1439:
31:
30:
649:
1385:, Chris Jones described the album as both "the last truly great record they made" and "the point where the cracks began to show, but were masked with such beauty as to hardly matter". Jones went on to say how the 35-piece orchestra helped on tracks such as "Nocturnal Me" but made others, such as "The Yo-Yo Man", "flounder under the weight of intrusive arrangements".
1255:
1179:
1129:
1091:
1015:
1250:
1245:
1240:
1235:
1217:
1212:
1207:
1202:
1197:
1174:
1169:
1164:
1159:
1124:
1119:
1114:
1109:
1086:
1081:
1076:
1071:
1053:
1048:
1043:
1038:
1033:
1010:
1005:
1000:
995:
977:
972:
967:
962:
957:
1474:, described "The Killing Moon" as a "dizzying high" which was "topped by 'Ocean Rain' itself, where the strings are held back until the end of the second verse so that they hit with a euphoric punch of almost physical intensity, sunny melodic optimism piercing the lyrics' chiaroscuro of storm clouds and 'blackest thoughts'." However,
1340:, the band had "mellowed to a degree... but all it did was cause them to get weirder"; he described the album as "stuffed with queasy midtempo tracks and bizarre orchestration", yet also "by no means impenetrable", concluding that "a chilly, haunted ambience settles over the whole recording like a fine dust."
1458:
on 27 November 2008. These concerts were played with a 10-piece orchestra which was conducted by Rupert
Christie. The posters used to advertise the concerts have the image of the band from the cover of the album overlaying an image of the venue. Further concerts took place in Europe and North America
714:
in the United States on 14 May and on CD in Europe and the United States on 24 August 1984. The album was marketed as "the greatest album ever made" and McCulloch later said it was because they believed it was, although he later claimed it was meant as a joke: "That wasn't my idea! I was on the phone
863:
has been designed to buttress the notion of the group's importance. Not unnaturally the results have the opposite effect." He went on to criticise McCulloch's lyrics, which he described as "tired juxtapositions of mysterious buzzwords, nonsense, and banality", and the music, "mellotron-style wash of
852:
rated the album two out of five stars and described it as "too often a monochromatic dirge of banal existential imagery cloaked around the mere skeleton of a musical idea". While finding that the album had some "nifty choruses and nice atmospheres", he went on to say it "evinces too little melodic
842:
newspaper, "This time vocalist Ian McCulloch has tempered his metaphysical songs with a romantic sweetness and the band's melodies are more to the fore. Acoustic guitars, brushes and sparingly used keyboards all add to the album's optimistic warmth and there is a consistency of atmosphere in songs
686:
The picture on the front cover of the original album was kept for the 2003 reissue. However, the design was altered slightly by graphic designer Rachel Gutek of the design company guppyart. This release contains an expanded booklet written by music journalist Max Bell giving the background to the
2492:
2514:
1280:, Jason Ankeny gave the album a 5-star rating. He described it as "dramatic and majestic", praising the "sweeping string arrangements and hauntingly evocative production." He felt that in comparison to the band's previous studio album
824:: "The Killing Moon", released on 20 January 1984; "Silver", released on 13 April 1984; and "Seven Seas", released on 6 July 1984. This was the first time Echo & the Bunnymen had released more than two singles from one album.
1491:, Jim Allen described Radio City as an "appropriately dramatic, grandiose setting", and added that McCulloch "was in fine voice, growling and sneering wondrously". Reviewing the Liverpool concert, Jade Wright wrote in the
671:. With the band wanting to continue the elemental theme of the previous three albums, the photograph used on the front cover of the album is a picture of the band in a rowing boat which was taken inside
1468:, described it as "a moving, memorable evening" and went on to describe McCulloch's voice as "torn silk" and "magnificent". Giving the London concert five out of five stars, Angus Batey, writing in
1368:
stood out for me as a unique and special album the first time I heard it. It captured a great band at the perfect moment and has a lasting, timeless quality which still reverberates in every song."
1393:
was "only half a classic album", adding: "If you picture it in its original LP format, side two is superb, while side one sounds like a few extra songs they hastily knocked off to go with it".
3598:
3904:
508:
mother in the audience, the performance was nervous and uncertain; although the evening performance, without the record company representatives and McCulloch's mother, was much improved.
2922:
799:
A collector's edition was released in
October 2008 which, while still including "Angels and Devils", replaced the bonus tracks of the 25th anniversary edition with the extended
721:
magazine, Sergeant asked, "Why not?". After wondering "what all the fuss was about", he went on to ask, "Doesn't every band think that way when they've got a new record out?"
2325:
2177:
3890:
3286:
361:
The band wrote the songs for the new album in 1983. In early 1984 they recorded most of the album in Paris using a 35-piece orchestra, with other sessions taking place in
3385:
1276:
Over the years since its release, the album has attracted more positive commentary and also sometimes more nuanced views. In a highly praising retrospective review on
500:
on the evening of 23 October 1983. Due to a high demand for tickets a matinee performance was added. The matinee concert at
Stratford-upon-Avon saw the live debut of "
476:
on 6 September 1983. The songs recorded were "Nocturnal Me", "Ocean Rain", "My
Kingdom" and "Watch Out Below", which would all later appear on the band's fourth album
3672:
3605:
3423:
2441:
887:
100 Albums chart at number 89 before it reached a peak of number 41. Staying on the
Swedish chart for three weeks the album reached a peak of number 22. As of 1984,
549:, where de Freitas also completed the drumming. The band then went to Paris where they were booked into Les Studios des Dames and Studio Davout. Henri Loustau, the
3925:
3718:
832:
The album was released to mixed reviews. Describing Echo & the
Bunnymen's change from the more rock sound of their previous albums to the lighter sound of
561:
and played cello and piano. McCulloch, not happy with the lead vocals he had recorded in Paris, re-recorded most of the vocals at Amazon Studio in
Liverpool.
3996:
3939:
1405:
3116:
2892:
1359:, wrote that the album's confidence, lush strings, romance, warmth and poetry means that "it stands the test of time better than any other Bunnymen album".
385:
and expanded before again being reissued in 2008 with a live bonus disc. The artwork for the album was designed by Martyn Atkins and the photography was by
3869:
3545:
2405:
1290:
made it Echo & the
Bunnymen's "most beautiful and memorable effort" and he asserted that "The Killing Moon" was the band's "unrivalled pinnacle".
3806:
3686:
3538:
1699:
1355:
408:
3213:
4030:
4025:
3841:
3559:
3552:
2758:
2930:
618:
3820:
3764:
3416:
1692:
1548:
915:
803:
versions of "Silver" and "The
Killing Moon". The collector's edition also includes a bonus disc containing a recording of the band's 1983
749:
454:
351:
267:
3069:
4035:
3580:
1300:
892:
4045:
3980:
3897:
521:. Ignoring their old material, the band played "The Killing Moon", "Nocturnal Me", "Ocean Rain" – which had now developed into a
3679:
480: – "Watch Out Below" was later renamed "The Yo Yo Man". When the band's John Peel session was broadcast on 10 October 1983, the
381:
on CD in August. The album was reissued on CD in 2003, along with the other four of the band's first five studio albums, having been
3340:
2995:
2968:
2858:
2454:
2593:
3409:
2686:(November–December 2021). "Echo & the Bunnymen: Crocodiles / Heaven Up Here / Porcupine / Ocean Rain / Flowers / Siberia".
2651:
2558:
715:
to , just joshing and I said 'Oh, it's the greatest album ever made.' And he used it on the poster." In a 2005 interview for
3524:
219:
2840:
2562:
1828:
1226:
896:
335:
881:
at number 172 on 9 June 1984 and stayed on the chart for 11 weeks, reaching a peak of number 87. It entered the
Canadian
4040:
3665:
2647:
2319:
2171:
1865:
1315:
668:
386:
3651:
918:", released on 13 April 1984, reached number 30 on the UK Singles Chart and number 14 on the Irish Singles Chart; and "
809:
683:, author Chris Adams describes the cover as "a perfect visual representation of arguably the Bunnymen's finest album".
