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Owen Wingrave

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story, and between Owen and the boy. Owen emerges from the meeting with Sir Philip to state that he has been disinherited. Mrs Julian cries at this news, and reveals that she had hoped that Kate and Owen would be married to be able to preserve their social status. Lechmere then steps in to offer himself to Kate. Kate momentarily encourages him, and asks Lechmere if he would even sleep in the "haunted room" for her sake. Lechmere says that he would. Owen makes a motion to light the ladies' candles, but Miss Wingrave deliberately snubs him and turns to Lechmere for this task.
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resurfaces. When she mentions Lechmere, Owen scolds her for her flirtation with him. Kate replies that Owen is a coward, which causes Owen's anger to flare more strongly. He replies that he is no coward, and she demands proof. After he asks her what proof she wants, she asks that he sleep in the "haunted room". Owen initially refuses, but after one last taunting remark from Kate, Owen agrees, and even says that she can lock him in the room.
2205: 463:, Coyle is instructing Owen Wingrave and Lechmere on war and command in battle. Owen tells Coyle of his disdain for war, which is contrary to the family history of the Wingraves as soldiers. Coyle replies that Owen must change his attitude, and warns him that his family will disapprove. Owen stands by his words. Alone, Coyle wonders how he shall tell this news to Owen's family. 511:
brought this trouble upon himself, Owen replies that Coyle taught him to "use my mind" and to understand war "too well". Coyle reveals that he has not visited on a friendly call, but rather to try to persuade Owen to renounce his new thinking. Coyle ironically notes that Owen is "a fighter", in spite of his new pacifism.
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about to check on Owen, Kate cries from outside the "haunted room". The Coyles and Lechmere rush to her, joined soon by Mrs Julian and Miss Wingrave. Kate now regrets her challenge to Owen, but it is too late: when Sir Philip appears and opens the door to the room, they see Owen dead, lying on the floor.
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Owen and Coyle are in the ancestral hall at Paramore, recalling this story and walking by the same room where the two deaths had occurred. Kate still cannot accept Owen's assertions. Sir Philip demands a private meeting with Owen. Coyle notices the similarity between Sir Philip and the old man of the
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Later, Lechmere, unable to sleep, visits Coyle. He tells Coyle that he heard Kate's taunting of Owen to sleep in the "haunted room". Mrs Coyle expresses concern for Owen's safety, but Coyle finds a grim satisfaction in that this act will prove the Wingrave family wrong about Owen. Just as Coyle is
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The entire Wingrave family, with the Coyles and Lechmere, are at dinner. Sir Philip and Miss Wingrave demand Owen's obedience to the family tradition. Mrs. Coyle is most sympathetic to Owen of the characters, and mentions that Owen does have "scruples". The Wingraves, Kate and Mrs. Julian ridicule
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At Paramore, Mrs Julian, her daughter Kate and Miss Wingrave await Owen's arrival, themselves distressed by the news of Owen, and determined to bring him back into the Wingrave traditions. They leave the ancestral hall where the portraits of the Wingrave ancestors hang, so that Owen arrives to no
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Back at Coyle's establishment, Lechmere, Coyle and Mrs Coyle talk about what they feel to be Owen's "strange ideas" about soldiering and war. Lechmere says that he will help to "bring him round". Owen overhears this and emphasises that he will not be brought round. Coyle tells Owen that he is to
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The Coyles have arrived at Paramore. Mrs. Coyle is shocked at the treatment of Owen by his own family. Coyle himself confesses unease, and hints about ghosts in the house, of past Wingrave ancestors. Owen greets the Coyles warmly, with Lechmere also present. When Coyle points out that Owen has
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Left alone after Coyle has said goodnight, Owen soliloquises in the ancestral hall that he has found his strength in peace rather than war. Kate comes back into the hall, at first unaware of Owen's presence. They sing a duet of their earlier life. Kate's distress at Owen's pacifist thinking
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and Miss Wingrave's London residence. In Hyde Park, Owen muses to himself that he is strong, not weak, in his disdain for war. At Miss Wingrave's lodgings, she and Coyle discuss Owen. Miss Wingrave asserts that Owen will change his mind once he returns to his family at Paramore.
