805:, rated the film eight out of ten stars, also pointing out that the film's focus is on Mauro's reactions to the turmoil - how it affects his childhood and innocence - rather than on the political turmoil that is a frequent setting in Brazilian historical films. Cabral also praises the technical aspects of the film, specifically mentioning the cinematography and music, and how they are utilized to express Mauro's emotions. Though Cabral did mention that the film could have been more melodramatic and emotional, he felt that such trappings weren't its purpose.
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915:" and stated that Daniel is more interested in revolution than in "watching sports on television". Monk did comment on Hamburger's use of Mauro's gradual acceptance into his new environment as a vehicle to incrementally move the focus of the film to the broader picture of Brazil's political turmoil. Monk also stated that while some of the film is well developed, she found that several parts of the story were not. Monk's rating was recorded as both a B minus and three out of four stars.
801:, praised the film for its handling of the social and political turmoil of 1970s Brazil without being heavy-handed in its execution, focusing on the characters rather than the environment. Valente made a point of noting that the political characters, Mauro's parents, only appear at the beginning and end of the film, which Valente said strengthened the coming-of-age narrative. Wander Cabral, reviewing for
821:, stated that while showing the perils of a dictatorship and political turmoil in Latin America from a child's perspective wasn't a new concept, contrasting that familiar narrative with the atmosphere in Brazil surrounding the 1970 World Cup created "a great national film" that also explained how Médici's regime exploited the Brazilian love of football as a cover for repression.
834:), stated the choice to view the political turmoil of 1970 from a child's perspective is what made the film so interesting. Boeira does, however, note that there are some issues within the film, such as Schlomo and Mauro's relationship development, which he calls "predictable", and moments which he stated at times felt more like watching a serial's narrative. Luiz Joaquim of
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ill after the prison term. Her reunion with her child happens on the very same day as Brazil's final victory at the World Cup. (Mauro's father disappears while in the dictatorship's clutches, never to return.) At the end of the film, Mauro says farewell to his recent friends and playmates as he and his mother leave Bom Retiro and prepare to go into exile.
855:, found the film to be "weak" and stated that it was made for children rather than adults. In a harsh criticism against the selection panel, Pennafort stated that they chose a film more likely to succeed in the Oscars than to represent Brazil and its culture. Pennafort commented that the decision to choose
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as the submission for the 2007 Academy Awards indicated that the jury was making the statement that
Brazilian culture shouldn't be treated as "adult", going on to state that perhaps audiences should expect to be treated as infants when consuming Brazilian media. Pennafort also stated that the film is
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To Mauro's great disappointment, his parents neither appear as promised at the World Cup nor give any notice. Fearing the worst, Shlomo starts to investigate by himself and is arrested by the political police because of his meddling. Finally, he achieves the release of Mauro's mother, who is severely
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gave the film three out of four stars, and praised
Hamburger's handling of the developing relationship between Mauro and Schlomo for not being heavy-handed. Marchand also commented that some of the similes used to describe Mauro aren't carried through and notes that Hamburger is anything but subtle
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praised the film for its "simple (but not simplistic) narrative", as well as saying that the film cemented
Hamburger's reputation as a director. Joaquim's review emphasized that the human element in the film set it apart from other contemporary Latin American productions that sought to use the same
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gave the film three out of four stars, pointing out that
Hamburger uses the constant presence of the police without openly revealing their intentions to create a vague sense of danger. Toppman also noted that the film includes a theme of girls being just as noteworthy as boys, stating that this is
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found the film lacking, stating that
Hamburger limited himself to the scope of the 1970 World Cup despite demonstrating his understanding of a child's psyche and "some of the finer points of childhood". Morris called it "underbearing", arguing that Mauro is sheltered throughout and not allowed to
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City Lights
Pictures obtained the distribution rights for the film in the United States in July 2007. It played at various theaters in the U.S. throughout January and February 2008. The official theater release date for the United States was 15 February 2008. In its first two weekends, the film
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hailed the film as "sensitive, delicate and involving", going on to say that "Hamburger feels no need (nor is there any) to underline the obvious. He has a magician's ability to keep the story light and believable". It also notes that "the humorous central part of the screenplay is bereft of
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was filmed on location in Bom Retiro, with a majority of the film's cast not being professional actors. Hamburger stated that over 1,200 children auditioned for the role of Mauro before he chose
Joelsas. About seventy percent of the auditions for the children's roles were held in the Jewish
1021:, gave the film three out of four stars, stated that Hamburger's previous work in children's television gave the neighborhood scenes a more realistic quality and found the use of Mauro's innocence as a lens through which to show the government's actions "interesting". Lawrence Toppman of
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found the film to be just another in a long line of coming-of-age stories set in a period of political dissent. While
Schager found the film "predictable", he did praise Hamburger for his "understatement" while lamenting that he found the story itself unremarkable. Jeffrey Anderson of
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when the film was released on DVD, pointed out that while the film does depict the story of an outsider forced into a new culture, it neither relies on the sentimentality of acceptance into that new environment nor does it make light of the cultural dissonance Mauro experiences.
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s Chris Knight gave the film three out of four stars and called it a "charmer", adding that
Hamburger's choice to leave Mauro without all of the answers he craves throughout the film is a wise decision given that "attaining wisdom takes even longer than winning the World Cup."
942:, also reviewed the film after its debut at Berlinale, praising it for its subtlety and for not relying on a sense of nostalgia to make its points. Honeycutt commented that the cinematography brought out the details of the set production, and that the music was not intrusive.
897:, stated that Hamburger employed a deliberate pacing in the film, focusing on positivity and unifying force of "the nationalist spirit" even while showing how Médici exploited the Brazilian love of soccer to distract the public from the jailing of his political opponents.
502:, an unknown language to the boy. As his father is Jewish, the close-knit Bom Retiro community rally in support of the child and Shlomo, a solitary elder and religious Jew who was a close neighbor and friend of Mauro's grandfather, assumes the care of Mauro.
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1034:, found the film to be an accurate depiction of the loneliness an adolescent can feel, and noted that the way the tension of political strife builds before Mauro becomes fully cognizant of it allows the viewer to keenly experience his loss of innocence.
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was nominated for Best Film, Best
Director, Best Actor (Michel Joelsas), Best Supporting Actor (Germano Haiut), Best Supporting Actress (Daniela Piepszyk), and Best Screenplay. It won Best Film, Best Director, and Best Screenplay. At the third CinePort
1242:) for Best Film, Best Director, Best Actor (Germano Haiut), Best Supporting Actor (Caio Blat), Best Supporting Actress (twice: once for Simone Spoladore, once for Liliana Castro), Best New Actor (Michel Joelsas); each of those categories was won by
680:. He also states that the script underwent a partial rewrite after filming had begun. In an interview in 2008, Hamburger stated that he intended to capture the concepts of both time and space in the film, a concept he attributed to inspiration from
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points out that the film doesn't spend time in either debauchery or denouncing the regime; rather it is focused on Brazil's melancholy. Sobrinho praises Goldman's cinematography for visually capturing that emotion. Yara Fernandes, writing for
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Enjuto-Rangel, Cecilia (December 2019). "16. Children's Gaze in Contemporary Cinema: A Transatlantic Poetics of Exile and Historical Memory". In Enjuto-Rangel, Cecilia; Faber, Sebastiaan; García-Caro, Pedro; Newcomb, Robert Patrick (eds.).
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gave the film four out of five stars, also focusing on the ability of soccer to unify the Brazilian people. Griffin praised the performances of Joselas and Piepszyk alongside the cinematography and score. Katherine Monk, syndicated by the
619:), but the title was changed due to concerns that female audiences would be less inclined to watch it with soccer so prominent in the title. The name change was approved on 1 November 2006, with funding approved through 31 December 2006.
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886:, described Joelsas' and Haiut's performances as "touching", and stated that the film focuses on the religious and generational differences between the characters more than the political backdrop. Philip Marchand writing for the
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The film was picked as Brazil's submission for the 2007 Academy Award for Best Foreign Language Film (and was shortlisted alongside nine other films), but it was not included among the finalists. It was also nominated in the
726:, covering nine percent of equity. The firm then took charge of selling distribution rights, such as to Vértigo Films in Spain and to Indie Circle, which covered France, Italy, Switzerland, Belgium, and the Netherlands.
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812:, gave the film four out of four stars and mentioned how Hamburger captured the mixed feelings that come with winning the World Cup among the political discord that permeated Brazil in 1970. Marcelo Sobrinho for
490:. To their son, they say they will travel on vacation and promise to return for the World Cup games. However, the grandfather dies on the same day the boy arrives, and he is left clueless and without support in
670:, Hamburger is quoted as stating that his intent was to examine the mythos surrounding the 1970 Brazilian team as well as to attempt to dispel prejudices that Brazil is limited to "Indios, the jungle and the
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Reception for the film was mixed, though Brazilian reviewers tended to be more positive. Critics from publications in the United States tended to be the most negative in their appraisal of the film.
