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801:. Like the SDC 200x the unit is made in Germany. SDC 2K Spirit DataCine uses three physical CCDs: red, green and blue. The optional RGB resolution independent Scream film grain reducer is now internal to the Datacine. The SDC 2K Spirit DataCine could be configured as just a data scanner output on a GSN fiber Optic with speeds up to 30 frame/s at 2K or just a video telecine (with a spatial processor) or both. The
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715:. It is able to color correct, re-size and grain reduce 2K DPX files in real time. Used in DI work and to make multiple video formats off one film transfer scan (HDTV, PAL, NTSC, Pan scan, letter box...). This was accomplished by playing the DPX files back through the Spirit Datacine's process electronics and a
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light source. Transfer speeds are up to: 15 frame/s @ 4K, 25 frame/s @ 2K, 44 frame/s @ 1K, 69 frame/s @ 0.5K, 96 frame/s @ 0.25K. Scanity LED light sources is variable and programmable. Like all the telecines above it uses a continuous motion capstan film transport. New for scanity is the use of an
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Spirit DataCine, that is similar to the SDC 2K Spirit DataCine and SDC 4K Spirit DataCine was introduced. The SDC HD can output HD and SDTV video from rack 2. As the spatial processor is now part of rack 2, eliminating the need for the many electronic cards in rack 3. The option Data interface output
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In 1999 the SDC 2001 replaced the SDC 2000, the SDC 2001 had the addition of an optional 6 vector resolution independent color corrector. An optional RGB resolution independent film grain reducer also became available for both the SDC 2000 and SDCs 2001 called the Scream film grain reducer. Scream
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finance.yahoo.com, Industry-Pioneering Dot Hill Ultra48 Storage Array Now
Integrated With DFT Scanity for High-Performance 4K Video Applications, Industry's-First AssuredSAN Ultra48 Provides Multiple Hours of 4K Content and Addresses Demanding Performance Requirements of Lightning-Fast Scanity HDR
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This unit was never released for sale. This was the first HDTV telecine. The FLH-1000 was improved β redesigned and released as the SDC 2000 β Spirit DataCine. The
Scanning system and CCDs were made by Kodak in New York. FLH-1000 and Spirit DataCine were a joint effort between Philips and Eastman
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At NAB in April 2014 DFT introduced
Phantom 2. This software is for outputting the Spirit Datacine's DPX files. Phantom 2 Transfer Engine software runs on a Linux computer and is used to record the DPX files from a Spirit DataCine with a data option. These files are then stored on a storage area
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Line Array β CCD for imaging. In print mode a βwhiteβ light is shone through the exposed film image into a lens and then to prism, color glass separates out the image into the three primary colors, red, green and blue. Each beam of colored light is then projected at a different CCD, one for each
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ratio. The chroma CCD gave the unit high signal to noise ratio and the
Luminance CCD gave the unit its high bandwidth. Inside the Luminance CCD are 4 electrical CCDs. In side the Chrominace are 3 electrical CCDs: red, green and blue. With the data option the Spirit DataCine can be used as a
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Philips
Digital Video Systems, Eastman Kodak's Spirit DataCine, Awarded to Michael Broesamle, Uwe Braehler, Volker Massmann and Wolfgang Steinebach of Philips Digital Video Systems and Arthur J. Cosgrove, Andrew F. Kurtz, Roger T. Lees and Leslie G. Moore of Eastman Kodak for the design and
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On
September 5, 2011, DFT announced a new product Flexxity. Flexxity is a suite of software for a host of post-production applications. Flexxity can process DPX, R3D, ARRIRAW, QuickTime clips, stereoscopic 3D support with stereo color matching and parallax adjustments, left and right eye
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CCD channel for dirt mapping. Also new is large drum gate that give better performance with older film and the use of CCD camera to take pictures of the perf hole. The perf hole camera image is used for real time picture stabilization, thus no pins are used in the perf sprocket holes.
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Philips-BTS eventually evolved the FDL 60 into the FDL 90 in 1989 and then updated to the Quadra in 1993. These units were able to support super 35mm, super 16mm and super 8. The units were able to zoom and position the picture. The units outputted 4:4:4 digital video to feed a
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Lightning II film recorder was used to put the data output to back to film. To output the movie the Spirit
Datacine's Phantom Transfer Engine software running on an SGI computer is used to record the DPX files from the Spirit DataCine. These files are stored in the
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CCDs. Both had an optional Pal/NTSC switchable option. Both were 3/4 perf switchable. Many FDL-90 were updated to have the Quadra electronic circuit cards improvements. A true Quadra had a new capstan position closer to the film gate and with a blue color deck.
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and DPX files. File sizes for mastering has a max size of up to 14.3K horizontal and 10.7K vertical resolution. A 35mm gate is also available. File output can be DPX or TIFF 10 or 16 bit output. 65/70mm film is supoorted in both 5 perf and 15 perf.
