281:
dressed in a very strange way. Increducts make themselves be said by a man where they find themselves and discover that they are fried, an imaginary Tuscan village, in 1492. considering it first a terrible joke, they must resign themselves to the harsh reality making themselves hosting from
Vitellozzo, the brother of the killed man, Remigio, who tells them of a terrible feud with such a Giuliano del Capecchio, who is exterminating his family. Once in the village they know Parisina, a mother of Vitellozzo and the late Remigio and begin to work in their slaughter shop.
364:, in which the protagonists write a letter bewitched for his nephew's girlfriend. During registration in the Umbrian countryside a joke was made to Carlo Monni (Vitellozzo in the film). Benigni and Troisi made him pronounce scurrilous things about Amanda Sandrelli's mother, Stefania, an actress then in vogue. Amanda, who had listened to the two, went to Carlo Monni's camper and gave him a slap.
333:
Recovered, Astriaha forces the two to follow her to their father. Saverio continually courts her, but she does not seem to correspond. One night she reaches Mario in a stable and they make love. Saverio sees them and the next morning, desperate, he decides to take revenge. While Mario rests near a river, Saverio speaks to
Astriaha and confides that Mario is actually a man from Alonso.
277:
of her relationship with an
American boy. The wait continues, and they eventually decide to travel a road in the fields. After a while they are stuck with their car in the middle of the countryside. When evening comes, it begins to rain. The two find accommodation in an inn for the night, in a room that already hosts another person.
313:. Driven by an unstoppable enthusiasm, they try to propose the knowledge of modern inventions such as the train, the thermometer, electricity and traffic lights; as Leonardo seemingly struggles to understand their confused descriptions, the two must reduce themselves to explain him the game of the broom.
280:
The next morning as soon as they wake up they see, having fun, the guest urinating from the window, but their laughter are immediately truncated by the hiss of a spear that kills him. Mario and
Saverio see fonding people in the black cloak on horseback, rush to the ground floor and find other people,
276:
The film opens in the Tuscan countryside. Mario (a janitor) and his friend, Saverio (a teacher) are stopped at a level crossing, waiting for the train to pass. The two friends trust each other. Among other things, Saverio is worried about his sister
Gabriella, who fell into depression for the failure
357:
Benigni and Troisi in an interview said that the scene of the customs pass was shot over and over again because the two were unable to remain serious. The two comedians, halfway through the film, had shot so much superfluous material that they were forced to erase some episodes, such as the one that
284:
In the
Renaissance context of the village, the most disparate episodes happen. Saverio immediately seems comfortable, while Mario does not want to settle down; Soon, however, during a religious function, Mario makes the acquaintance of Pia, a girl of a rich family, with whom he begins to see himself
259:
Three different versions were distributed of the film, one of which diverges for the ending: this version, never distributed for the home video market in any format, was the result of a different assembly for the broadcast on television. The film was broadcast in TV for the first time on 8 December
336:
The woman, disdained, runs away. Mario gets angry, the two fight, beat each other, chase each other until they reach a beach. Together they call the name of
Columbus at the top of the lift, but they discover that the three caravels have already started. Disconsolated, Saverio reveals to Mario the
320:
The two try to return to Italy and with amazement they see the smoke of a locomotive. Convinced that they have returned to the 20th century, they reluctantly discover that the driver is
Leonardo, who treasured their teachings and, seeing their disappointment, reassures them on the proceeds of the
292:
Saverio (who continues to tell Mario to ask Pia if he has an friend to introduce him) does not hide a certain annoyance for the meetings between Mario and the young Pia and complains that he always remains and only him to work in the butcher shop. Driven by his political-intellectual ardor, he
332:
The girl says that because of them she has not slept and has not eaten for three days and order them to return to their boss, Alonso. Mario and
Saverio do not know who Alonso is and try to clear themselves. As the girl passes out, Saverio helps her and he immediately falls in love with her.
