266:
material, displaying greater maturity both lyrically and in arrangement. The title track "Obscure
Alternatives", was a feature of their live set until 1981; its arrangement became more and more abstract tour after tour. On the album, it is slow and brooding building to a climax as Sylvian literally screams in anger at the situation he was in. Also notable is "...Rhodesia", again performed live in 1981. With its solid reggae groove and Sylvian beginning to use the lower range of his voice in places. His deeper voice also appeared on "Deviation", a single in Europe, and "Suburban Berlin". The album still included some pop material as "Automatic Gun" and the single "Sometimes I Feel So Low". It was appropriate that "The Tenant" ends the album, as it closes a chapter in the groups career. Japan were emerging as recording artists, as opposed being rock stars. The following chapter was their third album
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The tracks "Deviation" and "Sometimes I Feel So Low" were released as singles in certain countries, the latter as a double A-side with a re-recorded version of "Adolescent Sex" (the title track of their first album, re-recorded during the sessions for this album). It became Japan's first
European hit
265:
is a pivotal work as it bridges two phases of the group. The order of the tracks was very important and intentional. The first half featured material that was mostly part of the group's live show including "Love is
Infectious" which was written prior to their debut album. The second includes newer
260:
in 10 days, most definitely a rock album, but one with a twist, as Japan gained the courage to assert themselves as artists and individuals. The crucial track concerned was "The Tenant", a very important piece for Japan as it changed their direction. Taken as a whole
252:, had been unsuccessful on the British charts, and their record company required another album, this time aimed at the lucrative US and European markets where rock was dominating the airwaves. Still working with Ray Singer as producer, singer and songwriter
31:
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The final track, "The Tenant", a piano based instrumental, was the first notable shift towards the direction their later material would take. "The Tenant" also marks bassist
285:
wrote that the album "adds more keyboards but still relies on Rob Dean's buzzing guitars and David
Sylvian's sneery vocals for its sound". Certain tracks contain elements of
256:
in particular found it difficult to take a back seat and began to demand more control over the eventual presentation of the material. The band's response was to record
495:' review was unfavourable, writing: "The songs are fairly unmelodic, the production nondescript. With a quick listen, you might mistake this for a junior-league
305:
guitar". The title track is described as "wonderfully atmospheric and slightly menacing", while "Love Is
Infectious" "put the band completely into discordant
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was commercially unsuccessful in the UK, but garnered moderate success in Japan, where it peaked just outside the Top 20.
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Paul Rymer, 2004. Sleeve notes. Japan, Obscure
Alternatives. CD Album Remastered. BMG, Hansa. 82876 566942
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was more positive, writing retrospectively: "Although the set isn't quite up to par with its predecessor,
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349:. Both tracks were mixed together to form "I Can't Wait", which was club hit for L'il Devious in 2003.
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The album was remastered and re-released in 2004, and included a video for "Sometimes I Feel So Low".
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single, and the re-recorded version of "Adolescent Sex" is featured on the 1981 compilation album
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art house-dom". "....Rhodesia", Hanson writes, "brought the funk back and infused it with a
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There's a Light That Enters Houses with No Other House in Sight
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297:'s Amy Hanson described "Automatic Gun" as "a spit-shined
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Cowley, Jason (8 December 2003). "Mad about the boy".
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was released in
October 1978, only seven months after
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Oricon Album Chart Book: Complete
Edition 1970–2005
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1005:Japan - A Foreign Place (The Biography 1974-1984)
1160:"Dutchcharts.nl – Japan – Obscure Alternatives"
1143:Birch, Ian (25 November 1982). "Setting Sons".
1025:
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950:"Obscure Alternatives – Japan | AllMusic"
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1058:Severs, Joanna (2003). Buckley, Peter (ed.).
978:. Vol. 16, no. 786. pp. 42–43.
8:
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234:, released in October 1978 by record label
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1130:MusicHound Rock: The Essential Album Guide
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516:would have been a better debut album than
455:MusicHound Rock: The Essential Album Guide
359:
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20:
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1132:. Visible Ink Press. 1996. p. 358.
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529:All tracks are written by David Sylvian
512:Sylvian has gone on record saying that
2016:Ember Glance: The Permanence of Memory
1149:. Vol. 4, no. 24. p. 8.
226:is the second studio album by English
1648:Died in the Wool – Manafon Variations
1179:, Tokyo: Oricon Entertainment. 2006.
660:
365:
7:
1609:When Loud Weather Buffeted Naoshima
1641:The Good Son vs. The Only Daughter
1574:Alchemy: An Index of Possibilities
207:Released: March 1979 (Netherlands)
14:
1111:The Encyclopedia of Popular Music
863:Fin Costello – sleeve photography
740:"Sometimes I Feel So Low" (video)
462:
424:
417:The Encyclopedia of Popular Music
386:
320:'s recording debut on saxophone.
1032:"TrouserPress.com :: Japan"
729:"Sometimes I Feel So Low (Live)"
509:is still a challenging listen."
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18:1978 studio album by Japan
1:
1064:. Rough Guides. p. 534.
707:"Obscure Alternatives (Live)"
675:2004 remaster CD bonus tracks
891:
1960:Heartbeat (Tainai Kaiki II)
1701:A Victim of Stars 1982–2012
335:. As with the first album,
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1162:(in Dutch). Hung Medien.
1030:Robbins, Ira; Aswad, Jem.
1003:Reynolds, Anthony (2016).
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1091:Paul Rymer, liner notes,
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301:shocker backed by bright
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198:Released: 13 October 1978
195:"Sometimes I Feel So Low"
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1988:Plight & Premonition
1830:Gentlemen Take Polaroids
1453:Gentlemen Take Polaroids
1326:Gentlemen Take Polaroids
1114:(5th concise ed.).