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513:. He gradually mixes in with other neighborhood children and becomes acquainted with a number of colorful characters, including Hanna, a girl his age; Ítalo, a politically active student from the
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won for Best Film and Best Screenplay, as well as the Popular Jury Award; it had also been nominated in the Best Director, Best Actor (for Michel Joelsas), and Best Cinematography categories.
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1210:), it was nominated for Best Film, Best Screenplay, and Best Art Direction. It won Best Art Direction (Cassio Amarante). At the ninth Santo Domingo International Film Festival,
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as a part of the elective course "Soccer and Society in Modern Latin America" offered for the BA in Latin American studies in 2014, and was still a part of the course in 2022.
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received Best Film, Best Director (Cao Hamburger), Best Supporting Actress (Daniela Piepszyk), Best Supporting Actor (Germano Haiut), and Best Art Direction (Cassio Amarante).
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stated that though the setting of the film would be novel for many viewers, the emotions were "disappointingly familiar" and found the story to be commonplace. Nick Schager of
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Mendes Capraro, André; Iglesias Vargas, Pauline Peixoto (2020). "12. Football, national culture and politics in Brazil in 1970: O ano em que meus pais saíram de férias (
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won the Golden Ciguapa for Best Film as well as Best Director, Best Score (Beto Villares), and the Audience Award. At the eighth Monterrey International Film Festival (
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463:. Mauro, a 12-year-old boy, is suddenly deprived of the company of his young parents, Bia and Daniel Stein, who are political activists on the run from the harsh
1327:"was not for the best film of the year" but rather the one that fell most in line with what the jury at the Academy Awards would be likely to award the Oscar to.
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150,000 for its campaign to win the Oscar. Gullane Filmes and Caos Produções, in association with Disney's Latin American Miravista studio produced the film.
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Machlev, Moshe (February 2023). "Soccer as a National Pastime and its Role in the Lives of Traditional Communities in Cao Hamburger's Coming of Age Film:
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The film won Best Fiction Feature Film, Best Art Direction (Cassio Amarante), and Best Adapted Screenplay at the 2007/2008 Academia Brasileira de Cinema (
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The film debuted in Brazil to an audience of 70,000 on 26 September 2006. It reportedly opened to a "modest" box office. The official tabulation from the
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won in all four of the categories where it was a finalist in the 2007 Associação Brasileira de Cinematografia (ABC) Awards: Feature Film Cinematography (
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all over the country. Against this backdrop of fear and political persecution, the country is at the same time bursting with enthusiasm for the upcoming
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Black, Kyle (2013). "The Year My Parents Went on Vacation / O Ano em Que Meus Pais Saíram de Férias (2006)". In Pinazza, Natália; Bayman, Louis (eds.).
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2763:[The Year My Parents Went on Vacation: Cao Hamburger's second feature film reinforces the reference we have here of a competent director].
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Filho was one of the critics on the panel that chose which film would be sent to the 2007 Academy Awards, and admitted that the selection of
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and saying that the film "has little to do with any actual human experience and everything with re-creating experiences from other movies."
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4862:"Memória e corpo de uma infância resistente: uma análise de Kamchatka, O ano em que meus pais saíram de férias e Infância clandestina"
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for Best International Feature Film and Best Performance in an International Feature Film – Leading Young Performer (Michel Joelsas).
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2761:"O ano em que meus pais saíram de férias: Segundo longa de Cao Hamburger reforça referência que temos aqui de um diretor competente"
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was nominated for Best Film at the 16th Festival de Biarritz Amérique Latine in 2007; the award ultimately went to
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on a report for films produced from 1995 to 2011 showed a public audience count of 368,986 with a box office of
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in December 2007, as well as Best Score (Beto Villares), and the Cybervote Award for Best First Fiction Work.
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was released on DVD in the U.S. on 15 July 2008, with distribution through City Lights Home Entertainment.
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Click on the "Ediciones" tab, then use the arrows to naviagate to the 29th edition to see the awards list.
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Click on the "Ediciones" tab, then use the arrows to naviagate to the 48th edition to see the awards list.
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also commented on how similar the story is to other films of the same genre, specifically comparing it to
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2508:"iW BOT | Oscar Payday: Foreign Film Winner 'Counterfeiters' Top Debut; Other Winners Ready For Payout"
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Originally, the film was approved for production funding from the Brazilian government under the title
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3971:"Los corresponsales de prensa extranjera de Brasil anuncian los nominados para los Premios ACIE"
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won Best Direction, Best Original Screenplay, and received the Popular Jury award. In the 2007
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for the second highest number of nominations at the 2007 Guarani de Cinema Brasileiro Awards (
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rated the film two-and-a-half out of four stars and praised Daniela Piepszyk's performance.
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3549:. Vol. 4, no. 14. Vancouver, BC, Canada. 22 January 2008. p. A7 – via
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appearing to be in favor of using violence to end trafficking and accusations of promoting
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by Cao Hamburger: Demystification or propagation of the myth of racial democracy?].
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Rocha, Carolina (2012). "Children's Views of State-Sponsored Violence in Latin America:
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4760:: A Jewish Journey in the Land of Soccer". In Glickman, Nora; Huberman, Ariana (eds.).
4580:[Against oblivion. Cinema and politics crossed by childhood memories in the films:
3893:[“Silent Light” by Carlos Reygades, best film at the 11th Lima Film Festival].
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2647:[The Military Dictatorship from a child's perspective and very well filmed.].
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2237:"indieWIRE INTERVIEW | "The Year My Parents Went On Vacation" Director Cao Hamburger"
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1414:[Ideological dispute may have favored The Year My Parents Went on Vacation].
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722:, RB Cinema 1 announced it would invest in three films from Latin America, including
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3973:[Brazilian foreign press correspondents announce nominees for ACIE Awards].
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2620:[The Year My Parents Exited of Holidays, de Cao Hamburger (Brazil, 2006)].
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2145:[If it depends on the box office, “Johnny” will be chosen for the Oscar].
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List of Brazilian submissions for the Academy Award for Best Foreign Language Film
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shared the Petrobrás Cultural de Difusão award for Best Fiction Feature Film with
993:, found the film lacking, describing it as "painless". Croce referred to is as a "
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in his use of soccer as a unifying force in 1970 Brazil. Greg Ursic, writing for
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1412:"Disputa ideológica pode ter favorecido O Ano em Que Meus Pais Saíram de Férias"
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4342:[Check out the NOMINEES and WINNERS of the 2007 BRAZIL QUALITY AWARD].
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Click on the arrow to the far right of "2007" to see the winners for that year.
3891:""Luz silenciosa", de Carlos Reygades, mejor película del 11º Festival de Lima"
3681:[Two Latin American films will compete for the Berlinale Golden Bear].
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de Cao Hamburger: Desmistificação ou propagação do mito de democracia racial?"
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Hopewell, John; Cajuiero, Marcelo (10 July 2007). "Distrib takes 'Vacation'".
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4082:[International Festival of New Latin American Cinema, 29th Edition].
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3873:[Lima Film Festival 2007: The winners. The night of "Silent Light"].
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2108:["The Year My Parents Went on Vacation" is Brazilian Oscar nominee].
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List of submissions to the 80th Academy Awards for Best Foreign Language Film
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Lewis, Christopher T. (2018). "The Flags of Time: Temporal Decoloniality in
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2463:. No. 18. Rock Hill, SC. 18 January 2008. p. Ticket 5 – via
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2078:[″The Year My Parents Went on Vacation″ opens with 70,000 viewers].
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perspective of a child's naiveté as a lens. Rubens Ewald Filho, writing for
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would be submitted, with there being some supposition that the criticism of
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4231:[Brazilian film wins big prize at IX International Film Festival].
4111:[Check out the full list of nominees for the 2nd Contigo Awards!].
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The story takes place entirely during a few months in 1970, in the city of
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3679:"Dos filmes latinoamericanos competirán por el Oso de Oro de la Berlinale"
3513:"'O ano em que meus pais saíram de férias' representará o Brasil no Oscar"
2618:"O Ano em que Meus Pais Saíram de Férias, de Cao Hamburger (Brasil, 2006)"
2106:""O Ano Em Que Meus Pais Saíram De Férias" é indicado brasileiro ao Oscar"
2036:(in Portuguese). Imprensa Oficial do Estado de São Paulo. pp. 11–15.
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2847:[An Oscar for “dazelite” stupidity. How embarrassing, my God!].
2209:""The Year My Parents Went on Vacation": Brazil's Cinema Novo Tradition"
2076:"″O Ano em que Meus Pais Saíram de Férias″ abre com 70 mil espectadores"
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in 2006. It also won the Best Fiction Feature, Brazil award at the 2006
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was released in nearly 30 countries at film festivals, such as the 22nd
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4468:[APCA 2006 awards "O Céu de Suely" and "villains" from Globo].
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3768:["The Year My Parents Went on Vacation" wins São Paulo award].
3717:
3715:['The Year My Parents Went on Vacation' to Screen at Tribeca].
2492:. Vol. 127, no. 41. 13 January 2008. p. E36 – via
1621:
775:
641:
It has also been considered a partially auto-biographical film in that
518:
499:
468:
426:
3619:['The Year My Parents Went on Vacation' wins award in Spain].
