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from home. Lupino's drama blends Ann's story with an incisive view of the many societal failures that contribute to the crime—including the unwillingness of the legal system to face the prevalence of rape. Above all, Lupino depicts a culture of leers and wolf whistles and domineering boyfriends, and reveals the widespread and unquestioned aggression that women face in ostensibly consensual courtship and that's ultimately inseparable from the violence that Ann endures.
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277:) is a young bookkeeper who has a steady boyfriend, Jim Owens. When Jim announces that he has received a raise, the young couple decide to finally marry and inform Ann's parents about the engagement. Meanwhile, a man who works at the concession stand where Ann works takes an interest in her and tries to flirt with her, though she is uninterested.
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his friends, the
Harrisons. He does his best to help Ann out, eventually securing her a job as a bookkeeper for the Harrisons. Ann and Ferguson grow increasingly close. When Ferguson asks her to attend a local festival she agrees, but when another attendee pressures her for a kiss she is reminded of her rape, and attacks him with a wrench.
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Lupino turns prudish
Hollywood conventions into a crucial part of the story: just as the word "rape" is never spoken in the movie, Ann is prevented from talking about her experience, and, spurred by the torment of her enforced silence and the trauma that shatters her sense of identity, she runs away
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Returning home, Ann's parents learn of what happened and contact the police. Though the police and her family, friends, and fiancé, Jim, are supportive, Ann believes that the neighbors are gossiping about her and that Jim can no longer see her as she once was. After being forced to look at a lineup
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Staying late at work one night, Ann notices she is being stalked and tries to run away from the man who is following her. She is unable to hide and is eventually caught and raped by the man who works the concession stand. The memory of a scar on the man's neck is the only thing able to come through
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While the bus driver is on a break, Ann overhears on the radio that her parents are looking for her and have identified her as the victim of a rape. Ann runs away from the bus and sprains her ankle where she is found by a man named Rev. Bruce
Ferguson. He brings Ann to the orange farm belonging to
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After the psychiatric treatment has concluded, Ann wants to stay with
Ferguson and pursue a relationship with him, but he tells her not to run from life's challenges and encourages her to return to her old life and to Jim.
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Ann is forced to stand trial, but
Ferguson investigates why she would do such a thing and learns of her rape. He is able to persuade the judge to commute her sentence, and instead she sees a psychiatrist for a year.
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in a positive review wrote "may not be stylistically original or completely successful, but it does treat the subject of rape with real sensitivity, especially for its era."
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of men with scars, none of whom she can identify as her attacker, Ann runs away, taking the bus to Los
Angeles on a whim.
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as being "culturally historically or aesthetically significant".
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glowingly lauded the film and Lupino's direction saying,
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In 2020, the film was selected for preservation in the
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Hollywood film to deal with the issue of rape, after
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837:United States National Film Registry films
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339:Kenneth Patterson as Tom Harrison
797:American black-and-white films
327:Lilian Hamilton as Mrs. Walton
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360:Lovyss Bradley as Mrs. Miller
852:English-language drama films
842:1950s English-language films
832:Films scored by Paul Sawtell
812:Films directed by Ida Lupino
593:AFI Catalog of Feature Films
330:Rita Lupino as Stella Carter
167:September 27, 1950
324:Raymond Bond as Eric Walton
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234:and Lupino's then-husband
439:. American Film Institute
357:as Sheriff Charlie Hanlon
33:Theatrical release poster
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670:Hard, Fast and Beautiful
125:Constantin Bakaleinikoff
822:American feminist films
817:Films set in California
694:The Trouble with Angels
391:, based on 23 reviews.
16:1950 film by Ida Lupino
437:"Outrage: Detail View"
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315:as Rev. Bruce Ferguson
281:to Ann in her trauma.
259:National Film Registry
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226:. It was directed by
847:1950s American films
802:American drama films
336:as Det. Sgt. Hendrix
263:Library of Congress
103:Louis Clyde Stoumen
581:TCM Movie Database
530:. January 22, 2018
383:Critical reception
153:RKO Radio Pictures
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394:Fred Camper from
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351:as Madge Harrison
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827:Films about rape
792:1950 drama films
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502:. March 12, 2019
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532:. Retrieved
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476:. Retrieved
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184:Running time
160:Release date
129:Paul Sawtell
107:Archie Stout
343:Jerry Paris
313:Tod Andrews
307:Mala Powers
275:Mala Powers
232:Malvin Wald
224:Mala Powers
175: (U.S.)
89:Tod Andrews
85:Mala Powers
75:Malvin Wald
67:Produced by
57:Malvin Wald
39:Directed by
787:1950 films
781:Categories
740:Never Fear
732:Not Wanted
713:Not Wanted
654:Never Fear
646:Not Wanted
631:Ida Lupino
423:References
364:Robin Camp
228:Ida Lupino
215:is a 1950
188:75 minutes
171:1950-09-27
136:Production
53:Ida Lupino
49:Written by
43:Ida Lupino
807:Film noir
629:Films by
522:"Outrage"
355:Roy Engel
334:Hal March
222:starring
113:Edited by
705:Produced
638:Directed
570:AllMovie
254:(1948).
201:Language
121:Music by
81:Starring
748:Outrage
662:Outrage
590:at the
587:Outrage
579:at the
576:Outrage
565:Outrage
554:Outrage
463:(1950)"
461:Outrage
443:May 18,
261:by the
242:Outrage
220:B-movie
212:Outrage
204:English
193:Country
169: (
138:company
22:Outrage
767:(1954)
759:(1953)
751:(1950)
743:(1949)
735:(1949)
724:Writer
716:(1949)
697:(1966)
689:(1953)
681:(1953)
673:(1951)
665:(1950)
657:(1949)
649:(1949)
559:IMDb
536:2020
508:2020
480:2020
445:2014
301:Cast
269:Plot
246:Code
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
