3048:
2237:
Dhanasri, Dhannasika, Gauda, Gaudi, Ghantaraba, Gundakeri, Kali, Kalyana, Kalyana Ahari, Kamoda, Kamodi, Kaphi, Karnata, Kausiki, Kedara, Kedaragauda, Kedara Kamodi, Karunasri, Khambabati, Khanda
Bangalasri, Khandakamodi, Kolahala, Krusna Kedara, Kumbhakamodi, Kusuma Kedara, Lalita, Lalita Basanta, Lalita Kamodi, Lalita Kedara, Lilataranga, Madhumangala, Madhumanjari, Madhura Gujjari, Madhusri, Madhu Saranga, Madhyamadi, Malasri, Malasrigauda, Mangala, Mangala Dhanasri, Mangala Gujjari, Mangala Kamodi, Mangala Kausiki, Mangala Kedara, Mallara, Manini (Malini), Marua, Megha, Meghaparnni, Misramukhari, Mohana, Mohana Kedara, Mukhabari (Mukhari), Nagaballi, Nagadhwani, Nalinigauda, Nata, Nata Kedara, Natanarayana, Natasaranga, Panchama, Punnaga, Punnaga Baradi, Pahadia Kedara, Panchama Baradi, Paraja, Rajahansi Chokhi, Ranabije, Rasakamodi, Rasamandara, Rasamanjari, Sabari, Saberi, Sankarabharana, Sindhukamodi, Sokabaradi, Sokakamodi, Soma, Sri, Suddhadesi, Surata, Suratha Gujjari, Todi
2804:
music solely to the revived dance form using
Hindustani and Carnatic music as reference points instead of cultivating knowledge and mastery of the distinctive classicism and performance aspects of Odissi Music. Odissi music was not as well known as Odissi dance to musicians & dancers outside Odisha, which led to an appropriation of musical integrity and composition of dance music without adhering to the Odissi tradition. Performing Odissi dance to non-Odissi music was heavily criticised by traditional Gurus of both Odissi dance & Odissi music; it was seen as a disruption of the Odia tradition in which Odia language & literature blended harmoniously with Odissi music & Odissi dance.
3088:
1076:
3064:
3124:
3172:
2622:
3160:
3108:
2877:
3000:
3148:
3136:
2960:
3012:
3036:
2847:
2945:
3024:
5366:
4216:
2894:
2820:
748:
2497:
434:
3047:
854:
2835:
6814:
2975:
2928:
2287:
2176:, Kohaliya, Hari Nayaka's Sangitasara, Matanga Tantra, Mammatacharya's Sangita Ratnamala, Kalankura Nibandha, Panchama Sara Samhita, Raga Viveka, Sangita Chandrika, Sangita Kaumudi, Sangita Siromani, Vanmayaviveka, Shivavivekaprabandha, Sangita Damodara and more. The aforesaid texts are thus known to have been in vogue in Odisha during the post-15th century period.
54:
648:
288:
3076:
1410:
2862:
1116:(mode of singing and the rhythm) of each song. This makes it one of the earliest texts of Indian classical music. Many of the ragas indicated in the Gitagovinda continue to be highly popular in Odissi music even now, and some of the talas mentioned in it are exclusive to the tradition of Odissi music.
2803:
have raised concerns over the apathy of the government & resultant lack of patronage towards preservation and popularisation of classical music traditions other than the two major systems. Dr. Hota also points to the distortion of Odissi Music as some dance musicians since the 1950s catered their
688:
and hand-made pottery have been excavated. Some of the Celts are narrow but large in size. Thus they are described as Bar-celts. On the basis of bar-celts discovered in
Sankarjung it could be argued that they were an earlier musical instrument in India. Scholars have referred to these as the earliest
2649:
of Odisha conquered Kanchi and married the princess. Some raagas specific to Odisha are "Desakhya", "Dhanasri", "Belabali", "Kamodi", "Baradi" etc. Additionally, some Odissi raagas bear the same names as
Hindustani or Carnatic raagas, but have different note combinations. Furthermore, there are many
2807:
Most recently, in order to popularize the Odissi music the State
Government's Culture Department has undertaken a massive programme named 'Odissi Sandhya' to be performed in all major cities of the country. The programme is being executed through Guru Kelu Charan Mohapatra Odissi Research Centre in
2303:
is a percussive instrument native to the state of Odisha. It is traditionally used as the primary percussive instrument with Odissi music. The
Mardala is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and
919:
is found. The ragas used by the
Mahasiddhas continued to be popular in Odissi music for centuries afterwards, and remain important to this day. Many of the raga names as written bear significant resemblance with the raga nomenclature of Odisha & the pronunciations of raga names in the Odissi
2236:
Amara, Ananda, Anandabhairabi, Ananda Kamodi, Ananda Kedara, Arabhi, Asabari, Bangala, Baradi, Basanta, Bhairabi, Bichitra
Desakhya, Bichitradesi, Bichitra Kamodi, Chakrakeli, Chalaghanta Kedara, Chhayatodi, Chintabhairaba, Chinta Kamodi, Debagandhari, Debakiri, Desa Baradi, Desakhya, Desapala,
2911:
2011:
Several dozens of treatises on music written in Odisha have been found. It is known that at least from the 14th century onwards, there was a continuous tradition of musicology in the state. Many of the texts have been critically edited and published by the Odisha
Sangeet Natak Akademi and the
2770:
Jiwan Pani further goes on to illustrate in his works each of these aspects with respect to Odissi music. The tradition of Odissi music is nearly a millennium old, there are several ancient musical treatises produced in the state of Odisha for several centuries, there are unique ragas and a
2188:
classifications i.e. Dhruvapada, Chitrapada, Chitrakala and
Panchali, described in the above-mentioned texts. The Dhruvapada is the first line or lines to be sung repeatedly. Chitrapada means the arrangement of words in an alliterative style. The use of art in music is called Chitrakala.
1231:, the singing of Gitagovinda and adherence to the traditional Odissi ragas indicated by the poet has been referred to as mandatory. The Maharis were also banned from learning any other songs except the Gitagovinda ; this was considered an 'act of defiance towards Jagannatha'.
1389:(Seraikela). Rulers often patronised poet-composers and skilled musicians, vocalists and instrumentalists. Musicians were appointed in royal courts and honoured with land or other rewards. Many kings were themselves skilled musicians and poets, such as Gajapati
725:. Madanlal Vyas describes him as an expert who had organized a music programme where sixty four instruments were played in tandem. Kharabela was an emperor of the Chedi dynasty. Chedi was the son of Kousika, a Raga that is said to have been created by sage
2193:, the renowned Odia poet wrote lyrics, which are the best examples of Chitrakala. All of these were Chhanda (metrical section) contains the essence of Odissi music. The Chhandas were composed by combining Bhava (theme), Kala (time), and Swara (tune). The
2456:
The role of the Mardala as a solo instrument has been presented for the last few decades with great success, apart from its better-known role as an accompaniment in the ensemble for Odissi music and dance. The solo performances follow a specific rule or
2650:
raagas that have the same note combinations in Hindustani, Carnatic and Odissi styles, but are called by different names. Each stream, however, has its own distinct style of rendition and tonal development despite the superficial similarity in scale.
3087:
559:, who composed lyrics meant to be sung, set to ragas and talas unique to the local tradition. However, Odissi songs were written even before the Odia language developed. Odissi music has a rich legacy dating back to the 2nd century BCE, when king
3063:
2448:, Guru Bijaya Kumar Barik, Guru Jagannath Kuanr are among modern-day exponents of the Mardala. Many veteran Gotipua masters have also excelled in the Mardala : Guru Birabara Sahu, Guru Lingaraj Barik, Guru Maguni Das and others.