866:
with very little change and that the film was reminiscent of Disney's
5526:
2426:. Vol. 81, no. 152. 3 January 2008. p. A6 – via
672:
487:
3871:"Festival de Lima 2007: Los ganadores. La noche de "Luz silenciosa""
3766:""O Ano em que Meus Pais Saíram de Férias" vence premiação paulista"
2818:[A film chosen to represent Brazil in the 2008 Oscar race].
2816:"Escolhido filme que representará o Brasil na disputa do Oscar 2008"
443:
In 2015, the Brazilian Film Critics Association aka Abraccine voted
4369:
4340:"Confira os INDICADOS e GANHADORES do PRÊMIO QUALIDADE BRASIL 2007"
4080:"Festival Internacional del Nuevo Cine Latinoamericano, Edicion 29"
3712:"'O ano em que meus pais saíram de férias' será exibido no Tribeca"
3283:"Brazilian 'Vacation' kicks around political and personal upheaval"
2590:"New The Year My Parents Went on Vacation Clip [Exclusive]"
2143:"Se depender da bilheteria, "Johnny" será o escolhido para o Oscar"
1985:"Berlinale 2007 Programme: O Ano em Que Meus Pais Saíram de Férias"
1922:[The real story of the parents who didn't go on vacation].
436:
Michel Joelsas, who plays Mauro, received a nomination in the 2007
5614:
5163:
4831:
Representing History, Class, and Gender in Spain and Latin America
4229:"Filme brasileño gran ganador de IX Muestra Internacional de Cine"
4027:"DISPATCH FROM HAVANA | Celebrating Latin Film and Contradictions"
3993:['The Year My Parents Went on Vacation' Wins ACIE Award].
1715:[Agency supports Brazilian films nominated for an Oscar].
868:
522:
4534:"HIST 383: Soccer and Society in Modern Latin America (Syllabus)"
1689:(Press release) (in Portuguese). 30 November 2006. Archived from
482:
Unable to take care of their only child, the Steins, who live in
475:, to be held in Mexico, the first one to be transmitted live via
5494:
2562:"O Ano em Que Meus Pais Saíram de Férias (2008) - International"
1475:"Abraccine organiza ranking dos 100 melhores filmes brasileiros"
5340:
5124:
5051:
4860:
Siciliano, Tatiana; Helich, Tatiana; Moratelli, Valmir (2023).
3617:"'O Ano em que meus Pais Saíram de Férias' premiado na Espanha"
2845:"Um Oscar para a estupidez "dazelite". Que vergonha, meu Deus!"
4864:[Memory and body of a resistant childhood: an analysis of
4108:"Confira a lista completa dos indicados ao 2º Prêmio Contigo!"
2645:"A Ditadura Militar sob um olhar infantil e muito bem filmado"
677:
495:
3991:"'O ano em que meus pais saíram de férias' vence Prêmio ACIE"
1236:. It was nominated in the 2007 Prêmio Arte Qualidade Brasil (
521:
ace goalkeeper of one of the local football teams; the local
517:; Irene, a beautiful female bartender and her boyfriend, the
3135:"A warm tale of a boy forced into uncertain life on his own"
4056:[Mexico and Brazil dominated the Havana Festival].
1065:
won the Special Critics Award; Best Picture was awarded to
396:. It won 36 awards in 18 film festivals where it competed.
4502:"HIST 399: Soccer and Society in Latin America (Syllabus)"
2709:[Review | The Year My Parents Went on Vacation].
4630:
Transatlantic Studies: Latin America, Iberia, and Africa
2438:"French art journey captured in book | Jewish Film Fest"
1585:[The Dictatorship Through the Eyes of a Child].
4465:"APCA 2006 premia "O Céu de Suely" e "vilões" da Globo"
2536:"O Ano em Que Meus Pais Saíram de Férias (2008) - U.S."
1816:(Interview). Vol. 111, no. 2. p. 46-47.
1479:
Abraccine - Associação Brasileira de Críticos de Cinema
3405:"Vencendores – GP Vivo do Cinema Brasileiro 2007/2008"
3353:. Vol. 139, no. 122. p. H6 – via
3052:. Vol. 10, no. 129. p. PM5 – via
1589:(in Portuguese). Vol. 10, no. 282. p. 9
1148:
in 2007, the film won the Audience Award. At the 11th
931:
After its showing in Berlin in 2007, Deborah Young of
880:
Maureen Curry of the Vernon Film Society, writing for
655:), Cao Hamburger's parents, were both arrested during
4141:"Vencedores do 2° Prêmio Contigo! de Cinema Nacional"
3922:[12th Guarani Prize :: Awards of 2006].
3043:"The tale of a little boy, soccer balls and a Beetle"
3021:. Vol. 123, no. 19. p. H4 – via
1713:"Agência apóia filmes brasileiros indicados ao Oscar"
1028:
atypical of Brazilian men. John Beifuss, writing for
4054:"México y Brasil dominaron el Festival de La Habana"
3576:. Vol. 18, no. 412. p. 1 – via
3370:"A pair of films translate the human condition well"
1810:
Garcia, Maria (February 2008). "extended vacation".
1224:
won the Special Jury Award for Best Cinematography.
5625:
5382:
3567:"Oscar Nominations | Jewish-themed war films named"
3069:"The Year My Parents Went on Vacation Movie Review"
2884:. Vol. 21, no. 2. p. C3 – via
2707:"Crítica | O Ano Em Que Meus Pais Saíram de Férias"
1919:"A história real dos pais que não saíram de férias"
627:441,000 for production, and received an additional
494:, a working-class neighborhood inhabited mainly by
344:
327:
319:
309:
270:
260:
220:
212:
202:
192:
146:
113:
81:
71:
55:
34:
4916:
4463:
4290:[Latin diversity on display in Biarritz].
4106:
3710:
3159:
1917:
1349:"63 Countries Seeking Foreign Language Film Oscar"
1193:In the second Prêmio Contigo! de Cinema Nacional (
1186:also won the Grand Coral second prize at the 29th
4829:". In Rochas, Carolina; Seminet, Georgia (eds.).
4446:(in Portuguese). 12 December 2006. Archived from
1872:Costa, Cristina; Ivo, Consuleo (30 August 2007).
1721:(Press release) (in Portuguese). 24 November 2008
265:Walt Disney Studios Motion Pictures International
3249:"Brand X: Stop-Loss, Street Kings, Smart People"
2936:. Vancouver, BC, Canada. p. 22 – via
2788:"O Ano em que Meus Pais Saíram de Férias (2006)"
1059:Festival Internacional de Cine y TV de Cartagena
1057:was also nominated for Best Picture at the 48th
1683:[DECISION No. 336, NOVEMBER 29, 2006].
1681:"DELIBERAÇÃO No 336, DE 29 DE NOVEMBRO DE 2006"
1645:"DELIBERAÇÃO No 310, DE 01 DE NOVEMBRO DE 2006"
1170:), with both in competition for eleven awards.
451:, in its list of the 100 best Brazilian films.
3920:"12º Prêmio Guarani :: Premiados de 2006"
3195:"Review: The Year My Parents Went on Vacation"
3161:"A Brazilian Boy, Alone in the Tumult of 1970"
938:surprises". Kirk Honeycutt, syndicated by the
5352:
5136:
5063:
4797:[Cinema and the Teaching of History]
4763:Evolving Images: Jewish Latin American Cinema
2182:. 11 January 2012. p. 18. Archived from
1876:[Interview: A film with many doors].
1152:, it won the Jury Award for Best Screenplay.
1117:was also the official selection for the 2007
1099:was among twenty-two films nominated for the
997:" film and unfavorably compared Hamburger to
8:
4793:Oliveira dos Santos, Jaqueline (June 2016).
4288:"La diversidad latina se expone en Biarritz"
3459:[Brazil at the Cartagena Festival].
3144:. Vol. 105, no. 126. p. G-16.
2070:
2068:
5874:Films about Brazilian military dictatorship
4568:Charle Magno, Maria Ignês (December 2013).
4440:[Critics Choose the Best of 2006].
4397:Bailey, Andrew (2007). Duncan, Paul (ed.).
4261:Festival Internacional de Cine de Monterrey
1949:The Faber Book of New South American Cinema
1353:Academy of Motion Picture Arts and Sciences
860:very much like Hamburger's television show
730:played on 22 screens and earned a total of
515:Pontifical Catholic University of São Paulo
5359:
5345:
5337:
5143:
5129:
5121:
5070:
5056:
5048:
5040:
4980:
1911:
1909:
1531:Monush, Barry (2009). Willis, John (ed.).
1269:Rio de Janeiro International Film Festival
40:
31:
4889:
4601:
3542:"Brazil hoping for rare Oscar nomination"
3427:[Elite Corps takes nine awards].
