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the
Wallraf-Richartz Museum in 1946 as part of a gift from Cologne collector Josef Haubrich. When the modern art Museum Ludwig was created in 1976, the 20th century collection of the Wallraf-Richarz Museum was transferred into it, and the Otto Mueller painting became integrated into the collection of the Museum Ludwig. The painting was originally part of the collection of Breslau (Wroclaw) collector Dr. Ismar Littmann (1878-1934), who met Otto Mueller when the latter was nominated professor at the local School of Art and Design. In 1934 Littmann committed suicide. In February 1935 his widow put the collection up for auction through the dealer Max Perl, Berlin. But two days before the auction sixty-four Littmann works were confiscated by the Gestapo, including this painting by Mueller, which was among the few works chosen by Eberhard Hanfstaengl, director of the Nationalgalerie, when he was asked to choose those with "sale value". Most of the others, if not all, are believed to have been burnt. In 1937 the painting was confiscated from the Nationalgalerie as "degenerate art" and displayed at the eponymous Munich exhibition that same year. In 1939 it was put up for sale in the auction of 'Paintings and Sculpture by Modern Masters from German Museums' at the Fischer Gallery in Lucerne, Switzerland. Unsold, it was returned to Germany, where the art dealer Hildebrand Gurlitt purchased it for $ 100, selling it to Josef Haubrich two years later. Before being alerted to its real provenance in 1998, the Museum Ludwig states it had no reason to suspect the painting's history as it was registered as originating from the Nationalgalerie, Berlin.
654:(1918/19) by Otto Mueller was then part of the collection of Henri Nannen who created a foundation in 1983 which led to the opening of the Emden museum in 1986. Nannen had bought the painting from an English dealer in 1979 and remembered seeing the painting before at the 1937 "Entartete Kunst" exhibition in Munich. The painting had originally been part of the collection of the Breslau (Wroclaw) collector Dr. Ismar Littmann (1878-1934) who met Otto Mueller when the latter was nominated professor at the local School of Art and Design. In 1934 Littmann committed suicide; his widow then put the collection up for auction through the Berlin dealer Max Perl. Two days before the auction sixty-four works from the collection were confiscated by the Gestapo, including this painting by Mueller. The Otto Mueller painting was kept at the Nationalgalerie as of "sale value" but most of the others are believed to have been burnt. In 1937 the painting was confiscated from the Nationalgalerie as "degenerate art" and displayed at the defamatory Munich exhibition, after which it was given to the art dealer Bernhard Boehmer for a trifling amount.
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737:"Maschka" by Otto Mueller, one of the works found in the horde belonging to the German collector Cornelius Gurlitt, in the restoration studio at the Kunstmuseum Bern in Switzerland for the "Gurlitt: Status Report" shows Portions of the spectacular art collection hoarded by the son of a Nazi-era dealer will be shown for the first time since World War II in parallel exhibitions in Switzerland and Germany starting Thursday.
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Kunsthalle in Emden, (Emden Art
Gallery) Research into Nazi-confiscated cultural property in the museum's collection. The museum was involved in the first restitution of a painting from the Littmann collection. The painting Knabe vor zwei stehenden und einem sitzenden Mädchen (Landschaft mit Figuren)
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Museum Ludwig, Köln (Ludwig Museum, Cologne) Research into Nazi-confiscated works of art in the museum's collection In 1999 the museum returned the painting Zwei weibliche
Halbakte (Two Female Nudes ) (1919) by Otto Mueller to the heirs of Dr. Ismar Littmann. The work had entered the collection of
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Otto
Mueller's painting entitled "Boy with two standing girls and one sitting girl" belongs to the paintings whose journey was traceable from looting to recovery. The Gestapo confiscated it from the auction of Ismar Littmann's art collection in Breslau in 1935. It was then shown at the "Entartete
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Mueller was one of the most lyrical of German expressionist painters. The main topic of
Mueller's works is the unity of humans and nature; his paintings emphasize a harmonious simplification of form, colour and contours. He is known especially for his characteristic paintings of
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Four of the paintings that
Weidler did not sell are still in the Yris Rabenou Gallery's custody, including Max Pechstein's "Portrait of Paul Westheim," Otto Mueller's "Bathers," Edgar Jene's "Plastische Imagination" and a watercolor by Paul Klee, according to the
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Kunst" (Degenerate Art) exhibition in Munich in 1937, after which it was sold. Ismar
Littmann's heirs arranged to repurchase it from the Emden Kunsthalle, Henri and Eske Nannen Foundation in 1999.