625:, who himself used to sing in the temple. After the time of the poet, the singing of the Gitagovinda according to the authentic Odissi ragas & talas was instated as a mandatory sevā at the temple, to be performed by the Maharis or
895:
or Siddhacharyas were written and composed. Many of the Mahasiddhas were born in Odisha and wrote in a language that is extremely close to present-day Odia. Some of these songs were ritually sung on the ratha of Jagannatha during the
635:
and other official documents that describe the functioning of the temple. To this date, the Jagannatha temple remains the fountainhead of Odissi music and the most ancient & authentic compositions (including a few archaic Odia
806:
s can be roughly said to be a stylistic classification, based on unique features of the regional styles that were distinctive enough in Bharata's time. The four pravrittis mentioned are Avanti, Dakshinatya, Panchali and
3986:
1262:, Gopala Nayaka had an important role of popularising old Indian music. Some scholars from Odisha in the first part of the 20th century have written about local legend that states Gopala Nayaka was from Odisha.
2424:
The Mardala is intimately associated with the Jagannatha temple and thus has a very esteemed position in the culture of Odisha. Many Gurus have worked for carrying forward the legacy of the instrument. Adiguru
2808:
association with different cultural organizations located in different parts of the country, like Central Sangeet Natak Academy, Eastern Zonal Cultural Centre, Kolkata, and Prachin Kalakendra, Chandigarh.
2172:
The musicologists of Odisha refer to a variety of ancient texts on music such as Bharata Muni's Natyashastra, Vishnu Purana, Shiva Samhita, Brahma Samhita, Narada Samhita, Parasurama Samhita,
7054:
2542:
or percussive. All three instruments have been depicted in the stone temples & caves of Odisha built over the last two millennia. The three instruments were also officially appointed as
2165:
style music got shaped and achieved its classical status. He indicated the classical ragas prevailing at that time in which these were to be sung. Prior to that there was the tradition of
3781:
263:
3107:
885:
branches of Buddhism were particularly influential, and scholars opine that Odisha or Oddiyana was the birth place of Vajrayana itself. Between the seventh and eleventh centuries, the
2257:
Odissi music has codified grammars, which are presented with specified Raagas. It has also a distinctive rendition style. It is lyrical in its movement with wave-like ornamentation (
4044:
611:
of Puri. The deity of Jagannatha is at the heart of Odisha's culture, and Odissi music was originally the music offered as a sevā or service to Jagannatha. Every night during the
3978:
2197:
represents the originality of Odissi style. All the thirty four (34) letters of the Odia alphabet from 'Ka' to 'Ksa' are used chronologically at the beginning of each line.
2477:
is known for his pioneering efforts to promote solo performances of the Mardala and bring other traditional percussion instruments of Odisha onto the concert stage. Guru
4075:
386:
2597:
While the flute and Mardala continue to be popular, the Odissi Bina is no longer as widespread as it once used to be. Some of the exponents of the Odissi Bina were
3861:
7049:
3680:
644:
s by Jayadeva himself) survive in the temple tradition, although the Devadasis are no more found owing to their systematic eradication by the British government.
3355:
2161:, the 12th century Sanskrit saint-poet, the great composer and illustrious master of classical music, has immense contribution to Odissi music. During his time
4926:
2999:
3171:
7146:
2876:
3123:
2346:
of Puri has for centuries had a Mardala servitor. This was known as the 'Madeli Seba' and the percussionist was ritually initiated into the temple by the
2389:
s in use in Odissi music are distinctive, and are not found in other systems of Indian music. The regional terminology used in the Mardala's context are
1250:
s of the Gita Govinda in adherence to the poet's original indications, and based on extant traditional rhythmic & melodic patterns in Odissi music.
3954:
3035:
5854:
1998:
1810:
3892:
2200:
A special feature of Odissi music is the padi, which consists of words to be sung in Druta Tala (fast beat). Odissi music can be sung to different
6848:
3830:
3415:
1265:
After the reign of Mukunda Deba in the 16th century, Odissi music suffered during the Maratha rule in Odisha during the 17th and 18th century AD.
1212:
Most of the ragas and talas indicated by Jayadeva, with the exception of one or two, continue to be in practice in the tradition of Odissi music.
249:
744:, literally meaning 'hall of musical instruments'. It is designed such that any musical recital inside is amplified by the acoustics of the cave.
3923:
3159:
2358:, one of the major classical dance forms of India. In hundreds of Kalingan temples across the state of Odisha, including famous shrines such as
7059:
6092:
5397:
4142:
3773:
3023:
3291:
2846:
2819:
798:
is the most respected ancient treatise on Indian music & dance. Bharata in his seminal work has mentioned four different 'pravrittis' of
2959:
2783:
style. Undoubtedly, music is the life breath of dance. Therefore, it will not be logical to say that the body, that is the Odissi dance, is
2272:
Though there has been cross-cultural influence between Hindustani music and Persian music, Odissi music has remained relatively unaffected.
379:
2893:
3147:
3135:
4036:
3011:
1273:
During the 18th and 19th centuries, Odissi music was chiefly patronised by local kings of princely states of Odisha. This included the
1075:
5904:
2861:
555:
exists in the form of Odissi music. Odissi music crystallised as an independent style during the time of the early medieval Odia poet
4019:
3075:
256:
2437:, Guru Padmanabha Panda, Guru Basudeba Khuntia, and Guru Mahadev Rout were among the great Gurus of Mardala in the 20th century.
1377:
as well as places with a significant Odia population and cultural history such as Tarala (Tharlakota), Jalantara (Jalantrakota),
3542:
Bharatakosa (A Dictionary to Technical Terms with definitions on Music and Dance Collected from the Works of Bharata and Others)
7136:
7131:
2944:
2359:
1703:
768:
372:
6744:
4067:
702:
6626:
3332:
1108:
is known to be one of the earliest, if not the earliest Indian song where the author has indicated with precision the exact
3598:
5914:
1880:
845:
also makes a reference to the same. In the present times, it is this very system that goes under the rubric Odissi music.
621:
of Jayadeva is sung, set to traditional Odissi ragas & talas. This tradition has continued unbroken since the time of
672:
had a rich culture of music, which is substantiated by many archaeological excavation throughout the state of Odisha. At
7069:
3853:
2910:
2638:
2621:
1991:
564:
3566:
3069:
Guru Mahadeba Rout, recipient of Odisha Sangeet Natak Akademi Award and 'Pandita' epithet from the Government of Odisha
2834:
7074:
6841:
4919:
4912:
4288:
3098:
1752:
1728:
1713:
1687:
820:
714:
697:
There are vivid sculptures of musical instruments, singing and dancing postures of damsels in the Ranigumpha Caves in
487:
3366:
6085:
5864:
5512:
5456:
5390:
4135:
2927:
1865:
1820:
1463:
302:
2242:
Odissi music is sung through Raganga, Bhabanga and Natyanga, Dhrubapadanga followed by Champu, Chhanda, Chautisa,
5899:
4369:
4361:
1860:
1645:
94:
5315:
4837:
4741:
4643:
4585:
4540:
4382:
2680:
2662:
2426:
1088:
764:
519:
106:
4569:
2676:
1394:
1127:
of Narayana Dasa (14th century), Dharanidhara's Tika (16th century), Jagannatha Mishra's Tika (16th century),
6739:
4527:
4413:
6734:
6714:
6641:
6631:
5924:
5859:
4812:
4590:
2053:
1984:
1890:
1815:
835:, Udra now constitute the state of Odisha. The classical music that prevailed in these regions was known as
201:
4477:
4408:
4403:
4100:
186:
7064:
6834:
6729:
6116:
5984:
5443:
5425:
5420:
4962:
4620:
4600:
4532:
3946:
3640:
3279:
3258:
2343:
1962:
1718:
1448:
1216:
608:
532:
440:
279:
6222:
4827:
4663:
4615:
4507:
4398:
4374:
2391:
kalā, ansā, māna, aḍasā, bhaunri, bhaunri aḍasā, tāli, khāli, phānka, bāṇi, ukuṭa, pāṭa, chhanda, bhangi,
7126:
7121:
6817:
6078:
5879:
5383:
5030:
4470:
4418:
4390:
4330:
4128:
3918:
3884:
2974:
1840:
6207:
6172:
6041:
5255:
5155:
5015:
4822:
4776:
4681:
4605:
4522:
4512:
3822:
3430:
2766:
The ragas at the core of the system and other acquired ragas must be delineated in a distinctive style.
