Knowledge (XXG)

Nora Prentiss

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break things off entirely and he is so shaken that he almost kills a patient during surgery, he realizes he is not willing to lose her. Not knowing how to ask his wife for a divorce, he seizes an opportunity to fake his death when a patient who looks somewhat like him and who he knows does not have any family or friends dies in his office. He puts his wedding ring on the corpse, puts the body in his car, and sets the car on fire and pushes it off a cliff before moving with Nora to New York with a large sum of money he has withdrawn from the bank. Shortly after arriving, Richard learns that the circumstances surrounding his death are under investigation.
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medicine any more, Nora says she will stick by him and starts singing at the new club her boss from San Francisco has opened in New York. Left alone while she rehearses, Richard begins to drink heavily and becomes increasingly jealous. While fleeing the scene after a fight with Nora's boss, he crashes his car and his face is badly cut and burned. The police, not realizing who the injured man is, arrest Richard as a suspect in the murder of Dr. Talbot when his fingerprints are found to be a match with some found at the crime scene.
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recapped its plot and continued, "the playing of the story is every bit as ridiculous as its sounds. Miss Sheridan is practically a cipher and Kent Smith, who plays the poor doc, gives a walking representation of a love-smitten telephone pole. Nobody else really figures. This is major picture-making
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is an overlong melodrama, a story of romance between a married man and a girl. But it's never quite believable. Ann Sheridan makes much of her role but the production has unsympathetic slant for leads and a lack of smoothness...Sheridan is the singer, and has two tunes to warble. As the doctor, Kent
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Back in San Francisco, Richard refuses to reveal his identity or speak in his defense, since he feels that doing so will only serve to cause his family more suffering because he has already ruined any chance he may have had at a tolerable future. He convinces Nora to help him keep his secret so that
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Nora Prentiss by chance after he sees her get struck by a truck near his office. The two gradually begin to have an affair, causing disruption in Richard's home and professional lives. He tries to cool things down with Nora after he forgets his daughter's birthday, but, when Nora says she wants to
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Richard does not tell Nora what he has done until it becomes clear that she is not buying his fake explanations for why he is living under an alias and never wants to leave their hotel. Even though the truth means they will not be able to get married and that Richard will not be able to practice
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Warner Bros financial information in The William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 27 DOI: 10.1080/01439689508604551
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Smith is okay dramatically in a part that doesn't hold much water. Bruce Bennett, co-starred, has little to do as a medico friend of Smith.
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Critics call the movie one of the best "woman's noir." Film historian Bob Porfirio notes, "Unlike such other Ann Sheridan or
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According to records at Warner Bros., the film earned $ 2,229,000 in the U.S. and $ 1,095,000 in other markets.
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Film Noir: An Encyclopedia Reference to the American Style ("Nora Prentiss" article, page 214)
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Dr. Richard Talbot, unhappy with the dull routine of his married life in San Francisco, meets
