607:). Harrison, who had started out in the film industry as an editor, noted the strong involvement of key creative personnel throughout the pre-production, production and post-production stages, and called it "kind of a more holistic approach to post-production". He described the experience of editing the film alone (for the most part) as "brutal" and "exhausting", but he said he was satisfied with his work nonetheless. When asked about the film's seventy-three-minute running time, Renfrew said that Harrison "let the story and the film dictate the length as opposed to trying to force it to be any particular length".
327:
suggests both Sophie and Hugh were killed. In the words of Cox, her character "goes through three phases. First there's denial. Then she feels guilty and sad about the situation. Then she has to learn to accept it." According to Greg
Harrison, the events in the film were Sophie's memories as she and Hugh lay dying on the floor of the convenience store: "Each movement of this memory was her process of coming to terms with the terrible trauma, which was that she was killed for absolutely no reason, and it was some random act of violence she couldn’t confront". He added he felt
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investigation into the shootings at the convenience store, who is as puzzled as she is as to who is responsible for the photos. Sophie's headaches continue, and she begins to hear strange noises coming from within her apartment building and mysterious voices on the phone. Later, Officer
Roberts discovers that the photo of the convenience store was paid for with Sophie's
522:, and the film's production costs did not allow the entire production team to relocate to northern California for the duration for the shoot. The filmmakers were forced to shoot in Los Angeles, but Renfrew later expressed no regret in their decision: "We wanted the story to take place in an anonymous urban area. And I think we were successful in doing that".
315:, Dr. Fayn, about persistent headaches that she has been suffering from since his death. She tells Dr. Fayn that the headaches started to occur before the incident at the convenience store, and that she had been having an affair with a co-worker, Jesse. After Hugh's death Sophie has dinner with her mother, Carol Jacobs, who accidentally knocks a glass over.
549:, who had never before shot a film on Mini-DV. Harrison intended the shifts between chapters of the film—and Sophie's emotions—to be signalled visually, and he instructed Schreiber to employ different colour casts accordingly. For the opening robbery scenes (which recur throughout the film), Schreiber purchased two
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shooting schedule. Renfrew's Los
Angeles home stood in for the apartment of Cox's character in the film. The budget did not allow the luxury of trailers, but with some persuading, neighbouring apartments were converted into staging areas. For her role Cox donned glasses with thick frames, and had her
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Harrison applauded the speed of Mini-DV for allowing such a short shoot: "We could shoot with multiple cameras at times, which helped us in our schedule". He also cited the advantages Mini-DV had in post-production, estimating that 75%–80% of the visual and sound design processing had been performed
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Brand and
Harrison worked through several drafts of the script over the following six months. Harrison, who cited the death of a close friend as one of his personal inspirations for the film, focused on inserting more emotional elements into the script; in his words they were "trying to express the
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that surrounded the real-life convenience store where the crew was shooting to make the image appear green. A similar process was used in the second movement of the narrative, which was bathed in orange to represent Sophie's despair, while white expressed "acceptance" in the film's third and final
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restaurant. As they travel home afterward, Sophie develops a craving for "something sweet" and stops their car at a convenience store. While Hugh is in the store buying some chocolate for Sophie, an armed man arrives and holds up the store, shooting the store clerk, his son, and Hugh dead. He runs
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The film presents two more different versions of these events, and Sophie must figure out which is real before she loses grip on her sanity, and her life. The second version suggests that Sophie was present at the shootings and was only spared because the shooter ran out of bullets, and the third
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core in some fine cinematography." Kirk
Honeycutt cited Schreiber as "the movie's real heroine, as she dramatically meshes the real with the surreal, creating different looks and emotions for each segment through light and color," while Jack Mathews wrote, "I suspect that it was her work—perhaps
483:
and had participated in only a handful of more serious productions. While the Garry
Trudeau project was intended as a comedy, Harrison said he felt Cox was "very capable of drama and was very willing and wanted to transcend her comedic persona". When the Trudeau project did not enter production,
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grossed $ 21,813 at eight theatres, and it debuted at number sixty-three on the box office chart. It peaked at number fifty-nine in its second weekend (aided by its expansion into nine more theatres) and generated $ 192,186 in ticket sales over twelve weeks. It was originally slated to enter
318:
During a college photography class that she teaches, Sophie sets up a slide projector for the students to showcase their best photographs. One slide in the slide show depicts the exterior of the convenience store on the evening of
November 7. Sophie contacts Officer Roberts, the head of the
405:". Brand saw a news story about a store robbery in which the robber had hidden the body of the cashier behind the counter and then impersonated the cashier as customers came in. Drawing from this story as well as from experiences in his own life (he had previously taught photography at the
877:
felt that she was "as convincing as she could possibly be." Mark
Holcomb, however, said Cox's demeanor "suggests impatience rather than depression," and F. X. Feeney thought "Cox’s performance is too muted to vitally illuminate this woman’s agony". Others such as Walter Addiego of the
505:
because it's fascinating, confusing, ambiguous, eerie and makes you think. There aren't that many movies where you leave the theater and want to talk about them". She added, "it was trying to take you through a woman's experience of tragedy and through all the stages. I loved that".
