Knowledge (XXG)

Novy LEF

Source 📝

359:, became acquainted with multiple members of the LEF group during his visit to Moscow in 1928. Barr’s letters and journal diary attest to his veneration of the LEF members' creative energies and vision. He maintained that the future of artistic development belonged to Russia – “Russia has at least a century of greatness before her, she will wax while France and England wane.” The MoMA has digitized Rodchenko’s 163: 834: 25: 287:
Interactions between the journal’s readers and its editors/contributors were publicized in the journal’s pages. One particular form of reader-editor interaction occurred frequently in the first few issues in 1928: beginning poets eager for feedback on their verse would submit their poems accompanied
301:
After editorial disagreements between Mayakovsky and Tretyakov, Tretyakov took over as chief editor in August 1928; he initiated a pivot away from poetry toward the supposedly more “progressive” genre of prose. (In the September 1928 issue, Igor Terent’iev critically summarizes Mayakovsky’s reasons
186:
included a variety of members of the Soviet literary and artistic avant-garde, as well as critics and academicians. In 1922, Mayakovsky offered a definition of LEF: “encompassing of the social theme by all the instruments of futurism” – this emphasis on avant-garde methods in the service of Soviet
259:
No. 10, 1927, bore the parenthetical subtitle “Plan issledovaniia” (“Research Plan”). Shklovsky’s study would later be serialized in multiple issues in 1928. Mayakovsky discusses his pre-writing for a screen play entitled “Kak pozhivaete?” (“How Do You Do?”) in a question-and-answer format, while
236:
contributors regarded the newspaper medium as being conducive to a fact-oriented marriage between the literary and journalistic spheres, one that would be sensitive to the social necessities generated by Soviet modernity. Writing in 1929, Tretyakov maintained: “Our epos is the newspaper…What the
292:
poets and critics – including Aseev, Mayakovsky, and Vladimir Trenin – in about a half-dozen instances in the 1927-28 print run, published the aspiring poet’s introductory note, their verse, as well as comments and remarks that indicated the correspondent’s strengths and weaknesses as a poet.
231:
The LEF emphasis on factual reporting heralded a return to the unvarnished objective world versus manufactured artistic unity. The material of life itself would generate artistic forms suitable for contemporaneity’s expression. The newspaper and attendant journalistic genres (e.g. reportage,
284:. Their poetic contributions included “Literaturnyi fel’eton” ("Literary Feuilleton", Aseev), “Puteshestvie po Moskve” ("Travels Around Moscow", Neznamov), “Moia imeninnaia: Poema” ("My Name's Day: A Narrative Poem", Kirsanov), and “Oktiabr’” ("October", Mayakovsky). 237:
Bible was to the medieval Christian – a pointer for all the contingencies of life; what the moralizing novel was to the Russian liberal intelligentsia, that is the newspaper for the Soviet activist of our times."
207:(“Mountain Pass”). Mayakovsky’s programmatic editorial statement in the inaugural January 1927 issue reflected on the challenges facing Soviet cultural life. Reviving the LEF periodical as 215:(NEP) was stuck in a “swamp.” Multiple years of NEP “philistinism” had led to cultural degeneration. Mayakovsky and his affiliates argued that a return to factography and 151:
emerged from the LEF literary group, composed of Futurist and Formalist writers, theorists, and artists committed to a revolutionary transformation of Soviet culture.
325:
display a marked increase in the number of essays and critical prose, with a conspicuous absence of poetry. It was in issues No. 10 and 11 that literary critic
113: 200: 889: 884: 272:
Agitational poetry continued to be given pride of place under Mayakovsky’s editorship. Leading Soviet poets including Mayakovsky himself and
264:
attempted to demystify the process of artistic production and thereby began to initiate the reader into the ranks of cultural producers.
159:, who also designed many of the journal’s covers), literary theory and criticism, poetry, editorials, and occasionally creative prose. 797:
Red. A.A. Surkov. Moskva: T. 4, 1967: 172. http://feb-web.ru/feb/kle/kle-abc/ke4/ke4-1721.htm?cmd=p&istext=1 Retrieved 2021-05-01.