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Crowther, Bosley. "The Screen." New York Times, 22 February 1947, 16.
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does not lapse into a romantic melodrama that might detract from the
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as Walter Bailey, a patient who dies in Richard's office
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sensibility, the quintessential element of film noir."
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he can be convicted and executed for his own murder.
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Helen Brown as Miss Judson, Richard and Joel's nurse
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It was produced and distributed by 7: 408:gave the film an unfavorable review: 319:as Phil Dinardo, a nightclub owner 14: 1006:Films directed by Vincent Sherman 337:as Gregory Talbot, Richard's son 1001:Films about capital punishment 986:American black-and-white films 325:as Lucy Talbot, Richard's wife 257:and the music was composed by 1: 1031:1940s English-language films 996:Films scored by Franz Waxman 627:AFI Catalog of Feature Films 352:as Fleming, Richard's lawyer 16:1947 film by Vincent Sherman 707:The Man Who Talked Too Much 161:February 21, 1947 1052: 1016:Films set in San Francisco 1011:Films set in New York City 685: 253:The cinematography is by 33:Theatrical release poster 26: 895:The Young Philadelphians 496:"Top Grossers of 1947", 919:The Second Time Around 815:Adventures of Don Juan 691:The Return of Doctor X 418: 731:All Through the Night 500:, 7 January 1948 p 63 452:The Damned Don't Cry! 307:as Dr. Richard Talbot 1036:1940s American films 981:American drama films 911:A Fever in the Blood 839:The Damned Don't Cry 364:as District Attorney 358:as Police Lieutenant 169: (New York City) 715:Flight from Destiny 699:Saturday's Children 437:motion pictures as 225:is a 1947 American 1026:Warner Bros. films 879:The Garment Jungle 871:Affair in Trinidad 791:Janie Gets Married 739:Across the Pacific 677:Films directed by 615:TCM Movie Database 517:TCM Movie Database 953: 952: 855:Goodbye, My Fancy 400:Critical response 218: 217: 1043: 971:1947 drama films 759:Old Acquaintance 671: 664: 657: 648: 638: 574: 573: 561: 551: 545: 542: 536: 526: 520: 508: 502: 493: 487: 484: 301:as Nora Prentiss 278:nightclub singer 168: 166: 31: 19: 1051: 1050: 1046: 1045: 1044: 1042: 1041: 1040: 956: 955: 954: 949: 935:The Last Hurrah 887:The Naked Earth 823:The Hasty Heart 775:Mr. Skeffington 681: 679:Vincent Sherman 675: 633: 583: 578: 577: 570: 562:. Overlook TP. 553: 552: 548: 543: 539: 531:, film review, 529:"Nora Prentiss" 527: 523: 509: 505: 494: 490: 485: 476: 471: 431: 425:at its worst." 402: 394: 389: 376:as Truck Driver 368:Douglas Kennedy 323:Rosemary DeCamp 295: 274: 255:James Wong Howe 231:Vincent Sherman 179: 172: 164: 162: 155: 140: 133: 131: 103:James Wong Howe 91: 87: 83: 63: 53:N. Richard Nash 43:Vincent Sherman 34: 17: 12: 11: 5: 1049: 1047: 1039: 1038: 1033: 1028: 1023: 1018: 1013: 1008: 1003: 998: 993: 988: 983: 978: 973: 968: 958: 957: 951: 950: 948: 947: 939: 931: 923: 915: 907: 899: 891: 883: 875: 867: 859: 851: 843: 835: 827: 819: 811: 807:The Unfaithful 803: 795: 787: 783:Pillow to Post 779: 771: 763: 755: 747: 735: 727: 719: 711: 703: 695: 686: 683: 682: 676: 674: 673: 666: 659: 651: 645: 644: 630: 629: 617: 606: 595: 582: 581:External links 579: 576: 575: 568: 546: 537: 521: 503: 488: 473: 472: 470: 467: 440:The Unfaithful 430: 427: 422:New York Times 401: 398: 393: 390: 388: 385: 384: 383: 377: 371: 365: 359: 353: 350:Rory Mallinson 347: 344: 338: 332: 326: 320: 314: 308: 302: 294: 291: 273: 270: 216: 215: 212: 208: 207: 204: 200: 199: 196: 192: 191: 188: 184: 183: 180: 177: 174: 173: 171: 170: 158: 156: 153: 150: 149: 146: 145:Distributed by 142: 141: 136: 134: 129: 126: 125: 120: 116: 115: 110: 106: 105: 100: 99:Cinematography 96: 95: 78: 74: 73: 72:William Jacobs 70: 66: 65: 60: 56: 55: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1048: 1037: 1034: 1032: 1029: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 994: 992: 989: 987: 984: 982: 979: 977: 974: 972: 969: 967: 964: 