:Nostalgia
722:Dave Kehr
634:, in the
618:, in the
606:; as the
594:Locations
498:This was
411:fascistic
373:polls of
306:Nostalgia
292:$ 322,097
264:Languages
247:Countries
168:Sovinfilm
160:companies
140:Edited by
1321:AllMovie
793:See also
764:website
395:frescoes
359:and the
284:£500,000
108:Starring
1478:Stalker
1462:Solaris
1216:7 March
1062:at the
833:Russian
829:Italian
787:YouTube
741:at the
697:Requiem
600:Tuscany
569:Casting
534:Gaumont
512:Italian
508:Mosfilm
430:on the
363:at the
273:Italian
270:Russian
223: (
208: (
193:(Italy)
177:Mosfilm
55:Russian
1516:(1983)
1497:(1986)
1489:(1983)
1481:(1979)
1473:(1975)
1470:Mirror
1465:(1972)
1457:(1966)
1449:(1962)
1430:(1961)
1422:(1959)
1414:(1956)
1387:Awards
1306:
1241:
1207:
931:Fandor
827:is an
781:Noted
691:, and
614:, the
587:Mirror
578:cancer
561:(1984)
391:Tuscan
281:Budget
216:Cannes
214: (
1528:Books
1396:Films
1130:[
835:word
812:Notes
683:Music
642:Style
604:Lazio
548:, or
504:Italy
386:Italy
311:drama
256:Italy
172:RAI 2
1304:IMDb
1270:2017
1239:ISBN
1218:2011
1205:ISBN
1184:2017
1158:2017
1032:and
1016:2017
894:2024
454:Cast
423:Rome
380:Plot
325:and
1319:at
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714:of
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397:by
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