807:
Svatukhina, E.N. “Zhurnal ‘Novyi Lef’ kak istoricheskii istochnik dlia izucheniia deiatel’nosti ob’edineniia ‘Levyi front iskusstv.”
71: 727:“The Shaping of New Visions: Photography, Film, Photobook” April 18, 2012-April 29, 2013. MoMA Press Release on March 28, 2012. 340:) in 1929 along with Brik, Aseev, and Rodchenko. He subsequently joined RAPP in 1930, before his suicide in April of that year. 855: 363:
cover artworks, which were displayed in the 2012-2013 exhibition, “The Shaping of New Visions: Photography, Film, Photobook.”
240:
LEF contributors would sometimes publish their literary and critical projects in their intermediate stages – for instance,
195:
rejected aesthetics or belletrism as well as traditional methods of realist representation in favor of production-oriented
329:
developed at considerable length his theory of “zhiznestroenie” (in effect, factographic literature as “life building”).
40: 260:
also publishing a portion of his storyboard skeleton of the film’s plot. By exposing research and creative processes,
844: 715: 409: 121: 53: 498:
Kornienko, Natalia. “Literary Criticism and Cultural Policy During the New Economic Policy, 1921-1927.”
475: 784:
Kornienko, Natalia. “Literary Criticism and Cultural Policy During the New Economic Policy, 1921-1927.”
528:
Kornienko, Natalia. “Literary Criticism and Cultural Policy During the New Economic Policy,1921-1927.”
745: 199:. The journal’s contributors often polemicized against competing literary groups, including RAPP (The 352: 196: 35: 404: 381: 315: 212: 171: 156: 117: 728: 356: 790:. Ed. Evgeny Dobrenko and Galin Tihanov. Pittsburg: University of Pittsburgh Press, 2011: 17-42. 502:. Ed. Evgeny Dobrenko and Galin Tihanov. Pittsburg: University of Pittsburgh Press, 2011: 17-42. 124:
replacing him in August 1928. Under both editors, a single issue totaled between 40-50 pages.
532:. Ed. Evgeny Dobrenko and Galin Tihanov. Pittsburg: University of Pittsburgh Press, 2011: 33. 223:
platform – would rejuvenate a truly revolutionary workers’ literary and cultural production.
373: 241: 93: 46: 426: 399: 326: 277: 280:
and Petr Neznamov, all published rhetorical verse oriented toward contemporary life in
306:
journal and the LEF movement overall). Mayakovsky’s abdication from the editorship of
878: 439: 394: 273: 250: 129: 777:
Brown, Edward J. “Lef (Levyi front iskusstva – Left Front of Art), and Novyi Lef.”
461:
Brown, Edward J. “Lef (Levyi front iskusstva – Left Front of Art), and Novyi Lef.”
716:
https://thecharnelhouse.org/2014/11/02/lef-the-soviet-left-front-of-art-1923-1930/
162: 476:"ФЭБ: «Леф» [журнал] // Краткая литературная энциклопедия. Т. 4. — 1967" 245: 310:
triggered an exodus among long-standing contributors. After July 1928, Aseev,
104:) was a literary-critical periodical published by the State Publishing House “ 788:
A History of Russian Literary Theory and Criticism: The Soviet Age and Beyond
530:
A History of Russian Literary Theory and Criticism: The Soviet Age and Beyond
500:
A History of Russian Literary Theory and Criticism: The Soviet Age and Beyond
682: 665: 648: 631: 614: 597: 580: 563: 516: 389: 311: 833: 814:
Zagorets, Iaroslav. “Iz istorii vzaimootnoshenii ‘Lefa’ i ‘Novogo Lefa.’”
105: 558:
Shklovskii, Viktor. “’Voina i mir’ L’va Tolstogo (Plan issledovaniia).”
546: 761: 211:
was a necessity, for according to Mayakovsky, Soviet culture after the
660:
Chuzhak, Nikolai. “Literatura zhiznestroeniia: (Teoriia v praktike).”
