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OTI Festival 1976

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The winner María Ostiz was already an established artist in Spain, especially thanks to her songs that usually revolved around the tough life of the rural population in 1970s Spain. Their songs used to have a cheerful spirit, although her song in the festival was completely different. "Canta cigarra"
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The show was characterised by an unusually tense voting process in which only three countries were the most likely to win the contest. This time, the national juries were not contacted by the running order but aleatorily. Spain, Venezuela and Chile were the countries that were scoring the most points
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The Mexican entrant, and the winner of the enormously popular televised national final that Televisa used to produce every year, was Gilberto Valenzuela, who was selected to represent Mexico with his song "De que te quiero te quiero" (If I say I love you It's because I love you) which instantaneously
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The winner of the "Chilean National OTI Contest," the Chilean national final to select their entrant, was, for a second time, José Alfredo Fuentes, who had won the same selection process two years before. As a result, he made a stellar return to Acapulco, the same Mexican city where he had previously
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When the OTI Festival was being held, "Canta cigarra" was one of the least favoured entries in the betting odds due to the unusual simplicity of its production. While the voting process was taking place, Ostiz, who was not confident about the possibilities of her song in the contest, left the green
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The national juries of every participating country were contacted directly by telephone by the presenters from the Ruiz de Alarcón Theatre in Acapulco in order to know the decision of the jurors. The jury members of Mexico, the host country, were located in the central studios of Televisa
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The second placed entrants, the Venezuelan disco fusion band Las Cuatro Monedas, were also already famous in their country with an eleven year career. They were famous for combining disco rhythms with Jamaican and Caribbean influences. Thanks to their second place, the prestige of their career was
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The voting system followed the same process of the previous years in which the national juries were contacted by telephone by the presenters. All the juries from the participating countries were composed, as usual, by five professional jurors, who elected, each one, only their favourite song among
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was a sad and pessimistic protest song in which the farmers, the women, the oppressed people with their hopelessness and hunger were mentioned as main elements. The selection of such a controversial song as the Spanish entry was attributed to the fall of the censorship after the death of dictator
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At the meeting, it was decided that the most suitable venue for the festival was the Ruiz de Alarcón theatre. The Ruiz de Alarcón Theatre of Acapulco was a highly vanguardist building that began construction in 1969 and ended in 1973, a few months before the theatre was chosen as the OTI Festival
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Mexico City was proposed as the host city due to its good infrastructure to host international events, but as happened two years before, the members decided that Acapulco was the most suitable city due to the municipality's prestigious reputation as a tourist centre both for mass tourism and for
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The number of participating countries repeated the previously established record of 19 countries that was achieved in the same city two years before, as well as last year. As with the previous editions, both the state financed and the privately funded TV and radio stations that were members of
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The presenters, after the opening act performed by the Acapulco Philharmonic Orchestra, made a brief speech highlighting the goals of the OTI Festival as a song contest and the goals of the Iberoamerican Telecommunications Organisation. The speech was made both in Spanish and Portuguese.
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As an interesting fact, all the competing songs from all the participating countries were sung in Spanish. Even the Brazilian performer Denise de Kalafe, who was the fifth one to enter the stage, performed her song in Spanish. This highly controversial decision was taken by
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After the Chilean jurors gave their votes, Spain, represented by María Ostiz, unexpectedly became the winner of the fifth edition of the event with her song "Canta Cigarra" (Sing Cicada). In fact, Spain became the first and only non-American country to win the contest.
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The second place was awarded to the Venezuelan entrants, the band Las Cuatro Monedas with their disco track "Soy". Their equally unexpected second position was also caused by the decision of the Chilean jurors, who gave part of their votes to their entry.
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As the host country, the broadcaster Televisa was going to be the organiser of this year's edition; for that reason, the top employees of Televisa arranged a meeting in order to decide the day, the city and the venue where the contest would be held.
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There was a tie in fourth place between the Brazilian entrant Denise de Kalafe, and Amparito, the performer from neighbouring Colombia. Both entries were warmly welcomed by the juries, but their songs didn't manage to get the most of the attention.
