Knowledge (XXG)

Obscurity Knocks

Source đź“ť

29: 287:
stated, "'Obscurity Knocks' is an absolute howitzer of a single with one eye firmly on the Top 40, jangly guitars, a snappy beat and some marvellously intriguing lyrics providing the ideal backdrop for Frank's love-torn vocals." Bob Stanley of
280:
springing to mind. Melodic and mature with a neat sense of drama, they're a touch astute to be dismissed as twee, jangling guitar music. A plusher sound should see them embellish the charts some day." Tim Southwell of
319:
picked it as one of the magazine's "singles of the week" and described the EP as a "four-song miracle of human life" and "overwhelming winsome and winning". He wrote, "Aztec Camera, the Housemartins,
800: 821: 368:, Carlene Bauer commented: "'Obscurity Knocks,' a high-spirited grouse about fickle fame and fleeting youth, is the best - and eeriest - number." Colin Larkin, in his 1995 book 657: 276:
described "Obscurity Knocks" as "pleasantly-strummed, inoffensive pop" and commented, "This lot keep up Scotland's fine tradition for producing guitar pop, with the likes of
843: 927: 329:
praised the song as being a "beautifully melodic guitar jangle that lifts the spirits straight away". She noted how Reader's vocals were reminiscent of
323:
and the La's – all very special groups, and now you can listen to them all at once! Perfect. Crystalline. Divine. Confident..." Penny Kiley of the
302:, some neat xylophone to touch up the chorus, and a singer not afraid to sound Scottish without resorting to the porridge gargling antics of 364:
described the song, along with the album's other singles, as the "tastiest pieces of pure pop pleasure". In a 1999 review of the album by
853: 661: 28: 370: 1078: 920: 253:. The EP reached No. 86 in the UK and remained on the chart for four weeks. In 1991, the song reached No. 12 on the 1083: 913: 596: 874: 997: 890: 878: 552: 333:
and felt the song musically had "hints of the Housemartins and a bit of the Smiths". Jennifer Grant of the
236: 192: 40: 1073: 1013: 785: 352: 335: 1039: 894: 569: 306:". He added that "everything's dandy except the lyrics which are 90 per cent gruesome puns that even 255: 216: 294:
said that beyond the band's "dreadful name", "Obscurity Knocks" has a "strong melody reminiscent of
1068: 751: 564: 315: 635: 498: 356:
described the song as one of the "standouts" on "this fine debut". In a retrospective review of
250: 185: 766:
Kiley, Penny (10 February 1990). "Penny Kiley's Rock and Pop - New releases: Penny's verdict".
936: 849: 714: 689: 259: 58: 339:
described it as an "excellent single" and one that has a "sprinkle of the Smiths, a touch of
548: 295: 1046: 303: 179: 1005: 768: 325: 307: 138: 36: 636:"TRASH CAN SINATRAS | full Official Chart History | Official Charts Company" 1062: 709: 684: 340: 283: 272: 240: 845:
The Guinness Encyclopedia of Popular Music: Threepenny Opera-Z.Z. Top - Google Books
989: 734: 614: 290: 277: 245: 125: 49: 510: 330: 299: 86: 320: 149: 99: 91: 718: 693: 243:(and promotional single in the United States) from their debut studio album 133: 361: 95: 905: 909: 615:"Cake - The Trash Can Sinatras | Songs, Reviews, Credits" 365: 783:
Grant, Jennifer (20 March 1990). "Discover: Single Reviews".
891:"The Trash Can Sinatras Chart History (Alternative Airplay)" 597:"The Trash Can Sinatras - Obscurity Knocks E.P. on Discogs)" 249:. It was written by all five band members and produced by 707:
Southwell, Tim (24 February 1990). "Dustbins, Frankly".
682:
Murphy, Kevin (17 February 1990). "Dustbins, Frankly".