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based primary, and secondary color-correction. It will work in multiple formats: SD, HD, or 2K-4K material and can ingest content from the Spirit DataCine or other devices like video tape or digital acquisition cameras. Bones can also be used in a
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Spirit 4K/2K/HD (2004) replaced the Spirit 2000 Datacine and uses both 2K and 4k line array CCDs. The SDC-2000 did not use a color prisms and/or dichroic mirrors, color separation was done in the CCD. DFT revealed its newest scanner at the 2009
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2010 Academy of Motion
Picture Arts and Sciences Award:β’ Technical Achievement Awards to Dr. Klaus Anderle, Christian Baeker and Frank Billasch for their contributions to the LUTher 3D look-up-table hardware device and color management
838:(4096) data scanning license, It can output 4k DPX files at 8 frames per second, SAN speed permitting. With the optional scaler the 4k CCD output could be used as an oversampled 2K output. The unit can also output 16 bit data.
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also made the Wiz color corrector for the FD60. About 568 FDL-60 telecines were manufactured from 1979 to 1989. FDL 60 were ordered in PAL or NTSC or Secam, a few were multi standard by changing a few electronic circuit cards.
1065:. POLAR HQ has: Touchless film handling, Optical Pin Registration, Visible shuttle, Dual & Triple HDR modes, Keykode, full edge-to-edge scans, Diffuse light source, optional (IR) Infrared and optional Audio pick system.
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In 2000 the Shadow telecine was demonstrated by
Philips. The Shadow (STE) is a Spirit DataCine without a Kodak front end (lens, optics and CCDs). This made for lower cost telecine transfers, good for SDTV and HDTV.
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CCDs for the image pickup. FDL60A released in 1979 used a 115 Volt lamp to light the film. The FDL60B released in 1982 added improved video quality features to the FDL60. The FDL60C released in 1987 used a
Fairchild
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all at once, HDR scanning can be done without reducing the speed of the scan transfer, so 4k can still be scanned at 15pfs and 2K at real time, 24 fps. Scanity HDR bring out more details in black and white film.
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The parts of a CCD scanner, like a FDL, Quadra, Shadow and SDC 2k-4k: (A) light source; (B) film plane; (C) & (D) prisms and/or dichroic mirrors; (E),(F) & (G) red-, green- and blue-sensitive CCDs.
542:. This was the first all digital noise reducer. The FDL 60 could operate stand alone or with a color grade system. Bosch made a scene by scene color corrector, model FRP 60, as an option for the FDL-60.
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this film. The operator of the unit is called a Colorist or Colorist Assistant. The Spirit DataCine has become the standard for high-end real-time film transfer and scanning. Over 370 units are used in
394:, wherein telecine tools were not just used for video outputs, but could now be used for high-resolution data that would later be recorded back out to film. The DFT Digital Film Technology, formerly
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to Volker Massmann, Markus Hasenzahl, Dr. Klaus Anderle and Andreas Loew for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures.
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for Scanity 16mm and 35mm film in 2015. The film is run through a tank of fluid. This both hides surface scratches in the film and helps clean the film. Full immersion also eliminates the risk of
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ine. The FDL-60 uses a three CCD single-line array system, whereby three lines, Red Green Blue (RGB) each with 1,024 pixels per line to record a single line of the film image. FDL60A uses three
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image processing. The TDI CCDs have 4300 horizontal active pixels, and up to 96 TDI lines, with a 6ΞΌ pixel size. Scanity uses a continuous film transport servo system, using a capstan and a
629:(1920 Luminance and 960 Chrominace RGB) x 1556 RGB. The SDC 2000 Spirit DataCine uses two physical CCD, one for Chrominace and one for Detail/Luminance. The unit used two CCDs for improved
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In 2005 SDC 2K Spirit DataCine was demonstrated by Thomson's Grass Valley, The Scanning optic system are made by Kodak in NY. The CCD are made by Dalsa. SDC 2K has a full 2K (2048) RGB
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removal system or be outputted on a four IR channel for downstream dirt and dirt and scratch removal systems. Popular downstream dirt and scratch removal systems are PF Clean and
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888. The units also had an optional analog output. The film path was similar to the Spirit Datacine, but this was the only similarity. FDL 90 and Quadra used three Fairchild
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fiber Optic (up to 30 frame/s at 2K). GSN is also called HIPPI-6400 and was later renamed GSN (for Gigabyte System Network). The SAN hard disks are interfaces to by dual FC-
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fiber Optic has speeds up to 30 frame/s at 2K. Also a Color Graphical Control (GCP) panel now came standard and replaced the monochrome functional control panel (FCP).
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storage array. The Phantom Transfer Engine has been replaced with Bones software running on a Linux-based PC. First generation of DPX interface for data files was the
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itbusinessnet.com DFT Flexxity Archive, DFT Digital Film Technology Supports LATAM Market with Demonstrations of FLEXXITY Software at CAPER 2011 ,October 05, 2011
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The Scanity can be set to use just on edge of the perf sprocket hole. Scanity has a new optical audio scanning option for 16mm and 35mm, also 16 mag strip audio.
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A brief history of scanning and recording by C Glenn Kennel, director of technology for Cinesiteβs Film Scanning and Recording and Digital Mastering divisions.