297:
and dissuade him from leaving for the Indies and discovering
America, so that, in the future, his sister cannot meet the American boy who left her. In an unspecified place the two come across a beautiful amazon, Astriaha, which intimidates them by throwing an arrow against their wagon.
267:
In 2006 a DVD edition was released with a new extensive version of the film, longer of 18 minutes to present a greater development of the Astriaha character. In March 2015 the film returned to Italian cinemas thanks to the Lucky Red, which distributed a restored version of the comedy.
33:
384:, in the Lazio Maremma, inside the Etruscan archaeological area of the same name. The path that leads to the lake presents a sign with the photos of these films, testifying the place as a film set. The beach scene was shot in Cala di Forno - in the municipality of
316:
In a tavern the two meet Astriaha, who tells them that the task of her was to prevent the arrival in Spain of any foreigner, to guarantee the departure of Colombus' ships. At these words they rush to the Spanish coast, without seeing the three caravels at all.
372:
Some scenes from the film were shot at the Bracciano hospital and at the Capranica Scalo station, where the level crossing of the film's beginning is located. The custom scene was shot in
358:
should have their common friend Marco Messeri in the role of Savonarola. The scene in which Benigni and Troisi write the letter to Girolamo Savonarola is a tribute to the scene of the film
846:
836:
831:
821:
756:
826:
543:
699:
456:
341:
base in Pisa, whom he consider an imbecile. If he could prevent Columbus from discovering America, he would also prevent his sister's relationship.
856:
851:
841:
866:
876:
451:
442:
The film was the highest-grossing film in Italy for the year with a gross of $ 2.89 million (5.78 billion lire) from 12 key cities.
285:
looking out from the surrounding wall of her house. In the meantime, Vitellozzo is arrested and Saverio and Mario write a letter to
816:
748:
536:
871:
692:
360:
861:
724:
337:
real reason why he wanted to stop the navigator: his sister has fallen in love with an American soldier at the
529:
377:
775:
685:
600:
329:
In the extended version, the meeting with Leonardo is anticipated to make the events that concern Astriaha.
643:
624:
651:
616:
380:. The scene of the meeting with Leonardo da Vinci has filmed on the banks of the Pellicone pond, near
376:, inside the La Selva Nature Reserve. So also the final scene with a Group 400-type locomotive of the
294:
811:
385:
286:
60:
732:
481:
608:
505:
425:
310:
510:
592:
584:
415:
129:
106:
32:
790:
553:
516:
421:
397:
244:
116:
46:
709:
666:
403:
248:
50:
805:
149:
237:
139:
409:
568:
430:
301:
At this point the story differs depending on the version, standard or extended.
240:
111:
521:
677:
261:
499:
373:
381:
338:
681:
525:
293:
convinces his friend to travel to Spain, in order to reach
388:
in Tuscany - in the heart of the Maremma Natural Park.
344:
The two versions join in the scene of the beach race.
767:
716:
635:
560:
212:
204:
196:
186:
163:
155:
145:
135:
125:
90:
80:
70:
56:
42:
23:
693:
537:
8:
757:Pensavo fosse amore, invece era un calesse
700:
686:
678:
544:
530:
522:
31:
20:
452:List of time travel science fiction films
309:In France, Mario and Saverio come across
847:Cultural depictions of Leonardo da Vinci
474:
472:
468:
321:deal to be divided into equal parts.
289:, in vain, to obtain his liberation.
243:written by, directed by and starring
7:
837:Italian science fiction comedy films
832:1980s science fiction comedy films
14:
822:Films directed by Roberto Benigni
827:Films directed by Massimo Troisi
749:Le vie del Signore sono finite
1:
857:Films set in the 16th century
852:Films set in the 15th century
842:Films scored by Pino Donaggio
867:1980s Italian-language films
457:Leonardo da Vinci in fiction
361:Toto, Peppino, and the Hussy
479:"Top 10 Italian Grossers".