658:"The Trashcan Sinatras Obscurity Knocks Chart History" 1024: 981: 191: 177: 147: 124: 105: 85: 77: 56: 46: 35: 21: 875:"The Trash Can Sinatras: Artist Chart History" 921: 8: 749:Collins, Andrew (10 March 1990). "Singles". 732:Stanley, Bob (10 February 1990). "Singles". 608: 606: 928: 914: 906: 534: 371:The Guinness Encyclopedia of Popular Music 343:and just a hint of Roddy Frame about it". 27: 18: 504:Peter Rose – assistant producer, engineer 461:"Obscurity Knocks (Album Version)" - 4:10 588: 45: 34: 801:"Orange Coast Magazine - Google Books" 822:"CMJ New Music Report - Google Books" 374:, described the song as "plaintive". 16:1990 single by The Trash Can Sinatras 7: 526:Porterhouse Management – management 239:, which was released in 1990 as an 14: 523:Ben Argueta – design (US release) 458:"Obscurity Knocks (Edit)" - 3:35 270:On its release, Kevin Murphy of 513:– mixing on "Obscurity Knocks" 1: 479:Paul Livingston – lead guitar 235:" is a song by Scottish band 842:Larkin, Colin (2010-09-28). 482:John Douglas – rhythm guitar 442:"The Best Man's Fall" – 3:39 429:"The Best Man's Fall" – 3:39 407:"The Best Man's Fall" – 3:39 394:"The Best Man's Fall" – 3:39 899:. Retrieved 7 August 2017. 881:. Retrieved 7 August 2017. 660:. Billboard. Archived from 1100: 310:would think twice about". 943: 562: 547: 439:"Obscurity Knocks" – 3:36 423:"Obscurity Knocks" – 3:36 404:"Obscurity Knocks" – 3:36 388:"Obscurity Knocks" – 3:36 199: 26: 879:Official Charts Company 488:Stephen Douglas – drums 445:"Drunken Chorus" – 4:11 410:"Drunken Chorus" – 4:11 507:Tony Harris – engineer 471:The Trash Can Sinatras 237:The Trash Can Sinatras 193:The Trash Can Sinatras 41:The Trash Can Sinatras 786:Perthshire Advertiser 664:on September 15, 2018 476:Frank Reader – vocals 353:Orange Coast Magazine 336:Perthshire Advertiser 70:"The Best Man's Fall" 1040:Only Tongue Can Tell 998:I've Seen Everything 638:. Officialcharts.com 485:George McDaid – bass 453:CD single (US promo) 366:CMJ New Music Report 217:Only Tongue Can Tell 120:4:13 (album version) 752:New Musical Express 565:Alternative Airplay 316:New Musical Express 1079:London Records EPs 448:"Who's He?" – 2:58 426:"Who's He?" – 2:58 413:"Who's He?" – 2:58 391:"Who's He?" – 2:58 313:Andrew Collins of 266:Critical reception 260:Modern Rock Tracks 195:singles chronology 81:February 1990 (UK) 22:"Obscurity Knocks" 1084:Go! Discs singles 1056: 1055: 937:Trashcan Sinatras 580: 579: 229: 228: 225: 224: 1091: 1033:Obscurity Knocks 930: 923: 916: 907: 900: 888: 882: 872: 866: 865: 863: 862: 839: 833: 832: 830: 829: 818: 812: 811: 809: 808: 797: 791: 790: 780: 774: 773: 763: 757: 756: 746: 740: 739: 729: 723: 722: 704: 698: 697: 679: 673: 672: 670: 669: 653: 647: 646: 644: 643: 632: 626: 625: 623: 622: 610: 601: 600: 593: 538:Chart (1990–91) 535: 360:, Norm Elrod of 296:the Housemartins 