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This time, without the technical difficulties during the broadcast of the show as had occurred last year, the audience returned to the viewing figures of two hundred million viewers that the festival received two years before in the same city.
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One of the fourth placed entrants, the Brazilian entrant Denise de Kalafe, who was tied with the Colombian representative, had already represented her country in 1970 in the "Festival Mundial de la Canción Latina", the antecessor of the
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As happened in previous years, the host broadcaster, in this case Televisa, in collaboration with the Iberoamerican Television Organisation (OTI), organised a draw in Mexico City a few days before the event took place.
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The third placed entrant, the Chilean José Alfredo Fuentes, also saw his career consolidated due to his third place in the festival, significantly improving the eighth place he got back in 1974 in the same city.
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The Spanish entrant María Ostiz, who did not seem to have much fan support, was the second to last to enter in the stage, while the Puerto Rican representative Edward was the one to end the performance round.
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The third position was for the Chilean performer José Alfredo Fuentes and his melody "Era solo un chiquillo". This entry was the one that was leading the voting process until their jurors were contacted.
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selected their entrants through live-broadcast national finals in order to select their participants. Other broadcasters with more or less resources decided to select their entrant and song internally.
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The host country Mexico, and its representative Gilberto Valenzuela, was the sixth to take the stage with his song "De que te quiero te quiero", which relied on a high support base by the audience.
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and its broadcaster, which had withdrawn in the previous edition also because of their disappointing results, decided to make their return, internally selecting their representative in the event.
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As happened in the previous two years, the festival repeated the record of 19 participating countries with their respective broadcasters and performers established back in the same city in
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throughout most of the process. Out of those countries, Chile was precisely the country that was in the lead until their jury was contacted. The Chilean jurors gave all their votes to
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This theatre is the host venue of the Acapulco Philharmonic Orchestra and has a seating capacity for over 2000 people, which makes it much bigger than the previous year's venue in
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decided to withdraw from the event. Both the Andean country and the Caribbean island took the decision of taking a one-year break due to their disappointing previous placings.
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The performance round was opened by the Ecuadorian entrant Tito del Salto with his song "Esos veinte años" (Those twenty years), which received a moderate to cold welcome.
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The stage was divided into two sides: The central part, where the singers performed their songs, and the philharmonic orchestral zone that surrounded the central side.
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Just like in the previous years, the master and mistress of ceremonies made brief presentations of the performing artists shortly before they took the stage.
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room and went to the hotel. When her victory was clear after the decisive Chilean votes, she had to return to the stage dressed in her casual clothes.
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in 1970. With her fourth place in 1976 with her song "María de las flores" (Flower Mary), she started generating interest not only in her country
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and their performer Gualberto Castro, were the winners of the previous year's edition of the event with the song "La felicidad" (Happiness).
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to host the OTI Festival. Velasco had already hosted the contest two years before in the same city. The other presenter was
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Unlike the previous year, in which three countries ended in last place with no points, this time, only one country, the
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The countries that ended in the top three places in this year's edition were only separated by one point of difference.
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venue back in 1974. Since then, the theatre had hosted uncountable events, theatre shows, concerts and festivals.
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The Ruiz de Alarcón Theatre was, as in 1974, used as the venue for the fifth edition of the OTI Festival.
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The Ruiz de Alarcón Theatre was chosen again as the venue for the fifth edition of the OTI Festival.
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would organise the contest of the following year. In this case, Mexico, with their broadcaster
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María Ostiz, the Spanish representative had already established a career for herself in
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According to the original rules of the OTI Festival, the winning country of the
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Among the participating countries, it must be taken into account the debut of
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Each country had 5 jurors and each of them voted for their favourite entry.
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with her song "Canta cigarra", which was a protest song.
