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and understand the past are seen by many as merely a nuisance to society. People relate more with the astronomers than they do with Vicky and
Violeta. Some Chileans have decided, instead of acknowledging and understanding their past, to put aside what happened and pretend like it never occurred. In the documentary, Guzmán referred to Miguel and his wife Anita as a metaphor for Chile: one tries to remember his past and origins while the other forgets. This idea becomes one of Guzmán's main points: they should not be forgetting, but instead remembering to learn more about their own origins. At the end of the film, Guzmán states that only those who understand their past are able to live in the present and look into the future. Those who do not are unable to; they do not exist because they have “no beginning and no future.”
348:, similarly, was a prisoner who survived the concentration camp. He is referred to as the “architect” in the movie because he was able to memorize and then later recreate the environment the prisoners lived in. Miguel would measure buildings and the grounds with footsteps and would then draw a scaled version of the concentration camps with those measurements. He would rip his drawings up and hide them at night, in case of a raid, and then flush them down the latrines in the morning. The narrator concludes that he and his wife Anita are a metaphor for Chile: Henríquez remembers what happened in the past, while Anita, who has
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humanity's origin by looking at the cosmos. Both groups delve into the past in order to create a more solid and concrete understanding of it. The women who search the desert look for the calcium in the form of bones while the astronomers look for calcium as a remnant of stars and the big bang. Slides were shown of asteroids that then transitioned into close-ups of bone fragments. The difference is indistinguishable, and expresses, on a deeper level, that these astronomers and women are on the same journey. In the documentary, searching for origins inform life in the present.
604:, reiterates a similar stance. He states that the archeologists and astronomers (archeologists being the historians of what's underneath the earth and astronomers being the archeologist of the cosmos) have the most in common as they both recreate the past. The documentary is praised for its stunning visuals and impressive views of the cosmos but despite the aesthetics, it evokes the idea that we, according to Smith, “concern ourselves with fleeting power and evil deeds, treating both as though they are more than mere smudges on a much larger blueprint.”
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killed thousands of
Chileans and later tried to conceal this act by erasing any evidence of its occurrence. Many Chileans have now, much like the dictatorship did, forgotten or ignored the fact that such acts ever took place. But, even though the dictatorship tried to conceal their acts, people still continue to search for those that went missing. Women search zealously for the remains of those that they love so that they can gain some comfort and peace back in their lives.
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try to understand the origins of the cosmos. Similarly, the lack of humidity not only helps astronomers see the universe, but it helps archaeologists and
Chileans access traces and remains of the past. The dry climate helps preserve these traces as if they were left untouched. Some Chileans are interested in these remnants, especially in finding the bodies of their loved ones who disappeared during the reign of Pinochet.
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the recyclable matter of the universe, which brings peace to her. She has a son, who she knows will not have to suffer dictatorial violence like his past generations. This idea leaves her strong and optimistic. Guzmán ends the documentary affirming the value of memory because, as he states, “those who have a memory are able to live in the fragile present moments. Those who have none don't live anywhere.”
597:, praised it as a “transfixing cinematic essay.” He comments that the film is a narrative reflective about the importance of time and sends a political message about memory. Guzmán is said to express his longing for the Chile he grew up in, when the times were more peaceful. Nonetheless, his “belief in eternal memory is an astounding leap of faith.”
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into the past; even sitting there having this interview, he comments, is a conversation in the past because of the millionths of a second light takes to travel and be processed. Lautaro Núñez relates astronomer's endeavors to his own; archeologists and astronomers have to recreate the past while in the present by using only a few traces.
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Valentina Rodríguez talks about how her grandparents were detained and threatened to give up the location of her parents. After their captors threatened to hurt
Valentina, her grandparents complied and her parents were taken away. However, Valentina acknowledges that she and her parents all belong to
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The film challenges Chile's national practice to forget what happened and its lack of accountability. A paradox presented by Guzmán is that Chile is a place where accessing the past is the easiest, yet the
Chilean people are unable to acknowledge or reconcile with their own past. These women who try
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comments that the film received great reviews from The New York Times and the Los
Angeles Times. The parallels in his documentary, Guzmán said, were the most important part and the focus of the film. Guzmán purposefully made the story he told poetic. Zapatos Chinos claims Guzmán to be an important
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focuses on the similarity: astronomers' desire to understand the past and origin of the universe and
Chileans' desire to find and know what happened to the ones that they loved. This documentary juggles with remembering of the past and forgetting it. The Pinochet Military dictatorship detained and
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is known for being one of the driest deserts in the world. As a result, scientists and astronomers from around the world travel to the desert and use it as a site to perform their own research. These astronomers are able to look clearly up into the sky and observe the universe that surrounds us to
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concentration camp, describes how a group of about 20, led by a Doctor
Alvarez (who was knowledgeable in astronomy), were taught theory during the day and learned how to identify constellations at night. They learned how to create a device that helped them track the constellations, and while they
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Astronomer Gaspar Galaz is introduced and comments on how astronomy is a way to look into the past to understand our origins. It is generally a science seeking answer, but, in the process, creates more questions to answer. He comments that science in general, like astronomy and geology, is a look
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opens with a view of a telescope and images of the Moon. The narrator, Patricio Guzmán, describes how he came to love astronomy and begins to remember his childhood during which “only the present moment existed.” Soon, Chile became the center of the world as astronomers and scientists flocked to
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Patricio Guzmán's documentary compares two seemingly different ideas in a way that presents them to be the same endeavor. Guzmán stresses the struggle these
Chilean women face as they try to find their loved one's bodies, and at the same time he points out how astronomers struggle to understand
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shares the notion that the documentary has stunning images. But she also recognizes the translucency that defines the present. She comments that there's only a succession of moments that slip into history before we have time to notice them," and then comments on how characters like Miguel and
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comments that the connections between the astronomers, archeologists, the
Atacama, and the women who searched for their loved ones is the focus of the film. The relationship they all share, their goals, is all connected to the notion of returning to and remembering Chile's past.