658:. The film’s theatrical release date was moved to the following summer after Courteney Cox, who was then pregnant, gave birth to her first child. In the meantime, the film was screened outside the United States at the Oslo International Film Festival on November 20, 2004.
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costs were the same – a typical production model for films produced by InDiGent. Of the tight schedule and production costs, Harrison said, "I don't recommend shooting a movie that way and I don't want to do it again to be honest. It's really, really taxing".
759:... As a thriller it seems awfully familiar and has trouble establishing a voice all its own", but added "Harrison and company manage to create one of the strangest romantic films out there and for their attempt at the offbeat deserve to be recognized." The
29:
935:, Nancy Schreiber won the award for Dramatic Excellence in Cinematography. Schreiber said the win was "quite a shock, since it was on mini-dv and we were up against films shot on film". Danielle Renfrew was nominated for the Producers Award at the
636:
writing that the film was "a stylistic tour de force dedicated more to constructing a cinematic puzzle than to providing dramatic satisfaction". Producers were reluctant to sell the picture to a distributor quickly, and gossip blogger
413:
subjective experience of trauma". Once a draft was completed, the group began pitching the project to various production companies. Renfrew consciously chose to avoid taking the project to major
Hollywood studios such as
488:
without an audition: "Courteney's biggest challenge is redefining herself ... I knew I could bring something out of her that people haven't seen before", he said. Cox, who said she is more similar to her character in
409:), Brand wrote a screenplay and presented it to Renfrew and Harrison. Both were impressed, and Harrison said it was "fascinating ... kind of an abstract exercise in narrative, which I thought was exciting and bold".
574:
judge
Frederick Elmes commented of Schreiber's work, "She lit it and used colors in a way that the camera responded. And I don't think that's the kind of thing you do by accident. That's completely designed".
842:, argued "answers would be beside the point. Any other explanation, for example a speech by the psychiatrist or the cop explaining exactly what has really happened, would be contrivance. Better to allow
685:". Audience response at its screening at the festival was generally positive, but critic Brandon Judell dismissed the film as "highly irritating and nonsensical," while Joanne Bealy said it was "a
771:
said the film was "less compelling the more apparent its solution becomes. But before the foregone conclusion surfaces about halfway through, its disparate, unnerving components are mesmerizing."
570:
act. To help achieve a blue colour cast for the first phase of the film ("denial"), Schreiber surrounded the shooting locations with machines that pumped smoke across the set. Cinematographer and
387:
The film's script was written by Benjamin Brand, who had written and sold several unproduced screenplays to studios. Brand had served as an assistant to producer Danielle Renfrew on the film
893:
Most praise in reviews was directed towards cinematographer Nancy Schreiber's work on the film. Tobias said the film "makes the most of its visual limitations", and Marc Savlov of the
283:
photography was praised, many reviews criticized the film's story for being too ambiguous and derivative of other films. Critics have compared it to the work of filmmakers such as
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1997:
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Once shooting had wrapped, Harrison entered the editing room and constructed the film over the course of eighteen weeks, occasionally consulting colleagues such as
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wrote, "with each successive trip back to the scene, things only become murkier and less compelling, lost in pretentious symbolism and obvious visual signposts".
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871:, mess-with-your-head thriller that thinks it's much cleverer than it is", but commented that Courteney Cox "doesn't embarrass herself" in her role, while
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and instead opted for "smaller companies who were interested in doing something off of center". A breakthrough was achieved after a meeting with director
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was "open-ended" enough that he hoped viewers would "come up with the most beautiful stories themselves that are very different from how I saw it."
534:, so how to dress her down, and also make her body feel different. I had her wear those clothes around the house to feel like a different person".
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Harrison, Brand and Renfrew intended the film to be set and shot in San Francisco, but problems arose with their proposal. Cox had a commitment to
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hair cut by seven inches and a grey streak dyed into it. Harrison said, "She's seen in the fashion world as glamorous, a pop icon from
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was more negative in its summary of the film, labelling it a "convoluted and unsatisfying psychological drama." Mark Holcomb of
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has an approval rating of 31% based on 80 reviews. The site’s critics consensus reads, "Murky and too artsy for its own good,
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856:: Just as Hockney assembles smaller, overlapped Polaroids that don't necessarily make sense into a big picture that does".