3834:
3094:
2923:"Echo and the Bunnymen To Recreate 'Ocean Rain' With Live Orchestra (May 12, 2008) : News : PlugInMusic.com"
1450:
in London playing the album with the backing of a 16-piece orchestra. Two similar concerts subsequently took place at
1417:, the fifth episode, "The Flea and Acrobat" featured "Nocturnal Me" in the end credits. The Swedish heavy metal band
2035:
545:, Somerset. After catching a cold, McCulloch completed the recording of the vocals for the song at Amazon Studio in
585:
2874:
Bonner, Michael (December 2021). "Echo & the Bunnymen: Crocodiles / Heaven Up Here / Porcupine / Ocean Rain".
2205:
2900:
2007:
1345:
780:
517:
493:
468:
After spending some time in Liverpool writing new songs for the album, the band recorded their sixth session for
1293:"The Killing Moon" is featured in the original theatrical version of the opening sequence of the 2001 cult film
922:", released on 6 July 1984, reached number 16 on the UK Singles Chart and number 10 on the Irish Singles Chart.
3630:
3243:
1324:
described the album as "a portrait of splendid derangement with spectacular orchestrations". Keith Cameron of
2536:
3757:
2395:
3444:
3432:
3355:
2688:
2307:
2159:
1824:
1753:
1522:
1024:
505:
310:
188:
43:
3312:
French sound engineer at the Studio des Dames recording studio (Paris, France), misspelt as Henri Lonstan
1975:
3985:
3946:
3883:
3531:
2311:
1859:
1451:
707:
412:
314:
159:
3612:
2759:"Echo and the Bunnymen: Crocodiles / Heaven Up Here / Porcupine / Ocean Rain / Echo & The Bunnymen"
1603:
874:
in its first week of release and stayed on the chart for 26 weeks. In the United States it entered the
4020:
3953:
3855:
3785:
3566:
3270:
Allen, Jim (2 October 2008). "Echo and the Bunnymen Let 'Ocean Rain' Fall on Radio City Music Hall".
2737:
Cameron, Keith (December 2003). "Echo & the Bunnymen: Crocodiles / Heaven Up Here / Ocean Rain".
2707:
1719:
1599:
1418:
759:
1921:
1353:
describes the album as "lush, orchestrated and overtly erotic". Mark Blacklock, in Robert Dimery's
3960:
3469:
2846:
2763:
2040:
1480:
1332:
1308:
1138:
911:
497:
334:
100 Albums and number 22 on the Swedish chart. Since 1984 the album has been certified gold by the
687:
album. The booklet contains a number of photographs which are credited to Sergeant and Pattinson.
3862:
3658:
3637:
3573:
3496:
3359:
2656:
2163:
1320:
986:
1438:
807:
concert, omitting only two encore tracks, "Heroin" and "Do It Clean", which are included on the
449:
versions of two old songs, "Stars Are Stars" and "Villiers Terrace", as well as two new songs, "
2985:
3827:
3799:
3725:
3711:
3510:
3336:
3187:
3154:
2991:
2964:
2854:
2850:
2506:
2450:
2446:
2114:
1837:
1682:
1574:
1447:
1282:
919:
804:
754:
745:
672:
652:
554:
550:
501:
485:
434:
403:
355:
280:
201:
437:
in London on 18 and 19 July. Also that month, the band was filmed by RPM Productions for the
3813:
3792:
3778:
3644:
3332:
2876:
2808:
2354:
1980:
1949:
1926:
1706:
1567:
1264:
1188:
907:
903:
763:
717:
703:
605:
565:
538:
450:
374:
347:
254:
3848:
3732:
3464:
3121:
2960:
2836:
2832:
2803:
2739:
1783:
1530:
1464:
1455:
1413:
1326:
1100:
871:
534:
318:
166:
124:
2619:
2579:
Note: User needs to enter "echo & the bunnymen" in the "Search" field and click "Go".
580:, something with a twist. It's all pretty dark. 'Thorn of Crowns' is based on an eastern
429:, violins and cellos. After "Never Stop" was released on 8 July 1983 the band toured the
766:", "Stars Are Stars", "Villiers Terrace" and "Silver"), which had been recorded for the
564:
Continuing the band's prominent use of strings – which began with the 1982 single "
421:. The single introduced a new sound for the band with an expanded arrangement including
3918:
3876:
3739:
3503:
3326:
3291:
3221:
3022:
2952:
2497:
1493:
1350:
883:
821:
800:
542:
446:
430:
417:
362:
343:
330:
237:
129:
119:
92:
3179:
3146:
2470:
4014:
3990:
3932:
3704:
3459:
3451:
3065:
2703:
2400:
2377:
Bell, Max (5 May 1984). "Bright look back to the days of pop with strings attached".
1777:
1759:
1526:
1518:
1475:
1386:
875:
848:
601:
597:
581:
573:
322:
85:
2661:
2065:
843:
like 'Seven Seas' and 'Silver', the current single, which justifies the departure."
3248:
2787:
2712:
2566:
1506:
1470:
1295:
1150:
1062:
741:
737:
711:
593:
389:. Echo & the Bunnymen played a number of concerts in 2008 where they performed
154:
2083:
588:; dark and stormy, battering rain; all of that." During recording De Freitas used
492:
Echo & the Bunnymen were booked to headline a two-week youth festival at the
3911:
3479:
3391:
1854:
1763:
1502:
1462:
The concerts were received well. Simon O'Hagan, reviewing the London concert in
1374:
664:
648:
558:
473:
107:
774:; and two live tracks ("My Kingdom" and "Ocean Rain"), which were recorded for
736:
on CD in 2003—these releases were marketed as 25th anniversary editions. Eight
3771:
3474:
3401:
2683:
1833:
401:
Following the poor reception of Echo & the Bunnymen's third album, 1983's
176:
3191:
3158:
2589:
2510:
2118:
633:
620:
3395:
3040:
2379:
2088:
2053:...Echo constructed an album of gorgeous, emotionally shaded symphonic rock.
838:
767:
604:
machine at des Dames and Sergeant's solo on "My Kingdom" was played using a
589:
577:
546:
541:" – which was released on 20 January 1984 – at Crescent Studio in
481:
469:
438:
366:
306:
114:
98:
576:
said, "We wanted to make something conceptual with lush orchestration; not
1484:, said the orchestra "often didn't add much beyond a vague sonic sludge".
511:
At the end of 1983 Echo & the Bunnymen recorded a live special called
2623:
1881:
1874:
1807:
1498:
1423:
1277:
949:
793:
740:
were added to the album: "Angels and Devils", which had been recorded at
729:
699:
676:
382:
370:
2785:
Segal, Victoria (December 2008). "Echo & the Bunnymen: Ocean Rain".
2471:"Echo & the Bunnymen > Charts & Awards > Billboard Albums"
2352:
Staunton, Terry (October 2005). "Ocean Refrain: Echo and the Bunnymen".
792:
tracks had previously been unreleased. The 2003 reissue was produced by
3379:
3374:
2066:"Villiers Terrace.com - The Ultimate Echo and the Bunnymen Discography"
1330:
said the album had "effervescent songs, sympathetically orchestrated".
853:
development and too much tortured soul-gazing". In his 1984 review for
733:
504:". With representatives from the band's record company and lead singer
489:
said, " hint at a readjustment and a period of new positive recovery."
426:
378:
1446:
On 16 September 2008, Echo & the Bunnymen played a concert at the
906:", which was released on 20 January 1984, reached number nine on the
525: – and an early version of "Thorn of Crowns" called "Cucumber".
522:
1767:
1437:
647:
422:
369:. Receiving mixed reviews the album was originally released as an
80:
38:
3095:"Ghost Explains Unexpected Covers on Chart-Topping 'Popestar' EP"
1304:
3405:
3147:"Echo & The Bunnymen to perform 'Ocean Rain' at Radio City"
2109:
2012:
1382:
855:
2103:
Hoskyns, Barney (22 January 1983). "Echo & The Bunnymen:
1742:
1536:
1311:", with "The Killing Moon" being placed later in the movie.