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film grain reducer is a resolution independent three channel RGB grain reducer. Scream can be used on the Spirit DataCine and the VDC. Also in 2000 the first
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was the first digital intermediate film scanned on a Spirit DataCine. This process produced the mix of B&W and color pictures. A movie released in 2000,
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FDL 60-Progress in Film Scanning Using CCD Sensors and Digital Processing", D. Poetsch et al., `International Broadcast Engineer`, Jan. 1981, pp. 47β49.
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production process: ingest to a SAN, up to 30 frame/s β faster than real-time and make color-graded Dailies masters. It has an audio ingest, audio syncing,
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digitalcontentproducer.com A Brief History of Film-to-Tape: With DTV and HDTV-What's Next? (Part I), Feb 1, 1998 12:00 PM, D.W. Leitner, NewBay Media, LLC.
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POLAR HQ is a native 8K archive film scanner released in 2023. POLAR HQ is designed for new film and archive remastering film, able to putput both 4K and
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Lightning II film recorder was used to put the data output back to film. This process changed the greens to a green-yellow color for the complete film.
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Kurtz, Andrew F.; Kessler, David (February 1991). "Optical scanning system for a CCD telecine for HDTV". In Chang, Winchyi; Milch, James R. (eds.).
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dft-film.com, Scanity Wet Gating, Creating superb digital clones from damaged and scratched film materials, digital film technology, white paper
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1990, the Geoffrey Parr Award, from the Royal Television Society to Eastman Kodak, for the development of a high performance telecine for HDTV.
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1119:. Sondor was founded in 1952 by Willy Hungerbuehler. Sondor is noted as inventing the standard for bi-phase interlocking pulse signals to
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and now is DFT Digital Film Technology introduced the world's first CCD telecine in 1979, the FDL-60. The FDL-60 was designed and made in
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appearing in the film optic path. The gate uses rollers, so the film is not at risk of scratches. At the gate exit, the film is dried.
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Dieter Poetsch, "A Digital CCD Telecine for HDTV", presented at the International TV Symposium in Montreux, Switzerland, June. 1989.
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studiodaily.com DFT to Launch Scanity HDR at NAB Film Scanner Will Include Real-Time 2K Triple-Exposure to Increase Dynamic Range
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digitalcontentproducer.com A Brief History of Film-to-Tape: With DTV and HDTV-What's Next? (Part I), Feb 1, 1998 by D.W. Leitner
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In 2003 the SDC 2002 replaced the SDC 2001, the SDC 2002 had the addition of being GSN data output ready. Data interface, GSN-
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was scanned with Spirit Datacine, color corrected with a VDC-2000 using a Pandora Int. Pogle Color Corrector with MegaDEF. A
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or sometimes a color bay. In a two years time span the Spirit DataCine took over the number one spot of telecines from Rank
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network. A Phantom 2 can replace a Phantom one or Bones ingest system. Data interface output uses infiniband fiber optic,
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Colour Correction system. This allowed the film to be scanned only once for all needed formats or be used on DI workflow.
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2009 Scanity Film Scanner was awarded the Outstanding Product Award in the Digital Film and Cinema category by BIRTV.
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were made for use on the FDL 90, later telecines and tape to tape use, models: DNR7, MNR9, MNR10, MNR11 and the VS4.
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Bones ingest was introduced in 2004 and was the replacement to PTE β Phantom Transfer Engine software that ran on a
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as partnered with Digital Film Technology to capture 4k DPX files at 15 frames per second. Scanity has an optional
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from 2.00 frames per second to 57.00 fps in SDTV and 2.00 to 31.00 fps in HDTV interlace format. With the optional
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system. A Spirit DataCine comes with a full function control panel that can be used for control and color grade.
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At NAB 2014 a new Phantom 2 transfer product was released, that runs on a Linux system, replacing Bones ingest.
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A Continuous-Motion Color Film Telecine Using CCD Line Sensors, by Dieter Poetsch, December 1, 1978 vol. 87
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platform. Ingest (Bones or PTE) software is used to transfer the DPX data files from the DataCine to a SAN.
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and a 24 volt light source. In 1983 an optional Grain Reduce was introduced by Bosch for the FDL-60, model
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1563:, FDL 60 β An Advanced Film Scanning System, by Dieter Poetsch, SMPTE Journal, Mar. 1984, pp. 216β227
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facilities around the world. Most current film productions are transferred on Spirit DataCines for
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theiabm.org, DFT LAUNCHES NEW WETGATE TECHNOLOGY FOR ITS LATEST SCANITY HDR SCANNER, 11 March 2015
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dft-film.com,16 Plus, Supporting small film format gauges digital film technology, a white paper
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lens gate standard 16mm and Super 16 mm are supported. With the 16mm lens gate an optional
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1666:, Method of concealing scratch errors in a video signal derived from a film, by Volker Massmann
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2012:, OMNIMAGO Invests in SCANITY for New Production and Archive Scanning Projects, March 22, 2011
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synchronization and more. Flexxity has a unique fast image and audio synchronization feature.
