Knowledge (XXG)

Occupation in 26 Pictures

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475:"With a stylistically refined expression, Lordan Zafranović shapes his constant theme of individual and collective evil, focusing this time on the repression of Croatian and Italian fascists, staged in a naturalistic-grotesque key, with a climax in the famous sequence of the massacre in the bus. The grotesque-carnival approach is also evident in the treatment of sexuality, and is contrasted with the graceful physicality of the protagonist. The intriguingly announced elaboration of the characters and their relationships (especially the erotic triangle with incestuous implications of Niko - Anna - Toni, and the class-gender turn in the relationship between Niko - Mara) remains unfulfilled, and the ambitious attempt to portray a comprehensive social frescoes with patriotic citizens in the foreground (a thematic innovation in Yugoslav film at the time) only partially succeeded. Narrative-dramaturgically confused, stylistically and atmospherically impressive, the film caused great aesthetic-political controversies." 319:
priest who preached in Russian, and take them by bus out of the city into the wilderness, slaughtering them. The bus driver, a Croat, calls the fascists freaks, whereupon they kill him too. Miho's father is also killed on the bus, and Miho, while the Ustashe are distracted by the bloodbath, jumps off
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The film was a huge public success and the most viewed film of the year both in Yugoslavia and in Czechoslovakia. At the same time, it stirred controversy in Yugoslavia because of its non-ideological portrayal of the German and Italian occupation during World War II, and because of explicit violence
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the bus. Ana gets pregnant and marries Toni. Baldo is arrested for publicly expressing his contempt for the fascist movement, and dies in an attempt to escape deportation to a
324:. Toni moves into Niko's house, claiming that it is now his. Toni is about to leave the house together with Miho, who is hiding at his place. The three of them sing the song 1428: 1721: 328:(Old friends) for the last time. In the middle of the song, Niko shoots Toni. Ana enters and is shocked by the sight. Niko and Miho pack up and leave, joining the 694: 1751: 304:, which divides the locals: Toni becomes a fascist, Miho is kicked out of his fencing club, while Niko and his father Baldo become anti-fascists and join the 249: 288:
club. Toni is in a relationship with Niko's sister Ana, who intends to marry him. The engagement is interrupted by the noise of fighter jets and gunfire.
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upside down. By that point, Toni is a staunch anti-communist. In one raid, the Ustashe round up a dozen dissidents, mostly Jews and one
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Although generally praised, the film caused very mixed reactions from critics. Croatian film critic
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soldiers enter the city and occupy the entire area. Subsequently, Dubrovnik is annexed by the
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List of Yugoslav submissions for the Academy Award for Best Foreign Language Film
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once called it trash, which is why he was blacklisted in the Croatian newsletter
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List of submissions to the 51st Academy Awards for Best Foreign Language Film
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Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
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Awards for Best Film, Best Director and Best Cinematography at the
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The story revolves around three friends — Miho (a 1558: 1435: 1126: 833: 311:At a fascist celebration, Niko turnes a picture of 206: 196: 186: 163: 143: 133: 123: 113: 59: 47: 37: 23: 1429:Academy Award for Best International Feature Film 634:"Festival de Cannes: Occupation in 26 Pictures" 473: 300:and brought under a brutal dictatorship by the 558:Okupacija u 26 slika: film Lordana Zafranovića 1409: 811: 688: 8: 1416: 1402: 1394: 818: 804: 796: 778:The Decline of the Century: Testament L.Z. 695: 681: 673: 29: 20: 539: 231:; also distributed internationally as 256:, but was not accepted as a nominee. 7: 1752:War films set in Partisan Yugoslavia 1722:Films directed by Lordan Zafranović 880:Ballad About a Trumpet and a Cloud 14: 1631:When Father Was Away on Business 1165:How the War Started on My Island 1076:When Father Was Away on Business 268:, the last few days before the 827:Big Golden Arena for Best Film 1: 1767:1970s Croatian-language films 771:Aloa: Festivity of the Whores 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Dervish 1508:The Battle of Neretva 1349:The Diary of Diana B. 1293:A Letter to My Father 1197:Marshal Tito's Spirit 118:Karpo Ačimović Godina 1732:Films set in Croatia 1607:The Smell of Quinces 1444:The Road a Year Long 1425:Yugoslav submissions 724:Chronicle of a Crime 229:Okupacija u 26 slika 1663:Time of the Gypsies 638:festival-cannes.com 612:pulafilmfestival.hr 504:Nomination for the 264:The film is set in 254:51st Academy Awards 1717:Croatian war films 1712:Yugoslav war films 1639:Happy New Year '49 1623:The End of the War 1583:The Man to Destroy 1532:Battle of Sutjeska 1381:Bigger Than Trauma 1141:Story from Croatia 1084:Happy New Year '49 703:Films directed by 582:"Filmski leksikon" 492:Pula Film Festival 322:concentration camp 1747:Jadran Film films 1689: 1688: 1655:My Uncle's Legacy 1591:Special Treatment 1391: 1390: 1333:A Brief Excursion 1325:On the Other Side 1237:What Iva Recorded 1108:The Meeting Point 1100:My Uncle's Legacy 1052:The Fall of Italy 932:Monday or Tuesday 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Index


Lordan Zafranović
Mirko Kovač
Frano Lasić
Boris Kralj
Milan Štrljić
Stevo Žigon
Zvonimir Lepetić
Bert Sotlar
Boris Dvornik
Dušica Žegerac
Izet Hajdarhodžić
Antun Nalis
Zlatko Vranjican
Gordana Pavlov
Karpo Ačimović Godina
Josip Remenar
Alfi Kabiljo
Jadran film
Croatia film
Yugoslavia
Serbo-Croatian
Serbo-Croatian
Yugoslav
anti-war film
Lordan Zafranović
Best Foreign Language Film
51st Academy Awards
Dubrovnik
Second World War

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