109: 698:. Ed. Victor Terras. New Haven: Yale University Press, 1985: 244-45. 746:
https://www.moma.org/interactives/objectphoto/publications/789.html
161: 804:. Ed. Victor Terras. New Haven: Yale University Press, 1985: 244. 781:. Ed. Victor Terras. New Haven: Yale University Press, 1985: 244. 465:. Ed. Victor Terras. New Haven: Yale University Press, 1985: 244. 155:
consistently showcased photography (often by the constructivist
729:
https://assets.moma.org/documents/moma_press-release_389330.pdf
332:
Mayakovsky went on to form the short-lived REF group (Russian:
827: 18: 543:
Literatura fakta: pervyi sbornik materialov rabotnikov LEFa
143:), which was published in seven issues in 1923-25. Both 851: 545:. Ed. N.F. Chuzhak, 1929. Moskva: Zakharov, 2000: 32. 288:
with a note asking for an evaluation of their poetry.
858:
to it so that it can be listed with similar articles.
710:“LEF – the Soviet ‘left front’ of art (1923-1930).” 626:Aseev, Nikolai. “LEF otvechaet korrespondentam.” 609:Maiakovskii, Vladimir. “Stikhi s primechaniimi.” 677:Chuzhak, Nikolai. “Literatura zhiznestroeniia.” 643:Terent’ev, Igor’. “Maiakovskii ‘Levee Lefa.’’” 318:never again published in the journal’s pages. 592:Trenin, Vladimir. “Pochtovyi iashchik Lefa.” 8: 541:Chuzhak, Nikolai. "Pisatel'skaia pamiatka." 712:The Charnel-House: From Bauhaus to Beinhaus 201:Russian Association of Proletarian Writers 170:issue (No. 1, 1927), with a photograph by 683:http://www.ruthenia.ru/sovlit/j/3437.html 666:http://www.ruthenia.ru/sovlit/j/3422.html 649:http://www.ruthenia.ru/sovlit/j/3419.html 632:http://www.ruthenia.ru/sovlit/j/3239.html 615:http://www.ruthenia.ru/sovlit/j/3335.html 598:http://www.ruthenia.ru/sovlit/j/3366.html 581:http://www.ruthenia.ru/sovlit/j/3199.html 575:Maiakovskii, Vladimir. “Kak pozhivaete?” 564:http://www.ruthenia.ru/sovlit/j/3293.html 517:http://www.ruthenia.ru/sovlit/j/3178.html 72:Learn how and when to remove this message 819:universiteta. Seriia: Gumanitarnye nauki 232:sketches, travel accounts) were lauded: 451: 128:was a 22-issue revival of the original 16:Soviet-era literary-critical periodical 795:Kratkaia literaturnaia entsiklopediia. 351:The eventual founding director of the 706: 704: 547:http://teatr-lib.ru/Library/Lef/fact/ 187:social necessity continued to define 7: 457: 455: 809:Kul’tura. Dukhovnost’. Obshchestvo. 843:needs additional or more specific 14: 890:1928 disestablishments in Russia 832: 276:, as well as the futurist poets 120:served as editor-in-chief, with 23: 338:Revolutionary Front of the Arts 802:Handbook of Russian Literature 779:Handbook of Russian Literature 696:Handbook of Russian Literature 463:Handbook of Russian Literature 191:orientation five years later. 102:The New Left Front of the Arts 1: 885:1927 establishments in Russia 800:Stephan, Halina. “Left Art.” 740:Nouril, Ksenia. “Novyi LEF.” 694:Stephan, Halina. “Left Art.” 334:Революционный фронт искусств 297:Changes in Editorial Vision 43:. The specific problem is: 906: 793:Shvetsova, L.K. “’Lef’ .” 