2512:
The traditional ensemble accompanying an Odissi music recital is said to be 'binā benu mardala' :
2061:
6611:
6257:
6187:
5841:
5836:
5235:
4878:
4807:
4761:
4751:
4561:
4548:
4517:
4502:
4463:
3752:
3114:
3057:, who received a 2004 Sangeet Natak Akademi Award for his contribution to Odissi Music and the Mardala
2745:
mentions four parameters that any system of music has to satisfy in order to be called 'classical' or
2445:
717:
in the 2nd century BC. In inscriptions, Kharabela has been described as an expert in classical music (
143:
7033:
6769:
6247:
5994:
5989:
5929:
5718:
5045:
5020:
4832:
4746:
4658:
4595:
3913:
2434:
1972:
1967:
1929:
1895:
594:
is one of the classical dances of India from the state of Odisha; it is performed with Odissi music.
6262:
6157:
5325:
5305:
5285:
5245:
5230:
5225:
5180:
5125:
5105:
5005:
4987:
4972:
4484:
3756:
2169:. A number of treatises on music have been found, the earliest of them dating back to 14th century.
2069:
747:
6950:
6909:
6481:
6217:
6192:
6018:
5974:
5365:
5335:
5320:
5280:
5215:
5200:
5185:
5170:
5165:
5160:
5150:
5130:
5120:
5115:
4967:
4707:
4702:
4671:
4638:
4625:
4610:
4577:
4556:
4426:
4274:
4215:
3708:
3662:
3488:
3307:
3213:
2966:
2919:
2885:
2722:
2703:
2695:
2684:
2669:
2606:
2501:
2496:
2309:
1950:
1945:
1708:
1243:
1235:
6380:
6343:
6328:
6323:
6282:
6252:
6242:
6202:
5220:
5110:
5085:
5080:
4957:
4952:
4868:
4756:
4712:
2025:
6554:
6471:
6348:
6318:
6292:
6287:
6267:
6237:
6013:
5964:
5939:
5909:
5796:
5345:
5205:
5070:
4817:
4802:
4697:
4442:
4356:
4335:
4269:
3674:
1935:
1905:
1875:
1723:
1596:
1318:
122:
6338:
6297:
6277:
5355:
5275:
5260:
5250:
5145:
5075:
5035:
5025:
4992:
4797:
4007:
3403:. Bhubaneswar: Odisha Sangeet Natak Akademi, Department of Culture, Government of Odisha: 52–64.
2742:
2421:
The talas have a characteristic swing that is typical of and universally found in Odissi music.
2397:, a traditional component based on the Mardala's beats was integrated into Odissi dance by Guru
737:
school. The Raga Kousika is an extremely popular raga in the Odissi tradition, even until date.
6333:
6272:
5673:
5270:
5265:
5190:
5095:
4653:
1123:
number, based on the important ancient copies of the Gita Govinda and its commentaries such as
7141:
6534:
6430:
6101:
5949:
5746:
5433:
5350:
5330:
5195:
5100:
5010:
4977:
4873:
4766:
4306:
4015:
3719:
3545:
3287:
3054:
2646:
2550:. Apart from these three instruments, some other traditional accompanying instruments are the
2490:
2430:
2363:
1915:
1628:
1618:
1470:
1370:
1330:
1290:
1228:
841:
776:
575:
343:
5210:
5175:
4982:
4200:
4170:
196:
171:
6302:
5979:
5934:
5894:
5889:
5849:
5820:
5754:
5603:
5295:
5050:
4648:
4633:
4456:
4317:
2902:
2691:
2594:
have also been employed. The harmonium has become popular from the early twentieth century.
2347:
2307:
Raghunatha Ratha, an ancient musicologist of Odisha extols the Mardala in his treatise, the
2041:
1957:
1900:
1855:
1850:
1745:
1525:
1515:
1505:
1286:
1274:
772:
79:
4110:
4105:
7116:
7023:
6955:
6932:
6922:
6904:
6656:
6616:
6559:
6529:
6362:
5969:
5959:
5954:
5919:
5290:
5240:
4771:
4676:
3223:
3203:
3094:
2699:
2478:
2474:
2441:
2398:
1940:
1925:
1920:
1885:
1870:
1682:
1579:
1390:
1259:
1238:
is known for his contributions in popularising the Gitagovinda through Odissi music &
862:
853:
579:
494:
136:
754:
at Udayagiri caves, designed as an auditorium with a stage in the center for performances
779:, there are hundreds of sculptures depicting musical performances and dancing postures.
6997:
6965:
6914:
6894:
6691:
6636:
6544:
6539:
6524:
6519:
6425:
6385:
6144:
5874:
5869:
5668:
5598:
5532:
5477:
5451:
5406:
4348:
4325:
4293:
2530:. These form the three primary classes of instruments described in the shastras :
2190:
1834:
1830:
1825:
1780:
1657:
1520:
1495:
1453:
1428:
1418:
1362:
1350:
1298:
1282:
1092:
832:
656:
509:
501:
323:
297:
99:
84:
1223:
is ritually sung & enacted in front of Jagannatha, continuing to this day. In the
17:
7110:
7095:
7002:
6990:
6960:
6927:
6857:
6796:
6651:
6569:
6564:
6549:
6494:
6451:
6446:
6197:
5812:
5726:
5552:
5140:
5040:
4893:
4717:
4340:
4280:
2726:
2610:
2401:. Though several hundred talas are defined in treatises, some are more common :
2230:
Some of the distinctive and authentic ragas of the Odissi music tradition are :
1792:
1635:
1606:
1535:
1354:
1346:
1342:
1338:
794:
527:
505:
427:
406:
89:
7007:
6899:
6871:
6595:
6410:
6162:
6129:
5884:
5731:
5618:
5065:
4888:
4858:
4792:
4689:
4449:
4195:
3803:
3622:
3208:
3193:
2796:
2715:
2711:
2547:
2382:
2251:
2204:: Navatala (nine beats), Dashatala (ten beats) or Egaratala (eleven beats). Odissi
2201:
2173:
2017:
1845:
1601:
1510:
1310:
1215:
The poet Jayadeva is known to have started the Mahari or Devadasi tradition at the
1100:
1084:
790:
681:
630:
616:
587:
348:
161:
763:
In the temples of Odisha, oldest among them dating to the 6th century AD, such as
3326:
2779:(classical) system. Again, it is now accepted that Odissi dance is undoubtedly a
6985:
6686:
6681:
6646:
6621:
6579:
6574:
6420:
6212:
6167:
6152:
5647:
5135:
4723:
4301:
3594:
3458:
3218:
2981:
2936:
2800:
2730:
2033:
1640:
1366:
1358:
1322:
1302:
915:
s to sing them have been indicated by the authors themselves, but no mention of
897:
706:
685:
129:
3629:(in Odia). Vol. 1 (2 ed.). Bhubaneswar: Swara-Ranga. pp. 90–100.
3261:(2009). "Odissi Music : Retrospect and Prospect". In Mohapatra, PK (ed.).
2286:
455:
s or treatises, unique Ragas & Talas and a distinctive style of rendition.