233:Obscurity Knocks 208:Obscurity Knocks 201: 200: 182: 152: 117: 116: 112: 61: 31: 19: 1099: 1098: 1094: 1093: 1092: 1090: 1089: 1088: 1059: 1058: 1057: 1052: 1020: 977: 963:Stephen Douglas 953:Paul Livingston 939: 934: 904: 903: 889: 885: 873: 869: 860: 858: 856: 841: 840: 836: 827: 825: 820: 819: 815: 806: 804: 799: 798: 794: 782: 781: 777: 765: 764: 760: 748: 747: 743: 731: 730: 726: 706: 705: 701: 681: 680: 676: 667: 665: 655: 654: 650: 641: 639: 634: 633: 629: 620: 618: 612: 611: 604: 595: 594: 590: 585: 542: 533: 499:Roger BĂ©chirian 468: 380: 346:In a review of 304:the Proclaimers 268: 251:Roger BĂ©chirian 220: 211: 186:Roger BĂ©chirian 178: 173: 170:Stephen Douglas 161:Paul Livingston 148: 143: 119: 114: 110: 109: 73: 57: 47:from the album 17: 12: 11: 5: 1097: 1095: 1087: 1086: 1081: 1076: 1071: 1061: 1060: 1054: 1053: 1051: 1050: 1043: 1036: 1028: 1026: 1022: 1021: 1019: 1018: 1010: 1006:A Happy Pocket 1002: 994: 985: 983: 979: 978: 976: 975: 971: 970: 965: 960: 955: 950: 944: 941: 940: 935: 933: 932: 925: 918: 910: 902: 901: 883: 867: 854: 834: 813: 792: 775: 769:Liverpool Echo 758: 741: 724: 699: 688:. p. 14. 674: 648: 627: 602: 587: 586: 584: 581: 578: 577: 574: 560: 559: 556: 545: 544: 539: 532: 529: 528: 527: 524: 515: 514: 508: 505: 502: 490: 489: 486: 483: 480: 477: 467: 464: 463: 462: 459: 450: 449: 446: 443: 440: 431: 430: 427: 424: 415: 414: 411: 408: 405: 396: 395: 392: 389: 379: 376: 326:Liverpool Echo 308:Elvis Costello 267: 264: 227: 226: 223: 222: 213: 204: 197: 196: 189: 188: 183: 175: 174: 172: 171: 168: 165: 162: 159: 155: 153: 145: 144: 142: 141: 139:London Records 136: 130: 128: 122: 121: 107: 103: 102: 89: 83: 82: 79: 75: 74: 72: 71: 68: 64: 62: 54: 53: 44: 43: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1096: 1085: 1082: 1080: 1077: 1075: 1072: 1070: 1067: 1066: 1064: 1048: 1044: 1041: 1037: 1034: 1030: 1029: 1027: 1023: 1016: 1015: 1014:Weightlifting 1011: 1008: 1007: 1003: 1000: 999: 995: 992: 991: 987: 986: 984: 980: 974:George McDaid 973: 972: 969: 966: 964: 961: 959: 956: 954: 951: 949: 946: 945: 942: 938: 931: 926: 924: 919: 917: 912: 911: 908: 898: 897: 892: 887: 884: 880: 876: 871: 868: 857: 855:9781561591763 851: 847: 846: 838: 835: 823: 817: 814: 802: 796: 793: 788: 787: 779: 776: 771: 770: 762: 759: 755:. p. 12. 754: 753: 745: 742: 738:. p. 36. 737: 736: 728: 725: 720: 716: 713:. p. 5. 712: 711: 710:Record Mirror 703: 700: 695: 691: 687: 686: 685:Record Mirror 678: 675: 663: 659: 652: 649: 637: 631: 628: 616: 609: 607: 603: 598: 592: 589: 582: 575: 572: 571: 566: 561: 557: 554: 550: 546: 540: 537: 536: 530: 525: 522: 521: 520: 519: 512: 509: 506: 503: 500: 497: 496: 495: 494: 487: 484: 481: 478: 475: 474: 473: 472: 465: 460: 457: 456: 455: 454: 447: 444: 441: 438: 437: 436: 435: 428: 425: 422: 421: 420: 419: 412: 409: 406: 403: 402: 401: 