141:The Left Front of the Arts 39:to meet Knowledge (XXG)'s 355:(MoMA) in New York City, 333: 321:The final five issues of 136: 97: 45:a little formatting per 744:. Museum of Modern Art. 219:– two key planks in the 681:, No. 11, 1928: 15-19. 562:, No. 10, 1927: 20-24. 166:The cover of the first 664:, No. 10, 1928: 2-17. 630:, No. 4, 1927: 39-43. 596:, No. 5, 1928: 39-42. 175: 748:Retrieved 2021-05-01. 731:Retrieved 2021-05-01. 718:Retrieved 2021-05-01. 685:Retrieved 2021-05-04. 668:Retrieved 2021-05-04. 651:Retrieved 2021-05-04. 647:, 1928, No. 9: 47-8. 634:Retrieved 2021-05-04. 617:Retrieved 2021-05-04. 600:Retrieved 2021-05-04. 583:Retrieved 2021-05-04. 579:, No. 2, 1927: 25-7. 566:Retrieved 2021-05-04. 549:Retrieved 2021-05-04. 519:Retrieved 2021-05-03. 165: 762:Digitized issues of 613:, No. 3, 1928: 1-4. 515:, No. 1, 1927: 1-2. 420:Vitalii Zhemchuzhnyi 353:Museum of Modern Art 316:Aleksei Khruchyonykh 54:improve this article 816:Vestnik Tambovskogo 405:Alexander Rodchenko 382:Vladimir Mayakovsky 302:for abandoning the 213:New Economic Policy 172:Alexander Rodchenko 157:Alexander Rodchenko 118:Vladimir Mayakovsky 357:Alfred H. Barr Jr. 268:The Role of Poetry 242:Viktor Shklovsky’s 227:Literature of Fact 176: 873: 872: 856:adding categories 82: 81: 74: 41:quality standards 32:This article may 897: 868: 865: 859: 836: 828: 821:. 2010: 127-132. 749: 738: 732: 725: 719: 708: 699: 692: 686: 675: 669: 658: 652: 641: 635: 624: 618: 607: 601: 590: 584: 573: 567: 556: 550: 539: 533: 526: 520: 509: 503: 496: 490: 489: 487: 486: 472: 466: 459: 410:Sergei Tretyakov 374:Viktor Shklovsky 335: 138: 122:Sergei Tretyakov 108:” in 1927-28 in 99: 77: 70: 66: 63: 57: 27: 26: 19: 905: 904: 900: 899: 898: 896: 895: 894: 875: 874: 869: 863: 860: 849: 837: 825: 811:1, 2012: 62-70. 774: 758: 753: 752: 739: 735: 726: 722: 709: 702: 693: 689: 676: 672: 659: 655: 642: 638: 625: 621: 608: 604: 591: 587: 574: 570: 557: 553: 540: 536: 527: 523: 510: 506: 497: 493: 484: 482: 474: 473: 469: 460: 453: 448: 436: 431: 427:Semyon Kirsanov 400:Nikolai Chuzhak 378:Vladimir Trenin 369: 349: 327:Nikolai Chuzhak 299: 278:Semyon Kirsanov 270: 229: 181: 78: 67: 61: 58: 51: 28: 24: 17: 12: 11: 5: 903: 901: 893: 892: 887: 877: 876: 871: 870: 840: 838: 831: 823: 822: 812: 805: 798: 791: 785: 782: 773: 770: 769: 768: 766:with plaintext 757: 756:External links 754: 751: 750: 733: 720: 700: 687: 670: 653: 636: 619: 602: 585: 568: 551: 534: 521: 504: 491: 467: 450: 449: 447: 444: 443: 442: 435: 432: 430: 429: 424: 423:Igor Terent’ev 421: 418: 415: 414:Viktor Pertsov 412: 407: 402: 397: 392: 387: 386:Sergei Avratov 384: 379: 376: 370: 368: 365: 348: 342: 298: 295: 269: 266: 228: 225: 217:zhiznestroenie 197:constructivism 180: 177: 116:Futurist poet 80: 79: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 902: 891: 888: 886: 883: 882: 880: 867: 857: 853: 847: 846: 841:This article 839: 835: 830: 829: 826: 820: 817: 813: 810: 806: 803: 799: 796: 792: 789: 786: 783: 780: 776: 775: 771: 767: 765: 760: 759: 755: 747: 743: 742:Object: Photo 737: 734: 730: 724: 721: 717: 713: 707: 705: 701: 697: 691: 688: 684: 680: 674: 671: 667: 663: 657: 654: 650: 646: 640: 637: 633: 629: 623: 620: 616: 612: 606: 603: 599: 595: 589: 586: 582: 578: 572: 569: 565: 561: 555: 552: 548: 544: 538: 535: 531: 525: 522: 518: 514: 511:“Chitatel'!” 