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band Las Cuatro Monedas, were selected internally by
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July 19, 2016 244:is the fifth edition of the annual 879:(I want to go out to see the sun) 315:convention and congress purposes. 14: 1379: 1209: 775:Cómo olvidar que te quise tanto? 1690: 1657: 1623: 1589: 1555: 1521: 1487: 1453: 1419: 1385: 1351: 1317: 1283: 1249: 1215: 1182: 1148: 1114: 1080: 967: 943: 919: 892: 865: 841: 817: 790: 763: 739: 715: 691: 664: 637: 613: 589: 565: 541: 517: 260:with the song "La felicidad" by 207: 176: 164: 144: 124: 29: 1952:Winner of the OTI Festival 1976 1481: 1437:Cómo olvidar que te quise tanto 1311: 553:De sol a sol (From sun to sun) 1873:(in Spanish). October 31, 1976 1847:(in Spanish). October 12, 1976 1821:(in Spanish). November 2, 1976 1515: 802:Tú que no mueres en la muerte 751:Son de tambores (Drum rhythm) 678:(What will I do without you?) 432:with their song "Soy" (I am). 406:represented his home country. 1: 1471:Tú que no mueres en la muerte 1769:Eurovision Song Contest 1976 1651: 955:Canta cigarra (Sing Cicada) 1267:De que te quiero, te quiero 994:the participating entries. 829:Sangre Antigua (Old blood) 649:De que te quiero te quiero 577:Gracias amor (Thanks love) 268:(OTI) and host broadcaster 2350: 2329:1976 in Mexican television 46:October 30, 1976 2309:Music festivals in Mexico 906:(For singing to the sea) 799:Walter Salvador Bautista 221: 66:Ruiz de Alarcón Theatre, 28: 1743:confirmed in Venezuela. 1466:Walter Salvador Bautista 401:Participating performers 92:Jesús Rodriguez de Hijar 349:Participating countries 159:Non-returning countries 1893:"José Alfredo Fuentes" 328: 1899:(in European Spanish) 1335:Era solo un chiquillo 1189:Antillas Neerlandesas 700:Jose Alfredo Fuentes 595:Netherlands Antilles 326: 16:5th OTI Song Festival 2319:1976 music festivals 2304:OTI Festival by year 2233:Netherlands Antilles 1793:www.la-chicharra.com 1330:José Alfredo Fuentes 904:Por cantarle al mar 877:Quiero salir al sol 673:Hugo Leonel Baccaro 646:Gilberto Valenzuela 417:and was selected by 2314:1976 in Latin music 1923:denissedekalafe.com 1919:"Denisse de Kalafe" 1722:Audience and impact 1607:Por cantarle al mar 1573:Quiero salir al sol 1296:Hugo Leonel Vaccaro 1262:Gilberto Valenzuela 1233:María de las flores 850:Las Cuatro Monedas 772:Adriana Santamaría 264:. Organised by the 248:. It took place in 139:Returning countries 2198:Dominican Republic 1534:Las cuatro Monedas 1432:Adriana Santamaria 931:Patria (Homeland) 389:Dominican Republic 329: 184:Dominican Republic 120:Debuting countries 2291: 2290: 2213:Equatorial Guinea 1947:OTI Festival 1976 1719: 1718: 1228:Denisse de Kalafe 1199:El primer criollo 986: 985: 928:Félix Ángel Lobo 622:Denise de Kalafe 450:Susana Dosamantes 287:. The winner was 278:Susana Dosamantes 242:OTI Festival 1976 238: 237: 112:Number of entries 83:Susana Dosamantes 24:OTI Festival 1976 2341: 1981: 1974: 1967: 1958: 1934: 1933: 1931: 1929: 1915: 