2734:"O Ano Em Que Meus Pais Saíram De Férias"
2173:Filmes Brasileiros Lançados - 1995 a 2011
1889:
1617:"O ano em que meus pais saíram de férias"
1443:"Twenty-ninth Annual Young Artist Awards"
576:Eduardo Moreira as Daniel, Mauro's father
4642:10.3828/liverpool/9781789620252.003.0017
1874:"Entrevista: Um filme com muitas portas"
1867:
1865:
1805:
1803:
1751:. Vol. 295, no. 69. p. 3.
1740:
1738:
1736:
1610:
1608:
1286:was included as required viewing at the
449:98th greatest Brazilian film of all time
429:contributed to the decision to nominate
5152:Cinema Brazil Grand Prize for Best Film
4920:O ano em que meus pais saíram de férias
4665:O ano em que meus pais saíram de férias
4576:O ano em que meus pais saíram de férias
4443:Associação Paulista de Críticos de Arte
4201:[Swallows fly in Suely's Sky].
3810:Associação Brasileira de Cinematografia
3344:"A 'Vacation' from the mindless summer"
2843:Pennafort, Robert (26 September 2007).
2417:"Regal Cinemas Palm Springs 9 Presents"
2030:O Ano em Que Meus Pais Saíram de Férias
1838:O Ano em que Meus Pais Saíram de Férias
1583:"A Ditadura Sob o Olhar de uma Criança"
1576:
1574:
1572:
1526:
1524:
1522:
1520:
1518:
1516:
1437:
1435:
1378:Cajueiro, Marcelo (26 September 2007).
1340:
1316:
1273:Associação Paulista de Críticos de Arte
1105:57th Berlin International Film Festival
779:, mentioned that the press release for
709:Guadalajara International Film Festival
369:O Ano em Que Meus Pais Saíram de Férias
62:O Ano em Que Meus Pais Saíram de Férias
18:O Ano em Que Meus Pais Saíram de Férias
4478:from the original on 22 September 2020
4316:[2007 Awards & Archives].
4025:Feinstein, Howard (19 December 2007).
3783:
3102:"The Year My Parents Went on Vacation"
2929:"The Year My Parents Went on Vacation"
1514:
1512:
1510:
1508:
1506:
1504:
1502:
1500:
1498:
1496:
659:'s dictatorship for hiding activists.
5786:The Invisible Life of Eurídice Gusmão
4603:10.11606/issn.2316-9125.v18i2p125-130
4438:"Críticos Elegem os Melhores de 2006"
4375:São Paulo International Film Festival
4346:(in Portuguese). 2007. Archived from
3174:from the original on 10 February 2018
2348:Masters, Charles (12 February 2007).
1265:São Paulo International Film Festival
1107:, though the prize that year went to
7:
5690:The Year My Parents Went on Vacation
5220:The Year My Parents Went on Vacation
5100:The Year My Parents Went on Vacation
5033:The Year My Parents Went on Vacation
5022:The Year My Parents Went on Vacation
5011:The Year My Parents Went on Vacation
5000:The Year My Parents Went on Vacation
4989:The Year My Parents Went on Vacation
4972:The Year My Parents Went on Vacation
4927:The Year My Parents Went on Vacation
4870:The Year my Parents Went on Vacation
4827:The Year My Parents Went on Vacation
4758:The Year My Parents Went on Vacation
4723:The Year My Parents Went on Vacation
4698:The Year my Parents Went on Vacation
4586:The year my parents went on vacation
4318:Festival de Biarritz Amérique Latine
3295:from the original on 2 December 2017
3247:Croce, Fernando F. (20 April 2008).
3100:Honeycutt, Kirk (15 February 2007).
2435:Leibowitz, Debra (17 January 2008).
2115:(in Portuguese). 26 September 2007.
1916:Saores, Sandra (18 September 2009).
1846:hits the big screen in Brazil].
1844:The Year My Parents Went on Vacation
1581:Fernandes, Yara (29 November 2006).
359:The Year My Parents Went on Vacation
35:The Year My Parents Went on Vacation
5869:Brazilian coming-of-age drama films
4474:(in Portuguese). 12 December 2006.
3600:Huelva Ibero-American Film Festival
2705:Sobrinho, Marcelo (14 April 2020).
1891:10.11606/issn.2316-9125.v12i2p69-77
1537:Applause Theatre & Cinema Books
1089:Huelva Ibero-American Film Festival
744:804,047 with 22 weeks in theaters.
711:, which opened with a screening of
4121:from the original on 19 March 2017
4086:(in Portuguese). 15 September 2007
3836:"Films from the South Awards 2007"
3816:from the original on 10 March 2018
3521:(in Portuguese). 26 September 2007
3425:"Tropa de Elite leva nove prêmios"
3193:Schager, Nick (18 November 2007).
2899:Marchand, Philip (28 March 2008).
2824:(in Portuguese). 26 September 2007
2643:Cabral, Wander (22 January 2008).
1993:Berlin International Film Festival
1420:(in Portuguese). 29 September 2007
1380:"Oscar takes Brazilian 'Vacation'"
1271:, and Best Screenplay at the 2006
1146:Oslo Films From the South Festival
985:Fernando Croce, a film critic for
25:
5463:How Tasty Was My Little Frenchman
4199:"Andorinhas voam no Céu de Suely"
3466:(in Portuguese). 14 February 2008
3457:"Brasil no Festival de Cartagena"
3132:Barber, Marta (18 January 2008).
2759:Joaquim, Luiz (31 October 2006).
2588:Gallagher, Brian (10 July 2008).
1657:. 1 November 2006. Archived from
1653:(Press release) (in Portuguese).
1615:Hessel, Marco (1 November 2006).
1481:(in Portuguese). 27 November 2015
1355:. 17 October 2007. Archived from
1150:Lima Latin American Film Festival
1095:received the Special Jury Award.
638:community, at schools and clubs.
4727:Sport, Film and National Culture
4378:(in Portuguese). 2 November 2006
4003:from the original on 9 June 2021
3341:Toppman, Lawrence (1 May 2008).
3081:from the original on 19 May 2009
2381:"City Lights goes on 'Vacation'"
2350:"'Vacation' unwinding at market"
2321:"RB Cinema 1 bows sales company"
2141:Maia, Diego (9 September 2008).
1850:(in Portuguese). 2 November 2006
467:, which was strongly repressing
5884:Films directed by Cao Hamburger
5864:2000s Portuguese-language films
5859:2000s coming-of-age drama films
5770:Bingo: The King of the Mornings
5376:Best International Feature Film
5300:Bingo: The King of the Mornings
4795:"Cinema e o Ensino de História"
4500:Aguirre, Carlos (Spring 2014).
4294:(in Spanish). 20 September 2007
4205:(in Portuguese). Archived from
4175:(in Portuguese). Archived from
3623:(in Portuguese). Archived from
3564:Tugend, Tom (25 January 2008).
3368:Beifuss, John (18 April 2008).
3040:Knight, Chris (28 March 2008).
3009:Monk, Katherine (30 May 2008).
2978:Monk, Katherine (30 May 2008).
2951:Griffin, John (27 March 2008).
2682:(in Portuguese). Archived from
2651:(in Portuguese). Archived from
2149:(in Portuguese). Archived from
2082:(in Portuguese). Archived from
1764:World Film Locations: São Paulo
1533:Screen World: The Films of 2008
849:Roberta Pennafort, writing for
585:Gabriel Eric Bursztein as Bóris
4314:"Palmarès & archives 2007"
4060:(in Spanish). 14 December 2007
3999:(in Portuguese). 29 May 2007.
3951:[2007 - 4th edition].
3721:(in Portuguese). 24 April 2007
3434:(in Portuguese). 16 April 2008
3326:. p. Gusto 4 – via
3314:Westmore, Jean (23 May 2008).
3067:Young, Deborah (16 May 2007).
2872:Curry, Maureen (25 May 2008).
1:
5722:Elite Squad: The Enemy Within
5682:Cinema, Aspirins and Vultures
5471:John, the Knife and the River
5244:Elite Squad: The Enemy Within
5212:Cinema, Aspirins and Vultures
4756:Meter, Alejandro (2017). "7.
4532:Aguirre, Carlos (Fall 2022).
4237:(in Spanish). 15 October 2007
4117:(in Portuguese). 8 May 2007.
3685:(in Spanish). 23 January 2007
3409:Academia Brasileira de Cinema
3012:"Tugging at the heartstrings"
2245:(Interview). 19 February 2008
1840:chega às telonas de Brasília"
900:John Griffin of the Montreal
808:Ailton Monteiro, writing for
597:Hugueta Sendacz as Dona Eidel
567:as Mótel, Mauro's grandfather
509:enthusiast and wants to be a
440:for Leading Young Performer.
4725:)". In Crosson, Seán (ed.).
4669:Journal of Lusophone Studies
4344:Prêmio Arte Qualidade Brasil
4263:(in Spanish). Archived from
3897:(in Spanish). 15 August 2007
3877:(in Spanish). 11 August 2007
2214:Center for American Progress
989:but writing for the website
773:Marcelo Hessel, writing for
747:Worldwide, the film grossed
703:After playing at Berlinale,
525:and assorted Jewish elders,
5794:Babenco: Tell Me When I Die
2926:Ursic, Greg (29 May 2008).