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filmmaker in Latin America. His film is stated, again, to be poetic and contains beautiful images that ask to be looked at and interpreted. The film engages us to take a journey that brings us throughout space, not only the cosmos but also the earth beneath our feet.
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Luís Henríquez – Held in the Chacabuco concentration camp from Nov of 1973 to Oct of 1974. He was part of a group of 20 prisoners who together looked up and learned the constellations. He was referred to as the “transmitter of history” because of his memories of the
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who still search, after decades, for the remains of their relatives executed during the dictatorship. Patricio Guzmán narrates the documentary himself and the documentary includes interviews and commentary from those affected and from astronomers and archeologists.
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was first released in France on May 14, 2010 at the Cannes Film Festival. It was released in several other European countries subsequently, like Poland and Spain, and finally arrived in the US in select theaters on March 17, 2011.
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studied the cosmos they “all had a feeling of great freedom,” as Henríquez describes it. The military, however, quickly banned these lessons because they believed the prisoners could escape using the constellations.
332:. This desert, and its abundance of history, becomes the focus of the documentary. Because of how dry it is, the desert hosts the untouched remains of fish, mollusks, Indian carvings, and even mummified humans.
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The documentary then shifts into Chile's recent past dealing with Pinochet and his dictatorship. Luís Henríquez, a survivor from the
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As a filmmaker Patricio Guzmán's filmography has focused mostly on the political and social issues that have plagued
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Chile to observe the universe through the thin and clear skies. We next see Guzmán walking in the
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telescope, and the president of the Workers Union of the ALMA Telescope Project.
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Recsk 1950-1953: The Story Of A Secret Concentration Camp In Communist Hungary
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In 2014, it was voted one of the 50 greatest documentaries of all time in the
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Violeta Berríos – Another woman still searching the desert for her loved ones.
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The documentary was well received by critics in Chile. Ascanio Cavallo, from
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Vicky Saavedra – A woman who still searches the desert for her loved ones.
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Winner Best Documentary, Prix ARTE, 2010 European Film Academy Awards
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Toronto Film Critics Association Award for Best Documentary Film
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Valentina Rodríguez – Staff astronomer and press officer at the
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The Observatories of the Carnegie Institution of Washington DC
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Documentary films about Latin American military dictatorships
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Valentina both share their past through their memories.
950:"Nostalgia for the Light w/ filmmaker Patricio Guzmán"
1090:"'Nostalgia for the Light' review: Awe and anguish"
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467:Special mention from Special Jury Prize, 2010
408:George Preston – Senior staff astronomer from
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1185:"The Greatest Documentaries of All Time poll"
924:"Writers Guild Awards: Complete Winners List"
395:Victor González – A software engineer at the
371:Gaspar Galaz – Professor of Astronomy at the
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512:San Francisco International Film Festival
1310:European Film Award for Best Documentary
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1187:. British Film Institute. 1 August 2014
1008:"Chile's Past Is Present in the Desert"
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373:Pontifical Catholic University of Chile
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1421:S-21: The Khmer Rouge Killing Machine
524:Melbourne International Film Festival
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1862:European Film Awards winners (films)
1370:Vendetta - Blood Revenge in Albania
506:Toronto International Film Festival
1173:. zapatoschinos.com. 11 June 2010.
274:to address the lasting impacts of
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1842:Films directed by Patricio Guzmán
1006:Holden, Stephen (17 March 2011).
518:Miami International Film Festival
1785:All the Beauty and the Bloodshed
1060:Turan, Kenneth (22 April 2011).
980:"Nostalgia for the Light (2010)"
270:) is a 2010 documentary film by
151:Pyramide International (France)
1088:Biancolli, Amy (12 May 2011).
489:Winner Best Documentary, 2010
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706:International Film Guide 2012
593:. Stephen Holden, writer for
421:European Southern Observatory
382:Lautaro Núñez – Archeologist.
1250:, Bright Lights Film Journal
414:National Academy of Sciences
1451:Paper Cannot Wrap Up Embers
530:Best Documentary Screenplay
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1689:Exit Through the Gift Shop
704:Smith, Ian Hayden (2012).