6509:
6504:
6489:
6415:
6182:
5944:
5736:
5699:
5340:
4883:
4205:
1910:
1623:
1613:
1584:
1567:
1550:
1500:
1306:
892:
887:
698:
673:
652:
583:
482:. Some great composer-poets of the Odissi tradition are the 12th-century poet
206:
59:
3723:
2775:
From the discussions above, it is evident that Odissi music is a distinctive
2012:
Department of Culture, Odisha. Of these, the core texts of Odissi music are:
6801:
6227:
2642:
2641:
extended all the way up to the river Kaveri and incorporated major parts of
1650:
1414:
1386:
1374:
1326:
878:
858:
710:
560:
448:
2415:
kuḍuka, duāḍamāna, sarimāna, upāḍḍa, paḍitāla, pahapaṭa, aṭṭatāla, āṭhatāli
4115:
3391:
Rath, Shantanu Kumar. Mishra (ed.). "Odia Lokanatakaku Ganjamara Abadana"
53:
7028:
6719:
6375:
6232:
5694:
5487:
5310:
5060:
5055:
4312:
4264:
4240:
4235:
4180:
3979:"72-year-old Veena player of Odisha reviving the glory of the instrument"
3188:
2679:, Gokul Srichandan, Nrusinghanath Khuntia, Lokanath Rath, Lokanath Pala,
2605:
Andha Apanna Panigrahi. The Odissi Bina (Veena) was preserved by Acharya
2351:
2194:
2158:
1294:
1105:
874:
726:
626:
622:
556:
483:
465:
451:, Odissi music has a history spanning over two thousand years, authentic
333:
181:
74:
4904:
3570:
2221:
Kalyana, Nata, Sri, Gouri, Baradi, Panchama, Dhanasri, Karnata, Bhairabi
647:
6787:
6724:
6514:
6177:
6124:
5762:
5663:
5642:
5593:
5578:
5557:
5527:
5497:
5492:
5300:
5090:
4863:
4733:
4230:
4185:
3549:
3198:
2527:
2486:
2482:
2300:
2291:
2281:
2243:
1560:
1490:
1475:
1382:
1378:
1334:
1314:
824:
733:
The ancient musicologists of Odisha, like Harichandana belonged to the
571:
355:
222:
191:
2500:
Guru Ramarao Patra, Odissi Bina (Veena) exponent, disciple of Acharya
1409:
468:, janāna, Mālasri, Bhajana, Sarimāna, Jhulā, Kuduka, Koili, Poi, Boli,
6749:
6696:
6499:
6134:
5773:
5678:
5623:
5583:
5562:
5547:
5542:
5502:
4997:
4947:
4853:
4190:
4175:
4165:
2583:
2355:
2247:
1555:
1545:
1540:
1530:
1485:
1239:
882:
828:
680:
district, the initial spade work exposed the cultural stratum of the
669:
591:
461:
444:
176:
31:
6070:
3525:
Badajena Mahapatra, Krusnadasa (1983). Panigrahi, Nilamadhab (ed.).
2609:
in the twentieth century and is now kept alive by his disciple Guru
2582:
etc. At least since the 18th century, other instruments such as the
6774:
5613:
5537:
5482:
4245:
2620:
2591:
2518:
1591:
677:
470:
and more. Presentation dynamics are roughly classified into four:
360:
328:
287:
232:
227:
3810:(in Odia). Vol. 2. Bhubaneswar: Swara-Ranga. pp. 18–19.
3761:(in Sanskrit). Bhubaneswar, Odisha: Odisha Sangeet Natak Akademi.
3737:
Mohanty, Gopinath (August 2007). "Odissi - The Classical Music".
3265:. New Delhi: Centre for study in civilizations. pp. 613–626.
3101:
in the year 2013 for his contribution to Odissi Music and Mardala
2350:
ruler. The Mardala used to be the accompanying instrument to the
802:(which includes both music & dance). The classification into
6826:
5704:
5608:
5588:
3395:[Role of Ganjam in Odisha's performing art traditions].
2261:). The pace of singing in Odissi is not very fast nor too slow (
2209:
2205:
1480:
1278:
607:
Odissi music is intimately and inextricably associated with the
338:
237:
6830:
6074:
5379:
5375:
4908:
4124:
4120:
903:
The Charyapadas or Charya songs usually consist of five or six
2315:
2045:
of Gajapati Narayanadeba, king of Paralakhemundi - written by
2485:
player who had presented an extended solo performance on the
2407:
jhulā, rūpaka, tripaṭā, jhampā, āḍatāli, jati, āditala, maṭhā
2366:, the Mardala features prominently, usually in a niche of an
1119:
These indications have been compiled below according to the
928:. Some of the ragas mentioned in the Charyapadas are :
709:. These caves were built during the reign of the Jain ruler
3472:] (in Odia). Bhubaneswar, Odisha: Kaishikee Prakashani.
2771:
distinctive manner of rendition. Pani further argues :
3365:. Culture Department, Government of Odisha. Archived from
2763:
There must be a number of ragas at the core of the system.
2683:, Markandeya Mahapatra, Kashinath Pujapanda, Kabichandra
4101:
Graded video lessons on Odissi music by Guru Ramhari Das
3416:"Archaeology and the maritime history of ancient Orissa"
3286:. India: Maxcurious Publications Pvt. Ltd. p. 383.
2658:
The great exponents of Odissi music in modern times are
590:, Khanjani Bhajana, etc. are all based on Odissi music.
3314:. Bhubaneswar, Odisha: Government of Orissa. p. 2.
2295:, the traditional percussion instrument of Odissi music
447:. The traditional ritual music for the service of Lord
4012:
Back to the Roots: Essays on Performing Arts of India
2625:
Veteran Odissi musician Shyamamani Devi, disciple of
2546:
in the Jagannatha Temple of Puri as described in the
3741:. Culture Department, Government of Orissa: 108–111.
2370:
playing the instrument. There is a pose by the name
7083:
7042:
7016:
6978:
6943:
6887:
6880:
6864:
6785:
6762:
6707:
6674:
6665:
6604:
6588:
6480:
6464:
6439:
6403:
6394:
6361:
6311:
6143:
6115:
6108:
6040:
6003:
5829:
5805:
5789:
5782:
5745:
5717:
5687:
5656:
5632:
5571:
5520:
5511:
5470:
5442:
5413:
4846:
4785:
4732:
4495:
4435:
4254:
4223:
4158:
3617:
3615:
3499:] (in Odia). Bhubaneswar: Smt. Bhagabati Panda.
1246:have also attempted to reconstruct melodies of the
689:discovered musical instruments of South East Asia.
570:The traditional artforms of Odisha such as Mahari,
4106:YouTube channel of Guru Gopal Panda Odissi Academy
2694:, Radhamani Mahapatra, Bisnupriya Samantasinghar,
2440:Guru Rabinarayan Panda, Guru Janardana Dash, Guru
684:period (400 BC onward). From here, polished stone
417:
1242:across the globe. Scholar-musicians such as Guru
3589:
3587:
2756:The system must be based on one or more written
2773:
2733:who have achieved eminence in classical music.
2037:of Krusnadasa Badajena Mahapatra (15th century)
819:is an ancient name of Odisha. Parts of ancient
629:, systematically recorded in inscriptions, the
443:in India, originated from the eastern state of
3718:(in Hindi). Bhubaneswar: Bhagavatī Prakāśanī.
2741:The renowned scholar and cultural commentator
740:One of the caves of Udayagiri is known as the
6842:
6086:
5391:
4920:
4136:
3885:"Dhaneswar Swain: A Maestro of Odissi Mardal"
3561:
3559:
2385:is a rhythmic structure in Indian music. The
2374:replicating the same stance in Odissi dance.
2212:of Hindustani and Karnataki classical music.
1992:
1166:Deśī Barāḍi or Deśa Barāḍi or Pañchama Barāḍi
380:
257:
8:
4111:Odissi music renditions by eminent vocalists
3697:. Bhubaneswar: Odissi Research Centre. 2004.
3529:. Bhubaneswar: Odisha Sangeet Natak Akademi.
3005:Guru Birabara Sahu, veteran Gotipua exponent
458:The various aspects of Odissi music include
3649:Odissi music: Some known and unknown facets
2787:, but its life, that is, the music, is not
2377:The playing of the Mardala is based on the
6884:
6849:
6835:
6827:
6671:
6400:
6112:
6093:
6079:
6071:
5786:
5517:
5430:Semi Classical music/Light classical music
5398:
5384:
5376:
4927:
4913:
4905:
4143:
4129:
4121:
3774:"Celebrating an alternate style of Odissi"
3679:: CS1 maint: location missing publisher (
3328:The Evolution of Oriya Language and Script
2265:), and it maintains a proportional tempo (
1999:
1985:
1771:
1671:
1404:
936:Raga name as mentioned in the Charyapadas
387:
373:
275:
264:
250:
36:
3651:] (in Odia). Ink Odisha, Bhubaneswar.
3041:Guru Maguni Das, veteran Gotipua exponent
2753:The tradition must be over a century old.