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393:(2000), which was directed by Greg Harrison. Brand, Renfrew and Harrison were friends and living in their hometown of
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believed the film was a conscious decision on Cox's part to "establish movie credibility after the megasuccess of
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311:, and cannot bring herself to erase Hugh's voice from their apartment's answering machine. She consults her
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on January 18, 2004. Reviews of the Sundance screening were generally positive, with Guylaine Cadorette of
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On the evening of November 7, photographer Sophie Jacobs and her attorney boyfriend Hugh go to dinner at a
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236:) whose life begins to unravel following a traumatic incident on November 7 that involved her boyfriend (
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alone—that changed "November's" fate from a direct-to-video release to a brief first run in theaters."
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made a similar criticism, saying, "Benjamin Brand's script is a puzzle without a satisfying solution."
1466:"48th San Francisco International Film Festival: The Hills Are Alive with the Sounds of Courteney Cox"
1017:
1249:
848:
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923:, the film has a weighted average of 47 based on 26 reviews, indicating "mixed or average reviews".
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2002:
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Smoke was pumped across the set to help create a blue color cast for scenes in the film's first act
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689:/ David Lynch copycat ... even at 88 minutes, it was too long for me." The film screened at the
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is exactly the kind of sharp and invigorating material that has made InDigEnt what it is".
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released it to theaters in the United States on July 22, 2005, and while its award-winning
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to descend into confusion and despair ... does not bargain and does not explain." In
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Production finally began on May 19, 2003, and took place on Cox's days off from her
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Before the development of the film, Harrison had cast actress Courteney Cox in a
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had impressed executives at the company, and John Sloss of Cinetic Media said, "
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called InDigEnt. The company specialized in backing low-budget films shot on
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chose to expand the film into no more than 27 theaters (in its sixth week).
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1373:"Sony Classics, Back in Business with Greg Harrison, Acquires 'November'"
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commented that they "may have overplayed their hand in juggling offers".
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2297:
1114:"Interview with Director Greg Harrison About His Indie Film, 'November'"
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479:
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2144:""Sideways" and "Maria Full of Grace" Lead Spirit Award Nominations"
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Mohan, Mark (August 26, 2005). "Chilly 'November' is no 'Memento'".
852:, Lisa Schwarzbaum identified the film as "an homage to the work of
626:
saying the film was "sure to garner buzz" outside of the fest, and
791:(despite the gimmicky magnitude of its final reveal)". while the
2226:"At the film festival: Courteney dumps Monica in somber role"
1675:"'November' Wane: Meta-Thriller Loses Steam Halfway Through"
669:... Inspired by the perception-versus-reality mindgames of
401:" studios which, according to Renfrew, were "wallowing in
267:, written by Benjamin Brand and Harrison, and produced by
919:
ends up being a case of style with little substance. On
834:, who drew comparisons between the film's narrative and
1079:"An Interview with Greg Harrison, Director of November"
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was shot in fifteen days on a budget of $ 150,000, and
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In its first weekend of release in the United States,
1523:"2005 Los Angeles Film Festival a Resounding Success"
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1147:"Courteney Cox Arquette Goes Indie In 'November'"
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1207:
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661:On April 26, 2005, the film was screened at the
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781:wrote, "it never becomes a mystery, like, say,
2088:"Here are the Sundance Film Festival winners"
8:
474:widely known for her role on the television
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466:-scripted ensemble film being developed at
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1942:"Cox seeks indie cred in murky 'November'"
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27:
18:
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1438:San Francisco International Film Festival
675:and the eerie psychological aesthetic of
663:San Francisco International Film Festival
618:screened as an official selection at the
2174:"San Fran fetes Allen, Hackford, Haggis"
1271:Cadorette, Guylaine (January 25, 2004).
536:
1854:Schwarzbaum, Lisa (December 14, 2005).
1728:"Message is lost in 'November's' gloom"
955:
484:Harrison offered Cox the lead role for
2114:"DP Interview Series: Nancy Schreiber"
1902:
1900:
1790:Sragow, Michael (September 23, 2005).
1771:from the original on November 10, 2005
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963:
961:
959:
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2025:
1037:
1035:
899:commented that it was "soaked to its
650:The film was sold later that year to
7:
1907:Honeycutt, Kirk (January 27, 2004).
1464:Judell, Brandon (August 28, 2010).
1145:Henderson, Chris (March 17, 2003).