2678:[Realistic drama].
2445:. p. MB-6 – via
1947:Matheou, Demetrios (2010).
1015:Jean Westmore, writing for
824:Thomas Boeira, writing for
579:Rodrigo dos Santos as Edgar
279:26 September 2006
5920:
5879:Films about missing people
5423:Case of the Naves Brothers
4915:Stein, Shawn (June 2014).
4891:10.1590/1982-2553202359601
4590:Comunicação & Educação
3790:: CS1 maint: url-status (
3735:"2007 TFF Program Release"
3492:(in Spanish). 7 March 2008
2456:"Movies Opening this week"
2180:Agência Nacional do Cinema
2178:(Report) (in Portuguese).
1878:Comunicação & Educação
1813:Film Journal International
1718:Agência Nacional do Cinema
1686:Agência Nacional do Cinema
1650:Agência Nacional do Cinema
783:did note inspiration from
694:Agência Nacional do Cinema
664:Comunicação & Educação
582:Felipe Hanna Braun as Caco
409:Best Foreign Language Film
27:2006 film by Cao Hamburger
5778:The Great Mystical Circus
5391:Death Commands Brigandage
5260:Gonzaga: de Pai pra Filho
5158:
5086:
4768:University of Texas Press
3977:(in Spanish). 10 May 2007
2990:. p. B6 – via
2963:. p. D3 – via
2911:. p. E7 – via
1012:grasp the larger issues.
911:, described the film as "
549:Daniela Piepszyk as Hanna
294:2 November 2006
67:
51:
46:Theatrical release poster
39:
5204:Cazuza: O Tempo Não Pára
4739:10.4324/9780429327018-16
4729:(1st ed.). London:
2981:"It scores, but not big"
2265:"Guadalajara fest opens"
1233:Postcards from Leningrad
1082:29th Young Artist Awards
623:was approved to receive
594:Edu Guimarães as Alfredo
399:It was submitted by the
5899:Films shot in São Paulo
4843:10.1057/9781137030870_5
4807:University of São Paulo
3812:(in Portuguese). 2007.
2954:"It takes a village..."
2881:The Vernon Morning Star
883:The Vernon Morning Star
609:My Life as a Goalkeeper
546:Germano Haiut as Shlomo
543:Michel Joelsas as Mauro
529:immigrants, and so on.
5894:Films set in São Paulo
5599:Four Days in September
5415:São Paulo Incorporated
5407:Black God, White Devil
3844:. 2007. Archived from
3661:. 2007. Archived from
3547:The Morning Daily Star
3488:[48th FICCI].
3350:The Charlotte Observer
3107:The Hollywood Reporter
2960:The Gazette (Montreal)
2821:The Portuguese Tribune
2386:The Hollywood Reporter
2355:The Hollywood Reporter
1279:Other acknowledgements
1038:Awards and nominations
1024:The Charlotte Observer
734:174,423. According to
616:
588:Abrahão Farc as Anatol
573:as Bia, Mauro's mother
372:) is a 2006 Brazilian
367:
5904:2000s Brazilian films
5674:Two Sons of Francisco
5479:The Scarecrow's Night
5368:Brazilian submissions
4945:10.1353/hpn.2014.0050
4874:Clandestine Childhood
4681:10.21471/jls.v3i2.176
4084:Cine Latino Americano
3954:Prêmio ACIE de Cinema
3490:Cine Latino Americano
3411:(in Portuguese). 2008
3375:The Commercial Appeal
3227:Combustible Celluloid
3221:Anderson, Jeffrey M.
2786:Ewald Filho, Rubens.
1655:Ministério da Cultura
1176:Prêmio ACIE de Cinema
1119:Tribeca Film Festival
1061:, or FICCI, in 2008.
1031:The Commercial Appeal
970:Combustible Celluloid
789:as well as directors
617:Minha Vida de Goleiro
498:, many of whom speak
5455:Pra Quem Fica, Tchau
4636:. pp. 193–205.
4634:Liverpool University
4542:University of Oregon
4510:University of Oregon
3841:Films from the South
3158:(15 February 2008).
3029:Canwest News Service
2998:Canwest News Service
2875:"Are they here yet?"
1288:University of Oregon
1188:Havana Film Festival
945:Marta Barber of the
909:Canwest News Service
591:Kaim Fridman as Duda
5714:Lula, Son of Brazil
5559:The Story of Fausta
5551:Subway to the Stars
5511:The Lyre of Delight
4878:Galáxia (São Paulo)
4837:. pp. 83–100.
4816:on 20 January 2019.
4770:. pp. 91–102.
4370:"30ª MOSTRA (2006)"
4350:on 13 December 2013
4259:[Winners].
3573:Chicago Jewish Star
3259:on 29 November 2017
2902:"Alone in the goal"
2189:on 10 November 2012
2086:on 21 February 2014
2015:Galperin, Cláudio;
1392:on 13 February 2008
913:politically correct
740:, the film grossed
465:military government
438:Young Artist Awards
401:Ministry of Culture
5818:Pictures of Ghosts
5738:Neighboring Sounds
5439:Antonio das Mortes
5399:Keeper of Promises
5276:A Wolf at the Door
5196:The Man Who Copied
5092:Castelo Rá-Tim-Bum
5078:Films directed by
5027:TCM Movie Database
4835:Palgrave Macmillan
4776:10.7560/314265-008
4714:10.1111/jpcu.13226
4450:on 11 January 2007
4179:on 23 January 2009
3949:"2007 - 4ª Edição"
3665:on 9 November 2013
3595:"33ª edición 2007"
2674:Monteiro, Ailton.
2616:Valente, Eduardo.
2516:. 26 February 2008
2217:. 14 February 2008
2017:Mantovani, Bráulio
1693:on 23 October 2016
1661:on 23 October 2016
1587:Opinião Socialista
1448:Young Artist Award
1359:on 9 February 2008
955:, writing for the
863:Castelo Rá-Tim-Bum
819:Opinião Socialista
405:2007 Academy Award
174:Rodrigo dos Santos
133:Fernando Meirelles
5889:Films set in 1970
5836:
5835:
5754:The Second Mother
5567:Better Days Ahead
5535:Memoirs of Prison
5334:
5333:
5284:The Second Mother
5268:Brazilian Western
5118:
5117:
4935:(in Portuguese).
4880:(in Portuguese).
4805:(in Portuguese).
4803:O Projeto LabEduc
4592:(in Portuguese).
4320:(in French). 2007
3806:"Prêmio ABC 2007"
3223:"Goalie-Oriented"
2686:on 9 January 2009
2489:Los Angeles Times
2329:. 8 February 2007
2293:"Fund on a spree"
1953:Faber & Faber
1880:(in Portuguese).
1351:(Press release).
1128:/SESI-SP Awards,
394:Bráulio Mantovani
376:film directed by
355:
354:
92:Bráulio Mantovani
16:(Redirected from
5911:
5854:2006 drama films
5746:The Way He Looks
5591:Tieta of Agreste
5543:Hour of the Star
5503:Tent of Miracles
5431:The Amorous Ones
5361:
5354:
5347:
5338:
5236:É Proibido Fumar
5145:
5138:
5131:
5122:
5072:
5065:
5058:
5049:
5044:
4984:
4960:
4957:Internet Archive
4924:
4911:
4893:
4856:
4817:
4815:
4809:. Archived from
4800:
4789:
4752:
4717:
4692:
4655:
4623:
4605:
4555:
4554:
4552:
4550:
4538:
4529:
4523:
4522:
4520:
4518:
4506:
4497:
4491:
4487:
4485:
4483:
4471:Folha de S.Paulo
4467:
4459:
4457:
4455:
4431:
4425:
4424:
4394:
4388:
4387:
4385:
4383:
4366:
4360:
4359:
4357:
4355:
4336:
4330:
4329:
4327:
4325:
4310:
4304:
4303:
4301:
4299:
4284:
4278:
4276:
4274:
4272:
4267:on 19 April 2016
4253:
4247:
4246:
4244:
4242:
4225:
4219:
4218:
4216:
4214:
4195:
4189:
4188:
4186:
4184:
4165:
4159:
4158:
4156:
4154:
4137:
4131:
4130:
4128:
4126:
4110:
4103:
4097:
4095:
4093:
4091:
4076:
4070:
4069:
4067:
4065:
4050:
4044:
4043:
4041:
4039:
4022:
4016:
4012:
4010:
4008:
3986:
3984:
3982:
3966:
3964:
3962:
3942:
3936:
3935:
3933:
3931:
3916:
3910:
3906:
3904:
3902:
3886:
3884:
3882:
3864:
3858:
3857:
3855:
3853:
3832:
3826:
3825:
3823:
3821:
3802:
3796:
3795:
3789:
3781:
3779:
3777:
3762:
3756:
3752:
3750:
3748:
3743:. 7 January 2008
3740:Tribeca Festival
3730:
3728:
3726:
3714:
3704:
3698:
3694:
3692:
3690:
3674:
3672:
3670:
3653:"Programme 2007"
3646:
3640:
3636:
3634:
3632:
3612:
3610:
3608:
3588:
3582:
3581:
3569:
3561:
3555:
3554:
3544:
3537:
3531:
3530:
3528:
3526:
3509:
3503:
3501:
3499:
3497:
3482:
3476:
3475:
3473:
3471:
3453:
3447:
3443:
3441:
3439:
3420:
3418:
3416:
3398:
3392:
3391:
3389:
3387:
3378:. Archived from
3365:
3359:
3358:
3346:
3338:
3332:
3331:
3323:The Buffalo News
3319:
3311:
3305:
3304:
3302:
3300:
3288:The Boston Globe
3281:(4 April 2008).