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postproductionbuyersguide.com, BONES Dailies β Your Throughput Supercharged, February, 2009
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1173:; Development of a High Resolution Digital Film Scanner, Eastman Kodak and Philips Germany.
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DFT successfully launches new Wet-gate technology for Scanity HDR Scanner, 12 May, 2015
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DFT Digital Film Technology β Manufacturer of CCD based telecines and data scanners
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Lees, Roger; et al. (October 1990). "High Performance CCD Telecine for HDTV".
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Scream film grain reducer a resolution independent three channel RGB grain reducer
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The Broadcast Bridge, DFT Returns to NAB Show with Patented WetGate, April 6,2016
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964:-IR camera option. The IR camera channel can be used with the Scanity's optional
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cinemalogue.com AMPAS Announces Scientific and Technical Awards, January 7, 2010
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included in the DVD release, on how he used the Spirit DataCine to transfer and
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are an option. The unit comes with select-a-speed, this gives the section of a
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colorist.org A review of Philips FLH-1000 and Spirit DataCine by John Dowdell
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West Germany, this was the first all solid state Telecine. FDL is short for
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sound. The unit can operate stand alone or be controlled by a scene by scene
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color. The CCD converts the light into an electrical signal that produces a
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1169:, Outstanding Achievement in Technical/Engineering Development Awards from
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gate: super 35 mm and academy 35 mm are supported. Also 2, 3, 4,
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non-linear post-production software system. Bones Dailies can control all
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on the motion picture would be picked up by a head and could be fed to an
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oscars.org 02/20/2010 The Scientific & Technical Awards Presentation
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DFT β Digital Film Technology revealed its new film scanner at the 2009
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scanner at up to a depth of 16 bits, released in 2022. Able to output
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in 2017. The new gate supports the many small film format gauges, like
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manufacture of the industry-standard high-definition digital telecine.
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Versa, telecine-scanner, optical sound scan: and Magnetic sound scan
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cables (up to 6 frame/s at 2K), the next generation interface is GSN-
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SDC-2000 Spirit DataCine Film Deck, Lens Gate and Local Control Panel
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1996 ITS (Imaging Technology and Sound), International Monitor Award
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At NAB in April 2014 DFT introduced the Scanity HDR. A Scanity with
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A Spirit DataCine outputting DPX files was used in the 2000 film
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system can be mounted in the capstan. All Spirit DataCines use a
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1998 American Cinematographer, Primetime Emmy Engineering Awards
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content-technology.com Spice Shop Thailand SCANITY, Dec 14, 2011
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Below the Line News Magazine, Scanity in Korea, October 12, 2010
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theasc.com, Β© 2003 American Cinematographer, DI by Debra Kaufman
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BTS Quadra Telecine Film Deck, Lens Gate and Local Control Panel
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kodak.com "Restoration of an impeccably preserved old negative"
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All Spirit DataCines use continuous transport motion, using a
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fiber Optic, rather than GSN, 2nd generation SDC 2K-SDC 4K.
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Kodak. Beta sites for the FLH-1000 were: Producers Color in
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as 2048 x 1556 RGB. The normal input data file standard is
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postproductionbuyersguide.com on Flexxity, October 5, 2011
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grassvalley.com Grassvalley, 50 years on the air, see 1979
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In 1999 Philips introduces the VDC-2000-Specter the first
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and a Pandora Int. Pogle Color Corrector with MegaDEF. A
348:. The Spatial Processor can change the size of the image:
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The Spirit DataCine opened the door to the technology of
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Digital Film Technology, Press release, December 9, 2016
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Film Maker.com, THOMSON SPIRIT DATACINE, Fri, 05/04/2007
1395:β Manufacturer of CCD based telecines and data scanners
1383:, Digital Intermediate Workflows Using DPX/Cineon Media
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color corrector, 2K or 2K Plus. Some are controlled by
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gate can be added. 16mm audio system also support 16mm
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Spirit DataCine Brings Unparalleled Film Image Quality
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Below the Line News Magazine, Scanity, April 26, 2011
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SDC-2000 Spirit DataCine Functional Control Panel-FCP
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Scanner Dot Hill Systems Corporation, August 6, 2014
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1996 IBC, International Broadcasting Editors Award,
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DFT has demonstrated and delivered a full immersion
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379:can reduce film grain in all three color channels.
368:if needed. The Spatial Processor also produces the
119:. One option is a Super 8 gate for the transfer of
2860:Cinematographer / director of photography
1616:Society of Motion Picture and Television Engineers
1561:Society of Motion Picture and Television Engineers
1171:National Academy of Television Arts & Sciences
845:Spirit Datacine 2K β 4K β HD with the doors open
340:array. Spirit DataCines can output to different
103:used on older telecines. The units can transfer
1330:
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1324:
1393:dft-film.de β DFT Digital Film Technology GmbH
1322:
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1176:1997 Film and Video, 1997 Most Valued Product.
