Knowledge (XXG)

Norman Allin

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251:, and took it up in autumn 1935. Later he also accepted a similar appointment at the Royal Manchester College, which he held jointly with the other, only resigning the Manchester post in 1942 owing to pressure of work in London. 230:
on 5 October 1938. The words set for his solo are 'The motions of his spirit are dull as night, And his affections dark as Erebus,' the lowest-lying solo line of the work. He was also in the performance of the piece for the
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heard him and planned to involve him in the 1914 Norwich Festival. The festival was interrupted by the outbreak of World War I. However, Allin did sing the Handel aria "O ruddier than the cherry", from
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He always gave the greatest satisfaction when he sang in music festivals, and Wood felt that he could trust him with anything. He was one of the soloists in the original line-up for
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In 1934 he took part in a seven-month operatic tour in Australia, appearing mainly in Melbourne and Sydney. On his return he was offered a professorship of singing at the
744: 263:. His recording career lasted from circa 1916 to circa 1940. Many of his titles were cut twice, first acoustically and then, after 1925, electrically. 749: 739: 45:
under John Acton (singing) and Walter Carroll (theory). He married the teacher Edith Clegg in 1912 and went to London, where the conductor
270:) coupled with Coningsby Clarke's 'The Blind Ploughman'. This was re-made electrically. Examples of his operatic and concert titles are: 696: 679: 662: 42: 734: 137: 236: 82:, but Allin felt a less challenging debut was needed. So, his first appearance for Beecham was as the Old Hebrew in 232: 199: 188: 84: 279: 52: 378: 266:
Among the acoustic recordings was an early best-seller, the 10" record of Bruno Huhn's 'Invictus' (to words of
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concert, again under Beecham's baton, in 1918. He later appeared as Boris, as Gurnemanz in
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Handel: But Who may Abide?, The People that Walked in Darkness, The Trumpet Shall Sound,
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Allin was perhaps best known to contemporary music-goers as a concert recitalist and an
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broadcast written and presented by John Steane, 1988, for the 50th anniversary of the
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singer of the early and mid twentieth century, and later a teacher of voice.
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on 15 October 1916. With the Beecham Opera Company he appeared, too, in
657:. London, New York and Melbourne: Oxford University Press. p. 8. 94: 22: 217:, at a Halle concert, he decided not to sing the part again. 446:(recorded immediately after the concert premiere in 1938). 691:. London: Macmillan Publishers Ltd. Vol. 1, p. 405. 72:
auditioned him and at once offered him the title role in
674:. London: Macmillan Publishers Ltd. Vol. 1, p. 94. 25:(19 November 1884 â€“ 27 October 1973) was a British 651:
Rosenthal, Harold and John Warrack. (1979, 2nd ed.).
