Knowledge (XXG)

Our Hospitality

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become acquainted during many train mishaps. At their destination, she is greeted by her father and two brothers, she, it turns out, is a Canfield. Willie innocently asks one of the brothers where the McKay estate is. The brother offers to show him the way, but stops at every shop in search of a pistol to shoot the unsuspecting Willie. By the time he obtains one, Willie has wandered off. Willie is very disappointed to discover the McKay "estate" is a rundown home, not the stately mansion he had imagined. Later, however, he encounters Virginia, who invites him to supper.
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also shot a waterfall scene on a set using miniature scenery. However, he did perform the dangerous stunt where his character swings from a rope to the waterfall.He cast his fourteen-month-old son, Buster Keaton Jr., to play a baby version of himself in the film's prologue. The bright film lights irritated the infant's eyes and he had to be removed from the set.
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When it grows dark, the Canfield men decide to continue their murderous search the next day. Returning home, they see Willie and Virginia embracing, Joseph Canfield furiously rushes into the room, gun in hand. He is brought up short by the parson, who asks him if he wishes to kiss the bride. Seeing a
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When he arrives, the brothers want to shoot him, but the father refuses to allow it while he is a guest in their mansion, referring to this as "our hospitality." When Willie overhears a conversation between the brothers, he finally realizes his grave predicament. A parson comes to supper as well, but
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Twenty years later, Willie receives a letter informing him that his father's estate is now his. His aunt tells him of the feud, but he decides to return to his Southern birthplace anyway to claim his inheritance. On the train ride, he meets a girl, Virginia. They are shy to each other at first, but
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The Canfield and McKay families have been feuding for so long, no one remembers why the feud started in the first place. One stormy night in 1810, family patriarch John McKay and his rival James Canfield kill each other. After the tragic death of her husband, John's wife decides her son Willie will
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The next morning, McKay stays inside the house, while the Canfield men wait for his departure. McKay finally manages to leave by putting on a woman's dress as a chase ensues. Eventually, he starts down a steep cliff side, but is unable to find a way to the bottom. One Canfield lowers a rope (so he
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while filming one of his stunts: In a scene in river rapids, his restraining wire broke and he fell into the rocky river.It took ten minutes for the crew to find him face down and immobile on a riverbank. He recovered but he decided to shoot the rest of the river scene on a set in Los Angeles. He
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of the 1830s. The cast and 20-person crew arrived in Truckee in July 1923, along with the fully functional locomotive, three railroad passenger cars, 30 set pieces and enough building material for several miles of train track. As was normal for a Keaton production, the cast and crew often stopped
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happened between 1878 and 1890, Keaton set his film in the 1830s. He had a passion for railroads and wanted the story to coincide with their invention.He had art director Fred Grabourne build fully functional replicas of trains with attention to every detail of their authenticity. However, Keaton
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is Keaton's first feature as auteur and his first masterpiece. It isn't his fastest, funniest or most dazzlingly inventive picture, but it is my sentimental favorite because of its serene, nostalgic beauty—a vision of a halcyon world (America, circa 1830) that was already, of course, charmingly
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This is an unusual comedy picture, a novelty melange of dramatics, low comedy, laughs and thrills. Jean Havez has built up a comedy masterpiece about as serious a subject as a feud... The picture is splendidly cast, flawlessly directed and intelligently photographed. The usual low comedy and
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It was a groundbreaking work for the comedy film genre, as Keaton included "careful integration of gags into a dramatically coherent storyline," "meticulous attention to period detail" and beautiful cinematography and extensive location shooting" – in considerable contrast to the era's other
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is the only film to feature three generations of the Keaton family: Buster, his father Joe, and his infant son. Keaton's wife Natalie was pregnant with their second child during filming, and late in the production she had to be filmed in ways that concealed her growing size.
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Roberts suffered a stroke on set during shooting. After a short hospital stay in Reno, he returned to finish his role but died of another stroke a few months later. Keaton, who never used a
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can get a better shot) to which Willie ties himself, but Canfield falls into the water far below, dragging Willie along. Finally, Willie manages to steal a train locomotive and
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as he prepares to leave, he finds it is furiously raining outside. The Canfield patriarch insists the parson stay the night, while McKay invites himself to do the same.
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old-fashioned by 1923 standards. "Our Hospitality" (co-directed by Keaton and Jack Blystone) displays some magnificent pictorial compositions, worthy of
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not suffer the same fate. She moves to New York to live with her sister, who after the mother's death raises him without telling him of the feud.
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which, by the 1830s, would have been out of fashion. The traveling shots of the locomotive are clear precursors to his later work in
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was in post-production and was a big hit in both the US and Europe, breaking box office records in some cities. Originally titled
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to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real–life
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as Virginia's father.The film was shot in Truckee, about 485 miles north of Los Angeles, and was decorated to recreate the
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the new film was another hit for Keaton, selling out many theaters and grossing $ 537,844, almost $ 100,000 more than
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called it a "sublime silent comedy, one of Buster's best, with a genuinely hair-raising finale." (four/four stars).
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wrote: "With this work, Keaton began to display a dramatic sense to complement his comic sensibility—like
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magazine was also positive: "The Keatons, four of them, combine to make this picture highly hilarious."
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slapstick have been modified and woven into a consistent story that is as funny as it is entertaining.
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The film premiered on November 3, 1923, and was released on November 19, 1923. Keaton's previous film
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shooting to play baseball or fish for Truckee salmon and trout when the opportunities arose.
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has been adapted into numerous Indian films, the first being the 2002 Kannada movie
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has remained one of Keaton's acclaimed works, holding an average rating of 9.0 at
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review called Keaton "a comedian, dramatic actor and acrobat par excellence," and
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in the lead role of Virginia, directing her to play her part as an old fashioned
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as a "silent film for which no apologies need be made to modern viewers."
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as well as an innocent schoolgirl.He also cast his father
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because he thought it looked funnier.He also employed a
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1923 film directed by Buster Keaton and John G. Blystone
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number 61 on its list of 100 Greatest Train Movies.
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Blystone 14: 1555:Buster Keaton: A Filmmaker's Life 822:Variety Staff (January 1, 1923). 2076:Cross-dressing in American films 552:praised Talmadge's performance. 460:as a grouchy train engineer and 2136:Surviving American silent films 2081:Films directed by Buster Keaton 1547:The Great Buster: A Celebration 1110:Buster Keaton: Cut to the Chase 1081:. April 5, 2015. Archived from 2071:American black-and-white films 2061:American romantic comedy films 989:"Vallavanukku Pullum Aayudham" 424:chose not to use the early US 404:Some exteriors were shot near 1: 2066:American silent feature films 1015:"Maryada Ramanna in Japanese" 899:Kehr, Dave (March 29, 1985). 128:Joseph M. Schenck Productions 119:Joseph M. 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Index


Buster Keaton
John G. Blystone
Clyde Bruckman
Jean Havez
Joseph M. Schenck
Joe Roberts
Natalie Talmadge
Gordon Jennings
Elgin Lessley
Metro Pictures Corporation
reels
Silent
intertitles
silent
comedy film
Buster Keaton
John G. Blystone
Joe Roberts
Natalie Talmadge
Metro Pictures Corporation
slapstick
situational comedy
Hatfield–McCoy feud
Turner Classic Movies
tender
love thy neighbor
sampler
Buster Keaton
Joe Roberts

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