251:into a diffusion chamber to minimize dust and
2529:
2388:
1782:filmmaker.com THOMSON SHADOW HD TELECINE ROOM
768:A Shadow Telecine in a color correction suite
483:Bosch FDL 60 Telecine Film Deck and Lens Gate
447:, cables. The newest DPX output interface is
8:
1992:Scanity and Sprit Datacine in a control room
412:. The DPX files were color corrected with a
2363:youtube SDC-2000 with old 35mm Nitrate Film
1187:Academy of Motion Picture Arts and Sciences
462:Pogle, some with a their MegaDEF or a Pixi
3206:
2815:
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454:Most Spirit DataCines are controlled by a
1361:
1359:
1357:
592:In 1994 the FLH-1000 was demonstrated by
2301:dft-film.com Sept. 7, 2009 press release
2266:DFT, Sondor sound system for the Scanity
1639:
1637:
1635:
1540:New products, FDL60, page 528, July 1979
870:In 2007 Bones Dailies was introduced, a
822:Spirit Datacine 4k with the doors closed
652:. The data files are often used in DI β
372:, if needed for the format. An optional
2183:bksts.com, on Phantom 2 and Scanity HDR
1527:hawtreecreek.com Spirit operations book
1300:
1111:. Sondor products were manufactured in
992:option. The Scanity can scan very dark
123:. With a sound pick up option, optical
1738:American Cinematographer A flex Finish
1473:
1463:
1195:Academy Scientific and Technical Award
834:Spirit DataCine but with the optional
1826:
1824:
1822:
1161:International Broadcasting Convention
214:. The Spirit DataCine is made by DFT
7:
1937:DFT's SCANITY Audio Option Datasheet
1436:. Vol. 1448. pp. 191β205.
1151:National Association of Broadcasters
1107:(dft), completed the acquisition of
79:option a Spirit DataCine can output
255:visibility. With the standard 35mm
2010:Shoot online, SHOOT Publicity Wire
788:Spirit Datacine GCP, Control Panel
49:. This device is able to transfer
25:
3308:Audiovisual introductions in 1996
1948:Cinelicious Scanity Press release
1434:Camera and Input Scanner Systems
1179:1999 International Monitor Award
1133:Resonances, optical soundtrack
707:Specter β VDC β Virtual DataCine
328:so it can then be recorded onto
113:intermediate film and print film
86:. The image pick up device is a
2277:highbeam.com 1996 Monitor Award
1502:idsa.org, Pandora International
668:for the telecine is called the
93:. This eliminated the need for
1628:reocities.com FDL 60 home page
617:In 1996 Philips, working with
1:
2368:Datacine workflow chart β jpg
1153:β NAB, Editorsβ Pick of Show.
1136:Sound system for the Scanity.
1864:DFT Bones Transfer and Mover
1348:Why we decided to re-master
1335:thameside.tv Spirit DataCine
937:Time Delay Integration (TDI)
815:that is connected to a SAN.
625:resolutions and approaching
344:standards: (NTSC or PAL) or
216:Digital Film Technology GmbH
1126:to film. Current products:
1037:DFT has demonstrated a new
636:motion picture film scanner
580:A line of stand alone SDTV
47:motion picture film scanner
27:Motion picture film scanner
3324:
3234:Computer-generated imagery
3039:Special effects supervisor
2887:Digital imaging technician
2358:youtube tour of a SDC-2000
1760:cinematography.net D6 Test
990:High-dynamic-range imaging
687:O Brother, Where Art Thou?
409:O Brother, Where Art Thou?
73:High-definition television
3044:Visual effects supervisor
2664:
2651:
2569:
2556:
808:are outputted to a Bones
495:Div., which later became
71:standards or one of many
2964:Utility sound technician
2483:Super-resolution imaging
1243:Direct to Disk Recording
773:SDC 2002 Spirit DataCine
735:SDC 2001 Spirit DataCine
656:post-production using a
613:SDC 2000 Spirit DataCine
127:can be reproduced, also
3264:Unit still photographer
2949:Director of audiography
2678:Unit production manager
2208:OXScan 14K Spec Sheet,
1105:Digital Film Technology
528:Fairchild Semiconductor
503:Digital Video Systems,
308:Spirit DataCines use a
192:In-flight entertainment
2954:Production sound mixer
2683:Production coordinator
1842:DFT Bones Dailies Page
1141:Spirit DataCine Awards
1033:Scanity 16 Plus β S8mm
1023:wet-transfer film gate
980:
920:
850:SDC HD Spirit DataCine
846:
827:SDC 4K Spirit DataCine
823:
793:SDC 2K Spirit DataCine
789:
769:
757:
731:
703:
577:
484:
470:Background and history
387:
364:changes, also product
35:
3298:Television technology
3224:Visual effects editor
3219:VFX creative director
2688:Production accountant
2338:Facebook Scanity page
2158:POLAR HQ Spec sheet,
2056:kodak.com Digital ICE
2034:Scanity Facebook page
1815:Grassvalley Home Page
1278:Pandora International
979:DFT Scanity Film Deck
978:
918:
844:
821:
787:
767:
755:
729:
717:Pandora International
701:
575:
482:
460:Pandora International
392:digital intermediates
385:
310:charge-coupled device