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Other works in
Gurlitt's collection in 1950 included paintings by Emil Nolde, Hans Thoma, Otto Mueller, George Grosz, Karl Schmidt-Rottluff, August Macke and the Italian painter Guardi.
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One of the most significant paintings in the exhibition, Portrait of
Maschka Mueller by Otto Mueller (1924-25) was branded "degenerate" by the Nazis and acquired by Gurlitt in 1941.
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he fought as a German soldier in France and Russia. After the war he became a professor at the
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584:"Fateful Choices: Art from the Gurlitt Trove at the Israel Museum Presents Some 100 Significant Works Amassed by Dr. Hildebrand Gurlitt"
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This article is about the expressionist painter from Silesia. For the painter of the same name from Halle, Saxony-Anhalt, see
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on coarse canvas, which produced a mat surface. Altogether his printmaking amounted to 172 prints, nearly all of them
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women; his nickname was "Gypsy Mueller" and his mother was perhaps Romani. Mueller was a huge fan of
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in 1908, his style became more expressionist. During this time there were meetings with
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Academy of Fine Arts, Dresden, Academy of Fine Arts, Munich
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Beyond the Bauhaus: Cultural Modernity in Breslau, 1918-33
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where he taught until his death on 24 September 1930.
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805:Wolf 2006, p. 76; Moeller 2001, p. 77
390:, 1912, wood-print on paper, on cover
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587:
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531:
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417:
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385:
370:
355:
320:Egyptian art
308:
294:In 1937 the
293:
274:
262:Erich Heckel
235:
188:
163:
162:
156:
89:(1930-09-25)
47:
34:Otto Mueller
1318:1930 deaths
1313:1874 births
1046:Jussuf Abbo
895:Fritz Bleyl
756:. Bloomberg
442:, in Berlin
328:lithographs
277:World War I
207:lithography
164:Otto Müller
106:Nationality
50:, c. 1921,
25:Otto Müller
1307:Categories
1211:Emil Nolde
1186:Franz Marc
1121:Karl Hofer
936:Emil Nolde
881:Die Brücke
813:References
792:2021-05-21
760:2021-05-21
732:2021-05-21
710:complaint.
704:2021-05-21
676:2021-05-21
648:2021-05-21
620:2021-05-21
593:2021-05-21
266:Die Brücke
242:Jugendstil
181:movement.
176:Die Brücke
172:printmaker
144:Die Brücke
65:1874-10-16
1141:Paul Klee
1081:Max Ernst
959:See also
556:8 October
324:distemper
246:Symbolism
199:Landeshut
197:), Kreis
114:Education
1076:Otto Dix
888:Founders
786:Archived
502:, 1928,
336:etchings
332:woodcuts
140:Movement
1260:Related
1039:Artists
833:, 2006.
831:Taschen
281:Breslau
275:During
219:Dresden
215:Breslau
211:Görlitz
203:Silesia
174:of the
168:painter
99:Germany
95:Breslau
919:Others
547:
387:Brücke
316:Romani
250:Berlin
229:after
223:Munich
191:Liebau
109:German
73:Liebau
511:Notes
342:Works
312:nudes
296:Nazis
130:Style
558:2023
545:ISBN
422:MoMA
334:and
314:and
287:and
260:and
244:and
213:and
170:and
84:Died
59:Born
537:doi
209:in
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