572:- Full score - Oxford University Press 1961, 29–31 617:(Revised Edition – Rockliff, London 1958), 11–15. 207:. In 1932, after giving his 270th performance of 511: 509: 688:The New Grove Dictionary of Music and Musicians 668:Sadie, Stanley and Christina Bashford. (1992). 143:Allin created the role of Sir John Falstaff in 533:Eaglefield-Hull 1924; Brook 1958; Pound 1969. 136:. In 1921, he became a founder-member of the 8: 625:A Dictionary of Modern Music and Musicians 685:Sadie, Stanley and John Tyrrell. (2001). 745:20th-century British male opera singers 706:(Cheap Edition, Gollancz, London 1946). 478: 418:Gounod: She Alone Charmeth my Sadness ( 654:The Concise Oxford Dictionary of Opera 344:: Tho' Faithless men (Si la rigueur) ( 153:. In 1934, he appeared in the initial 7: 14: 671:The New Grove Dictionary of Opera 323:Within These Hallowed Dwellings ( 43:Royal Manchester College of Music 332:Mozart: See the Way You Rogues ( 187:singer. He appeared before the 750:20th-century British educators 138:British National Opera Company 1: 740:People from Ashton-under-Lyne 277:: O Ruddier than the Cherry ( 411:(1932, w. BBC Chorus, cond. 41:in 1884. He studied at the 646:Sir Henry Wood, a biography 639:KobbĂ©'s Complete Opera Book 766: 259:Norman Allin recorded for 237:Musicians' Benevolent Fund 233:Royal Philharmonic Society 189:Royal Philharmonic Society 286:Handel: Honour and Arms ( 60:for Wood during the war. 465:Allin died, aged 88, at 735:British operatic basses 648:(Cassell, London 1969). 449:He recorded duets with 365:Wagner: Hagen's Watch, 641:(Putnam, London 1954). 621:Arthur Eaglefield Hull 249:Royal Academy of Music 172:The Marriage of Figaro 634:(Ryder, London 1946). 485:Eaglefield-Hull 1924. 319:: O Isis and Osiris, 307:Why do the Nations? ( 155:Glyndebourne Festival 98:. He first sang at a 627:(Dent, London 1924). 494:Pound 1969, 126–127. 356:: Wotan's farewell ( 239:, in February 1940. 193:Royal Choral Society 179:Concert and oratorio 112:, Hagen in Wagner's 428:Jean-Baptiste Faure 235:, on behalf of the 16:British bass singer 632:Royal Philharmonic 590:Brook 1958, 14–15. 542:Harewood 1954, 68. 442:Vaughan Williams: 295:Handel: Aria from 203:in 1927 under Sir 150:At the Boar's Head 118:and Baron Ochs in 100:Royal Philharmonic 37:Allin was born in 608:Serenade to Music 570:Serenade to Music 444:Serenade to Music 413:Stanford Robinson 409:JĂ©sus de Nazareth 227:Serenade to Music 157:production under 130:Royal Opera House 125:Der Rosenkavalier 58:Promenade Concert 39:Ashton-under-Lyne 757: 704:My Life of Music 615:Singers of Today 591: 588: 582: 581:Elkin 1946, 178. 579: 573: 567: 561: 558: 552: 551:Elkin 1946, 156. 549: 543: 540: 534: 531: 525: 524:Elkin 1946, 145. 522: 516: 513: 504: 501: 495: 492: 486: 483: 421:La reine de Saba 404:Gounod: Nazareth 280:Acis and Galatea 261:Columbia Records 222:Vaughan Williams 85:Samson et Dalila 53:Acis and Galatea 765: 764: 760: 759: 758: 756: 755: 754: 710: 709: 600: 595: 594: 589: 585: 580: 576: 568: 564: 560:Brook 1958, 14. 559: 555: 550: 546: 541: 537: 532: 528: 523: 519: 515:Wood 1946, 292. 