290:. He explored Chile under
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1531:Bergman: A Year in a Life
1376:Gigi, Monica... et Bianca
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899:"Nostalgia for the Light"
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679:"Nostalgia for the Light"
522:Official Selection, 2010
516:Official Selection, 2011
510:Official Selection, 2011
504:Official Selection, 2010
498:Official Selection, 2010
368:– Narrator of documentary
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1827:French documentary films
1036:"The Truth is Out There"
534:Writers Guild of America
180:March 17, 2011
1697:Nostalgia for the Light
1657:Manufactured Landscapes
1633:Capturing the Friedmans
1471:Nostalgia for the Light
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847:Obs.carnegiescience.edu
817:www.almaobservatory.org
759:"Gaspar Galaz Homepage"
618:San Francisco Chronicle
575:Nostalgia for the Light
555:Nostalgia for the Light
491:Abu Dhabi Film Festival
442:Nostalgia for the Light
321:Nostalgia for the Light
259:Nostalgia for the Light
22:Nostalgia for the Light
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1569:Smoke Sauna Sisterhood
1500:Master of the Universe
1436:The Pipeline Next Door
813:"The ALMA Observatory"
641:British Film Institute
585:, as well as a 91/100
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169:May 13, 2010
1625:Bowling for Columbine
1167:"Nostalgia de la Luz"
1116:"Nostalgia de la Luz"
928:Hollywoodreporter.com
615:Amy Biancolli of the
607:Kenneth Turan of the
581:on review aggregator
432:Release and accolades
412:and member of the US
308:trilogy, 1975-1979),
960:on 10 September 2011
823:on 28 September 2013
579:100% approval rating
500:Cannes Film Festival
483:for Best Documentary
464:for Best Documentary
455:European Film Awards
377:Universidad Católica
294:and his government (
1793:20 Days in Mariupol
1729:The Look of Silence
1382:Tableau avec chutes
1140:Fredes, Cristóbal.
600:Kenton Smith, from
462:European Film Award
350:Alzheimer's disease
306:The Battle of Chile
268:Nostalgia de la luz
96:Valentina Rodríguez
1867:2010s French films
1713:The Act of Killing
1493:The Act of Killing
1443:Into Great Silence
1429:Darwin's Nightmare
1397:The Gleaners and I
1358:Angels of Sarajevo
1352:Misfits To Yuppies
1346:Earth of the Blind
1114:Cavallo, Ascanio.
1013:The New York Times
954:Mediasanctuary.org
930:. 19 February 2012
732:Guzman, Patricio.
595:The New York Times
469:Sheffield Doc/Fest
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1189:. Retrieved
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958:the original
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793:. p. 63
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763:Astro.puc.cl
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196:Running time
154:Icarus Films
107:Katell Djian
70:Gaspar Galaz
1673:Man on Wire
1649:Grizzly Man
1515:Fire at Sea
1364:Viva Stalin
1339:Hear My Cry
1267:Awards for
1191:27 December
1151:19 November
1125:19 November
1099:16 November
1073:16 November
1045:16 November
1019:16 November
991:29 November
964:19 November
934:18 February
908:15 November
683:Variety.com
643:'s poll in
628:El Mercurio
528:Nominated:
56:Produced by
36:Directed by
1822:2010 films
1816:Categories
1769:Collective
1547:Collective
1238:Metacritic
1094:Sfgate.com
743:25 January
665:References
633:La Tercera
591:Metacritic
481:Jury Award
248:Box office
200:90 minutes
184:2011-03-17
173:2010-05-13
46:Written by
16:2010 film
1523:Communion
570:Reception
532:from the
341:Chacabuco
251:$ 156,928
231:Languages
205:Countries
112:Edited by
1681:The Cove
1539:For Sama
852:13 March
797:13 March
768:13 March
653:See also
540:Analysis
131:Music by
64:Starring
1120:Lun.com
872:Eso.org
791:Eso.org
689:29 June
587:average
437:Release
264:Spanish
240:English
237:Spanish
217:Germany
182: (
171: (
1796:(2023)
1788:(2022)
1780:(2021)
1772:(2020)
1764:(2019)
1756:(2018)
1748:(2017)
1740:(2016)
1732:(2015)
1724:(2014)
1716:(2013)
1708:(2012)
1700:(2011)
1692:(2010)
1684:(2009)
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1628:(2002)
1572:(2023)
1564:(2022)
1558:(2021)
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1348:(1992)
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1334:(1990)
1326:(1989)
827:6 June
712:
602:Uptown
476:(2011)
457:(2010)
449:Awards
211:France
787:(PDF)
550:Chile
386:camp.
288:Chile
220:Spain
214:Chile
1555:Flee
1479:Pina
1458:René
1216:IMDb
1193:2021
1153:2011
1127:2011
1101:2011
1075:2011
1047:2011
1021:2011
993:2012
966:2011
936:2019
910:2011
854:2022
829:2022
799:2022
770:2022
745:2012
710:ISBN
691:2020
544:The
479:Won
460:Won
397:ALMA
360:Cast
330:Mars
316:Plot
156:(US)
1507:Amy
1236:at
1225:at
1214:at
589:on
548:in
223:USA
1818::
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