3275:
3269:
3268:
3266:
3264:
3255:. Archived from
3244:
3238:
3237:
3235:
3233:
3218:
3212:
3211:
3209:
3207:
3190:
3184:
3183:
3181:
3179:
3163:
3152:
3146:
3145:
3137:
3129:
3123:
3122:
3120:
3118:
3112:Associated Press
3097:
3091:
3090:
3088:
3086:
3064:
3058:
3057:
3045:
3037:
3031:
3026:
3014:
3006:
3000:
2995:
2983:
2975:
2969:
2968:
2956:
2948:
2942:
2941:
2931:
2923:
2917:
2916:
2904:
2896:
2890:
2889:
2877:
2869:
2863:
2862:
2860:
2858:
2840:
2834:
2833:
2831:
2829:
2812:
2806:
2805:
2803:
2801:
2783:
2777:
2776:
2774:
2772:
2756:
2750:
2749:
2747:
2745:
2732:Boeira, Thomas.
2729:
2723:
2722:
2720:
2718:
2702:
2696:
2695:
2693:
2691:
2676:"Drama realista"
2671:
2665:
2664:
2662:
2660:
2640:
2634:
2633:
2631:
2629:
2622:Revista Cinética
2613:
2607:
2606:
2604:
2602:
2585:
2579:
2578:
2576:
2574:
2558:
2552:
2551:
2549:
2547:
2532:
2526:
2525:
2523:
2521:
2504:
2498:
2497:
2485:
2478:
2472:
2468:
2458:
2450:
2443:The Miami Herald
2440:
2431:
2419:
2409:
2403:
2402:
2400:
2398:
2391:Associated Press
2377:
2371:
2370:
2368:
2366:
2360:Associated Press
2345:
2339:
2338:
2336:
2334:
2317:
2311:
2310:
2308:
2306:
2289:
2283:
2282:
2280:
2278:
2261:
2255:
2254:
2252:
2250:
2233:
2227:
2226:
2224:
2222:
2205:
2199:
2198:
2196:
2194:
2188:
2177:
2169:
2163:
2162:
2160:
2158:
2138:
2132:
2131:
2129:
2127:
2102:
2096:
2095:
2093:
2091:
2072:
2063:
2062:
2060:
2058:
2035:
2012:
2006:
2005:
2003:
2001:
1989:
1981:
1975:
1974:
1944:
1938:
1937:
1935:
1933:
1921:
1913:
1904:
1903:
1893:
1869:
1860:
1859:
1857:
1855:
1848:Journal Brasilia
1832:
1826:
1825:
1807:
1798:
1797:
1759:
1753:
1752:
1742:
1731:
1730:
1728:
1726:
1709:
1703:
1702:
1700:
1698:
1677:
1671:
1670:
1668:
1666:
1641:
1635:
1634:
1632:
1630:
1612:
1603:
1602:
1599:Internet Archive
1596:
1594:
1578:
1567:
1566:
1535:. Vol. 60.
1528:
1491:
1490:
1488:
1486:
1471:
1465:
1464:
1462:
1460:
1451:. Archived from
1439:
1430:
1429:
1427:
1425:
1408:
1402:
1401:
1399:
1397:
1388:. Archived from
1375:
1369:
1368:
1366:
1364:
1345:
1328:
1321:
1018:The Buffalo News
1008:The Boston Globe
974:My Life as a Dog
940:Associated Press
799:Revista Cinética
791:Steven Spielberg
647:Amélia Hamburger
571:Simone Spoladore
386:Claudio Galperin
301:
299:
286:
284:
180:Daniela Piepszyk
157:Simone Spoladore
88:Claudio Galperin
44:
32:
21:
5919:
5918:
5914:
5913:
5912:
5910:
5909:
5908:
5839:
5838:
5837:
5832:
5621:
5607:Central Station
5378:
5365:
5335:
5330:
5154:
5149:
5119:
5114:
5082:
5076:
5005:Rotten Tomatoes
4967:
4914:
4859:
4853:
4820:
4813:
4798:
4792:
4786:
4755:
4749:
4720:
4702:Popular Culture
4695:
4658:
4652:
4626:
4567:
4564:
4562:Further reading
4559:
4558:
4548:
4546:
4536:
4531:
4530:
4526:
4516:
4514:
4504:
4499:
4498:
4494:
4490:
4481:
4479:
4462:
4453:
4451:
4436:
4432:
4428:
4413:
4405:. p. 560.
4396:
4395:
4391:
4381:
4379:
4368:
4367:
4363:
4353:
4351:
4338:
4337:
4333:
4323:
4321:
4312:
4311:
4307:
4297:
4295:
4286:
4285:
4281:
4270:
4268:
4255:
4254:
4250:
4240:
4238:
4227:
4226:
4222:
4212:
4210:
4209:on 19 July 2007
4197:
4196:
4192:
4182:
4180:
4167:
4166:
4162:
4152:
4150:
4149:(in Portuguese)
4139:
4138:
4134:
4124:
4122:
4105:
4104:
4100:
4089:
4087:
4078:
4077:
4073:
4063:
4061:
4052:
4051:
4047:
4037:
4035:
4024:
4023:
4019:
4015:
4006:
4004:
3989:
3980:
3978:
3969:
3960:
3958:
3957:(in Portuguese)
3947:
3943:
3939:
3929:
3927:
3926:(in Portuguese)
3918:
3917:
3913:
3909:
3900:
3898:
3889:
3880:
3878:
3869:
3865:
3861:
3851:
3849:
3848:on 30 June 2008
3834:
3833:
3829:
3819:
3817:
3804:
3803:
3799:
3782:
3775:
3773:
3772:(in Portuguese)
3764:
3763:
3759:
3755:
3746:
3744:
3733:
3724:
3722:
3709:
3705:
3701:
3697:
3688:
3686:
3677:
3668:
3666:
3651:
3647:
3643:
3639:
3630:
3628:
3627:on 5 March 2016
3615:
3606:
3604:
3593:
3589:
3585:
3563:
3562:
3558:
3539:
3538:
3534:
3524:
3522:
3511:
3510:
3506:
3495:
3493:
3484:
3483:
3479:
3469:
3467:
3455:
3454:
3450:
3446:
3437:
3435:
3423:
3414:
3412:
3403:
3399:
3395:
3385:
3383:
3382:on 24 June 2008
3367:
3366:
3362:
3340:
3339:
3335:
3313:
3312:
3308:
3298:
3296:
3277:
3276:
3272:
3262:
3260:
3246:
3245:
3241:
3231:
3229:
3220:
3219:
3215:
3205:
3203:
3192:
3191:
3187:
3177:
3175:
3154:
3153:
3149:
3131:
3130:
3126:
3116:
3114:
3099:
3098:
3094:
3084:
3082:
3066:
3065:
3061:
3039:
3038:
3034:
3008:
3007:
3003:
2977:
2976:
2972:
2950:
2949:
2945:
2925:
2924:
2920:
2898:
2897:
2893:
2871:
2870:
2866:
2856:
2854:
2853:(in Portuguese)
2842:
2841:
2837:
2827:
2825:
2814:
2813:
2809:
2799:
2797:
2796:(in Portuguese)
2793:Universo Online
2785:
2784:
2780:
2770:
2768:
2767:(in Portuguese)
2758:
2757:
2753:
2743:
2741:
2740:(in Portuguese)
2731:
2730:
2726:
2716:
2714:
2713:(in Portuguese)
2704:
2703:
2699:
2689:
2687:
2673:
2672:
2668:
2658:
2656:
2642:
2641:
2637:
2627:
2625:
2624:(in Portuguese)
2615:
2614:
2610:
2600:
2598:
2587:
2586:
2582:
2572:
2570:
2560:
2559:
2555:
2545:
2543:
2534:
2533:
2529:
2519:
2517:
2506:
2505:
2501:
2480:
2479:
2475:
2471:
2453:
2434:
2414:
2410:
2406:
2396:
2394:
2379:
2378:
2374:
2364:
2362:
2347:
2346:
2342:
2332:
2330:
2319:
2318:
2314:
2304:
2302:
2291:
2290:
2286:
2276:
2274:
2273:. 16 March 2007
2263:
2262:
2258:
2248:
2246:
2235:
2234:
2230:
2220:
2218:
2207:
2206:
2202:
2192:
2190:
2186:
2175:
2171:
2170:
2166:
2156:
2154:
2153:on 5 March 2016
2140:
2139:
2135:
2125:
2123:
2104:
2103:
2099:
2089:
2087:
2074:
2073:
2066:
2056:
2054:
2044:
2033:
2014:
2013:
2009:
1999:
1997:
1987:
1983:
1982:
1978:
1963:
1955:. p. 225.