584:. The whole mood is very windswept: European pirates, a bit
724:
Along with the other four of the band's first five albums,
3328:
Turquoise Days: The Weird World of Echo & the Bunnymen
3180:"Echo and the Bunnymen to perform legendary album in full"
1442:
The poster used to advertise the Royal Albert Hall concert
681:
Turquoise Days: The Weird World of Echo & the Bunnymen
608:
acoustic guitar which he distorted through a valve radio.
3041:"Echo & The Bunnymen Ocean Rain: Collector's Edition"
1286:, the "conventional and simple structural parameters" of
752:" and was produced by The Bunnymen and Alan Perman; five
667:
was designed by Martyn Atkins and the photography was by
3214:"Echo and The Bunnymen Record New Album, Play Old Album
836:, music journalist Max Bell said in his 1984 review for
3110:
3108:
3973:
3749:
3696:
3622:
3590:
3488:
2752:
2750:
415:, who had produced the band's second album, 1981's
236:
187:
165:
153:
137:
106:
73:
65:
50:
37:
23:
3117:"Echo and the Bunnymen, Royal Albert Hall, London"
3070:"Review: Echo and the Bunnymen at The Albert Hall"
2613:
2611:
445:. Filmed in a café used by the band they recorded
433:in Scotland before two successful concerts at the
3673:Killing Moon: The Best of Echo & the Bunnymen
3141:
3139:
2642:
2640:
596:in addition to his usual percussion, bass player
411:". The title track of the single was produced by
3018:Echo & The Bunnymen 30th Anniversary Special
18:1984 studio album by Echo & the Bunnymen
2831:Gross, Joe (2004). "Echo and the Bunnymen". In
2324:: CS1 maint: others in cite AV media (notes) (
2176:: CS1 maint: others in cite AV media (notes) (
1362:
2957:Rip It Up and Start Again: Post Punk 1978–1984
2732:
2730:
2008:"The 500 Greatest Albums Of All Time: 300-201"
1454:in New York City on 1 October 2008 and at the
1427:EP, which consisted mainly of cover versions.
1346:Rip It Up and Start Again: Post Punk 1978–1984
1232:
1030:
393:in full and with the backing of an orchestra.
3417:
3287:"Review: Echo & The Bunnymen, Echo Arena"
3034:
3032:
2652:"Echo & the Bunnymen: (various reissues)"
2394:Puterbaugh, Parke (19 July – 2 August 1984).
2001:
1999:
1893:David Frazer – engineer ("Angels and Devils")
1647:"The Killing Moon (All Night Version)" – 9:11
557:passages and Adam Peters provided the string
8:
3997:(How Does It Feel to Be) On Top of the World
2339:
2337:
2335:
2298:
2296:
2150:
2148:
2146:
1890:Alan Perman – producer ("Angels and Devils")
1497:that McCulloch "was on form – one part
1194:
1156:
1106:
1068:
992:
954:
3060:
3058:
2434:
2432:
2229:
2227:
2225:
2223:
710:in Europe. It was subsequently released by
572:using a 35-piece orchestra. Lead guitarist
3424:
3410:
3402:
1381:Reviewing the collector's edition for the
929:
899:for having sold more than 100,000 copies.
305:is the fourth studio album by the English
29:
20:
2987:1001 Albums: You Must Hear Before You Die
2590:"The Irish Charts – All there is to know"
2259:
2257:
2191:
2189:
2187:
3546:What Are You Going to Do with Your Life?
1356:1001 Albums You Must Hear Before You Die
2084:"An Annotated Discography: 1978 - 1984"
1913:
698:was first released on 4 May 1984 as an
655:in Cornwall, where the cover photo for
2804:"Ocean Rain | Echo & The Bunnymen"
2620:"Ocean Rain – Echo & the Bunnymen"
2317:
2206:"19/09/1983 – Echo & The Bunnymen"
2169:
2537:"Discography Echo & The Bunnymen"
2034:Pitchfork Staff (10 September 2018).
1896:Rachel Gutek – cover design (reissue)
935:
7:
3581:The Stars, the Oceans & the Moon
3115:O'Hagan, Simon (18 September 2008).
2383:. London, England: Times Newspapers.
1487:Reviewing the New York concert for
1406:the 500 Greatest Albums of All Time
1234:
1032:
663:As with their previous albums, the
313:. It was released on 4 May 1984 by
3898:I Want to Be There (When You Come)
3242:Batey, Angus (19 September 2008).
2984:Mark Blacklock (5 December 2011).
2445:(19th ed.). London, England:
2408:from the original on 26 March 2022
2036:"The 200 Best Albums of the 1980s"
1887:Dan Hersch – remastering (reissue)
1880:Bill Inglot – producer (reissue),
1862:– recorded by ("The Killing Moon")
1843:Henri Loustau – producer, engineer
1301:director's cut version of the film
931:Retrospective professional ratings
864:strings and bleating wood winds".
14:
3285:Wright, Jade (28 November 2008).
2899:. The Digital Fix. Archived from
2842:The New Rolling Stone Album Guide
2802:George, Isobel (Christmas 2008).
2743:. No. 121. pp. 129–130.
2006:Barker, Emily (24 October 2013).
1421:covered "Nocturnal Me" for their
1336:critic Joe Tangari found that on
1196:
1158:
1108:
1070:
994:
956:
786:Life at Brian's – Lean and Hungry
755:Life at Brian's – Lean and Hungry
321:, number 87 on the United States
3039:Jones, Chris (22 October 2008).
2708:"Echo and the Bunnymen: Various"
2594:Irish Recorded Music Association
2442:British Hit Singles & Albums
1615:"Villiers Terrace" (live) – 6:00
1609:"The Killing Moon" (live) – 3:27
1253:
1248:
1243:
1238:
1233:
1215:
1210:
1205:
1200:
1195:
1177:
1172:
1167:
1162:
1157:
1127:
1122:
1117:
1112:
1107:
1089:
1084:
1079:
1074:
1069:
1051:
1046:
1041:
1036:
1031:
1013:
1008:
1003:
998:
993:
975:
970:
965:
960:
955:
902:Of the singles from the album; "
407:, the band recorded the single "
1672:"All My Colours (Zimbo)" – 4:12
1612:"Stars are Stars" (live) – 3:07
816:Three tracks from the original
317:and reached number four on the
4026:Echo & the Bunnymen albums
3680:B-sides & Live (2001–2005)
3398:(streamed copy where licensed)
1950:"The Top 100 Post-Punk Albums"
1922:"The 50 Best Post-Punk Albums"
1846:Jean-Yves – assistant engineer
553:at des Dames, assisted on the
1:
4031:Albums produced by Gil Norton
3212:Louche, Liz (6 August 2009).
2757:Tangari, Joe (2 March 2004).
2563:British Phonographic Industry
1976:"The 50 Best New Wave Albums"
1509:thrown in for good measure."
1404:at number 276 in its list of
1227:The Rolling Stone Album Guide
897:British Phonographic Industry
846:However, Parke Puterbaugh of
788:track, "Silver", and the two
679:, Cornwall. In his 2002 book
336:British Phonographic Industry
3666:More Songs to Learn and Sing
3350:Bell, Max (September 2003).
2891:Day, Matt (10 August 2004).
2439:Roberts, David, ed. (2006).
1871:Martyn Atkins – cover design
1657:"Going Up/With A Hip" – 5:14
1644:"Silver (Tidal Wave)" – 5:11
515:for the Channel 4 programme
328:, number 41 on the Canadian
3835:Bring On the Dancing Horses
3599:BBC Radio 1 Live in Concert
2880:. No. 295. p. 44.
1799:Alan Perman – harpsichord (
1349:, British music journalist
870:reached number four on the
4062:
4036:Rhino Entertainment albums
2812:. No. 357. p. 90
2692:. No. 72. p. 91.