1417:known for his extensive contributions to
1281:as well as the rulers of the kingdoms of
4116:Early gramophone records of Odissi music
3470:The tradition and method of Odissi music
3414:Patra, Sushanta Kumar; Patra, Benudhar.
2495:
2285:
1074:
930:
852:
746:
646:
6540:Pana Sankranti (Maha Vishuba Sankranti)
3235:
2992:
2815:
1802:
1786:
1774:
1765:
1736:
1695:
1674:
1665:
1435:
1087:written by iconic medieval Odissi poet
315:
278:
214:
153:
114:
66:
44:
3973:
3971:
3672:
3645:Odisi Sangita: Kichi Jana Ajana Tathya
3569:. Orissaculture.gov.in. Archived from
3117:, Odisha Sangeet Natak Akademi awardee
2381:or rhythmic system of Odissi music. A
939:Present-day raga name in Odissi music
877:was the major religion of Odisha. The
3926:from the original on 28 November 2020
3823:"Moment of victory for Odissi Mardal"
3772:Chakra, Shyamhari (3 November 2016).
3483:
3481:
3479:
3463:Odissi Sangeetara Parampara O Prayoga
3453:
3451:
3449:
3447:
3445:
3443:
2409:. Other talas that are also used are
2131:Raghunatha Parichha of Paralakhemundi
1154:Guṇḍakirī or Guṇḍakerī or Mālavagauḍa
857:Image of Buddha inside a room of the
615:or the last ritual of the deity, the
460:Odissi prabandha, Chaupadi, Chhanda,
426:
7:
3755:(1976). Patnaik, Kali Charan (ed.).
3274:
3272:
3253:
3251:
3249:
3247:
3245:
3243:
3241:
3239:
1184:Barāḍi or Deśa Barāḍi or Deśī Barāḍi
567:), patronized this music and dance.
4066:Vidyarthi, Nita (17 October 2013).
4047:from the original on 12 August 2020
3883:Nicodemus, Paul (10 October 2020).
3852:Vidyarthi, Nita (6 February 2014).
2617:Relation with other classical music
2493:, was the very first of its kind.
2354:dance, the ancestor of present-day
400:
7147:Classical and art music traditions
3423:Odisha Historical Research Journal
2795:Other scholars such as Pandit Dr.
1139:Mālava, Mālavagauḍa or Mālavagauḍā
1131:of Rana Kumbha (16th century) and
920:tradition, such as the mention of
25:
7055:Sahitya Akademi Translation Prize
4078:from the original on 28 July 2020
3864:from the original on 22 June 2020
3784:from the original on 28 July 2020
3497:Notated music of the Gita Govinda
3354:Mohanty, Gopinath (August 2007).
2097:Gopinatha Patra of Paralakhemundi
2087:Narayana Mishra of Paralakhemundi
2073:of Raghunatha Ratha (also called
1766:Nationalistic and patriotic songs
603:Ritual music of Jagannatha Temple
515:, Abhimanyu Samanta Singhara and
6813:
6812:
5364:
4214:
3945:Chakra, Shyamhari (2020-11-23).
3833:from the original on 22 May 2022
3335:from the original on 3 July 2023
3331:. Utkal University. p. 22.
3308:Patnaik, Kabichandra Kali Charan
3284:The Classicality of Orissi Music
3170:
3158:
3146:
3134:
3122:
3106:
3086:
3074:
3062:
3046:
3034:
3022:
3010:
2998:
2973:
2958:
2943:
2926:
2909:
2892:
2875:
2860:
2845:
2833:
2818:
2049:Purusottama Misra (17th century)
1408:
911:bears the name of the poet. The
286:
52:
4035:Rajan, Anjana (24 April 2009).
3989:from the original on 2020-12-05
3957:from the original on 2020-11-24
3947:"The missionary mardal maestro"
3895:from the original on 2020-10-31
3601:from the original on 2012-05-20
3466:ଓଡ଼ିଶୀ ସଙ୍ଗୀତର ପରମ୍ପରା ଓ ପ୍ରୟୋଗ
2994:Eminent Gurus of Odissi Mardala
2840:Guru Gokula Chandra Srichandana
2304:traditional playing technique.
2065:of Harichandana, king of Kanika
1219:of Puri, where every night the
1205:Rāmakirī or Rāmakerī or Bibhāsa
1135:of Bajuri Dasa (17th century).
535:has four significant branches:
27:Genre of Indian classical music
5633:Principles of Hindustani music
3514:. Manjusa: Srinibasa Rajamani.
3325:Tripathī, Kunjabihari (1963).
2729:(Bina/Veena),Sangita Gosain,
2629:Singhari Shyamasundar Kar and
2184:Odissi Sangita comprises four
2109:of Sadananda Kabisurjya Brahma
1190:Gujjarī or Gurjarī or Rāmakerī
1:
6745:Bronze & Bell metal works
3540:Kavi, M. Ramakrishna (1999).
3393:ଓଡ଼ିଆ ଲୋକନାଟକକୁ ଗଞ୍ଜାମର ଅବଦାନ
2319:
2029:of Hari Nayaka (14th century)
1104:written by 12th-century poet
869:Charyapada and Buddhist Music
723:nata-gita-badita sandasanahi)
721:and a great patron of music (
693:Kharabela & Ancient Caves
7070:Odisha Sahitya Akademi Award
3429:(2): 107–118. Archived from
3356:"Odissi - The Classic Music"
3312:A Glimpse into Orissan Music
2654:Odissi music in modern times
2332:Mardala is the superlative.
1729:Harivallabh Sangeet Sammelan
525:According to Bharata Muni's
30:Not to be confused with the
7075:Atibadi Jagannath Das Award
5855:Andaman and Nicobar Islands
4362:Sadananda Kabisurjya Brahma
3493:Sri Gita Gobinda Swara Lipi
3177:Guru Gouranga Charan Mahala
3099:Sangeet Natak Akademi Award
2489:under the guidance of Guru
2334:So I narrate its features.
2154:of Kamalalochana Khadgaraya
1811:Andaman and Nicobar Islands
1688:Sangeet Natak Akademi Award
418:
7163:
5513:Hindustani classical music
3595:"Orissa Dance & Music"
3510:Samanta, Basudeba (1927).
2279:
2021:of Jayadeva (12th century)
1142:Maṅgala Gujjarī or Gurjarī
29:
6810:
5905:Kashmir, Jammu and Ladakh
5362:
4943:
4838:Kisorachandrananda Champu
4644:Bisnupriya Samantasinghar
4370:Abhimanyu Samantasinghara
4212:
2826:Sangitacharya Mahanta Sri
2330:Among the membranophones,
2321:ānaddhe marddaḻaḥ śreṣṭho
2269:) that is very soothing.
2191:Kabisurjya Baladeba Ratha
2057:of Nilakantha of Kalakala
1714:Dover Lane music festival
1071:Jayadeva and Gita Govinda
839:. The post-Jayadeva text
410:
5830:Region wise Indian Music
4742:Singhari Shyamsundar Kar
4586:Singhari Shyamsundar Kar
4570:Nimai Charan Harichandan
4541:Mohan Sundar Deb Goswami
4383:Gopalakrusna Pattanayaka
3715:
3544:. Munshiram Manoharlal.
3465:
3392:
2681:Mohan Sundar Deb Goswami
2677:Nimai Charan Harichandan
2663:Singhari Shyamsundar Kar
2461: : starting with a
2427:Singhari Shyamsundar Kar
2323:yatastallakṣaṇaṃbrube /
1704:Saptak Festival of Music
1395:Biswambhara Rajendradeba
1089:Gopalakrusna Pattanayaka
520:Gopalakrusna Pattanayaka
5846:Karnataka Sugam sangeet
5817:Light songs in the play
4528:Gobinda Chandra Suradeo
4414:Gadadhara Singhasamanta
3808:Udra Paddhatiya Sangita
3669:(in Odia). Bhubaneswar.