963: 961: 945: 944: 940: 937: 936: 932: 929: 928: 924: 921: 920: 916: 913: 912: 908: 905: 904: 900: 897: 896: 892: 889: 888: 884: 881: 880: 876: 873: 872: 868: 865: 864: 860: 857: 856: 852: 849: 848: 847:Harriet Craig 844: 841: 840: 836: 833: 832: 828: 825: 824: 820: 817: 816: 812: 809: 808: 804: 801: 800: 799:Nora Prentiss 796: 793: 792: 788: 785: 784: 780: 777: 776: 772: 769: 768: 764: 761: 760: 756: 753: 752: 748: 745: 741: 740: 736: 733: 732: 728: 725: 724: 720: 717: 716: 712: 709: 708: 704: 701: 700: 696: 693: 692: 688: 687: 684: 680: 672: 667: 665: 660: 658: 653: 652: 649: 643: 639: 636: 635:Nora Prentiss 631: 628: 625: 623: 622: 621:Nora Prentiss 618: 616: 612: 611: 610:Nora Prentiss 607: 605: 601: 600: 599:Nora Prentiss 596: 594: 590: 589: 588:Nora Prentiss 585: 584: 580: 571: 569:0-87951-479-5 565: 560: 559: 550: 547: 541: 538: 534: 530: 525: 522: 518: 514: 513: 512:Nora Prentiss 507: 504: 501: 499: 492: 489: 483: 481: 479: 475: 468: 466: 464: 463: 458: 457:Nora Prentiss 454: 453: 448: 447: 446:Flamingo Road 442: 441: 436: 435:Joan Crawford 429:Noir analysis 428: 426: 423: 417: 414: 413:Nora Prentiss 409: 407: 399: 397: 391: 386: 381: 380:Clifton Young 378: 375: 372: 369: 366: 363: 360: 357: 356:Henry Shannon 354: 351: 348: 345: 342: 341:Wanda Hendrix 339: 336: 335:Robert Arthur 333: 330: 327: 324: 321: 318: 315: 312: 311:Bruce Bennett 309: 306: 303: 300: 297: 296: 292: 290: 286: 282: 279: 271: 269: 267: 264: 260: 256: 252: 248: 244: 243:Bruce Bennett 240: 236: 233:and starring 232: 228: 224: 223: 222:Nora Prentiss 213: 209: 205: 201: 197: 193: 190:United States 189: 185: 181: 175: 160: 159: 157: 151: 147: 143: 139: 135: 127: 124: 121: 117: 114: 111: 107: 104: 101: 97: 94: 90: 89:Bruce Bennett 86: 82: 79: 75: 71: 67: 61: 57: 54: 51: 49:Screenplay by 47: 44: 41: 37: 30: 25: 22:Nora Prentiss 20: 941: 933: 925: 917: 909: 901: 893: 885: 877: 869: 861: 853: 845: 837: 829: 821: 813: 805: 798: 797: 789: 781: 773: 765: 757: 751:The Hard Way 749: 737: 729: 721: 713: 705: 697: 689: 637:film trailer 634: 620: 609: 598: 587: 557: 549: 540: 532: 524: 511: 506: 497: 491: 460: 456: 450: 444: 438: 432: 419: 412: 411: 405: 403: 395: 382:as Policeman 362:James Flavin 329:John Ridgely 299:Ann Sheridan 287: 283: 275: 263:art director 259:Franz Waxman 251:Warner Bros. 235:Ann Sheridan 229:directed by 221: 220: 219: 178:Running time 154:Release date 148:Warner Bros. 138:Warner Bros. 123:Franz Waxman 81:Ann Sheridan 62:Paul Webster 767:In Our Time 744:John Huston 723:Underground 374:Don McGuire 317:Robert Alda 247:Robert Alda 206:$ 1,487,000 182:111 minutes 93:Robert Alda 69:Produced by 64:Jack Sobell 39:Directed by 966:1947 films 960:Categories 903:Ice Palace 469:References 392:Box office 305:Kent Smith 266:Anton Grot 239:Kent Smith 211:Box office 165:1947-02-21 130:Production 113:Owen Marks 85:Kent Smith 991:Film noir 927:Cervantes 863:Lone Star 387:Reception 370:as Doctor 227:film noir 109:Edited by 831:Backfire 604:AllMovie 195:Language 119:Music by 77:Starring 59:Story by 746:, 1942) 642:YouTube 624:at the 613:at the 533:Variety 515:at the 498:Variety 406:Variety 198:English 187:Country 163: ( 132:company 946:(1980) 938:(1977) 930:(1967) 922:(1961) 914:(1961) 906:(1960) 898:(1959) 890:(1958) 882:(1957) 874:(1952) 866:(1952) 858:(1951) 850:(1950) 842:(1950) 834:(1950) 826:(1949) 818:(1948) 810:(1947) 802:(1947) 794:(1946) 786:(1945) 778:(1944) 770:(1944) 762:(1943) 754:(1943) 742:(with 734:(1941) 726:(1941) 718:(1941) 710:(1940) 702:(1940) 694:(1939) 566:  462:maudit 449:, and 245:, and 203:Budget 943:Bogie 593:IMDb 564:ISBN 420:The 293:Cast 272:Plot 640:on 602:at 591:at 962:: 477:^ 455:, 443:, 268:. 241:, 237:, 670:e 663:t 656:v 572:. 519:. 167:)

Index


Vincent Sherman
N. Richard Nash
Ann Sheridan
Kent Smith
Bruce Bennett
Robert Alda
James Wong Howe
Owen Marks
Franz Waxman
Warner Bros.
film noir
Vincent Sherman
Ann Sheridan
Kent Smith
Bruce Bennett
Robert Alda
Warner Bros.
James Wong Howe
Franz Waxman
art director
Anton Grot
nightclub singer
Ann Sheridan
Kent Smith
Bruce Bennett
Robert Alda
Rosemary DeCamp
John Ridgely
Robert Arthur

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