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A ballad singer sings of a past family episode when one of the Wingrave boys did not fight another boy when challenged. The father took his son into a room, struck him and killed him. Later, the father was found dead in that same room, "without a wound".
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greeting from his family or loved ones, but only from the portraits. One by one, Mrs. Julian, Kate and Miss Wingrave enter the hall and denounce Owen. Owen tries to respond, but finds no support. He then goes to meet his grandfather, Sir Philip.
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in 1997, following performances by Glyndebourne Touring Opera in 1995. A new production by The Royal Opera opened in April 2007 in the Linbury Studio Theatre, with a reduced orchestration by David Matthews. It was performed in May 2009 at the
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Britten had never owned a television at that time. It has been reported that he hated television and never owned a set at all. This is not strictly true. Perhaps he would have never purchased a set himself, but he was given one by
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The scene begins in the Coyles' bedroom, where Mrs. Coyle is reflecting on Lechmere's flirtatious behaviour and Kate's headstrongness. Coyle noted that earlier in the evening, Owen seemed "resigned" and "at peace".
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Over the space of a week, Sir Philip, Kate, Miss Wingrave and Mrs Julian continually express their contempt for Owen. Mrs Julian finally tells Owen that he is "not worthy of Paramore".
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in Vienna directed by Nicola Raab with English baritone Andrew Ashwin in the title role. A new production was presented in January 2010 by Opera Frankfurt and directed by
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2005: DVD recording of a newer TV production on Kultur, with the setting updated to the 1950s at the time of the Suez crisis. The cast credits are as follows:
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return to Paramore. Owen recalls his grandfather's love of war, his father's death in battle and his own mother's death with a stillborn brother.
618:(Miss Wingrave), Janice Watson (Mrs Coyle), Sarah Fox (Mrs Julian), Robin Leggate (General Sir Philip Wingrave and Narrator); Tiffin Boys Choir; 572:
1971: The original commercial recording of the opera is the Decca recording with the same cast, chorus and orchestra as in the first performance.
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an opera for television from him in 1966 and, in 1968, he and Piper began work on the libretto. The work was completed by August 1970.
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Britten originally intended the work for both television and the stage, although after the stage premiere on 10 May 1973 at the
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Britten had been aware of the story since his work with Piper on his previous opera modelled after a James work,
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in November 1970 and first broadcast on BBC2 on 16 May 1971. The music is influenced by Britten's interest in
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The opera closes with the ballad singer intoning the steadfastness of the Wingrave boy against his foe.
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Owen's "scruples". At the end of the scene, Owen angrily states that he would make war a crime.
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in Germany; this production premiered on 16 January 2016 under the baton of Daniel Inbal.
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produced a video version of the opera as part of its 2020 "Interim Season", directed by
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The costumes were designed by Charles Knode, who also designed some of the costumes for
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Depiction of the Wingrave family portraits at Paramore, the Wingraves' ancestral home.