1418:Don't Rain on My Parade
1061:The Rough Guide to Rock
1894:The Very Best of Japan
1680:Everything and Nothing
1588:Secrets of the Beehive
1502:All Tomorrow's Parties
1400:The Very Best of Japan
620:"Obscure Alternatives"
1740:Words with the Shaman
1446:I Second That Emotion
246:Japan's first album,
184:Obscure Alternatives
2090:Hansa Records albums
1816:Obscure Alternatives
1761:Let the Happiness In
1312:Obscure Alternatives
1205:Obscure Alternatives
1093:Obscure Alternatives
948:Hanson, Amy (2011).
832:Additional personnel
576:"Love Is Infectious"
514:Obscure Alternatives
507:Obscure Alternatives
361:Professional ratings
337:Obscure Alternatives
329:Obscure Alternatives
263:Obscure Alternatives
258:Obscure Alternatives
223:Obscure Alternatives
153:Obscure Alternatives
24:Obscure Alternatives
2080:Japan (band) albums
1726:The Ink in the Well
1673:Approaching Silence
1595:Dead Bees on a Cake
1344:(as Rain Tree Crow)
992:. 20 December 2023.
676:
600:
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1872:Compilation albums
1460:The Art of Parties
1371:Compilation albums
1212:(list of releases)
823:, backing vocals,
809:, backing vocals,
696:"Deviation (Live)"
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1995:Flux + Mutability
1953:Forbidden Colours
1918:Snow Borne Sorrow
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1887:Exorcising Ghosts
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1393:Exorcising Ghosts
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1259:David Sylvian
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1116:Omnibus Press
1113:
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1107:
1106:Larkin, Colin
1101:
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1071:9781843531050
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1037:Trouser Press
1033:
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1024:
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1006:
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990:"nightporter"
985:
982:
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976:New Statesman
970:
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930:. p. 70.
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887:Album Top 100
883:
877:
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867:
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857:Ian Cooper –
856:
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762:David Sylvian
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662:Total length:
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524:Track listing
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2058:Damage: Live
2056:
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2028:Robert Fripp
2014:
1993:
1986:
1965:
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1699:
1694:Sleepwalkers
1692:
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1664:
1658:Compilations
1646:
1639:
1633:Remix albums
1621:
1614:
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1600:
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1474:European Son
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1273:Steve Jansen
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1075:. Retrieved
1060:
1053:
1041:. Retrieved
1035:
1013:
1004:
998:
984:
975:
969:
957:. Retrieved
954:allmusic.com
953:
925:"Music Week"
919:
817:Steve Jansen
653:"The Tenant"
528:
517:
513:
511:
506:
501:
499:imitation."
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39:Studio album
15:
2085:1978 albums
1909:Nine Horses
1854:Live albums
1782:I Surrender
1754:Silver Moon
1495:Nightporter
1353:Live albums
793:synthesizer
766:lead vocals
631:"Deviation"
204:"Deviation"
62:Summer 1978
2074:Categories
1880:Assemblage
1823:Quiet Life
1719:Red Guitar
1666:Weatherbox
1439:Quiet Life
1379:Assemblage
1319:Quiet Life
1146:Smash Hits
911:References
842:production
838:Ray Singer
825:percussion
781:– guitar,
346:Assemblage
269:Quiet Life
242:Background
162:Quiet Life
133:chronology
124:Ray Singer
1266:Mick Karn
1043:3 October
880:position
859:mastering
811:saxophone
803:Mick Karn
797:keyboards
751:Personnel
356:Reception
318:Mick Karn
313:essence.
311:Caribbean
307:post-punk
81:post-punk
1837:Tin Drum
1775:Pop Song
1333:Tin Drum
1287:Rob Dean
1177:Roppongi
1108:(2011).
959:3 August
854:, mixing
852:engineer
844:, mixing
827:, mixing
813:, mixing
799:, mixing
785:, mixing
779:Rob Dean
599:Side two
533:Side one
503:AllMusic
380:AllMusic
295:AllMusic
228:new wave
119:Producer
76:New wave
59:Recorded
51:Released
41: by
2051:Darshan
1768:Orpheus
1711:Singles
1687:Camphor
1616:Manafon
1602:Blemish
1410:Singles
1210:Discogs
324:Release
276:Content
180:Singles
166:(1979)
157:(1978)
148:(1978)
1509:Canton
1481:Ghosts
1183:
1068:
899:Oricon
868:Charts
774:mixing
770:guitar
743:
688:Length
612:Length
546:Length
497:Stones
374:Rating
371:Source
291:reggae
90:Length
2026:with
2005:with
1977:with
1935:with
1793:Japan
1386:Japan
1247:Japan
1077:9 May
928:(PDF)
821:drums
756:Japan
685:Title
666:41:17
609:Title
543:Title
520:was.
236:Hansa
232:Japan
230:band
182:from
131:Japan
112:Hansa
107:Label
68:Genre
44:Japan
1181:ISBN
1079:2016
1066:ISBN
1045:2015
961:2011
878:Peak
807:bass
732:4:06
721:6:12
710:6:05
699:3:20
656:7:14
645:4:59
634:3:23
623:6:50
590:3:46
579:4:10
568:6:48
557:4:07
299:punk
289:and
287:funk
1208:at
904:21
892:41
737:13.
726:12.
715:11.
704:10.
681:No.
605:No.
539:No.
303:pop
2076::
1175:.
1034:.
1022:^
952:.
936:^
901:)
889:)
850:–
840:–
819:–
805:–
795:,
791:–
772:,
768:,
764:–
693:9.
650:8.
639:7.
628:6.
617:5.
584:4.
573:3.
562:2.
551:1.
293:.
272:.
238:.
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963:.
97::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