514: 507: 502: 498: 493: 489: 484: 480: 475: 437:Richard Strauss 381:: To the Forest 372:Götterdämmerung 326:The Magic Flute 257: 245: 243:Teaching career 181: 120:Richard Strauss 115:Götterdämmerung 66: 64:Operatic career 35: 17: 12: 11: 5: 763: 761: 753: 752: 747: 742: 737: 732: 730:British basses 727: 722: 712: 711: 708: 707: 700: 683: 666: 649: 642: 635: 628: 618: 611: 599: 596: 593: 592: 583: 574: 562: 553: 544: 535: 526: 517: 505: 496: 487: 477: 476: 474: 471: 463: 462: 455:Hubert Eisdell 451:Frank Mullings 447: 440: 434: 425: 416: 405: 402: 391: 382: 376: 369:Hagen's Call ( 363: 351: 339: 330: 314: 301: 293: 284: 256: 253: 244: 241: 200:Missa Solemnis 180: 177: 147:'s 1925 opera 70:Thomas Beecham 65: 62: 47:Sir Henry Wood 34: 31: 15: 13: 10: 9: 6: 4: 3: 2: 762: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 726: 723: 721: 718: 717: 715: 705: 701: 698: 697:0-333-60800-3 694: 690: 689: 684: 681: 680:0-935859-92-6 677: 673: 672: 667: 664: 663:0-19-311318-X 660: 656: 655: 650: 647: 643: 640: 636: 633: 629: 626: 622: 619: 616: 612: 609: 605: 602: 601: 597: 587: 584: 578: 575: 571: 566: 563: 557: 554: 548: 545: 539: 536: 530: 527: 521: 518: 512: 510: 506: 500: 497: 491: 488: 482: 479: 472: 470: 468: 460: 459:Dora Labbette 456: 452: 448: 445: 441: 438: 435: 433: 429: 426: 423: 422: 417: 414: 410: 406: 403: 401: 400: 396:: items from 395: 392: 390: 386: 383: 380: 377: 374: 373: 368: 364: 361: 360: 355: 352: 349: 348: 343: 340: 337: 336: 331: 328: 327: 322: 318: 315: 312: 311: 306: 302: 300: 299: 294: 291: 290: 285: 282: 281: 276: 273: 272: 271: 269: 264: 262: 254: 252: 250: 242: 240: 238: 234: 229: 228: 223: 218: 216: 215: 210: 206: 202: 201: 197: 194: 190: 186: 178: 176: 174: 173: 168: 164: 160: 156: 152: 151: 146: 141: 139: 135: 134:Covent Garden 131: 127: 126: 121: 117: 116: 111: 110: 105: 101: 97: 96: 91: 87: 86: 81: 80: 79:Boris Godunov 75: 71: 63: 61: 59: 55: 54: 48: 44: 40: 33:Early studies 32: 30: 28: 24: 21: 703: 686: 669: 652: 645: 638: 631: 624: 614: 607: 586: 577: 569: 565: 556: 547: 538: 529: 520: 499: 490: 481: 464: 443: 431: 419: 408: 397: 388: 370: 366: 357: 345: 333: 324: 320: 308: 304: 296: 287: 278: 268:W. E. Henley 265: 258: 246: 225: 219: 212: 198: 182: 170: 148: 142: 123: 113: 107: 93: 83: 77: 67: 51: 36: 20:Norman Allin 19: 18: 725:1973 deaths 720:1884 births 702:H.J. Wood, 604:BBC Radio 3 503:Brook 1958. 379:Tchaikovsky 359:Die WalkĂĽre 335:Il Seraglio 159:Fritz Busch 714:Categories 644:R. Pound, 637:Harewood, 630:R. Elkin, 613:D. Brook, 255:Recordings 205:Hugh Allen 163:Carl Ebert 74:Mussorgsky 467:Pontrilas 439:: A Lied. 432:The Palms 298:Partenope 196:Beethoven 407:Gounod: 347:La Juive 185:oratorio 109:Parsifal 598:Sources 310:Messiah 214:Messiah 128:at the 56:, at a 695:  678:  661:  394:Gounod 389:Edward 354:Wagner 342:HalĂ©vy 317:Mozart 289:Samson 275:Handel 209:Handel 167:Mozart 104:Wagner 473:Notes 399:Faust 385:Loewe 191:in a 145:Holst 90:Verdi 693:ISBN 676:ISBN 659:ISBN 457:and 161:and 95:Aida 68:Sir 27:bass 367:and 321:and 305:and 224:'s 211:'s 169:'s 165:of 122:'s 106:'s 92:'s 76:'s 23:CBE 716:: 623:, 508:^ 469:. 453:, 430:: 387:: 175:. 140:. 132:, 699:. 682:. 665:. 610:. 461:. 424:) 415:) 375:) 362:) 350:) 338:) 329:) 313:) 292:) 283:)

Index

CBE
bass
Ashton-under-Lyne
Royal Manchester College of Music
Sir Henry Wood
Acis and Galatea
Promenade Concert
Thomas Beecham
Mussorgsky
Boris Godunov
Samson et Dalila
Verdi
Aida
Royal Philharmonic
Wagner
Parsifal
Götterdämmerung
Richard Strauss
Der Rosenkavalier
Royal Opera House
Covent Garden
British National Opera Company
Holst
At the Boar's Head
Glyndebourne Festival
Fritz Busch
Carl Ebert
Mozart
The Marriage of Figaro
oratorio

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