400: 393: 390: 387: 386: 385: 384: 378:Track listing 377: 375: 373: 372: 367: 363: 359: 355: 354: 349: 344: 342: 341:the Bluebells 338: 337: 332: 328: 327: 322: 318: 317: 311: 309: 305: 301: 297: 293: 292: 286: 285: 284:Record Mirror 279: 275: 274: 273:Record Mirror 265: 263: 261: 258: 257: 252: 248: 247: 242: 241:extended play 238: 234: 218: 214: 209: 205: 203: 202: 198: 194: 190: 187: 184: 181: 176: 169: 167:George McDaid 166: 163: 160: 157: 156: 154: 151: 150:Songwriter(s) 146: 140: 137: 135: 132: 131: 129: 127: 123: 108: 104: 101: 97: 93: 90: 88: 84: 80: 76: 69: 66: 65: 63: 60: 55: 52: 51: 42: 38: 30: 25: 20: 1074:1990 singles 1032: 1012: 1004: 996: 988: 967: 962: 958:John Douglas 957: 952: 948:Frank Reader 947: 895: 886: 870: 859:. Retrieved 844: 837: 826:. Retrieved 824:. 1999-10-11 816: 805:. Retrieved 803:. March 1991 795: 784: 778: 772:. p. 7. 767: 761: 750: 744: 735:Melody Maker 733: 727: 708: 702: 683: 677: 666:. Retrieved 662:the original 651: 640:. Retrieved 630: 619:. Retrieved 613:Norm Elrod. 591: 568: 517: 516: 492: 491: 470: 469: 452: 451: 433: 432: 417: 416: 398: 397: 382: 381: 369: 357: 351: 347: 345: 334: 324: 314: 312: 291:Melody Maker 289: 282: 278:Aztec Camera 271: 269: 254: 244: 232: 230: 207: 164:John Douglas 158:Frank Reader 48: 968:Davy Hughes 656:Billboard. 511:John Leckie 418:Cassette EP 331:Roddy Frame 180:Producer(s) 67:"Who's He?" 1069:1990 songs 1063:Categories 861:2018-09-15 828:2018-09-15 807:2018-09-15 668:2018-09-15 642:2018-09-15 621:2018-09-15 617:. AllMusic 583:References 549:UK Singles 501:– producer 493:Production 399:12-inch EP 321:the Smiths 100:indie rock 896:Billboard 719:0144-5804 694:0144-5804 570:Billboard 543:position 466:Personnel 383:7-inch EP 256:Billboard 134:Go! Discs 118:(7" edit) 1047:Hayfever 362:AllMusic 300:the La's 96:pop rock 78:Released 1025:Singles 262:chart. 221:(1990) 212:(1990) 1017:(2004) 1009:(1996) 1001:(1993) 993:(1990) 982:Albums 852:  717:  692:  531:Charts 106:Length 59:B-side 37:Single 518:Other 434:CD EP 126:Label 87:Genre 990:Cake 850:ISBN 715:ISSN 690:ISSN 541:Peak 358:Cake 348:Cake 298:and 246:Cake 92:Rock 50:Cake 576:12 563:US 558:86 553:OCC 39:by 1065:: 893:. 877:. 848:. 605:^ 573:) 555:) 350:, 219:" 210:" 115:36 98:, 94:, 1049:" 1045:" 1042:" 1038:" 1035:" 1031:" 929:e 922:t 915:v 864:. 831:. 810:. 789:. 721:. 696:. 671:. 645:. 624:. 599:. 567:( 551:( 231:" 215:" 206:" 113:: 111:3

Index


Single
The Trash Can Sinatras
Cake
B-side
Genre
Rock
pop rock
indie rock
Label
Go! Discs
London Records
Songwriter(s)
Producer(s)
Roger BĂ©chirian
The Trash Can Sinatras
Only Tongue Can Tell
The Trash Can Sinatras
extended play
Cake
Roger BĂ©chirian
Billboard
Modern Rock Tracks
Record Mirror
Aztec Camera
Record Mirror
Melody Maker
the Housemartins
the La's
the Proclaimers

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