3165:Guru Maheswar Mohapatra
3129:Guru Bijaya Kumar Barik
2989:Gurus of Odissi Mardala
2868:Natyacharya Kabichandra
2465:, then proceeding onto
2208:are different from the
563:, the ruler of Odisha (
428:[oɽisisɔŋgit̪ɔ]
7137:Indian styles of music
7132:Indian classical music
7065:Odisha Sahitya Akademi
5444:Indian classical music
5426:Indian classical music
5421:Music in ancient India
4813:Koti Brahmanda Sundari
4591:Nrusingha Nath Khuntia
4014:. New Delhi: Manohar.
3983:The New Indian Express
3263:Perspectives on Orissa
3029:Guru Rabinarayan Panda
2793:
2634:
2504:
2328:
2296:
2121:of Giri Gadadhara Dasa
2054:Sangitarnava Chandrika
1719:Purandaradasa Aradhana
1172:Guṇḍakirī or Guṇḍakerī
1095:
1079:Palm leaf manuscript (
865:
755:
660:
533:Indian classical music
280:Indian classical music
18:Odissi classical music
7050:Sahitya Akademi Award
5688:Variations of Bandish
5521:Types of compositions
4479:Sangitarnavachandrika
4409:Benudhara Pattanayaka
4404:Gauracharana Adhikari
3919:Sangeet Natak Akademi
3641:Parhi, Kirtan Narayan
3597:. Orissatourism.net.
3280:Parhi, Kirtan Narayan
3259:Parhi, Kirtan Narayan
3017:Guru Basudeba Khuntia
2624:
2499:
2289:
2263:na druta na bilambita
2142:of unknown authorship
1666:Media and performance
1199:Barāḍi or Deśa Barāḍi
1175:Mālava or Mālavagauḍā
1078:
856:
750:
651:Bars discovered from
650:
6770:Kalinga architecture
5719:Semi-classical music
4621:Biswanatha Pujapanda
4601:Markandeya Mahapatra
4533:Upendranath Tripathy
3713:Odisi Raga Ratnabali
3709:Panda, Gopal Chandra
3663:Panda, Gopal Chandra
3567:"Culture Department"
3489:Panda, Gopal Chandra
3153:Guru Chintamani Raut
3141:Guru Jagannath Kuanr
2452:As a solo instrument
2435:Kelucharan Mahapatra
2125:Lakhyana Chandrodaya
1709:Chennai Music Season
1258:During the reign of
1208:Rāmakirī or Rāmakerī
1148:Rāmakirī or Rāmakerī
1125:Sarvangasundari Tika
719:gandhaba-beda budho)
578:, Radha Prema Lila,
6004:Language wise Music
4828:Bidagdha Chintamani
4708:Bhubaneswari Mishra
4703:Gopal Chandra Panda
4672:Raghunath Panigrahi
4664:Radhamani Mahapatra
4616:Kashinath Pujapanda
4578:Tarini Charan Patra
4575:Astabadhani Acharya
4557:Kali Charan Patnaik
4508:Seikh Khan Mohammed
4472:Sangita Kalpalatika
4427:Kalicharan Pattnaik
4399:Raghunatha Parichha
4375:Bhakta Charana Dasa
4068:"Raising his voice"
3821:Chakra, Shyamhari.
3214:Gopal Chandra Panda
3081:Guru Janardana Dash
2967:Gopal Chandra Panda
2920:Raghunath Panigrahi
2886:Tarini Charan Patra
2883:Astabadhani Acharya
2870:Kali Charan Patnaik
2723:Raghunath Panigrahi
2704:Gopal Chandra Panda
2696:Bhubaneswari Mishra
2685:Kalicharan Pattnaik
2670:Tarini Charan Patra
2667:Astabadhani Acharya
2607:Tarini Charan Patra
2502:Tarini Charan Patra
2215:The primary Odissi
1244:Gopal Chandra Panda
1236:Raghunath Panigrahi
1193:Deśī or Deśa Barāḍi
1163:Deśākhya or Deśākṣa
932:
6881:Dialects/Varieties
6472:Odia Hindu wedding
5797:Music of Bollywood
5783:Indian Light Music
5770:Uttarakhandi Music
5031:Chalaghanta Kedara
4698:Bhikari Charan Bal
4419:Lokanatha Pattnaik
4391:Gourahari Parichha
4357:Jadumani Mahapatra
4336:Brajanath Badajena
4331:Biswanatha Khuntia
3985:. 31 August 2019.
3716:ओडिसी राग रत्नावली
3667:Odisi Raga Darpana
2937:Bhikari Charan Bal
2635:
2505:
2297:
2152:Sangita Chintamani
2115:of Bandhu Binakara
2101:Kalankura Nibandha
1724:Tyagaraja Aradhana
1181:Gujjarī or Gurjarī
1169:Gujjarī or Gurjarī
1157:Gujjarī or Gurjarī
1151:Gujjarī or Gurjarī
1096:
931:
873:For a long period
866:
827:, Dakhina Kosala,
756:
661:
476:bhabanga, natyanga
7104:
7103:
6974:
6973:
6824:
6823:
6758:
6757:
6622:Bomkai (Sonepuri)
6535:Manabasa Gurubara
6460:
6459:
6431:Prahallada Nataka
6395:Play, theatre and
6357:
6356:
6102:Culture of Odisha
6068:
6067:
6042:Maharashtra music
6036:
6035:
5865:Arunachal Pradesh
5806:Indian play music
5790:Indian film music
5747:Indian folk music
5713:
5712:
5434:Indian folk music
5373:
5372:
5256:Manjughosa Kedara
5156:Khanda Bangalasri
5016:Bichitra Desakhya
4902:
4901:
4874:Prahallada Nataka
4823:Bichitra Ramayana
4777:Satchidananda Das
4767:Banamali Maharana
4682:Akhil Kumar Lenka
4631:Sangita Sudhakara
4606:Paschimeswar Jena
4523:Harihara Rayaguru
4513:Basudeb Mahapatra
4465:Sangita Muktabalī
4307:Achyutananda Dasa
4037:"Dissenting Note"
3914:"Dhaneswar Swain"
3753:Ratha, Raghunatha
3695:Odisi Raga Sarani
3665:(December 2011).
3372:on April 10, 2009
3293:978-81-932151-2-8
3055:Banamali Maharana
2900:Sangita Sudhakara
2689:Sangita Sudhakara
2631:Sangita Sudhakara
2601:Adwaita Guru and
2526:or Flute and the
2491:Banamali Maharana
2481:, the first solo
2467:chhanda prakarana
2431:Banamali Maharana
2344:Jagannatha temple
2340:
2339:
2107:Sangita Sadananda
2103:of Kalankura Muni
2062:Sangita Muktabali
2009:
2008:
1866:Jammu and Kashmir
1821:Arunachal Pradesh
1798:
1797:
1761:
1760:
1629:Asian Underground
1229:Prataparudra Deba
1217:Jagannatha temple
1068:
1067:
842:Sangita Ratnakara
664:Prehistoric music
609:Jagannatha temple
576:Prahallada Nataka
486:, Balarama Dasa,
416:
397:
396:
274:
273:
145:Sangita Muktabali
16:(Redirected from
7154:
6885:
6851:
6844:
6837:
6828:
6816:
6815:
6672:
6612:Baleswari bandha
6404:Play and theatre
6401:
6113:
6095:
6088:
6081:
6072:
5900:Himachal Pradesh
5850:Goa trance music
5842:Rajasthani Music
5821:Sugama Sangeetha
5787:
5755:Rabindra Sangeet
5657:Types of Bandish
5518:
5457:Hindustani music
5400:
5393:
5386:
5377:
5368:
5236:Mangala Dhanasri
4929:
4922:
4915:
4906:
4879:Radha Prema Lila
4808:Baidehisa Bilasa
4762:Kashinath Muduli
4752:Padmanabha Panda
4649:Binapani Mohanty
4634:Balakrushna Dash
4562:Shyamsundar Dhir
4549:Apanna Panigrahi
4518:Lokenath Kanungo
4503:Gokul Srichandan
4458:Sangita Narayana
4318:Dinakrushna Dasa
4236:Mrudanga (Khola)
4218:
4145:
4138:
4131:
4122:
4088:
4087:
4085:
4083:
4063:
4057:
4056:
4054:
4052:
4032:
4026:
4025:
4004:
3998:
3997:
3995:
3994:
3975:
3966:
3965:
3963:
3962:
3942:
3936:
3935:
3933:
3931:
3910:
3904:
3903:
3901:
3900:
3880:
3874:
3873:
3871:
3869:
3849:
3843:
3842:
3840:
3838:
3818:
3812:
3811:
3800:
3794:
3793:
3791:
3789:
3769:
3763:
3762:
3749:
3743:
3742:
3734:
3728:
3727:
3705:
3699:
3698:
3691:
3685:
3684:
3678:
3670:
3659:
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3637:
3631:
3630:
3619:
3610:
3609:
3607:
3606:
3591:
3582:
3581:
3579:
3578:
3563:
3554:
3553:
3537:
3531:
3530:
3522:
3516:
3515:
3512:Sangita Kalakara
3507:
3501:
3500:
3485:
3474:
3473:
3455:
3438:
3437:
3435:
3420:
3411:
3405:
3404:
3388:
3382:
3381:
3379:
3377:
3371:
3360:
3351:
3345:
3344:
3342:
3340:
3322:
3316:
3315:
3304:
3298:
3297:
3276:
3267:
3266:
3255:
3174:
3162:
3150:
3138:
3126:
3115:Sachidananda Das
3110:
3090:
3078:
3066:
3050:
3038:
3026:
3014:
3002:
2977:
2962:
2947:
2930:
2913:
2903:Balakrushna Dash
2896:
2879:
2864:
2855:Apanna Panigrahi
2849:
2837:
2822:
2692:Balakrushna Dash
2647:Purusottama Deva
2637:At one time the
2633:Balakrushna Das.