285:mag or magnetic strip
91:charge-coupled device
33:
3143:Intimacy coordinator
2713:Production assistant
2348:History of Telecines
1598:History of Telecines
1103:On December 9, 2016
654:digital intermediate
582:Noise/Grain Reducers
334:Storage area network
208:digital intermediate
172:Satellite television
75:standards. With the
2907:Lighting technician
2763:Production designer
1442:1991SPIE.1448..191K
1366:HDTV Magazine.com,
966:IR dirt and scratch
854:In 2007 the SDC HD
831:Same as the SDC 2K
129:16mm magnetic strip
125:16mm and 35mm sound
58:motion picture film
3201:Technical director
2974:Re-recording mixer
2703:Script coordinator
2693:Assistant director
2632:Executive producer
2456:Special processing
1997:2010-12-06 at the
1913:2009-06-18 at the
1603:2009-08-25 at the
1263:Hard disk recorder
1008:. With the use of
1006:digital processing
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164:Digital television
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3138:Acting instructor
3113:Movement director
2902:Best boy electric
2846:
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2741:Storyboard artist
2698:Script supervisor
2647:
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2498:Pixel art scaling
2463:Film colorization
1538:journal.smpte.org
939:line sensors and
551:FDL 90 and Quadra
489:Robert Bosch GmbH
204:Film preservation
16:(Redirected from
3315:
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3011:Music supervisor
2816:
2775:Costume designer
2729:
2718:Location manager
2708:Casting director
2666:
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2589:Supporting actor
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1491:DFT Scanity Page
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1450:10.1117/12.45358
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1228:Da Vinci Systems
1017:Scanity wet-gate
1004:, using special
958:Dot Hill Systems
885:virtual telecine
779:Gigabit Ethernet
713:virtual telecine
562:Da Vinci Systems
544:Da Vinci Systems
456:Da Vinci Systems
441:Gigabit Ethernet
423:virtual telecine
366:interlaced video
320:signal which is
168:Cable television
147:documentary film
21:
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1999:Wayback Machine
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996:film with more
994:black-and-white
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756:Shadow telecine
750:
737:
709:
680:The 1998 movie
631:Signal to Noise
615:
590:
558:color corrector
553:
477:
472:
322:color corrected
281:Super 8 mm film
263:are supported.
176:Direct-to-video
156:post-production
133:color corrector
121:Super 8 mm film
39:Spirit DataCine
28:
23:
22:
15:
12:
11:
5:
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3303:Video hardware
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236:. An optional
212:digital cinema
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2659:
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2638:
2637:Line producer
2635:
2633:
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2629:
2628:
2627:Film producer
2625:
2623:
2620:
2618:
2617:Film director
2614:
2610:
2607:
2605:
2602:
2600:
2597:
2595:
2594:Ensemble cast
2592:
2590:
2587:
2585:
2584:Leading actor
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2572:
2571:
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2504:
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2496:
2494:
2491:
2489:
2488:Video matting
2486:
2484:
2481:
2479:
2476:
2474:
2473:Color grading
2471:
2468:
2464:
2461:
2460:
2458:
2454:
2448:
2445:
2443:
2440:
2438:
2437:Deinterlacing
2435:
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2428:
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2418:
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2256:
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2240:
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2215:
2212:
2211:
2204:
2201:
2198:
2197:
2190:
2187:
2184:
2179:
2176:
2173:
2172:DFT Phantom 2
2168:
2165:
2162:
2161:
2154:
2151:
2148:
2147:
2140:
2137:
2134:
2129:
2126:
2123:
2118:
2115:
2112:
2107:
2104:
2101:
2096:
2093:
2090:
2085:
2082:
2079:
2074:
2071:
2068:
2063:
2060:
2057:
2052:
2049:
2046:
2041:
2038:
2035:
2030:
2027:
2024:
2018:
2015:
2011:
2006:
2003:
2000:
1996:
1993:
1988:
1985:
1982:
1977:
1974:
1971:
1966:
1963:
1960:
1955:
1952:
1949:
1944:
1941:
1938:
1933:
1930:
1927:
1922:
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1912:
1909:
1904:
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1898:
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1876:
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1868:
1865:
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1857:
1854:
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1846:
1843:
1838:
1835:
1832:
1827:
1825:
1823:
1819:
1816:
1811:
1808:
1805:
1804:DFT Spirit 2k
1800:
1797:
1794:
1789:
1786:
1783:
1778:
1775:
1772:
1767:
1764:
1761:
1756:
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1697:
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1672:
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1554:
1551:
1546:
1543:
1539:
1534:
1531:
1528:
1523:
1521:
1517:
1514:
1513:Pogle picture
1509:
1506:
1503:
1498:
1495:
1492:
1487:
1484:
1479:
1467:
1459:
1455:
1451:
1447:
1443:
1439:
1435:
1428:
1425:
1420:
1416:
1412:
1408:
1407:SMPTE Journal
1401:
1398:
1394:
1389:
1386:
1382:
1377:
1374:
1371:
1370:June 25, 2001
1369:
1362:
1360:
1358:
1354:
1351:
1350:The Civil War
1347:
1342:
1339:
1336:
1331:
1329:
1327:
1325:
1323:
1321:
1319:
1317:
1315:
1313:
1311:
1309:
1307:
1305:
1301:
1294:
1289:
1288:Telerecording
1286:
1284:
1281:
1279:
1276:
1274:
1271:
1269:
1266:
1264:
1261:
1259:
1256:
1254:
1253:Film industry
1251:
1249:
1246:
1244:
1241:
1239:
1236:
1234:
1231:
1229:
1226:
1224:
1221:
1219:
1218:Color grading
1216:
1214:
1211:
1210:
1205:
1199:
1196:
1192:
1191:Academy Award
1188:
1184:
1181:
1178:
1175:
1172:
1168:
1164:
1162:
1158:
1155:
1152:
1148:
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1135:
1132:
1129:
1128:
1127:
1125:
1122:
1118:
1114:
1110:
1106:
1098:
1096:
1093:
1089:
1085:
1077:
1075:
1068:
1066:
1064:
1063:8K resolution
1056:
1054:
1052:
1048:
1044:
1040:
1032:
1030:
1028:
1024:
1016:
1014:
1011:
1007:
1003:
999:
998:dynamic range
995:
991:
983:
977:
973:
971:
967:
963:
959:
954:
951:
946:
942:
938:
935:Scanity uses
934:
931:
923:
917:
913:
906:
901:
898:
894:
890:
889:
888:
886:
881:
877:
873:
866:Bones Dailies
865:
863:
861:
858:is now using
856:
849:
843:
839:
837:
833:
826:
820:
816:
814:
811:
807:
804:
800:
792:
786:
782:
780:
772:
766:
762:
754:
747:
745:
743:
734:
728:
724:
722:
718:
714:
706:
700:
693:
689:
688:
683:
682:Pleasantville
679:
678:
677:
675:
671:
667:
663:
659:
658:film recorder
655:
651:
647:
644:
641:
637:
632:
628:
624:
620:
612:
610:
608:
604:
600:
595:
587:
585:
583:
574:
570:
567:
563:
559:
550:
548:
545:
541:
537:
532:
529:
525:
521:
517:
513:
509:
506:
502:
498:
494:
490:
481:
474:
469:
467:
465:
464:color grading
461:
457:
452:
450:
446:
445:Fibre Channel
442:
438:
435:
434:optical fiber
431:
428:
424:
419:
415:
411:
410:
404:
402:
397:
393:
384:
380:
378:
377:grain reducer
375:
371:
367:
363:
359:
355:
351:
347:
343:
339:
335:
331:
327:
323:
319:
316:
311:
306:
304:
300:
297:
294:
290:
286:
282:
278:
274:
270:
266:
262:
258:
254:
250:
246:
242:
239:
238:optical audio
235:
232:
229:and constant
228:
223:
221:
217:
213:
209:
205:
201:
197:
196:Stock footage
193:
189:
185:
181:
177:
173:
169:
165:
161:
157:
152:
148:
144:
143:
142:The Civil War
138:
134:
130:
126:
122:
118:
114:
110:
106:
105:negative film
102:
99:
96:
92:
89:
85:
82:
78:
77:data transfer
74:
70:
67:
63:
59:
56:
52:
48:
44:
40:
32:
19:
3186:Sound editor
3153:Stunt double
3148:Stage combat
3128:Talent agent
3098:Acting coach
3021:Orchestrator
3016:Music editor
2979:Foley artist
2870:Focus puller
2768:Art director
2622:Screenwriter
2493:Uncompressed
2318:
2307:
2296:
2283:
2272:
2261:
2250:
2239:
2228:
2217:
2210:dft-film.com
2209:
2203:
2196:dft-film.com
2195:
2194:OXScan 14K,
2189:
2178:
2167:
2160:dft-film.com
2159:
2153:
2146:dft-film.com
2145:
2139:
2128:
2117:
2106:
2095:
2084:
2073:
2062:
2051:
2040:
2029:
2017:
2005:
1987:
1976:
1965:
1954:
1943:
1932:
1926:DFT Products
1921:
1903:
1892:
1881:
1870:
1859:
1848:
1837:
1810:
1799:
1788:
1777:
1766:
1755:
1744:
1733:
1722:
1713:
1702:
1691:
1682:
1671:
1659:
1650:
1623:
1611:
1568:
1556:
1545:
1533:
1508:
1497:
1486:
1433:
1427:
1410:
1406:
1400:
1388:
1376:
1367:
1349:
1341:
1238:Digital film
1102:
1081:
1072:
1060:
1043:Super 8 film
1039:16 Plus gate
1038:
1036:
1020:
987:
955:
927:
910:
869:
853:
830:
796:
776:
759:
738:
710:
685:
666:control room
616:
591:
579:
565:
554:
539:
535:
530:
523:
519:
515:
508:Grass Valley
486:
453:
407:
405:
396:Grass Valley
389:
373:
370:2:3 pulldown
358:aspect ratio
350:pan and scan
307:
249:illumination
224:
215:
188:pay-per-view
184:Blu-ray Disc
140:
38:
37:
3181:Film editor
3103:Body double
2984:Voice foley
2892:Second unit
2852:Photography
2833:Illustrator
2820:Visual arts
2800:Set dresser
2785:Hairdresser
2754:Production
2609:Cameo actor
2579:Voice actor
1908:DFT Scanity
1875:Bones specs
1223:Color suite
1117:Switzerland
1051:9.5 mm film
984:Scanity HDR
970:Digital ICE
813:workstation
742:D6 HDTV VTR
670:color suite
638:outputting
403:, Scanity.