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and a planned reprise in 2014. Visser also directed the opera at Theater
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section anticipates the musical treatment of his next (and last) opera,
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540: 539: 535: 531: 530: 523: 521: 517: 516: 512: 508: 507: 503: 500: 499: 495: 491: 490: 486: 482: 481: 477: 474: 469: 468: 464: 462: 458: 453: 452: 448: 445: 444: 437: 432: 429: 428: 424: 416: 412: 409: 406: 405: 402: 399: 396: 393: 392: 389: 386: 384: 383:Mezzo-soprano 381: 378: 377: 374: 371: 368: 365: 364: 361: 358: 355: 352: 351: 348: 347:Sylvia Fisher 345: 343: 339: 336: 335: 332: 331:Nigel Douglas 329: 327: 324: 321: 320: 317: 314: 312: 311:Bass-baritone 309: 306: 305: 302: 299: 297: 294: 291: 290: 286: 280: 278: 275: 272: 271: 265: 263: 261: 257: 253: 248: 246: 242: 238: 234: 230: 225: 220: 218: 214: 210: 209:Covent Garden 206: 198: 196: 194: 188: 186: 181: 179: 175: 174: 169: 165: 161: 156: 154: 150: 146: 145: 139: 137: 133: 132:Myfanwy Piper 129: 125: 121: 117: 116: 115:Owen Wingrave 105: 101: 86: 82: 79: 75: 71: 67: 63: 60: 59:Myfanwy Piper 57: 53: 48: 43: 38: 35: 31: 27: 24:Owen Wingrave 22: 19: 2185: 2173: 2166: 2159: 2139:Britten Hall 2064: 2044: 2036: 2014:Cello suites 2005: 2000:Cello sonata 1991: 1988:(oboe, 1951) 1983: 1975: 1934:Jubilate Deo 1932: 1924: 1916: 1908: 1900: 1895:Missa Brevis 1886: 1878: 1870: 1862: 1854: 1846: 1838: 1832:Te Deum in C 1830: 1822: 1814: 1795: 1787: 1779: 1771: 1763: 1755: 1749:Winter Words 1747: 1739: 1731: 1725: 1719: 1713: 1707: 1693: 1685: 1677: 1658: 1650: 1642: 1634: 1626: 1618: 1610: 1602: 1594: 1586: 1578: 1570: 1545: 1539:Young Apollo 1537: 1506: 1498: 1490: 1482: 1474: 1466: 1458: 1433: 1425: 1417: 1398: 1390: 1384:Curlew River 1382: 1363: 1356: 1355: 1347: 1339: 1331: 1323: 1315: 1307: 1299: 1291: 1285:Peter Grimes 1283: 1275: 1187: 1179: 1169: 1168: 1156:. Retrieved 1152:The Guardian 1151: 1141: 1132: 1127: 1099:. Retrieved 1095: 1085: 1073:. Retrieved 1069: 1060: 1048:. Retrieved 1043: 1034: 1022:. Retrieved 1018: 1009: 997:. Retrieved 991: 982: 970:. Retrieved 964: 954: 946:the original 941: 931: 916: 904: 896:the original 891: 881: 872:The Guardian 870: 860: 852:the original 845: 832: 823: 810: 802:the original 795: 785: 776: 763: 755:the original 748: 739: 730: 725: 712: 704:The Guardian 702: 697:Tim Ashley, 693: 685: 681: 676: 666: 653: 645: 644: 633: 629: 626:, conductor. 562: 558: 554: 550: 549: 545: 541: 537: 536: 532: 528: 527: 518: 514: 513: 509: 505: 504: 501: 497: 496: 492: 488: 487: 483: 479: 478: 470: 466: 465: 454: 450: 449: 446: 442: 441: 413:Peter Pears 379:Kate Julian 283:(Conductor: 249: 241:Ed Spanjaard 224:Glyndebourne 221: 217:Colin Graham 202: 189: 184: 182: 171: 157: 153:commissioned 142: 140: 114: 113: 112: 18: 2243:1971 operas 2067:(1989 film) 2065:War Requiem 1819:(1932–1935) 1730:(1954) and 1709:5 Canticles 1636:War Requiem 1519:Concertante 1453:Sinfonietta 1411:Film/Ballet 1277:Paul Bunyan 