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All five of these meanings share the idea that a record producer or mastering engineer has made "unnecessary" additions or changes to a record in the production process and, in doing so, has decreased the quality or enjoyability of the music. There is little consensus among music critics or producers
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criticized modern recording techniques, saying that modern records "have sound all over them" and that they sound like "static". Those responding to Dylan's comments seemed to assume that he was referring to the trend of increasingly compressed music.
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A recording overseen by a producer who "imposes" their own distinctive "sound" or techniques on a band or artist; Producers frequently accused of this kind of "overproduction" include
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about when the use of an effect or production technique becomes excessive. For this reason, some producers consider the term unhelpful, confusing, and subjective.
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It is not always clear what critics mean by "overproduction", but there are a minimum of a few common uses of the term:
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Radio versions of songs pushed to be more "pop" through the use of loud drum beats or other instrumentation changes.
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69:; in the context of pop and rock music, this may refer to the addition of elements such as
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179:"Let It Be - Beatles (The) - Review - Goodbye, George Martin--Hello, Phil Spector"
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298:"Music + digital + compression = atrocious sound?"
214:"Record Production and the "Over Production" Myth"
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119:has been bemoaned by critics as part of the "
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749:Music technology (electronic and digital)
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26:, layering, or digital manipulation in
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240:"Dylan rubbishes modern recordings"
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590:Recording studio as an instrument
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158:"The Beatles Let It Be...Naked"
16:Excessive use of audio effects
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773:Record production portal
266:"The Death of High Fidelity"
744:Music technology (electric)
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117:dynamic range compression
56:dynamic range compression
44:audio processing effects
22:is the excessive use of
87:, time correction, or
661:Ghostwriters in music
115:The excessive use of
278:on December 29, 2007
304:on 15 December 2007
123:". In August 2006,
575:Hip hop production
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382:Critical distance
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686:Session musician
351:Music production
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85:pitch correction
34:Uses of the term
28:music production
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220:on 4 March 2016
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71:chorused vocals
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724:Interpolation
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524:Octave effect
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83:Heavy use of
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24:audio effects
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729:Loudness war
696:Ghost singer
671:Orchestrator
666:Horn section
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549:Reverse echo
509:Equalization
479:Delay effect
429:Punch in/out
424:Ping-ponging
392:Effects unit
387:Effects loop
377:Audio mixing
367:Audio filter
306:. Retrieved
302:the original
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280:. Retrieved
276:the original
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248:. Retrieved
243:
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222:. Retrieved
218:the original
208:
200:"Mutt Lange"
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182:. Retrieved
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161:. Retrieved
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121:loudness war
114:
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96:Phil Spector
89:quantization
62:
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19:
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719:Click track
703:Vocal coach
646:Backup band
626:professions
600:Turntablism
474:Compression
459:Pitch shift
419:Overdubbing
359:Engineering
73:or backing
787:Categories
651:Bandleader
610:Xenochrony
565:aesthetics
529:Noise gate
489:Distortion
451:processing
414:Microphone
100:Mutt Lange
561:Practices
464:Auto-Tune
439:Tape loop
409:Diffusion
125:Bob Dylan
636:Arranger
595:Sampling
519:Flanging
397:Talk box
244:BBC News
132:See also
63:layering
46:such as
539:Pumping
504:Ducking
449:Signal
308:2 April
282:2 April
250:2 April
184:2 April
163:2 April
75:strings
739:Medley
734:Mashup
544:Reverb
534:Phaser
224:18 Oct
61:Heavy
48:reverb
754:Remix
712:Other
622:Roles
580:Lo-fi
483:STEED
144:Notes
54:, or
52:delay
310:2008
284:2008
252:2008
226:2015
186:2008
165:2008
98:and
498:ADT
65:or
789::
656:DJ
268:.
242:.
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481:(
343:e
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329:v
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77:.
58:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.