1796:Adam Peters – piano, cello
1641:"Angels and Devils" – 4:23
1624:"Ocean Rain" (live) – 5:18
1621:"My Kingdom" (live) – 4:01
1595:"Angels and Devils" – 4:34
1303:, the song is replaced by
778:, a Channel 4 special for
744:in San Francisco, was the
377:in May 1984 before it was
4046:Warner Music Group albums
3905:Don't Let It Get You Down
3631:Songs to Learn & Sing
3439:
2559:"Certified Awards Search"
1853:Adam Peters – orchestral
1688:"The Killing Moon" – 3:02
1660:"Villiers Terrace" – 3:12
943:
940:
494:Royal Shakespeare Theatre
294:
260:Released: 20 January 1984
247:
232:
195:
28:
1666:"Heads Will Roll" – 3:57
1640:
1594:
1563:"Thorn of Crowns" – 4:52
910:and number seven on the
457:", for their episode of
3758:The Pictures on My Wall
3652:Crystal Days: 1979–1999
3525:Echo & the Bunnymen
3433:Echo & the Bunnymen
3356:Echo & the Bunnymen
3244:"Echo and the Bunnymen"
2308:Echo & the Bunnymen
2160:Echo & the Bunnymen
2070:www.villiersterrace.com
1766:("Angels and Devils"),
1756:– vocals, guitar, piano
1715:"Heaven Up Here" – 3:54
1712:"No Dark Things" – 3:35
1411:In the first season of
1314:When reissued in 2003,
859:, Biba Kopf said, "...
820:album were released as
568:" – they recorded
311:Echo & the Bunnymen
273:Released: 13 April 1984
220:Echo & the Bunnymen
189:Echo & the Bunnymen
173:Echo & the Bunnymen
44:Echo & the Bunnymen
2929:. 2008. Archived from
1663:"All That Jazz" – 2:47
1618:"Silver" (live) – 3:22
1560:"The Yo Yo Man" – 3:10
1517:All tracks written by
1443:
1370:
660:
533:The band recorded and
3891:Nothing Lasts Forever
3884:Inside Me, Inside You
3325:Adams, Chris (2002).
3068:(17 September 2008).
2166:. 2003. 2564-61165-2.
1748:Echo and the Bunnymen
1678:"Simple Stuff" – 2:38
1557:"Crystal Days" – 2:24
1554:"Nocturnal Me" – 4:57
1441:
651:
286:Released: 6 July 1984
3954:Scissors in the Sand
3856:Bedbugs and Ballyhoo
3020:(27 November 2008),
2847:Simon & Schuster
2569:on 24 September 2009
2505:(20). 21 July 1984.
1877:– producer (reissue)
1791:Additional musicians
1600:All You Need Is Love
1533:except where noted.
760:All You Need Is Love
54:4 May 1984
4041:Sire Records albums
3966:"Lovers On the Run"
3961:Think I Need It Too
3218:in Concert Instead"
3074:The Daily Telegraph
2706:(31 October 2003).
2664:on 16 February 2009
2539:. swedishcharts.com
2517:on 15 February 2009
2320:cite AV media notes
2306:(LP sleeve notes).
2172:cite AV media notes
1725:"Crocodiles" – 7:00
1583:"Ocean Rain" – 5:12
1580:"My Kingdom" – 4:05
1481:The Daily Telegraph
1309:Never Tear Us Apart
932:
912:Irish Singles Chart
891:has been certified
630: /
529:Recording and music
498:Stratford-upon-Avon
441:documentary series
3863:People Are Strange
3613:Me, I'm All Smiles
3382:(list of releases)
1669:"Porcupine" – 4:07
1444:
1299:. However, in the
930:
828:Critical reception
661:
634:50.4726°N 4.5565°W
79:Studio des Dames,
4006:
4005:
3726:New Live and Rare
3719:The Peel Sessions
3712:The Sound of Echo
3606:Live in Liverpool
2903:on 8 October 2016
2897:: Director's Cut"
2447:HIT Entertainment
1956:. 22 October 2018
1905:
1904:
1734:
1733:
1634:2008 bonus tracks
1588:2003 bonus tracks
1448:Royal Albert Hall
1343:In his 2005 book
1274:
1273:
805:Royal Albert Hall
796:and Bill Inglot.
673:Carnglaze Caverns
653:Carnglaze Caverns
472:'s radio show on
435:Royal Albert Hall
298:
297:
228:
227:
91:Crescent Studio,
4053:
3974:Related articles
3814:The Killing Moon
3793:The Back of Love
3426:
3419:
3412:
3403:
3363:
3346:
3313:
3310:
3304:
3303:
3301:
3299:
3282:
3276:
3275:
3267:
3261:
3260:
3258:
3256:
3239:
3233:
3232:
3230:
3228:
3209:
3203:
3202:
3200:
3198:
3186:. 1 April 2008.
3176:
3170:
3169:
3167:
3165:
3143:
3134:
3133:
3131:
3129:
3112:
3103:
3102:
3091:
3085:
3084:
3082:
3080:
3062:
3053:
3052:
3050:
3048:
3036:
3027:
3015:
3009:
3008:
3006:
3004:
2981:
2975:
2974:
2949:
2943:
2942:
2940:
2938:
2919:
2913:
2912:
2910:
2908:
2888:
2882:
2881:
2871:
2865:
2864:
2845:(4th ed.).
2837:Hoard, Christian
2833:Brackett, Nathan
2828:
2822:
2821:
2819:
2817:
2809:Record Collector
2799:
2793:
2792:
2782:
2776:
2775:
2773:
2771:
2754:
2745:
2744:
2734:
2725:
2724:
2722:
2720:
2700:
2694:
2693:
2680:
2674:
2673:
2671:
2669:
2660:. Archived from
2648:Harrison, Andrew
2644:
2635:
2634:
2632:
2630:
2615:
2606:
2605:
2603:
2601:
2586:
2580:
2578:
2576:
2574:
2565:. Archived from
2555:
2549:
2548:
2546:
2544:
2533:
2527:
2526:
2524:
2522:
2513:. Archived from
2493:"RPM 100 Albums"
2489:
2483:
2482:
2480:
2478:
2467:
2461:
2460:
2436:
2427:
2424:
2418:
2417:
2415:
2413:
2391:
2385:
2384:
2374:
2368:
2365:
2359:
2355:Record Collector
2350:
2344:
2341:
2330:
2329:
2323:
2315:
2300:
2291:
2288:
2282:
2279:
2273:
2270:
2264:
2261:
2252:
2249:
2243:
2240:
2234:
2231:
2218:
2217:
2215:
2213:
2202:
2196:
2193:
2182:
2181:
2175:
2167:
2152:
2141:
2138:
2132:
2129:
2123:
2122:
2100:
2094:
2093:
2080:
2074:
2073:
2062:
2056:
2055:
2050:
2048:
2031:
2025:
2024:
2022:
2020:
2003:
1994:
1993:
1991:
1989:
1984:. 30 August 2016
1972:
1966:
1965:
1963:
1961:
1946:
1940:
1939:
1937:
1935:
1918:
1743:
1707:The Back of Love
1604:Lennon–McCartney
1568:The Killing Moon
1537:
1505:, with a bit of
1377:
1258:
1257:
1256:
1252:
1251:
1247:
1246:
1242:
1241:
1237:
1236:
1220:
1219:
1218:
1214:
1213:
1209:
1208:
1204:
1203:
1199:
1198:
1189:Record Collector
1182:
1181:
1180:
1176:
1175:
1171:
1170:
1166:
1165:
1161:
1160:
1132:
1131:
1130:
1126:
1125:
1121:
1120:
1116:
1115:
1111:
1110:
1094:
1093:
1092:
1088:
1087:
1083:
1082:
1078:
1077:
1073:
1072:
1056:
1055:
1054:
1050:
1049:
1045:
1044:
1040:
1039:
1035:
1034:
1018:
1017:
1016:
1012:
1011:
1007:
1006:
1002:
1001:
997:
996:
980:
979:
978:
974:
973:
969:
968:
964:
963:
959:
958:
933:
908:UK Singles Chart
904:The Killing Moon
764:The Killing Moon
718:Record Collector
645:
644:
642:
641:
640:
639:50.4726; -4.5565
635:
631:
628:
627:
626:
623:
566:The Back of Love
539:The Killing Moon
451:The Killing Moon
348:The Killing Moon
287:
284:
274:
271:
261:
258:
255:The Killing Moon
197:
196:
149:
148:
144:
97:Amazon Studios,
61:
59:
33:
21:
4061:
4060:
4056:
4055:
4054:
4052:
4051:
4050:
4011:
4010:
4007:
4002:
3969:
3849:Lips Like Sugar
3745:
3733:World Tour E.P.