273:film speeds
267:8-perf and
265:VistaVision
222:, Germany.
98:vacuum tube
88:solid state
3287:Categories
3259:Swing gang
3229:Compositor
3163:Under-five
2924:Dolly grip
2733:Storyboard
2549:filmmaking
2447:Deflicking
2430:Comparison
2420:Deblocking
2244:Resonances
2144:POLAR HQ,
1831:DFT SDC-4k
1771:DFT Shadow
1295:References
1258:Film stock
1248:Film Chain
1167:Emmy Award
1165:1997β1998
1088:70 mm film
1078:OXScan 14K
1000:and lower
932:, Scanity.
860:infiniband
806:data files
799:resolution
744:is shown.
646:data files
449:infiniband
330:video tape
301:or to the
245:xenon lamp
160:Television
145:, a short
84:data files
69:television
18:OXScan 14K
3239:Rendering
3054:Animation
3001:Subtitles
2880:Steadicam
2780:Greensman
2604:Bit actor
2545:Film crew
2478:Film look
2442:Denoising
1476:ignored (
1466:cite book
1458:140645360
1381:Apple.com
1273:Kinescope
1268:HDTV blur
1201:software.
1084:65mm film
1069:Phantom 2
1047:8 mm film
603:Channel 4
560:like the
512:Darmstadt
505:Thomson's
430:hard disk
354:letterbox
338:hard disk
315:modulated
220:Darmstadt
137:Ken Burns
109:primetime
3196:Animator
3191:Colorist
3133:Stand-in
3072:Modeling
3062:Animator
3006:Composer
2914:Key grip
2503:Telecine
2425:Resizing
2045:PF Clean
1995:Archived
1911:Archived
1601:Archived
1206:See also
1113:Zollikon
1057:POLAR HQ
962:Infrared
950:infrared
930:NAB Show
907:Flexxity
662:film-out
594:BTS inc.
588:FLH 1000
497:BTS inc.
425:or on a
414:VDC-2000
401:NAB Show
362:rotation
151:remaster
139:created
43:telecine
3077:Rigging
2991:Dubbing
2467:tinting
2465: (
1438:Bibcode
1027:bubbles
924:Scanity
880:ASC CDL
876:dailies
721:MegaDef
664:. The
599:Detroit
566:CCD 181
540:FDGR 60
536:CCD 134
531:CCD 133
522:igital
501:Philips
493:Fernseh
253:scratch
241:pick up
234:tension
227:capstan
200:Dailies
3091:Talent
2897:Gaffer
2756:design
1456:
1213:Cintel
1109:Sondor
1099:Sondor
887:mode.
748:Shadow
674:Cintel
607:London
475:FDL 60
374:Scream
287:sound
269:6 perf
45:and a
3252:Other
3123:Extra
2941:Sound
2574:Actor
2233:Versa
1454:S2CID
1185:2010
1149:1996
1124:sound
1002:noise
872:Linux
810:Linux
692:Kodak
619:Kodak
437:HIPPI
418:Kodak
336:-SAN
332:or a
326:sized
318:video
296:sound
293:audio
289:track
117:stock
95:glass
41:is a
2929:Grip
1478:help
1193:for
1121:sync
1092:TIFF
1086:and
1049:and
941:FPGA
897:IRIX
660:for
623:HDTV
601:and
518:ilm
487:The
360:and
346:HDTV
324:and
277:16mm
261:perf
257:lens
247:for
231:film
210:and
101:CRTs
62:NTSC
55:35mm
53:and
51:16mm
2996:ADR
1446:doi
1415:doi
1346:PBS
945:LED
893:SGI
803:DPX
719:'s
650:DPX
643:DPX
605:in
427:SAN
303:VTR
218:in
180:DVD
81:DPX
66:PAL
64:or
60:to
3289::
1821:^
1634:^
1580:^
1519:^
1470::
1468:}}
1464:{{
1452:.
1444:.
1411:99
1409:.
1356:^
1303:^
1189::
1115:,
1053:.
1045:,
972:.
895:β
836:4k
676:.
640:2K
627:2K
609:.
499:β
491:,
451:.
352:,
342:TV
305:.
206:,
202:,
198:,
194:,
190:,
186:,
182:,
178:,
174:,
170:,
166:,
162:,
135:.
115:,
111:,
107:,
2551:)
2547:(
2537:e
2530:t
2523:v
2469:)
2396:e
2389:t
2382:v
1480:)
1460:.
1448::
1440::
1421:.
1417::
524:L
520:D
516:F
20:)
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