2446:Sachidananda Das
2403:ekatāli, khemaṭā
2395:sabda-swara pata
2316:
2148:of Bira Narayana
2119:Gitaprakasa Boli
2113:Sangitasara Boli
2075:Sangita Manorama
2042:Sangita Narayana
2001:
1994:
1987:
1861:Himachal Pradesh
1772:
1672:
1526:Prabhat Samgiita
1506:Rabindra Sangeet
1431:
1412:
1405:
1305:(Badakhemundi),
1225:Jayabijaya Dwara
933:
742:Bajaghara Gumpha
731:Naradiya Sikhya.
439:) is a genre of
438:
437:
436:
430:
425:
421:
415:romanized:
414:
412:
402:
389:
382:
375:
303:Hindustani music
290:
276:
266:
259:
252:
167:Odissi Prabandha
138:Sangita Narayana
56:
37:
21:
7162:
7161:
7157:
7156:
7155:
7153:
7152:
7151:
7107:
7106:
7105:
7100:
7079:
7043:Literary awards
7038:
7012:
6970:
6939:
6876:
6860:
6855:
6825:
6820:
6806:
6781:
6754:
6703:
6667:
6661:
6632:Gopalpur Tussar
6600:
6584:
6530:Makar Sankranti
6476:
6456:
6435:
6396:
6390:
6353:
6307:
6139:
6104:
6099:
6069:
6064:
6032:
5999:
5825:
5801:
5778:
5741:
5709:
5683:
5652:
5628:
5567:
5507:
5466:
5438:
5409:
5404:
5374:
5369:
5360:
5291:Panchama Baradi
5241:Mangala Gujjari
5046:Chinta Bhairaba
5021:Bichitra Kamodi
4939:
4933:
4903:
4898:
4847:Allied artforms
4842:
4833:Mathura Mangala
4781:
4772:Dhaneswar Swain
4747:Chakradhar Sahu
4728:
4695:Bhajana Samrata
4677:Shyamamani Devi
4659:Binapani Mishra
4596:Jagabandhu Sahu
4546:Gayaka Siromani
4491:
4486:Sangita Koumudi
4431:
4289:Jagannatha Dasa
4250:
4219:
4210:
4154:
4149:
4097:
4092:
4091:
4081:
4079:
4065:
4064:
4060:
4050:
4048:
4034:
4033:
4029:
4022:
4006:
4005:
4001:
3992:
3990:
3977:
3976:
3969:
3960:
3958:
3944:
3943:
3939:
3929:
3927:
3912:
3911:
3907:
3898:
3896:
3889:The Dance India
3882:
3881:
3877:
3867:
3865:
3851:
3850:
3846:
3836:
3834:
3820:
3819:
3815:
3802:
3801:
3797:
3787:
3785:
3771:
3770:
3766:
3751:
3750:
3746:
3736:
3735:
3731:
3717:
3707:
3706:
3702:
3693:
3692:
3688:
3671:
3661:
3660:
3656:
3639:
3638:
3634:
3621:
3620:
3613:
3604:
3602:
3593:
3592:
3585:
3576:
3574:
3565:
3564:
3557:
3539:
3538:
3534:
3524:
3523:
3519:
3509:
3508:
3504:
3487:
3486:
3477:
3467:
3457:
3456:
3441:
3433:
3418:
3413:
3412:
3408:
3394:
3390:
3389:
3385:
3375:
3373:
3369:
3358:
3353:
3352:
3348:
3338:
3336:
3324:
3323:
3319:
3306:
3305:
3301:
3294:
3278:
3277:
3270:
3257:
3256:
3237:
3232:
3224:Dhaneswar Swain
3204:Music of Odisha
3185:
3178:
3175:
3166:
3163:
3154:
3151:
3142:
3139:
3130:
3127:
3118:
3111:
3102:
3097:, recipient of
3095:Dhaneswar Swain
3091:
3082:
3079:
3070:
3067:
3058:
3051:
3042:
3039:
3030:
3027:
3018:
3015:
3006:
3003:
2991:
2984:
2978:
2969:
2963:
2954:
2953:Shyamamani Devi
2948:
2939:
2934:Bhajana Samrata
2931:
2922:
2914:
2905:
2897:
2888:
2880:
2871:
2865:
2856:
2853:Gayaka Siromani
2850:
2841:
2838:
2829:
2823:
2814:
2760:s or treatises.