3692:
3618:
3586:
3484:
3465:Pete de Freitas
3435:
3430:
3370:
3362:. 2564-61165-2.
3360:Warner Music UK
3349:
3343:
3324:
3316:
3311:
3307:
3297:
3295:
3284:
3283:
3279:
3269:
3268:
3264:
3254:
3252:
3241:
3240:
3236:
3226:
3224:
3211:
3210:
3206:
3196:
3194:
3178:
3177:
3173:
3163:
3161:
3145:
3144:
3137:
3127:
3125:
3122:The Independent
3114:
3113:
3106:
3093:
3092:
3088:
3078:
3076:
3064:
3063:
3056:
3046:
3044:
3038:
3037:
3030:
3016:
3012:
3002:
3000:
2998:
2990:. Hachette UK.
2983:
2982:
2978:
2971:
2963:. p. 454.
2961:Faber and Faber
2953:Reynolds, Simon
2951:
2950:
2946:
2936:
2934:
2927:pluginmusic.com
2921:
2920:
2916:
2906:
2904:
2890:
2889:
2885:
2873:
2872:
2868:
2861:
2830:
2829:
2825:
2815:
2813:
2801:
2800:
2796:
2791:. No. 269.
2784:
2783:
2779:
2769:
2767:
2756:
2755:
2748:
2736:
2735:
2728:
2718:
2716:
2702:
2701:
2697:
2682:
2681:
2677:
2667:
2665:
2646:
2645:
2638:
2628:
2626:
2618:Ankeny, Jason.
2617:
2616:
2609:
2599:
2597:
2588:
2587:
2583:
2572:
2570:
2557:
2556:
2552:
2542:
2540:
2535:
2534:
2530:
2520:
2518:
2491:
2490:
2486:
2476:
2474:
2469:
2468:
2464:
2457:
2438:
2437:
2430:
2425:
2421:
2411:
2409:
2393:
2392:
2388:
2376:
2375:
2371:
2366:
2362:
2351:
2347:
2342:
2333:
2316:
2314:. 1984. KODE 8.
2302:
2301:
2294:
2289:
2285:
2280:
2276:
2271:
2267:
2262:
2255:
2250:
2246:
2241:
2237:
2232:
2221:
2211:
2209:
2204:
2203:
2199:
2194:
2185:
2168:
2164:Warner Music UK
2154:
2153:
2144:
2139:
2135:
2130:
2126:
2102:
2101:
2097:
2082:
2081:
2077:
2064:
2063:
2059:
2046:
2044:
2033:
2032:
2028:
2018:
2016:
2005:
2004:
1997:
1987:
1985:
1974:
1973:
1969:
1959:
1957:
1948:
1947:
1943:
1933:
1931:
1920:
1919:
1915:
1911:
1906:
1812:Life at Brian's
1801:Life at Brian's
1784:Pete de Freitas
1772:Life at Brian's
1740:
1735:
1675:"Silver" – 3:21
1652:2008 bonus disc
1628:
1531:Pete de Freitas
1515:
1465:The Independent
1456:Liverpool Arena
1436:
1414:Stranger Things
1379:
1372:
1316:Andrew Harrison
1254:
1249:
1244:
1239:
1216:
1211:
1206:
1201:
1178:
1173:
1168:
1163:
1128:
1123:
1118:
1113:
1090:
1085:
1080:
1075:
1052:
1047:
1042:
1037:
1014:
1009:
1004:
999:
976:
971:
966:
961:
928:
872:UK Albums Chart
830:
748:to the single "
693:
638:
636:
632:
629:
624:
621:
619:
617:
616:
614:
531:
506:Ian McCulloch's
463:Life at Brian's
399:
319:UK Albums Chart
290:
285:
278:
277:
272:
265:
264:
259:
252:
251:
223:
214:
205:
146:
142:
141:
125:neo-psychedelia
57:
55:
46:
19:
12:
11:
5:
4059:
4057:
4049:
4048:
4043:
4038:
4033:
4028:
4023:
4013:
4012:
4004:
4003:
4001:
4000:
3993:
3988:
3983:
3977:
3975:
3971:
3970:
3968:
3967:
3964:
3957:
3950:
3947:In the Margins
3943:
3940:Stormy Weather
3936:
3929:
3922:
3919:Get in the Car
3915:
3908:
3901:
3894:
3887:
3880:
3877:Prove Me Wrong
3873:
3866:
3859:
3852:
3845:
3838:
3831:
3824:
3817:
3810:
3803:
3796:
3789:
3782:
3775:
3768:
3761:
3753:
3751:
3747:
3746:
3744:
3743:
3736:
3729:
3722:
3715:
3708:
3700:
3698:
3697:Extended plays
3694:
3693:
3691:
3690:
3683:
3676:
3669:
3662:
3655:
3648:
3641:
3634:
3626:
3624:
3620:
3619:
3617:
3616:
3609:
3602:
3594:
3592:
3588:
3587:
3585:
3584:
3577:
3570:
3563:
3556:
3549:
3542:
3535:
3528:
3521:
3514:
3507:
3504:Heaven Up Here
3500:
3492:
3490:
3486:
3485:
3483:
3482:
3477:
3472:
3467:
3462:
3456:
3455:
3448:
3440:
3437:
3436:
3431:
3429:
3428:
3421:
3414:
3406:
3400:
3399:
3383:
3369:
3368:External links
3366:
3365:
3364:
3354:(CD booklet).
3347:
3341:
3321:
3320:
3315:
3314:
3305:
3292:Liverpool Echo
3277:
3262:
3234:
3222:Tiny Mix Tapes
3204:
3171:
3153:. 9 May 2008.
3135:
3104:
3086:
3054:
3028:
3023:Liverpool Echo
3010:
2996:
2976:
2969:
2944:
2933:on 31 May 2014
2914:
2883:
2866:
2859:
2823:
2794:
2777:
2746:
2726:
2704:Sweeting, Adam
2695:
2675:
2636:
2607:
2581:
2550:
2528:
2484:
2462:
2455:
2428:
2419:
2386:
2369:
2360:
2345:
2331:
2292:
2283:
2274:
2265:
2253:
2244:
2235:
2219:
2197:
2183:
2158:(CD booklet).