172:December 20, 1984
26:(Non ci resta che piangere)
893:
877:1984 science fiction films
741:Nothing Left to Do But Cry
577:Nothing Left to Do But Cry
512:Nothing Left to Do But Cry
485:. 1 May 1985. p. 301.
233:Nothing Left to Do But Cry
24:Nothing Left to Do But Cry
786:
662:
501:Non ci resta che piangere
227:Non ci resta che piangere
30:
817:Films about time travel
776:Il Postino: The Postman
725:I'm Starting from Three
378:Ferrovie Calabro Lucane
644:Berlinguer, I Love You
625:The Tiger and the Snow
295:Christopher Columbus
236:) is a 1984 Italian
37:Original film poster
872:1980s Italian films
287:Girolamo Savonarola
61:Giuseppe Bertolucci
733:Scusate il ritardo
862:1984 comedy films
799:
798:
794:
789:co-directed with
675:
674:
670:
665:co-directed with
609:Life Is Beautiful
426:Leonardo da Vinci
311:Leonardo da Vinci
223:
222:
159:Cecchi Gori Group
18:1984 Italian film
884:
788:
702:
695:
688:
679:
664:
593:Johnny Stecchino
585:The Little Devil
546:
539:
532:
523:
487:
486:
476:
416:Amanda Sandrelli
325:Extended version
305:Standard version
219:
179:
177:
130:Giuseppe Rotunno
107:Amanda Sandrelli
35:
21:
892:
891:
887:
886:
885:
883:
882:
881:
802:
801:
800:
795:
791:Roberto Benigni
782:
763:
712:
706:
676:
671:
658:
631:
556:
554:Roberto Benigni
550:
517:Rotten Tomatoes
496:
491:
490:
478:
477:
470:
465:
448:
440:
422:Paolo Bonacelli
398:Roberto Benigni
394:
370:
355:
350:
327:
307:
274:
257:
245:Roberto Benigni
217:
216:$ 2.89 million
189:
182:
175:
173:
166:
121:
117:Paolo Bonacelli
97:Roberto Benigni
85:
75:
74:Roberto Benigni
65:
64:Roberto Benigni
63:
49:
47:Roberto Benigni
38:
25:
19:
12:
11:
5:
890:
888:
880:
879:
874:
869:
864:
859:
854:
849:
844:
839:
834:
829:
824:
819:
814:
804:
803:
797:
796:
787:
784:
783:
781:
780:
771:
769:
765:
764:
762:
761:
753:
745:
737:
729:
720:
718:
714:
713:
710:Massimo Troisi
707:
705:
704:
697:
690:
682:
673:
672:
667:Massimo Troisi
663:
660:
659:
657:
656:
652:Seeking Asylum
648:
639:
637:
633:
632:
630:
629:
621:
613:
605:
597:
589:
581:
573:
564:
562:
558:
557:
551:
549:
548:
541:
534:
526:
520:
519:
508:
495:
494:External links
492:
489:
488:
467:
466:
464:
461:
460:
459:
454:
447:
444:
439:
436:
435:
434:
428:
419:
413:
407:
404:Massimo Troisi
401:
393:
390:
369:
366:
354:
351:
349:
346:
326:
323:
306:
303:
273:
270:
256:
253:
249:Massimo Troisi
221:
220:
214:
210:
209:
206:
202:
201:
198:
194:
193:
190:
187:
184:
183:
181:
180:
169:
167:
164:
161:
160:
157:
156:Distributed by
153:
152:
147:
143:
142:
137:
133:
132:
127:
126:Cinematography
123:
122:
120:
119:
114:
109:
104:
101:
100:Massimo Troisi
98:
94:
92:
88:
87:
86:Ettore Rosboch
82:
78:
77:
76:Massimo Troisi
72:
68:
67:
66:Massimo Troisi