1158:30 December 1096:Opera Today 597:Kent Nagano 589:Martyn Hill 401:Peter Pears 388:Janet Baker 366:Mrs Julian 178:Vietnam War 164:twelve-tone 151:television 136:Henry James 78:Henry James 47:Peter Pears 2222:Categories 1446:Orchestral 1427:Night Mail 1317:Billy Budd 641:References 567:Recordings 353:Mrs Coyle 277:Voice type 92:1971-05-16 55:Librettist 1682:(1922–26) 1484:Mont Juic 1115:, Act II 847:The Times 612:Alan Opie 473:Hyde Park 461:Bayswater 407:Narrator 340:Dramatic 322:Lechmere 245:OsnabrĂĽck 147:in 1954. 104:Aldeburgh 2209:Category 1724:(1952), 1620:Nocturne 1325:Gloriana 923:Archived 630:Source: 610:(Kate), 529:Prologue 425:Synopsis 369:Soprano 356:Soprano 296:Baritone 128:libretto 84:Premiere 73:Based on 65:Language 1704:(1945)+ 1660:Phaedra 1186:(ed.), 1121:YouTube 1113:YouTube 1101:25 July 999:15 July 551:Scene 2 538:Scene 1 515:Scene 7 506:Scene 6 498:Scene 5 489:Scene 4 480:Scene 3 467:Scene 2 451:Scene 1 443:Prelude 418:Chorus 342:soprano 102:, near 90: ( 68:English 2228:Operas 2076:Legacy 2049:(1953) 2041:(1941) 2022:(1975) 2002:(1961) 1972:(1945) 1966:(1941) 1954:(1931) 1937:(1961) 1929:(1974) 1921:(1968) 1913:(1966) 1905:(1962) 1897:(1959) 1891:(1955) 1883:(1950) 1875:(1943) 1867:(1944) 1859:(1942) 1851:(1942) 1843:(1938) 1835:(1934) 1827:(1933) 1808:Choral 1800:(1975) 1792:(1969) 1784:(1965) 1776:(1965) 1768:(1958) 1760:(1957) 1752:(1954) 1744:(1947) 1736:(1971) 1698:(1945) 1690:(1940) 1663:(1975) 1655:(1969) 1647:(1963) 1639:(1961) 1631:(1959) 1623:(1958) 1615:(1949) 1607:(1948) 1599:(1943) 1591:(1939) 1583:(1937) 1575:(1936) 1556:(1963) 1542:(1939) 1511:(1946) 1503:(1941) 1495:(1940) 1487:(1937) 1479:(1937) 1471:(1937) 1463:(1934) 1455:(1932) 1438:(1956) 1430:(1936) 1422:(1931) 1403:(1968) 1395:(1966) 1387:(1964) 1368:(1973) 1360:(1971) 1352:(1960) 1344:(1958) 1336:(1954) 1328:(1953) 1320:(1951) 1312:(1949) 1304:(1947) 1296:(1946) 1288:(1945) 1280:(1941) 1203:  1196:  1182:", in 1075:29 May 1050:29 May 1024:29 May 972:14 May 686:112(1) 433:Place: 410:Tenor 397:Tenor 1671:Vocal 1117:Video 1109:Video 646:Notes 524:Act 2 459:" in 438:Act 1 326:Tenor 273:Role 266:Roles 193:Decca 30:Opera 1201:ISBN 1194:ISBN 1160:2008 1154:. UK 1103:2021 1077:2018 1052:2018 1026:2018 1001:2021 974:2008 126:and 1178:, " 1119:on 1111:on 149:BBC 130:by 32:by 2224:: 1718:, 1150:. 1094:. 1068:. 1042:. 1017:. 990:. 963:. 940:. 921:. 915:. 890:. 869:. 844:. 822:. 794:, 775:. 747:. 701:. 684:, 665:. 622:; 595:; 287:) 254:, 207:, 187:. 180:. 120:Op 118:, 1245:e 1238:t 1231:v 1162:. 1105:. 1079:. 1054:. 1028:. 1003:. 976:. 875:. 826:. 779:. 94:)

Index

Opera
Benjamin Britten

Peter Pears
Myfanwy Piper
Henry James
Snape Maltings
Aldeburgh
Op
Benjamin Britten
libretto
Myfanwy Piper
Henry James
The Turn of the Screw
BBC
commissioned
Snape Maltings
twelve-tone
tuned percussion
Death in Venice
Vietnam War
Decca
Royal Opera House
Covent Garden
Santa Fe Opera
Colin Graham
Glyndebourne
Chicago Opera Theater
Wiener Kammeroper
Walter Sutcliffe

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