2142:
2133:
2124:
2095:
2075:
2057:
2026:
1995:
1967:
1941:
1930:. 13 July 2016
1912:
1910:
1907:
1903:
1902:
1898:
1897:
1894:
1891:
1888:
1885:
1878:
1872:
1869:
1863:
1857:
1849:
1848:
1847:
1844:
1841:
1831:
1821:
1820:
1816:
1815:
1804:
1797:
1793:
1792:
1788:
1787:
1781:
1775:
1757:
1750:
1749:
1741:
1739:
1736:
1732:
1731:
1727:
1726:
1723:
1716:
1713:
1710:
1703:
1696:
1689:
1686:
1679:
1676:
1673:
1670:
1667:
1664:
1661:
1658:
1654:
1653:
1649:
1648:
1645:
1642:
1639:
1636:
1635:
1630:
1626:
1625:
1622:
1619:
1616:
1613:
1610:
1607:
1596:
1593:
1590:
1589:
1585:
1584:
1581:
1578:
1571:
1564:
1561:
1558:
1555:
1552:
1544:
1543:
1542:Original album
1535:
1514:
1511:
1494:Liverpool Echo
1435:
1429:
1361:
1351:Simon Reynolds
1272:
1271:
1268:
1260:
1259:
1230:
1222:
1221:
1192:
1184:
1183:
1154:
1146:
1145:
1142:
1134:
1133:
1104:
1096:
1095:
1066:
1058:
1057:
1028:
1020:
1019:
990:
982:
981:
952:
946:
945:
942:
938:
937:
927:
924:
829:
826:
801:12-inch single
692:
689:
613:
610:
530:
527:
431:Outer Hebrides
418:Heaven Up Here
398:
395:
296:
295:
292:
291:
289:
288:
275:
262:
248:
245:
244:
234:
233:
230:
229:
226:
225:
216:
207:
193:
192:
185:
184:
183:
182:
179:
174:
169:
163:
162:
157:
151:
150:
139:
135:
134:
133:
132:
130:symphonic rock
127:
122:
117:
110:
104:
103:
102:
101:
95:
89:
83:
75:
71:
70:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
4058:
4047:
4044:
4042:
4039:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4019:
4018:
4016:
4009:
3998:
3994:
3992:
3991:Electrafixion
3989:
3987:
3984:
3982:
3979:
3978:
3976:
3972:
3965:
3962:
3958:
3955:
3951:
3948:
3944:
3941:
3937:
3934:
3933:Make Me Shine
3930:
3927:
3923:
3920:
3916:
3913:
3909:
3906:
3902:
3899:
3895:
3892:
3888:
3885:
3881:
3878:
3874:
3871:
3867:
3864:
3860:
3857:
3853:
3850:
3846:
3843:
3839:
3836:
3832:
3829:
3825:
3822:
3818:
3815:
3811:
3808:
3804:
3801:
3797:
3794:
3790:
3787:
3786:Over the Wall
3783:
3780:
3776:
3773:
3769:
3766:
3762:
3759:
3755:
3754:
3752:
3748:
3742:
3741:
3737:
3735:
3734:
3730:
3728:
3727:
3723:
3721:
3720:
3716:
3714:
3713:
3709:
3707:
3706:
3705:Shine So Hard
3702:
3701:
3699:
3695:
3689:
3688:
3684:
3682:
3681:
3677:
3675:
3674:
3670:
3668:
3667:
3663:
3661:
3660:
3656:
3654:
3653:
3649:
3647:
3646:
3642:
3640:
3639:
3635:
3633:
3632:
3628:
3627:
3625:
3621:
3615:
3614:
3610:
3608:
3607:
3603:
3601:
3600:
3596:
3595:
3593:
3589:
3583:
3582:
3578:
3576:
3575:
3571:
3569:
3568:
3564:
3562:
3561:
3557:
3555:
3554:
3550:
3548:
3547:
3543:
3541:
3540:
3536:
3534:
3533:
3532:Reverberation
3529:
3527:
3526:
3522:
3520:
3519:
3515:
3513:
3512:
3508:
3506:
3505:
3501:
3499:
3498:
3494:
3493:
3491:
3489:Studio albums
3487:
3481:
3478:
3476:
3473:
3471:
3470:Jake Brockman
3468:
3466:
3463:
3461:
3460:Les Pattinson
3458:
3457:
3454:
3453:
3452:Will Sergeant
3449:
3447:
3446:
3445:Ian McCulloch
3442:
3441:
3438:
3434:
3427:
3422:
3420:
3415:
3413:
3408:
3407:
3404:
3397:
3393:
3389:
3388:
3384:
3381:
3377:
3376:
3372:
3371:
3367:
3361:
3357:
3353:
3348:
3344:
3342:1-887128-89-1
3338:
3334:
3330:
3329:
3323:
3322:
3318:
3317:
3309:
3306:
3294:
3293:
3288:
3281:
3278:
3273:
3272:Rolling Stone
3266:
3263:
3251:
3250:
3245:
3238:
3235:
3223:
3219:
3217:
3208:
3205:
3193:
3189:
3185:
3181:
3175:
3172:
3160:
3156:
3152:
3148:
3142:
3140:
3136:
3124:
3123:
3118:
3111:
3109:
3105:
3100:
3096:
3090:
3087:
3075:
3071:
3067:
3066:Adam Sweeting
3061:
3059:
3055:
3042:
3035:
3033:
3029:
3025:
3024:
3019:
3014:
3011:
2999:
2997:9781844037148
2993:
2989:
2988:
2980:
2977:
2972:
2970:0-571-21570-X
2966:
2962:
2958:
2954:
2948:
2945:
2932:
2928:
2924:
2918:
2915:
2902:
2898:
2896:
2887:
2884:
2879:
2878:
2870:
2867:
2862:
2860:0-7432-0169-8
2856:
2852:
2848:
2844:
2843:
2838:
2834:
2827:
2824:
2811:
2810:
2805:
2798:
2795:
2790:
2789:
2781:
2778:
2766:
2765:
2760:
2753:
2751:
2747:
2742:
2741:
2733:
2731:
2727:
2715:
2714:
2709:
2705:
2699:
2696:
2691:
2690:
2685:
2679:
2676:
2663:
2659:
2658:
2653:
2649:
2643:
2641:
2637:
2625:
2621:
2614:
2612:
2608:
2595:
2591:
2585:
2582:
2568:
2564:
2560:
2554:
2551:
2538:
2532:
2529:
2516:
2512:
2508:
2504:
2500:
2499:
2494:
2488:
2485:
2472:
2466:
2463:
2458:
2456:1-904994-10-5
2452:
2448:
2444:
2443:
2435:
2433:
2429:
2426:Adams, p. 145
2423:
2420:
2407:
2403:
2402:
2401:Rolling Stone
2397:
2390:
2387:
2382:
2381:
2373:
2370:
2367:Adams, p. 155
2364:
2361:
2357:
2356:
2349:
2346:
2343:Adams, p. 143
2340:
2338:
2336:
2332:
2327:
2321:
2313:
2309:
2305:
2299:
2297:
2293:
2290:Bell, pp. 4–5
2287:
2284:
2281:Adams, p. 125
2278:
2275:
2269:
2266:
2260:
2258:
2254:
2251:Adams, p. 121
2248:
2245:
2242:Adams, p. 119
2239:
2236:
2233:Adams, p. 120
2230:
2228:
2226:
2224:
2220:
2207:
2201:
2198:
2192:
2190:
2188:
2184:
2179:
2173:
2165:
2161:
2157:
2151:
2149:
2147:
2143:
2140:Adams, p. 112
2137:
2134:
2131:Adams, p. 111
2128:
2125:
2120:
2116:
2112:
2111:
2106:
2099:
2096:
2091:
2090:
2085:
2079:
2076:
2071:
2067:
2061:
2058:
2054:
2043:
2042:
2037:
2030:
2027:
2015:
2014:
2009:
2002:
2000:
1996:
1983:
1982:
1977:
1971:
1968:
1955:
1951:
1945:
1942:
1929:
1928:
1923:
1917:
1914:
1908:
1901:
1895:
1892:
1889:
1886:
1883:
1879:
1876:
1873:
1870:
1868:– photography
1867:
1866:Brian Griffin
1864:
1861:
1858:
1856:
1852:
1851:
1850:
1845:
1842:
1839:
1835:
1832:
1830:
1826:
1823:
1822:
1818:
1817:
1813:
1809:
1806:Luvan Kiem –
1805:
1802:
1798:
1795:
1794:
1790:
1789:
1785:
1782:
1779:
1778:Les Pattinson
1776:
1773:
1769:
1765:
1761:
1760:Will Sergeant
1758:
1755:
1754:Ian McCulloch
1752:
1751:
1747:
1746:
1745:
1744:
1737:
1730:
1724:
1721:
1720:Over the Wall
1717:
1714:
1711:
1708:
1704:
1701:
1697:
1694:
1690:
1687:
1684:
1680:
1677:
1674:
1671:
1668:
1665:
1662:
1659:
1656:
1655:
1651:
1650:
1646:
1643:
1638:
1637:
1633:
1632:
1631:
1629:
1623:
1620:
1617:
1614:
1611:
1608:
1605:
1601:
1597:
1592:
1591:
1587:
1586:
1582:
1579:
1576:
1572:
1569:
1565:
1562:
1559:
1556:
1553:
1550:
1546:
1545:
1541:
1540:
1539:
1538:
1534:
1532:
1528:
1527:Les Pattinson
1524:
1523:Ian McCulloch
1520:
1519:Will Sergeant
1513:Track listing
1512:
1510:
1508:
1504:
1500:
1496:
1495:
1490:
1489:Rolling Stone
1485:
1483:
1482:
1477:
1476:Adam Sweeting
1473:
1472:
1467:
1466:
1460:
1459:during 2009.
