167:, who headed the newsroom. He took part in the editorial reforms conducted by Octavio Frias and Abramo during that period, which resulted in opening Folha's pages to political and intellectual figures of all stripes, taking advantage of the political opening then being promoted by the military regime. This pluralistic viewpoint earned respect for Folha and brought it closer to the civilian society.
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The guidelines stipulate that all journalism must be descriptive and accurate, but that themes that cause controversy can admit to more than one viewpoint and require a pluralistic treatment. Folha became known also for its highly diverse selection of columnists. At the same time, checks and balances
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He wrote “Queda Livre” (Companhia das Letras, 2003), collecting pieces labeled as “participative investigations” - seven essay-length reports on experiences that entail psychological risk. He also wrote children's books - “O Livro da 1ª Vez” (Cosac Naify, 2004) and short stories that were published
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Frias Filho wrote six theatre plays, three of which were published under the title “Tutankaton” (Editora
Iluminuras, 1991), accompanied by essays on culture. Four of those plays were staged in São Paulo: “Típico Romântico” (1992), “Rancor” (1993), “Don Juan” (1995) and “Sonho de Núpcias” (2002).
179:, launched in 1984 and updated on several occasions since. More than a style guide, it serves as a guide to the rules and commitments Folha works under. It was the first publication of its kind to be made available to the general public in Brazil.
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were instituted through internal controls: the Manual, the daily “Corrections” section adopted in 1991, a rule stating that objections to any article expressed by readers or people mentioned in the news should be printed, and, above all, the
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periods. A series of documents circulated periodically defined the newspaper's editorial project as part of the so-called
Projeto Folha, defined by critical, unbiased and pluralistic news coverage. Those same principles oriented Folha's
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From 1994 to 2004, he wrote a weekly column for Folha's op-ed page. In 2000, 99 of those columns were published in book form under the title “De Ponta Cabeça” (Editora 34). In 2009,
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position, created in 1989; this position entails job security for its holder, whose aim is to criticize Folha and deal with complaints by readers and people mentioned in the news.
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as part of children's collections “O Livro dos Medos” (1998) and “Vice-versa ao Contrário” (1993), both by
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From the midpoint of the
Brazilian military rule, Folha has kept a critical stance towards several succeeding administrations (
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As newsroom director, Frias Filho systematized and developed the newspaper's experiences during the political opening and
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scandal (2005), Folha kept revealing abuses and misrule. In 1991, Frias Filho accepted, on behalf of Folha, the
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s reporters, by then
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138:(7 June 1957 – 21 August 2018), was a Brazilian newspaper editor. He was
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Frias died on 21 August 2018, aged 61, in his hometown of
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219:Fernando Henrique Cardoso
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345:"Bio at Cosac Naify"
243:Columbia University
136:Otávio Frias Filho
34:Otávio Frias Filho
18:Otavio Frias Filho
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407:1957 births
200:José Sarney
149:Grupo Folha
134:, known as
63:7 June 1957
401:Categories
355:2012-12-12
280:References
274:Publifolha
260:Literature
172:Diretas Já
94:Occupation
59:1957-06-07
250:São Paulo
185:ombudsman
155:Biography
105:1975–2018
86:São Paulo
67:São Paulo
235:Mensalão
110:Employer
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