1946:
1945:
1941:
1931:
1929:
1928:(in Portuguese)
1915:
1914:
1907:
1871:
1870:
1863:
1853:
1851:
1834:
1833:
1829:
1809:
1808:
1801:
1778:
1768:Intellect Books
1761:
1760:
1756:
1744:
1743:
1734:
1724:
1722:
1711:
1710:
1706:
1696:
1694:
1679:
1678:
1674:
1664:
1662:
1643:
1642:
1638:
1628:
1626:
1625:(in Portuguese)
1614:
1613:
1606:
1592:
1590:
1580:
1579:
1570:
1547:
1539:. p. 238.
1530:
1529:
1494:
1484:
1482:
1473:
1472:
1468:
1458:
1456:
1441:
1440:
1433:
1423:
1421:
1410:
1409:
1405:
1395:
1393:
1377:
1376:
1372:
1362:
1360:
1347:
1346:
1342:
1337:
1332:
1331:
1322:
1318:
1313:
1296:
1281:
1252:
1138:Adriano Goldman
1110:Tuya's Marriage
1077:
1045:
1040:
999:Marjane Satrapi
979:Cinema Paradiso
929:
878:
842:Universo Online
771:
763:
690:
643:Ernst Hamburger
605:
600:
539:
457:
340:
312:
305:
297:
295:
282:
280:
273:
256:
255:
225:
223:
197:Adriano Goldman
188:
166:Eduardo Moreira
142:
129:Sonia Hamburger
126:Fabiano Gullane
109:
47:
28:
23:
22:
15:
12:
11:
5:
5917:
5915:
5907:
5906:
5901:
5896:
5891:
5886:
5881:
5876:
5871:
5866:
5861:
5856:
5851:
5841:
5840:
5834:
5833:
5831:
5830:
5826:I'm Still Here
5822:
5814:
5806:
5802:Private Desert
5798:
5790:
5782:
5774:
5766:
5758:
5750:
5742:
5734:
5726:
5718:
5710:
5702:
5694:
5686:
5678:
5670:
5662:
5654:
5646:
5642:Behind the Sun
5638:
5629:
5627:
5623:
5622:
5620:
5619:
5611:
5603:
5595:
5587:
5579:
5571:
5563:
5555:
5547:
5539:
5531:
5523:
5519:Bye Bye Brazil
5515:
5507:
5499:
5491:
5483:
5475:
5467:
5459:
5451:
5443:
5435:
5427:
5419:
5411:
5403:
5395:
5386:
5384:
5380:
5379:
5366:
5364:
5363:
5356:
5349:
5341:
5332:
5331:
5329:
5328:
5320:
5312:
5304:
5296:
5288:
5280:
5272:
5264:
5256:
5248:
5240:
5232:
5224:
5216:
5208:
5200:
5192:
5184:
5176:
5168:
5159:
5156:
5155:
5150:
5148:
5147:
5140:
5133:
5125:
5116:
5115:
5113:
5112:
5104:
5096:
5087:
5084:
5083:
5077:
5075:
5074:
5067:
5060:
5052:
5046:
5045:
5029:
5018:
5007:
4996:
4985:
4966:
4965:External links
4963:
4962:
4961:
4939:(2): 256-263.
4912:
4857:
4851:
4818:
4790:
4784:
4753:
4747:
4718:
4693:
4656:
4650:
4624:
4596:(2): 125–130.
4563:
4560:
4557:
4556:
4524:
4492:
4489:
4488:
4460:
4433:
4426:
4411:
4389:
4361:
4331:
4305:
4279:
4248:
4220:
4190:
4160:
4132:
4098:
4071:
4045:
4017:
4014:
4013:
3987:
3967:
3944:
3937:
3924:Papo de Cinema
3911:
3908:
3907:
3887:
3866:
3859:
3827:
3797:
3757:
3754:
3753:
3731:
3706:
3699:
3696:
3695:
3675:
3648:
3641:
3638:
3637:
3621:Cultura Cinema
3613:
3590:
3583:
3578:Newspapers.com
3556:
3551:Newspapers.com
3532:
3504:
3477:
3448:
3445:
3444:
3421:
3400:
3393:
3360:
3355:Newspapers.com
3333:
3328:Newspapers.com
3306:
3279:Morris, Wesley
3270:
3239:
3213:
3200:Slant Magazine
3185:
3167:New York Times
3147:
3124:
3092:
3059:
3054:Newspapers.com
3032:
3027:Syndicated by
3023:Newspapers.com
3001:
2996:Syndicated by
2992:Newspapers.com
2970:
2965:Newspapers.com
2943:
2938:Newspapers.com
2918:
2913:Newspapers.com
2891:
2886:Newspapers.com
2864:
2835:
2807:
2778:
2765:Cinema Escrito
2751:
2738:Papo de Cinema
2724:
2697:
2666:
2655:on 4 July 2017
2635:
2608:
2580:
2553:
2527:
2499:
2494:Newspapers.com
2473:
2470:
2469:
2465:Newspapers.com
2451:
2447:Newspapers.com
2432:
2428:Newspapers.com
2423:The Desert Sun
2411:
2404:
2393:. 16 July 2007
2372:
2340:
2312:
2284:
2256:
2228:
2200:
2164:
2133:
2097:
2064:
2042:
2025:Hamburger, Cao
2021:Muylaert, Anna
2007:
1976:
1961:
1939:
1925:Veja São Paulo
1905:
1861:
1827:
1799:
1776:
1770:. p. 74.
1754:
1732:
1704:
1672:
1636:
1604:
1568:
1545:
1492:
1466:
1455:on 6 July 2008
1431:
1417:Gazeta do Povo
1403:
1370:
1339:
1338:
1336:
1333:
1330:
1329:
1315:
1314:
1312:
1309:
1308:
1307:
1302:
1295:
1292:
1280:
1277:
1251:
1248:
1142:Daniel Rezende
1076:
1073:
1044:
1041:
1039:
1036:
987:Slant Magazine
964:Slant Magazine
958:New York Times
928:
925:
877:
874:
836:Cinema Escrito
826:Papo de Cinema
770:
767:
762:
759:
720:Cannes in 2006
689:
686:
662:Speaking with
604:
601:
599:
598:
595:
592:
589:
586:
583:
580:
577:
574:
568:
562:
559:Liliana Castro
556:
550:
547:
544:
540:
538:
535:
484:Belo Horizonte
456:
453:
382:Adriana Falcão
353:
352:
346:
342:
341:
339:
338:
335:
331:
329:
325:
324:
321:
317:
316:
313:
310:
307:
306:
304:
303:
292:
289:Rio de Janeiro
276:
274:
271:
268:
267:
262:
261:Distributed by
258:
257:
254:
253:
250:
247:
244:
239:
236:
235:Caos Produções
233:
232:Gullane Filmes
229:
228:
226:
221:
218:
217:
214:
210:
209:
207:Daniel Rezende
204:
200:
199:
194:
193:Cinematography
190:
189:
187:
186:
181:
178:
177:Michel Joelsas
175:
172:
170:Liliana Castro
167:
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159:
154:
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143:
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140:
135:
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105:Adriana Falcão
102:
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37:
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26:
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14:
13:
10:
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6:
4:
3:
2:
5916:
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5897:
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5811:
5807:
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5791:
5788:
5787:
5783:
5780:
5779:
5775:
5772:
5771:
5767:
5764:
5763:
5762:Little Secret
5759:
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5748:
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5743:
5740:
5739:
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5727:
5724:
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5711:
5708:
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5700:
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5698:Last Stop 174
5695:
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5675:
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5668:
5667:
5663:
5660:
5659:
5655:
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5644:
5643:
5639:
5636:
5635:
5634:Me, You, Them
5631:
5630:
5628:
5624:
5617:
5616:
5612:
5609:
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5601:
5600:
5596:
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5513:
5512:
5508:
5505:
5504:
5500:
5497:
5496:
5492:
5489:
5488:
5487:Ogum's Amulet
5484:
5481:
5480:
5476:
5473:
5472:
5468:
5465:
5464:
5460:
5457:
5456:
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5401:
5400:
5396:
5393:
5392:
5388:
5387:
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5381:
5377:
5373:
5372:Academy Award
5369:
5362:
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5350:
5348:
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5326:
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5110:
5109:
5105:
5102:
5101:
5097:
5094:
5093:
5089:
5088:
5085:
5081:
5080:Cao Hamburger
5073:
5068:
5066:
5061:
5059:
5054:
5053:
5050:
5043:
5039:
5035:
5034:
5030:
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5023:
5019:
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5008:
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4986:
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4909:
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4901:
4897:
4892:
4887:
4883:
4879:
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4867:
4863:
4858:
4854:
4852:9781349440610
4848:
4844:
4840:
4836:
4832:
4828:
4824:
4819:
4812:
4808:
4804:
4796:
4791:
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4785:9781477314272
4781:
4777:
4773:
4769:
4765:
4764:
4759:
4754:
4750:
4748:9780429327018
4744:
4740:
4736:
4732:
4728:
4724:
4719:
4715:
4711:
4707:
4703:
4699:
4694:
4690:
4686:
4682:
4678:
4674:
4670:
4666:
4662:
4661:Casa de areia
4657:
4653:
4651:9781789620252
4647:
4643:
4639:
4635:
4632:. Liverpool:
4631:
4625:
4621:
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4609:
4604:
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4427:
4422:
4418:
4414:
4412:9783822856369
4408:
4404:
4401:. Hong Kong:
4400:
4393:
4390:
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4376:
4371:
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4293:
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4280:
4266:
4262:
4258:
4252:
4249:
4236:
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4234:Listin Diario
4230:
4224:
4221:
4208:
4204:
4200:
4194:
4191:
4178:
4174:
4170:
4164:
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3860:
3847:
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3579:
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3568:
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3557:
3552:
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3543:
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3533:
3520:
3519:
3514:
3508:
3505:
3491:
3487:
3481:
3478:
3465:
3463:
3462:Rolling Stone
3458:
3452:
3449:
3433:
3431:
3430:Rolling Stone
3426:
3422:
3410:
3406:
3402:
3401:
3397:
3394:
3381:
3377:
3376:
3371:
3364:
3361:
3356:
3352:
3351:
3345:
3337:
3334:
3329:
3325:
3324:
3318:
3310:
3307:
3294:
3290:
3289:
3284:
3280:
3274:
3271:
3258:
3254:
3250:
3243:
3240:
3228:
3224:
3217:
3214:
3202:
3201:
3196:
3189:
3186:
3173:
3169:
3168:
3162:
3157:
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3148:
3143:
3142:
3136:
3128:
3125:
3113:
3109:
3108:
3103:
3096:
3093:
3080:
3076:
3075:
3070:
3063:
3060:
3055:
3051:
3050:
3049:National Post
3044:
3036:
3033:
3030:
3024:
3020:
3019:
3018:Vancouver Sun
3013:
3005:
3002:
2999:
2993:
2989:
2988:
2982:
2974:
2971:
2966:
2962:
2961:
2955:
2947:
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2910:
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2903:
2895:
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2846:
2839:
2836:
2823:
2822:
2817:
2811:
2808:
2795:
2794:
2789:
2782:
2779:
2766:
2762:
2755:
2752:
2739:
2735:
2728:
2725:
2712:
2711:Plano Crítico
2708:
2701:
2698:
2685:
2681:
2677:
2670:
2667:
2654:
2650:
2646:
2639:
2636:
2623:
2619:
2612:
2609:
2597:
2596:
2591:
2584:
2581:
2569:
2568:
2563:
2557:
2554:
2542:
2541:
2537:
2531:
2528:
2515:
2514:
2509:
2503:
2500:
2495:
2491:
2490:
2484:
2483:"Sneaks 2008"
2477:
2474:
2466:
2462:
2457:
2452:
2448:
2444:
2439:
2433:
2429:
2425:
2424:
2418:
2413:
2412:
2408:
2405:
2392:
2388:
2387:
2382:
2376:
2373:
2361:
2357:
2356:
2351:
2344:
2341:
2328:
2327:
2322:
2316:
2313:
2301:. 23 May 2006
2300:
2299:
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2288:
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2272:
2271:
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2260:
2257:
2244:
2243:
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2229:
2216:
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2210:
2204:
2201:
2185:
2181:
2174:
2168:
2165:
2152:
2148:
2144:
2137:
2134:
2122:
2118:
2114:
2112:
2111:Rolling Stone
2107:
2101:
2098:
2085:
2081:
2077:
2071:
2069:
2065:
2053:
2049:
2045:
2043:9788570605726
2039:
2032:
2031:
2026:
2022:
2018:
2011:
2008:
1995:
1994:
1986:
1980:
1977:
1972:
1968:
1964:
1962:9780571343430
1958:
1954:
1950:
1943:
1940:
1927:
1926:
1920:
1912:
1910:
1906:
1901:
1897:
1892:
1887:
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1819:
1815:
1814:
1806:
1804:
1800:
1795:
1791:
1787:
1783:
1779:
1777:9781783201150
1773:
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1588:
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1577:
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1573:
1569:
1564:
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1556:
1552:
1548:
1546:9781423473701
1542:
1538:
1534:
1527:
1525:
1523:
1521:
1519:
1517:
1515:
1513:
1511:
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1507:
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1501:
1499:
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1301:
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1266:
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1240:
1235:
1234:
1229:
1225:
1223:
1219:
1218:
1213:
1209:
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1202:
1198:
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1191:
1189:
1185:
1181:
1177:
1173:
1169:
1168:
1163:
1162:
1157:
1153:
1151:
1147:
1143:
1139:
1135:
1131:
1127:
1122:
1120:
1116:
1112:
1111:
1106:
1102:
1098:
1094:
1090:
1085:
1083:
1074:
1072:
1070:
1069:
1064:
1060:
1056:
1052:
1051:
1042:
1037:
1035:
1033:
1032:
1026:
1025:
1020:
1019:
1013:
1010:
1009:
1004:
1003:Wesley Morris
1000:
996:
992:
988:
983:
981:
980:
975:
971:
966:
965:
960:
959:
954:
950:
949:
943:
941:
936:
935:
927:United States
926:
924:
921:
919:
918:National Post
914:
910:
905:
904:
898:
896:
891:
890:
885:
884:
875:
873:
871:
870:
865:
864:
858:
854:
853:
847:
844:
843:
837:
833:
832:
827:
822:
820:
815:
814:Plano Crítico
811:
806:
804:
800:
796:
792:
788:
787:
782:
778:
777:
768:
766:
760:
758:
756:
752:
750:
745:
743:
739:
738:
733:
727:
725:
721:
716:
714:
710:
706:
701:
699:
695:
687:
685:
683:
679:
675:
674:
669:
665:
660:
658:
654:
653:
648:
644:
639:
636:
632:
630:
626:
622:
618:
614:
610:
602:
596:
593:
590:
587:
584:
581:
578:
575:
572:
569:
566:
563:
560:
557:
554:
551:
548:
545:
542:
541:
536:
534:
530:
528:
524:
520:
516:
512:
508:
503:
501:
497:
493:
489:
485:
480:
478:
474:
470:
466:
462:
454:
452:
450:
446:
441:
439:
434:
432:
428:
424:
420:
419:
414:
410:
406:
402:
397:
395:
391:
390:Anna Muylaert
387:
383:
379:
378:Cao Hamburger
375:
371:
370:
365:
361:
360:
350:
347:
343:
336:
333:
332:
330:
326:
322:
318:
314:
308:
302: (Brazil)
293:
290:
278:
277:
275:
272:Release dates
269:
266:
263:
259:
251:
248:
245:
243:
240:
237:
234:
231:
230:
227:
219:
216:Beto Villares
215:
211:
208:
205:
201:
198:
195:
191:
185:
182:
179:
176:
173:
171:
168:
165:
163:
160:
158:
155:
153:Germano Haiut
152:
151:
149:
145:
139:
136:
134:
131:
128:
125:
123:Cao Hamburger
122:
119:
118:
116:
112:
106:
103:
101:Cao Hamburger
100:
98:
97:Anna Muylaert
95:
93:
90:
87:
86:
84:
80:
77:
76:Cao Hamburger
74:
70:
66:
63:
60:
58:
54:
50:
43:
38:
33:
30:
19:
5824:
5816:
5808:
5800:
5792:
5784:
5776:
5768:
5760:
5752:
5744:
5736:
5728:
5720:
5712:
5706:Time of Fear
5704:
5696:
5689:
5688:
5680:
5672:
5664:
5656:
5648:
5640:
5632:
5626:2000—present
5613:
5605:
5597:
5589:
5581:
5573:
5565:
5557:
5549:
5541:
5533:
5525:
5517:
5509:
5501:
5493:
5485:
5477:
5469:
5461:
5453:
5445:
5437:
5429:
5421:
5413:
5405:
5397:
5389:
5322:
5314:
5306:
5298:
5290:
5282:
5274:
5266:
5258:
5250:
5242:
5234:
5226:
5219:
5218:
5210:
5202:
5194:
5186:
5178:
5170:
5162:
5106:
5099:
5098:
5090:
5031:
5021:
5010:
4999:
4988:
4971:
4955:– via
4936:
4930:
4926:
4919:
4881:
4877:
4873:
4869:
4865:
4833:. New York:
4830:
4826:
4822:
4811:the original
4802:
4762:
4757:
4726:
4722:
4708:(1): 50–69.
4705:
4701:
4697:
4675:(2): 24–46.
4672:
4668:
4664:
4660:
4629:
4593:
4589:
4585:
4581:
4575:
4571:
4547:. Retrieved
4540:
4527:
4515:. Retrieved
4508:
4495:
4480:. Retrieved
4469:
4452:. Retrieved
4448:the original
4441:
4429:
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