797:called it "a low-watt reworking of
691:Seattle International Film Festival
451:(2003). Greg Harrison's debut film
425:, who had established a company in
2427:English-language independent films
2407:American nonlinear narrative films
2246:Kaufman, Debra (August 30, 2004).
1968:Savlov, Marc (September 2, 2005).
1828:"Whodunnit poses puzzling queries"
1497:"Everyday Freaks and Fantasy Wars"
1340:"A-List Divas Descend on Sundance"
14:
2372:2004 psychological thriller films
2248:"Eye-to-Eye With Nancy Schreiber"
2199:"November (2004): Greg's Preview"
2172:Harvey, Dennis (April 10, 2005).
2086:Susman, Gary (January 24, 2004).
1998:"Poorly developed photo thriller"
1940:Addiego, Walter (July 29, 2005).
1533:from the original on May 12, 2021
1181:Triplett, Brian (July 21, 2005).
397:developing separate projects at "
1996:Matthews, Jack (July 22, 2005).
1637:Bellavia, Greg (July 22, 2005).
1495:Bealy, Joanne (August 1, 2005).
1407:Oslo International Film Festival
1042:Mapes, Marty (August 22, 2005).
735:were lukewarm. Greg Bellavia of
2224:Stein, Ruthe (April 28, 2005).
1792:"A bleak and dreary 'November'"
1757:Tobias, Scott (July 19, 2005).
1726:Axmaker, Sean (July 29, 2005).
1673:Holcomb, Mark (July 18, 2005).
545:The film's cinematographer was
1221:. June 6, 2005. Archived from
1215:"Interview with Greg Harrison"
1006:Mills, Nancy (July 20, 2005).
937:2004 Independent Spirit Awards
865:dismissed the film as "a post-
399:Major film studios#Mini-majors
1:
1602:Batey, Eve (April 28, 2005).
1273:"Sundance 2004: It's a Wrap!"
1008:"Dramatic turn for Courteney"
561:controls. She used them with
518:, which was in production in
232:. It follows a photographer (
2412:Sony Pictures Classics films
2392:2000s English-language films
1441:. April 2005. Archived from
1245:"Lens Crafter - Spring 2004"
907:On review aggregate website
1843:– via RogerEbert.com.
933:2004 Sundance Film Festival
620:2004 Sundance Film Festival
228:film premiered at the 2004
2443:
2377:American independent films
1733:Seattle Post-Intelligencer
1709:Feeney, F. X. "November".
1578:"Domestic 2005 Weekend 30"
1553:"Domestic 2005 Weekend 29"
1521:Royal, Susan (June 2005).
1501:Bright Lights Film Journal
1183:"Adding drama to her life"
840:five stages of dying model
794:Seattle Post-Intelligencer
501:, said, "I wanted to make
145:January 18, 2004
2402:Films shot in Los Angeles
2397:Films about photographers
2252:Film & Video Magazine
695:Los Angeles Film Festival
307:Sophie sinks into a deep
33:Theatrical release poster
26:
693:on May 31, 2005 and the
377:Matthew Carey as Shooter
304:away as Sophie arrives.
2231:San Francisco Chronicle
1947:San Francisco Chronicle
881:San Francisco Chronicle
741:described the film as "
160:July 22, 2005
2382:American mystery films
2362:2004 independent films
1914:The Hollywood Reporter
927:Awards and nominations
874:The Hollywood Reporter
721:Sony Pictures Classics
652:Sony Pictures Classics
579:on desktop computers.
572:Sundance Film Festival
542:
277:Sony Pictures Classics
230:Sundance Film Festival
226:psychological thriller
131:Sony Pictures Classics
1413:on September 21, 2005
1049:Turner Classic Movies
836:Elisabeth KĂĽbler-Ross
540:
240:). The film co-stars
2422:2000s American films
2258:on December 20, 2004
2010:on February 10, 2006
1921:on February 17, 2004
1868:on December 14, 2005
1861:Entertainment Weekly
1527:Inside Film Magazine
1338:(January 20, 2004).
1307:(January 21, 2004).
849:Entertainment Weekly
731:Critical reviews of
719:in late summer, but
654:, which had handled
168: (United States)
2367:2000s mystery films
2003:New York Daily News
1687:on January 12, 2016
1651:on January 22, 2013
1445:on October 23, 2005
1371:Hernandez, Eugene.
1225:on January 15, 2006
1159:on December 7, 2005
1013:New York Daily News
762:New York Daily News
604:Lost In Translation
567:sodium street lamps
551:Panasonic AG-DVX100
256:and Matthew Carey.