1457:
1453:
1449:
1440:
1433:
1430:
1428:
1426:
1425:
1420:
1416:
1415:
1409:
1407:
1403:
1399:
1394:
1392:
1388:
1387:Adam Sweeting
1384:
1378:
1376:
1369:
1367:
1360:
1358:
1357:
1352:
1348:
1347:
1341:
1339:
1335:
1334:
1329:
1328:
1323:
1322:
1317:
1312:
1310:
1306:
1302:
1298:
1297:
1291:
1289:
1285:
1284:
1279:
1269:
1267:
1266:
1262:
1261:
1231:
1229:
1228:
1224:
1223:
1193:
1191:
1190:
1186:
1185:
1155:
1153:
1152:
1148:
1147:
1143:
1141:
1140:
1136:
1135:
1105:
1103:
1102:
1098:
1097:
1067:
1065:
1064:
1060:
1059:
1029:
1027:
1026:
1022:
1021:
991:
989:
988:
984:
983:
953:
951:
948:
947:
939:
936:Review scores
934:
925:
923:
921:
917:
913:
909:
905:
900:
898:
894:
890:
886:
885:
880:
878:
873:
869:
865:
862:
858:
857:
851:
850:
849:Rolling Stone
844:
841:
840:
835:
827:
825:
823:
819:
814:
812:
811:
806:
802:
797:
795:
791:
790:A Crystal Day
787:
783:
782:
777:
776:A Crystal Day
773:
769:
765:
761:
757:
756:
751:
747:
743:
739:
735:
731:
727:
722:
720:
719:
713:
709:
705:
701:
697:
690:
688:
684:
682:
678:
674:
670:
669:Brian Griffin
666:
658:
654:
650:
646:
643:
611:
609:
607:
603:
599:
598:Les Pattinson
595:
594:glockenspiels
591:
587:
583:
579:
575:
574:Will Sergeant
571:
567:
562:
560:
556:
552:
548:
544:
540:
536:
535:self-produced
528:
526:
524:
520:
519:
514:
513:A Crystal Day
509:
507:
503:
499:
495:
490:
488:
487:
483:
479:
475:
471:
466:
464:
460:
456:
452:
448:
444:
440:
436:
432:
428:
424:
420:
419:
414:
410:
406:
405:
396:
394:
392:
388:
387:Brian Griffin
384:
380:
376:
372:
368:
364:
359:
357:
353:
349:
345:
342:includes the
341:
337:
333:
332:
327:
325:
320:
316:
312:
308:
304:
303:
293:
282:
276:
269:
263:
256:
250:
249:
246:
243:
239:
235:
231:
222:
221:
217:
213:
212:
208:
204:
203:
199:
198:
194:
190:
186:
181:Henri Loustau
180:
178:
175:
172:
171:
170:
168:
164:
161:
158:
156:
152:
140:
136:
131:
128:
126:
123:
121:
118:
116:
113:
112:
111:
109:
105:
100:
96:
94:
90:
87:
86:Studio Davout
84:
82:
78:
77:
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
4008:
3926:It's Alright
3870:Enlighten Me
3738:
3731:
3724:
3717:
3710:
3703:
3685:
3678:
3671:
3664:
3657:
3650:
3643:
3636:
3629:
3623:Compilations
3611:
3604:
3597:
3579:
3572:
3567:The Fountain
3565:
3558:
3551:
3544:
3537:
3530:
3523:
3517:
3516:
3509:
3502:
3495:
3450:
3443:
3386:
3373:
3351:
3327:
3319:Bibliography
3308:
3296:. Retrieved
3290:
3280:
3271:
3265:
3253:. Retrieved
3249:The Guardian
3247:
3237:
3225:. Retrieved
3215:
3207:
3195:. Retrieved
3183:
3174:
3162:. Retrieved
3150:
3126:. Retrieved
3120:
3098:
3089:
3077:. Retrieved
3073:
3045:. Retrieved
3021:
3017:
3013:
3001:. Retrieved
2986:
2979:
2956:
2947:
2935:. Retrieved
2931:the original
2926:
2917:
2905:. Retrieved
2901:the original
2895:Donnie Darko
2894:
2886:
2875:
2869:
2841:
2826:
2814:. Retrieved
2807:
2797:
2786:
2780:
2768:. Retrieved
2762:
2738:
2717:. Retrieved
2713:The Guardian
2711:
2698:
2687:
2678:
2666:. Retrieved
2662:the original
2655:
2627:. Retrieved
2598:. Retrieved
2584:
2571:. Retrieved
2567:the original
2553:
2541:. Retrieved
2531:
2519:. Retrieved
2515:the original
2502:
2496:
2487:
2475:. Retrieved
2465:
2440:
2422:
2410:. Retrieved
2399:
2396:"Ocean Rain"
2389:
2378:
2372:
2363:
2353:
2348:
2303:
2286:
2277:
2268:
2247:
2238:
2210:. Retrieved
2200:
2155:
2136:
2127:
2108:
2104:
2098:
2087:
2078:
2069:
2060:
2052:
2045:. Retrieved
2039:
2029:
2017:. Retrieved
2011:
1986:. Retrieved
1979:
1970:
1958:. Retrieved
1953:
1944:
1932:. Retrieved
1925:
1916:
1899:
1855:arrangements
1836:– producer,
1827:– producer,
1825:The Bunnymen
1811:
1800:
1771:
1728:
1627:
1516:
1507:Jim Morrison
1492:
1488:
1486:
1479:
1471:The Guardian
1469:
1463:
1461:
1445:
1431:
1422:
1412:
1410:
1401:
1397:
1395:
1390:
1380:
1371:
1365:
1363:
1354:
1344:
1342:
1337:
1331:
1325:
1319:
1313:
1296:Donnie Darko
1294:
1292:
1287:
1281:
1275:
1263:
1225:
1187:
1149:
1137:
1099:
1063:The Guardian
1061:
1023:
985:
901:
888:
882:
876:
867:
866:
860:
854:
847:
845:
837:
833:
831:
817:
815:
810:Crystal Days
808:
798:
789:
785:
779:
775:
772:Play at Home
771:
753:
742:The Automatt
738:bonus tracks
725:
723:
716:
712:Sire Records
695:
694:
685:
680:
662:
656:
615:
600:used an old
569:
563:
559:arrangements
532:
516:
512:
510:
491:
484:
477:
467:
462:
459:Play at Home
458:
443:Play at Home
442:
416:
402:
400:
390:
360:
339:
329:
323:
301:
300:
299:
241:
218:
210:
209:
200:
39:Studio album
15:
4021:1984 albums
3981:Discography
3591:Live albums
3480:Damon Reece
3392:Adobe Flash
3298:10 December
3255:10 December
3128:10 December
3079:10 December
2689:Classic Pop
2684:Earls, John
2107:(Korova)".
2019:14 November
1960:30 November
1934:14 November
1882:remastering
1764:harpsichord
1503:Oliver Reed
1501:, one part
1389:wrote that
1375:Ian Broudie
1025:Classic Pop
665:album cover
637: /
474:BBC Radio 1
242:Ocean Rain
4015:Categories
3828:Seven Seas
3807:Never Stop
3800:The Cutter
3772:The Puppet
3659:Seven Seas
3638:The Cutter
3574:Meteorites
3518:Ocean Rain
3497:Crocodiles
3475:Noel Burke
3387:Ocean Rain
3375:Ocean Rain
3352:Ocean Rain
3333:Soft Skull
3216:Ocean Rain
3047:9 December
2849:. p.