508: 505: 501: 495: 492: 481: 477: 471: 468: 464: 458: 456: 452: 445: 441: 440:LEF (journal) 438: 437: 433: 428: 425: 422: 419: 417:Petr Neznamov 416: 413: 411: 408: 406: 403: 401: 398: 396: 395:Nikolai Aseev 393: 391: 388: 385: 383: 380: 377: 375: 372: 371: 366: 364: 362: 358: 354: 346: 343: 341: 339: 330: 328: 324: 319: 317: 313: 309: 305: 296: 294: 291: 285: 283: 279: 275: 274:Nikolai Aseev 267: 265: 263: 258: 255:published in 254: 252: 251:War and Peace 247: 246:Lev Tolstoy’s 243: 238: 235: 226: 224: 222: 218: 214: 210: 206: 202: 198: 194: 190: 185: 178: 173: 169: 164: 160: 158: 154: 150: 146: 142: 134: 132: 127: 123: 119: 115: 111: 107: 103: 95: 91: 87: 76: 73: 65: 55: 50: 48: 42: 38: 37: 30: 21: 20: 861: 842: 824: 818: 815: 808: 801: 794: 787: 778: 772:Bibliography 763: 741: 736: 723: 711: 695: 690: 678: 673: 661: 656: 644: 639: 627: 622: 610: 605: 593: 588: 576: 571: 559: 554: 542: 537: 529: 524: 512: 507: 499: 494: 483:. Retrieved 479: 470: 462: 367:Contributors 360: 350: 344: 337: 331: 322: 320: 307: 303: 300: 289: 286: 281: 271: 261: 256: 249: 239: 233: 230: 220: 216: 208: 204: 192: 188: 183: 182: 167: 152: 148: 144: 140: 130: 125: 101: 89: 85: 83: 68: 59: 52:Please help 49:is required. 44: 33: 314:, and poet 189:Novyi LEF’s 56:if you can. 879:Categories 845:categories 764:Novyi LEF, 485:2021-05-03 480:feb-web.ru 446:References 347:in America 135:(Russian: 679:Novyi LEF 662:Novyi LEF 645:Novyi LEF 628:Novyi LEF 611:Novyi LEF 594:Novyi LEF 577:Novyi LEF 560:Novyi LEF 513:Novyi LEF 390:Osip Brik 361:Novyi LEF 345:Novyi LEF 323:Novyi LEF 312:Osip Brik 308:Novyi LEF 304:Novyi LEF 290:Novyi LEF 282:Novyi LEF 262:Novyi LEF 257:Novyi LEF 244:study of 234:Novyi LEF 221:Novyi LEF 209:Novyi LEF 193:Novyi LEF 184:Novyi LEF 168:Novyi LEF 153:Novyi LEF 149:Novyi LEF 126:Novyi LEF 98:Новый Леф 92:journal ( 86:Novyi LEF 864:May 2021 852:help out 434:See also 179:Ideology 106:Gosizdat 62:May 2021 34:require 850:Please 248:novel, 205:Pereval 133:journal 94:Russian 90:New LEF 36:cleanup 203:) and 114:RFSFR. 110:Moscow 47:WP:MOS 147:and 84:The 854:by 145:LEF 137:Леф 131:LEF 88:or 881:: 714:. 703:^ 478:. 454:^ 336:, 139:, 112:, 100:, 96:: 866:) 862:( 848:. 488:. 253:, 174:. 75:) 69:( 64:) 60:(

Index

cleanup
quality standards
WP:MOS
improve this article
Learn how and when to remove this message
Russian
Gosizdat
Moscow
RFSFR.
Vladimir Mayakovsky
Sergei Tretyakov
LEF journal
Alexander Rodchenko

Alexander Rodchenko
constructivism
Russian Association of Proletarian Writers
New Economic Policy
Viktor Shklovsky’s
Lev Tolstoy’s
War and Peace
Nikolai Aseev
Semyon Kirsanov
Osip Brik
Aleksei Khruchyonykh
Nikolai Chuzhak
Museum of Modern Art
Alfred H. Barr Jr.
Viktor Shklovsky
Vladimir Mayakovsky

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.