224:is a 2004 American
2211:on August 12, 2004
2195:Schmitz, Greg Dean
2150:. December 1, 2004
1826:(August 4, 2005).
1618:on August 22, 2005
1219:TheMovieChicks.com
1077:Cooper, Caroline.
799:M. Night Shyamalan
697:on June 22, 2005.
543:
374:as Officer Roberts
289:M. Night Shyamalan
16:2004 American film
2124:on March 25, 2004
2033:"November (2004)"
1833:Chicago Sun-Times
1680:The Village Voice
1383:on August 3, 2004
1188:Los Angeles Times
1112:Murray, Rebecca.
827:Chicago Sun-Times
783:Mulholland Drive,
768:The Village Voice
753:with a splash of
727:Critical response
559:color temperature
436:Personal Velocity
217:
216:
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2283:
2282:
2280:Official website
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1804:on July 12, 2021
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939:for her work on
896:Austin Chronicle
808:Scott Tobias of
687:Mulholland Drive
672:Mulholland Drive
415:20th Century Fox
403:development hell
344:as Sophie Jacobs
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2256:the original
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1824:Ebert, Roger
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354:Michael Ealy
348:James LeGros
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242:Michael Ealy
238:James LeGros
220:
219:
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177:Running time
62:Jake Abraham
2118:DVXuser.com
1953:October 27,
1925:October 27,
1872:October 27,
1775:October 27,
1691:October 27,
1655:October 27,
1644:Film Threat
1587:October 27,
1562:October 27,
1537:October 27,
1417:October 27,
1356:October 27,
1320:October 27,
1289:October 27,
1163:October 27,
832:Roger Ebert
803:David Lynch
738:Film Threat
667:David Lynch
595:(editor of
593:Sarah Flack
520:Los Angeles
497:character,
445:(2002) and
423:Gary Winick
383:Development
366:Anne Archer
362:as Dr. Fayn
321:credit card
285:David Lynch
273:Gary Winick
250:Anne Archer
106:Lew Baldwin
69:Gary Winick
59:Produced by
39:Directed by
2357:2004 films
2351:Categories
2326:Metacritic
2262:October 2,
2128:October 2,
2065:Metacritic
2060:"November"
2014:August 28,
1970:"November"
1909:"November"
1856:"November"
1759:"November"
1739:August 18,
1639:"November"
1433:"November"
1403:"November"
1309:"November"
1256:October 2,
1194:August 28,
1044:"November"
951:References
921:Metacritic
706:Box office
309:depression
210:Box office
181:73 minutes
164:2005-07-22
149:2004-01-18
112:Production
49:Written by
2185:April 21,
2154:April 21,
2148:IndieWire
2097:April 21,
2071:April 21,
2044:April 21,
1981:April 21,
1839:April 21,
1808:April 21,
1712:LA Weekly
1506:April 21,
1470:IndieWire
1377:IndieWire
1250:Filmmaker
1152:IndieWire
1119:About.com
778:LA Weekly
701:Reception
598:The Limey
493:than her
360:Nora Dunn
246:Nora Dunn
213:$ 192,186
95:Edited by
2337:November
2321:November
2310:November
2299:November
2293:AllMovie
2288:November
1769:Archived
1606:November
1604:"SFIFF:
1531:Archived
1345:Fox News
1055:June 27,
973:November
941:November
917:November
913:November
844:November
785:or even
733:November
712:November
644:Fox News
616:November
581:November
503:November
491:November
486:November
457:November
439:(2002),
433:such as
356:as Jesse
329:November
221:November
194:Language
155:Sundance
103:Music by
75:Starring
22:November
2179:Variety
1314:Variety
931:At the
901:noirish
887:Friends
868:Memento
830:critic
818:of the
775:of the
629:Variety
611:Release
532:Friends
527:Friends
516:Friends
510:Filming
495:Friends
480:Friends
442:Tadpole
350:as Hugh
301:Chinese
197:English
186:Country
162: (
147: (
114:company
2092:EW.com
945:Groove
747:meets
656:Groove
476:sitcom
453:Groove
390:Groove
202:Budget
153: (
1612:SFist
756:Seven
2304:IMDb
2264:2005
2239:2005
2217:2005
2187:2023
2156:2023
2130:2005
2099:2023
2073:2023
2046:2023
2016:2010
1983:2023
1955:2005
1927:2005
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1741:2010
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1231:2005
1196:2010
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1132:2005
1090:2010
1057:2006
1026:2005
988:2010
943:and
801:and
601:and
565:and
557:and
335:Cast
295:Plot
287:and
271:and
2340:at
2324:at
2313:at
2302:at
2291:at
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838:'s
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679:'s
641:of
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417:or
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