2816:24 October
2719:10 October
2473:. AllMusic
2304:Ocean Rain
2272:Bell, p. 4
2263:Bell, p. 3
2195:Bell, p. 5
2156:Ocean Rain
1988:1 December
1909:References
1860:David Lord
1834:Gil Norton
1819:Production
1762:– guitar,
1700:Never Stop
1683:The Cutter
1575:Seven Seas
1452:Radio City
1432:Ocean Rain
1402:Ocean Rain
1391:Ocean Rain
1366:Ocean Rain
1338:Ocean Rain
1288:Ocean Rain
920:Seven Seas
889:Ocean Rain
868:Ocean Rain
861:Ocean Rain
834:Ocean Rain
818:Ocean Rain
770:programme
730:remastered
726:Ocean Rain
696:Ocean Rain
657:Ocean Rain
622:50°28′21″N
590:xylophones
570:Ocean Rain
502:Seven Seas
478:Ocean Rain
413:Hugh Jones
409:Never Stop
397:Background
391:Ocean Rain
383:remastered
356:Seven Seas
340:Ocean Rain
302:Ocean Rain
281:Seven Seas
211:Ocean Rain
191:chronology
177:Gil Norton
58:1984-05-04
24:Ocean Rain
3779:A Promise
3740:Avalanche
3687:The Works
3539:Evergreen
3511:Porcupine
3396:Radio3Net
3192:0028-6362
3159:0028-6362
3099:Billboard
2764:Pitchfork
2511:1196-636X
2412:23 August
2380:The Times
2119:0028-6362
2105:Porcupine
2089:Angelfire
2041:Pitchfork
1884:(reissue)
1814:sessions)
1803:sessions)
1774:sessions)
1738:Personnel
1396:In 2013,
1333:Pitchfork
1283:Porcupine
1139:Pitchfork
877:Billboard
839:The Times
813:box set.
768:Channel 4
758:tracks ("
659:was shot.
625:4°33′23″W
578:Mantovani
547:Liverpool
482:punk zine
470:John Peel
439:Channel 4
404:Porcupine
367:Liverpool
324:Billboard
307:post-punk
202:Porcupine
115:Post-punk
99:Liverpool
69:1983–1984
3842:The Game
3645:Ballyhoo
2955:(2006).
2839:(eds.).
2624:AllMusic
2600:28 March
2406:Archived
2047:24 April
1875:Andy Zax
1840:, mixing
1838:engineer
1808:clarinet
1722:" – 6:51
1709:" – 3:14
1702:" – 4:37
1695:" – 4:06
1685:" – 3:40
1606:) – 6:44
1577:" – 3:20
1570:" – 5:50
1551:" – 3:22
1499:Lou Reed
1424:Popestar
1278:AllMusic
950:AllMusic
794:Andy Zax
781:The Tube
734:reissued
704:cassette
691:Releases
677:Liskeard
606:Washburn
586:Ben Gunn
551:engineer
518:The Tube
447:acoustic
427:marimbas
379:reissued
375:cassette
167:Producer
120:new wave
66:Recorded
51:Released
41: by
3750:Singles
3560:Siberia
3553:Flowers
3380:Discogs
3026:, p. 7.
3003:17 June
2937:17 June
2907:14 June
2657:Blender
2543:1 April
2477:3 April
2212:12 June
1786:– drums
1400:ranked
1321:Blender
987:Blender
895:by the
822:singles
702:and on
486:Jamming
461:titled
453:" and "
354:" and "
344:singles
238:Singles
224:(1987)
215:(1984)
206:(1983)
88:, Paris
56: (
3986:Korova
3821:Silver
3765:Rescue
3339:
3197:1 July
3190:
3164:1 July
3157:
2994:
2967:
2857:
2770:16 May
2668:16 May
2629:19 May
2596:. 2008
2521:5 July
2509:
2453:
2312:Korova
2117:
1954:Treble
1900:
1829:mixing
1780:– bass
1729:
1693:Rescue
1549:Silver
1478:, for
1144:8.6/10
944:Rating
941:Source
926:Legacy
916:Silver
784:. The
750:Silver
746:B-side
708:Korova
602:reverb
555:string
523:ballad
455:Silver
423:congas
373:and a
352:Silver
315:Korova
268:Silver
160:Korova
138:Length
74:Studio
3394:) at
3227:6 May
3043:. BBC
2877:Uncut
2573:6 May
2208:. BBC
1981:Paste
1927:Paste
1768:sitar
1419:Ghost
1265:Uncut
612:Cover
582:scale
309:band
240:from
155:Label
108:Genre
81:Paris
3912:Rust
3337:ISBN
3300:2008
3257:2008
3229:2010
3199:2008
3188:ISSN
3166:2008
3155:ISSN
3130:2008
3081:2008
3049:2008
3005:2012
2992:ISBN
2965:ISBN
2939:2012
2909:2017
2855:ISBN
2818:2015
2772:2008
2740:Mojo
2721:2015
2670:2008
2631:2008
2602:2008
2575:2010
2545:2008
2523:2008
2507:ISSN
2479:2008
2451:ISBN
2414:2016
2326:link
2214:2008
2178:link
2115:ISSN
2049:2023
2021:2021
1990:2019
1962:2020
1936:2021
1529:and
1434:tour
1327:Mojo
1307:'s "
1305:INXS
1270:9/10
1101:Mojo
893:gold
762:", "
732:and
728:was
592:and
543:Bath
365:and
363:Bath
350:", "
93:Bath
3378:at
3184:NME
3151:NME
2851:271
2498:RPM
2110:NME
2013:NME
1602:" (
1398:NME
1383:BBC
1318:in
914:; "
884:RPM
879:200
856:NME
706:by
496:in
358:".
331:RPM
326:200
4017::
3358:.
3335:.
3331:.
3289:.
3246:.
3220:.
3182:.
3149:.
3138:^
3119:.
3107:^
3097:.
3072:.
3057:^
3031:^
2959:.
2925:.
2853:.
2835:;
2806:.
2761:.
2749:^
2729:^
2710:.
2654:.
2650:.
2639:^
2622:.
2610:^
2592:.
2561:.
2503:40
2501:.
2495:.
2449:.
2431:^
2404:.
2398:.
2334:^
2322:}}
2318:{{
2310:.
2295:^
2256:^
2222:^
2186:^
2174:}}
2170:{{
2162:.
2145:^
2113:.
2086:.
2068:.
2051:.
2038:.
2010:.
1998:^
1978:.
1952:.
1924:.
1525:,
1521:,
1408:.
700:LP
675:,
465:.
425:,
371:LP
338:.
147:36
143:36
3999:"
3995:"
3963:"
3959:"
3956:"
3952:"
3949:"
3945:"
3942:"
3938:"
3935:"
3931:"
3928:"
3924:"
3921:"
3917:"
3914:"
3910:"
3907:"
3903:"
3900:"
3896:"
3893:"
3889:"
3886:"
3882:"
3879:"
3875:"
3872:"
3868:"
3865:"
3861:"
3858:"
3854:"
3851:"
3847:"
3844:"
3840:"
3837:"
3833:"
3830:"
3826:"
3823:"
3819:"
3816:"
3812:"
3809:"
3805:"
3802:"
3798:"
3795:"
3791:"
3788:"
3784:"
3781:"
3777:"
3774:"
3770:"
3767:"
3763:"
3760:"
3756:"
3425:e
3418:t
3411:v
3390:(
3345:.
3302:.
3274:.
3259:.
3231:.
3201:.
3168:.
3132:.
3101:.
3083:.
3051:.
3007:.
2973:.
2941:.
2911:.
2893:"
2863:.
2820:.
2788:Q
2774:.
2723:.
2672:.
2633:.
2604:.
2577:.
2547:.
2525:.
2481:.
2459:.
2416:.
2358:.
2328:)
2216:.
2180:)
2121:.
2092:.
2072:.
2023:.
1992:.
1964:.
1938:.
1810:(
1770:(
1718:"
1705:"
1698:"
1691:"
1681:"
1598:"
1573:"
1566:"
1547:"
1373:—
1364:"
1151:Q
537:"
346:"
283:"
279:"
270:"
266:"
257:"
253:"
145::
60:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