1909: 1908: 1906: 1904: 1889: 1883: 1882: 1880: 1878: 1863: 1857: 1856: 1854: 1852: 1837: 1831: 1830: 1828: 1826: 1811: 1805: 1804: 1802: 1800: 1785: 1733:Francisco Franco 1696: 1694: 1693: 1662: 1661: 1636:Félix Ángel Lobo 1629: 1627: 1626: 1595: 1593: 1592: 1561: 1559: 1558: 1527: 1525: 1524: 1493: 1491: 1490: 1459: 1457: 1456: 1425: 1423: 1422: 1391: 1389: 1388: 1369:Otra vez cantaré 1357: 1355: 1354: 1323: 1321: 1320: 1289: 1287: 1286: 1255: 1253: 1252: 1221: 1219: 1218: 1187: 1186: 1154: 1152: 1151: 1120: 1118: 1117: 1098:Esos veinte años 1086: 1084: 1083: 1053: 972: 971: 948: 947: 924: 923: 897: 896: 870: 869: 846: 845: 822: 821: 795: 794: 768: 767: 744: 743: 720: 719: 696: 695: 676:Que haré sin tí 669: 668: 642: 641: 618: 617: 594: 593: 570: 569: 546: 545: 522: 521: 493: 262:Gualberto Castro 213: 211: 210: 182: 180: 179: 170: 168: 167: 160: 150: 148: 147: 140: 130: 128: 127: 97:Host broadcaster 89:Musical director 53: 51: 33: 21: 2349: 2348: 2344: 2343: 2342: 2340: 2339: 2338: 2294: 2293: 2292: 2287: 2141: 1990: 1985: 1943: 1938: 1937: 1927: 1925: 1917: 1916: 1912: 1902: 1900: 1891: 1890: 1886: 1876: 1874: 1865: 1864: 1860: 1850: 1848: 1839: 1838: 1834: 1824: 1822: 1813: 1812: 1808: 1798: 1796: 1787: 1786: 1782: 1777: 1765: 1724: 1691: 1689: 1656: 1624: 1622: 1590: 1588: 1556: 1554: 1522: 1520: 1488: 1486: 1454: 1452: 1420: 1418: 1403:Son de tambores 1386: 1384: 1352: 1350: 1318: 1316: 1301:Qué haré sin ti 1284: 1282: 1250: 1248: 1216: 1214: 1181: 1149: 1147: 1115: 1113: 1081: 1079: 1025: 1008: 991: 979:¿Quién? 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568: 563: 560: 559: 555: 552: 549: 544: 539: 536: 535: 531: 528: 525: 520: 515: 512: 511: 507: 504: 501: 498: 495: 494: 491: 489: 483: 479: 476: 473: 467:Running order 466: 464: 461: 457: 455: 451: 447: 443: 435: 433: 431: 427: 422: 420: 416: 411: 407: 400: 398: 396: 392: 390: 386: 382: 380: 375: 372: 368: 364: 359: 357: 348: 346: 343: 341: 336: 332: 325: 318: 316: 312: 308: 306: 302: 301:previous year 294: 292: 290: 286: 281: 279: 275: 271: 267: 263: 259: 255: 251: 247: 243: 234: 230: 229: 224: 220: 216: 205: 201: 197: 195:Voting system 193: 188: 185: 173: 162: 156: 153: 142: 136: 133: 122: 118: 114: 110: 105: 102: 99: 95: 91: 87: 84: 80: 77: 73: 69: 65: 61: 56: 45: 41: 36: 32: 27: 22: 19: 2021: 1988:OTI Festival 1928:December 17, 1926:. Retrieved 1922: 1913: 1903:December 17, 1901:. Retrieved 1896: 1887: 1877:December 17, 1875:. Retrieved 1870: 1861: 1851:December 17, 1849:. Retrieved 1844: 1835: 1825:December 17, 1823:. Retrieved 1818: 1809: 1799:December 17, 1797:. 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Index


Acapulco
Raúl Velasco
Susana Dosamantes
Televisa
Costa Rica
Honduras
Bolivia
Dominican Republic
Spain
1975
OTI Festival
1977
OTI Festival
Acapulco
Mexico
1975 contest
Gualberto Castro
Organización de Televisión Iberoamericana
Televisa
Raúl Velasco
Susana Dosamantes
1974
Spain
previous year
Televisa

San Juan
OTI
Mexico

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