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204:, to branches of the performing arts, and his theories are still the subject of debate in present-day Czech academic circles. As a musicologist he also devoted himself to the study of
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of 1911–1914, when he called into question the artistic integrity of Dvořák's compositional language. These activities firmly allied Zich with Nejedlý's academic circle at
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Prague, where critics assessed new compositions based on factional allegiances. The lowest point of this was undoubtedly the premiere of
177:(The End of Music). Šilhan's argument focused primarily on the opera's orchestral score, where the counterpoint occasionally borders on
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In his music education he studied as a self-taught man. Years later, he became a pupil of the prominent nineteenth-century Czech
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79:, actively participating in musical life as a critic. In this capacity he supported the efforts of Nejedlý's pro-
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Because of his association with Nejedlý, performances of Zich's music often met with bitter controversy in
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95:, where, in 1924, he was appointed professor of Aesthetics. He held this position until his death in 1934.
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in 1922, which the arch-conservative critic Antonín Šilhan attacked in a vituperative article entitled
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Zich was also the author of many folkloric studies and books on aesthetics: foremost among these are
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As a composer, Zich was largely self-taught, although he can be said to belong to the post-Smetana
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208:'s life and works, with numerous analytical articles appearing in Czech-language music journals.
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Opera and
Ideology in Prague: Polemics and Practice at the National Theater, 1900–1938
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192:(The Aesthetics of Drama, 1931). In each of these he explored the application of
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and a few individual shorter works, most of Zich's music remains unpublished.
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with a playful referentiality to past styles. With the exception of
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662:Štědroň, Bohumír (1963). Černušák, Gracián; Nováček, Zdenko (eds.).
666:(in Czech). Prague: Státní hudební vydavatelství. pp. 989–991.
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63:, and a protégé of the iconoclastic musicologist and critic
600:(6th ed.). New York: Schirmer Books. p. 1945.
37:– 9 July 1934 Ouběnice u Benešova) was a distinguished
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83:faction against the intellectual descendants of
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424:(Three Folk Songs From Chodsko Region) (1904)
379:(Three Folk Songs From Chodsko Region) (1909)
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598:Baker's Biographical dictionary of musicians
468:(Romance about the Black Lake), Op. 6 (1907)
596:Slonimsky, Nicolas (1978). "Zich, Otakar".
261:(Fragments of the Days), Op. 13 (1926–1927)
16:Czech composer and aesthetician (1879–1934)
586:Zich, O: "Dvořákova umělecká tvorba," 1911
284:(Ballad of the Three Kings), Op. 9a (1911)
545:Zaváďky (Starodávné Lidové Tance Hanácké)
528:Suite, for octet or nonet), Op. 3a (1905)
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249:(From the Mělník's Rock), Op. 16 (1909)
664:Československý hudební slovník II. M–Ž
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265:Dvacet pět chodských lidových písní
107:of Czech composers (which includes
348:(Thirty-six Military Songs) (1924)
290:(A Wanderer's Song), Op. 9b (1912)
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481:(The Artist's Idea), Op. 7 (1908)
302:(An Autumn Motif), Op. 18a (1932)
296:(Princess Lyoleia), Op. 9c (1913)
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437:(Fateful Marriage), Op. 1 (1917)
231:(From Heart), Op. 4 (1906–1907)
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308:(Little Tears), Op. 18b (1905)
131:(on Zich's own translation of
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685:Source of biography (English)
449:(Winter Ballad), Op. 3 (1906)
373:(Three Female Choirs), Op. 17
314:(Cosmic Song), Op. 18c (1931)
267:(Twenty-five Folk Songs from
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622:Opera and Ideology in Prague
506:(Czech Suite), Op. 14 (1928)
346:Třicet šest vojenských písní
680:Source of biography (Czech)
487:(Guilt), Op. 10 (1911–1915)
443:(Fifth Grave), Op. 2 (1906)
225:(Songs I., II.) (1900–1906)
196:, derived from the work of
190:Estetika dramatického umění
123:(The Artist's Idea, 1908),
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728:People from Městec Králové
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326:(Homeland), Op. 20a (1929)
154:, and an intensely linear
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539:Overture Konrad Wallenrod
332:(Immured), Op. 20b (1929)
320:(Slovens), Op. 18d (1918)
402:(Hooray), Op. 15a (1929)
354:(Five Folk Songs) (1933)
223:Písně a písničky I., II.
137:Les précieuses ridicules
466:Romance o Černém jezeře
186:Estetické vnímaní hudby
113:Josef Bohuslav Foerster
743:Czechoslovak composers
510:String Trio in E minor
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718:Czech opera composers
516:Piano Trio in E minor
255:(Little Souls) (1922)
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493:, Op. 12 (1922–1924)
271:Region) (1905–1906)
243:(Old Ballad) (1909)
127:(Guilt, 1915), and
352:Pět lidových písní
237:(To Mother), Op. 8
93:Charles University
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422:Tři chodské písně
377:Tři chodské písně
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294:Princezna Lyoleja
282:Balada tříkrálová
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371:Tři ženské sbory
247:Z mělnické skály
61:Otakar Hostinský
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518:(1899–1902)
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276:Male choirs
141:Romanticism
31:Otakar Zich
25:Otakar Zich
697:Categories
632:Locke, B:
620:Locke, B:
567:Locke, B:
556:References
533:Orchestral
453:Polka jede
340:Jan Neruda
152:leitmotifs
143:and early
491:Preciézky
460:Melodrama
324:Rodná zem
318:Hajdaláci
179:atonality
160:Preciézky
149:Wagnerian
129:Preciézky
69:Domažlice
52:Biography
23:Composer
396:) (1905)
229:Ze srdce
167:interwar
42:composer
498:Chamber
429:Cantata
330:Zazděná
306:Slzičky
269:Chodsko
253:Dušičky
235:Matičce
206:Smetana
202:Husserl
133:Molière
105:lineage
81:Smetana
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410:Vojany
358:Forman
115:, and
77:Prague
473:Opera
217:Songs
198:Hegel
99:Style
39:Czech
602:ISBN
572:ISBN
549:Haná
526:Chod
485:Vina
338:(To
200:and
171:Vina
125:Vina
44:and
400:Urá
394:Říp
135:'s
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640:^
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524:(
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