289:, also published in 2021, received the Light Work Book Award in 2021 and was shortlisted for the Australian Photobook Award in 2022. The monograph, which was published by Saint Lucy Press, combines England's recent photographs with family snapshots, autobiographical short stories and vintage photographs to create a loose narrative that reflects her life growing up on a rural farm in southern Australia. The book also considers gender roles and the gender-based repression of women and girls in rural farming communities.
238:. In speaking about the work in an exhibition as part of the South Australian Living Artist (SALA) Festival of 2015, Flinders University Art Museum and City Gallery (FUAM) director Fiona Salmon said that revisiting the property for the project brought mixed responses from England's parents: "She said that her mother was quite open and up for it, whereas her dad was quite upset by the process and found it very difficult to talk about the pictures".
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for the story it tells about the loss of a family farm, and Ms. England's poignant effort to reclaim that loss by engaging her parents in the performative act of attaching negatives of the farm that she had taken previously to the soles of their shoes as they return to the site on a regular basis and
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History of Art and
Architecture, Brown University; Lucy Gallun, Associate Curator, Department of Photography, the Museum of Modern Art; and Phillip Prodger, Senior Research Scholar, Yale Center for British Art. The book also features a foreword by Charlotte Cotton, an independent curator and writer.
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For the project, England invited more than 200 photography-based artists, writers, critics, curators, and historians from around the world to contribute an image or text that reflects on
Barthes’ unpublished snapshot of his mother. Essayists include Douglas Nickel; Andrea V. Rosenthal, Professor of
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walk the land that they once owned. The images derived from the battered and frayed negatives make tangible the anguish and grief the photographer wishes to convey".
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In 2012, England won the CENTER $ 5,000 Project Launch Award. Of
England's work, the juror, Virginia Heckert, Curator and Department Head of Photographs at
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192:(born 1975) is an Australian-British photographer whose artwork has been exhibited internationally. She often uses family photographs in her practice.
245:. She is the director/curator of the Winter Garden Photograph project. The Winter Garden photograph project marks the 40th anniversary of the book
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in 2021. She developed the project with fellow artist
Jennifer Garza-Cuen. The book comprises photograms made in
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in 2020. The project comprises two parts. The first is a 344-page edited volume of photographs and texts titled
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and the second was an exhibition of the works at the
Houston Center for Photography held in 2020.
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In 2015, she was a finalist for the
Australian Photo Book of the Year Award for her monograph
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The references used may be made clearer with a different or consistent style of
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is
England’s first edited volume and was published by Schilt Publishing.
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Keeper of the Hearth: Picturing Roland
Barthes’ "Unseen Photograph,"
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In 2022, England received a fellowship in photography from the
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558:"Odette England – John Simon Guggenheim Memorial Foundation…"
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England is an assistant professor and artist-in-residence at
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222:wrote, "I kept returning to Odette England's
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67:Learn how and when to remove this message
611:21st-century British women photographers
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234:. The book included images from
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316:. September 2013.
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49:footnoting
57:July 2021
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203:and the
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45:citation
178:Website
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