58:
54:
53:
51:Massimo Troisi
44:
40:
39:
36:
28:
27:
17:
13:
10:
9:
6:
4:
3:
2:
889:
878:
875:
873:
870:
868:
865:
863:
860:
858:
855:
853:
850:
848:
845:
843:
840:
838:
835:
833:
830:
828:
825:
823:
820:
818:
815:
813:
810:
809:
807:
792:
785:
778:
777:
773:
772:
770:
766:
759:
758:
754:
751:
750:
746:
743:
742:
738:
735:
734:
730:
727:
726:
722:
721:
719:
715:
711:
703:
698:
696:
691:
689:
684:
683:
680:
668:
661:
654:
653:
649:
646:
645:
641:
640:
638:
634:
627:
626:
622:
619:
618:
614:
611:
610:
606:
603:
602:
598:
595:
594:
590:
587:
586:
582:
579:
578:
574:
571:
570:
566:
565:
563:
559:
555:
547:
542:
540:
535:
533:
528:
527:
524:
518:
514:
513:
509:
507:
503:
502:
498:
497:
493:
484:
483:
475:
473:
469:
462:
458:
455:
453:
450:
449:
445:
443:
437:
432:
429:
427:
423:
420:
417:
414:
411:
408:
405:
402:
399:
396:
395:
391:
389:
387:
383:
379:
375:
367:
365:
363:
362:
352:
347:
345:
342:
340:
334:
330:
324:
322:
318:
314:
312:
304:
302:
299:
296:
290:
288:
282:
278:
271:
269:
265:
263:
254:
252:
250:
246:
242:
239:
235:
234:
229:
228:
215:
211:
207:
203:
199:
195:
191:
185:
171:
170:
168:
162:
158:
154:
151:
150:Pino Donaggio
148:
144:
141:
138:
134:
131:
128:
124:
118:
115:
113:
110:
108:
105:
102:
99:
96:
95:
93:
89:
84:Mauro Berardi
83:
79:
73:
69:
62:
59:
57:Screenplay by
55:
52:
48:
45:
41:
34:
29:
22:
16:
774:
755:
747:
740:
739:
731:
723:
650:
642:
623:
615:
607:
599:
591:
583:
576:
575:
567:
511:
500:
480:
441:
433:: Vitellozzo
410:Iris Peynado
371:
359:
356:
343:
335:
331:
328:
319:
315:
308:
300:
291:
283:
279:
275:
266:
258:
255:Distribution
232:
231:
226:
225:
224:
188:Running time
165:Release date
140:Nino Baragli
103:Iris Peynado
15:
768:Screenplays
636:Screenplays
601:The Monster
569:Tu mi turbi
431:Carlo Monni
412:as Astriaha
241:comedy film
192:113 minutes
112:Carlo Monni
81:Produced by
43:Directed by
812:1984 films
806:Categories
463:References
400:as Saverio
348:Production
260:1986, on
230:(English:
213:Box office
176:1984-12-20
708:Films by
617:Pinocchio
552:Films by
438:Reception
136:Edited by
717:Directed
561:Directed
446:See also
406:as Mario
386:Magliano
262:Canale 5
205:Language
146:Music by
91:Starring
71:Story by
482:Variety
374:Paliano
353:Filming
238:fantasy
218:(Italy)
208:Italian
197:Country
174: (
779:(1994)
760:(1991)
752:(1987)
744:(1984)
736:(1983)
728:(1981)
655:(1979)
647:(1977)
628:(2005)
620:(2002)
612:(1997)
604:(1994)
596:(1991)
588:(1988)
580:(1984)
572:(1983)
418:as Pia
368:Places
382:Vulci
200:Italy
506:IMDb
392:Cast
339:NATO
272:Plot
247:and
515:at
504:at
424:as
808::
471:^
264:.
251:.
793:.
701:e
694:t
687:v
669:.
545:e
538:t
531:v
178:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.