2739:
2700:Shyamamani Devi
2656:
2619:
2603:Gayaka Siromani
2510:
2479:Dhaneswar Swain
2475:Dhaneswar Swain
2454:
2442:Dhaneswar Swain
2399:Deba Prasad Das
2336:
2333:
2331:
2325:
2322:
2284:
2278:
2182:
2180:Characteristics
2146:Sangita Nirnaya
2140:Sangita Kaumudi
2005:
1775:National anthem
1696:Music festivals
1683:Filmfare Awards
1427:
1422:
1403:
1391:Kapilendra Deba
1299:Athagada Patana
1271:
1260:Alauddin Khilji
1256:
1227:inscription of
1073:
871:
851:
788:
786:of Bharata Muni
765:Parasuramesvara
761:
695:
666:
605:
600:
495:Dinakrusna Dasa
491:Jagannatha Dasa
453:sangita-shastra
441:classical music
433:
432:
431:
423:
393:
270:
62:
35:
28:
23:
22:
15:
12:
11:
5:
7160:
7158:
7150:
7149:
7144:
7139:
7134:
7129:
7124:
7119:
7109:
7108:
7102:
7101:
7099:
7098:
7093:
7087:
7085:
7081:
7080:
7078:
7077:
7072:
7067:
7062:
7057:
7052:
7046:
7044:
7040:
7039:
7037:
7036:
7031:
7026:
7020:
7018:
7014:
7013:
7011:
7010:
7005:
7000:
6995:
6994:
6993:
6982:
6980:
6976:
6975:
6972:
6971:
6969:
6968:
6963:
6958:
6953:
6947:
6945:
6941:
6940:
6938:
6937:
6936:
6935:
6930:
6925:
6917:
6912:
6907:
6902:
6897:
6891:
6889:
6882:
6878:
6877:
6875:
6874:
6868:
6866:
6862:
6861:
6856:
6854:
6853:
6846:
6839:
6831:
6822:
6821:
6811:
6808:
6807:
6805:
6804:
6799:
6793:
6791:
6783:
6782:
6780:
6779:
6778:
6777:
6766:
6764:
6760:
6759:
6756:
6755:
6753:
6752:
6747:
6742:
6737:
6732:
6727:
6722:
6717:
6711:
6709:
6705:
6704:
6702:
6701:
6700:
6699:
6692:Saura painting
6689:
6684:
6678:
6676:
6669:
6663:
6662:
6660:
6659:
6654:
6649:
6644:
6639:
6634:
6629:
6624:
6619:
6614:
6608:
6606:
6602:
6601:
6599:
6598:
6592:
6590:
6586:
6585:
6583:
6582:
6577:
6572:
6567:
6562:
6557:
6552:
6547:
6545:Pousha Purnima
6542:
6537:
6532:
6527:
6522:
6517:
6512:
6507:
6502:
6497:
6492:
6486:
6484:
6478:
6477:
6475:
6474:
6468:
6466:
6462:
6461:
6458:
6457:
6455:
6454:
6449:
6443:
6441:
6437:
6436:
6434:
6433:
6428:
6423:
6418:
6413:
6407:
6405:
6398:
6392:
6391:
6389:
6388:
6383:
6378:
6373:
6367:
6365:
6359:
6358:
6355:
6354:
6352:
6351:
6346:
6341:
6336:
6331:
6326:
6321:
6315:
6313:
6309:
6308:
6306:
6305:
6300:
6295:
6290:
6285:
6280:
6275:
6270:
6265:
6260:
6255:
6250:
6245:
6240:
6235:
6230:
6225:
6220:
6215:
6210:
6205:
6200:
6195:
6190:
6185:
6180:
6175:
6170:
6165:
6160:
6155:
6149:
6147:
6141:
6140:
6138:
6137:
6132:
6127:
6121:
6119:
6110:
6106:
6105:
6100:
6098:
6097:
6090:
6083:
6075:
6066:
6065:
6063:
6062:
6059:
6056:
6053:
6050:
6046:
6044:
6038:
6037:
6034:
6033:
6031:
6030:
6027:
6024:
6021:
6016:
6011:
6007:
6005:
6001:
6000:
5998:
5997:
5992:
5987:
5982:
5977:
5972:
5967:
5962:
5957:
5952:
5947:
5942:
5937:
5932:
5927:
5925:Madhya Pradesh
5922:
5917:
5912:
5907:
5902:
5897:
5892:
5887:
5882:
5877:
5872:
5867:
5862:
5860:Andhra Pradesh
5857:
5852:
5847:
5844:
5839:
5833:
5831:
5827:
5826:
5824:
5823:
5818:
5815:
5809:
5807:
5803:
5802:
5800:
5799:
5793:
5791:
5784:
5780:
5779:
5777:
5776:
5771:
5768:
5765:
5760:
5757:
5751:
5749:
5743:
5742:
5740:
5739:
5734:
5729:
5723:
5721:
5715:
5714:
5711:
5710:
5708:
5707:
5702:
5697:
5691:
5689:
5685:
5684:
5682:
5681:
5676:
5671:
5666:
5660:
5658:
5654:
5653:
5651:
5650:
5645:
5640:
5636:
5634:
5630:
5629:
5627:
5626:
5621:
5616:
5611:
5606:
5601:
5596:
5591:
5586:
5581:
5575:
5573:
5569:
5568:
5566:
5565:
5560:
5555:
5550:
5545:
5540:
5535:
5530:
5524:
5522:
5515:
5509:
5508:
5506:
5505:
5500:
5495:
5490:
5485:
5480:
5478:Shruti (music)
5474:
5472:
5468:
5467:
5465:
5464:
5459:
5454:
5452:Carnatic music
5448:
5446:
5440:
5439:
5437:
5436:
5431:
5428:
5423:
5417:
5415:
5411:
5410:
5405:
5403:
5402:
5395:
5388:
5380:
5371:
5370:
5363:
5361:
5359:
5358:
5353:
5348:
5343:
5338:
5333:
5328:
5326:Sankarabharana
5323:
5318:
5313:
5308:
5306:Punnaga Baradi
5303:
5298:
5293:
5288:
5286:Pahadia Kedara
5283:
5278:
5273:
5268:
5263:
5258:
5253:
5248:
5246:Mangala Kamodi
5243:
5238:
5233:
5231:Mangala Baradi
5228:
5223:
5218:
5213:
5208:
5203:
5198:
5193:
5188:
5183:
5181:Lalita Basanta
5178:
5173:
5168:
5163:
5158:
5153:
5148:
5143:
5138:
5133:
5128:
5123:
5118:
5113:
5108:
5103:
5098:
5093:
5088:
5083:
5078:
5073:
5068:
5063:
5058:
5053:
5048:
5043:
5038:
5033:
5028:
5023:
5018:
5013:
5008:
5006:Basanta Baradi
5003:
5000:
4995:
4990:
4985:
4980:
4975:
4973:Anandabhairabi
4970:
4965:
4960:
4955:
4950:
4944:
4941:
4940:
4934:
4932:
4931:
4924:
4917:
4909:
4900:
4899:
4897:
4896:
4891:
4886:
4881:
4876:
4871:
4866:
4861:
4856:
4850:
4848:
4844:
4843:
4841:
4840:
4835:
4830:
4825:
4820:
4815:
4810:
4805:
4800:
4795:
4789:
4787:
4783:
4782:
4780:
4779:
4774:
4769:
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4759:
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4715:
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4700:
4692:
4684:
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4608:
4603:
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4525:
4520:
4515:
4510:
4505:
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4475:
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4461:
4454:
4447:
4439:
4437:
4433:
4432:
4430:
4429:
4421:
4416:
4411:
4406:
4401:
4393:
4385:
4377:
4372:
4367:Bidagdha Kabi
4364:
4359:
4351:
4349:Baladeba Ratha
4343:
4338:
4333:
4328:
4326:Upendra Bhanja
4320:
4315:
4310:
4304:
4296:
4294:Jasobanta Dasa
4291:
4283:
4277:
4272:
4267:
4258:
4256:
4252:
4251:
4249:
4248:
4243:
4238:
4233:
4227:
4225:
4221:
4220:
4213:
4211:
4209:
4208:
4203:
4198:
4193:
4188:
4183:
4178:
4173:
4168:
4162:
4160:
4156:
4155:
4150:
4148:
4147:
4140:
4133:
4125:
4119:
4118:
4113:
4108:
4103:
4096:
4095:External links
4093:
4090:
4089:
4058:
4027:
4020:
3999:
3967:
3937:
3905:
3875:
3854:"His own beat"
3844:
3813:
3795:
3764:
3744:
3729:
3700:
3686:
3654:
3632:
3627:Sangita Sastra
3611:
3583:
3555:
3532:
3517:
3502:
3475:
3439:
3436:on 2009-10-29.
3406:
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2851:
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2813:
2810:
2799:and Professor
2768:
2767:
2764:
2761:
2754:
2738:
2735:
2655:
2652:
2639:Kalinga Empire
2618:
2615:
2509:
2506:
2453:
2450:
2338:
2337:
2326:
2310:Natya Manorama
2280:Main article:
2277:
2274:
2250:, Janana, and
2181:
2178:
2156:
2155:
2149:
2143:
2137:
2135:Sangita Kamada
2132:
2122:
2116:
2110:
2104:
2098:
2091:Sangita Kamoda
2088:
2081:Sangita Sarani
2078:
2070:Natya Manorama
2066:
2058:
2050:
2038:
2030:
2022:
2007:
2006:
2004:
2003:
1996:
1989:
1981:
1978:
1977:
1976:
1975:
1970:
1965:
1960:
1955:
1954:
1953:
1943:
1938:
1933:
1923:
1918:
1913:
1908:
1903:
1898:
1893:
1891:Madhya Pradesh
1888:
1883:
1878:
1873:
1868:
1863:
1858:
1853:
1848:
1843:
1838:
1828:
1823:
1818:
1816:Andhra Pradesh
1813:
1805:
1804:
1803:Regional music
1800:
1799:
1796:
1795:
1789:
1788:
1784:
1783:
1781:Jana Gana Mana
1777:
1776:
1768:
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1763:
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1749:
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1565:
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1558:
1548:
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1538:
1533:
1528:
1523:
1518:
1516:Dwijendrageeti
1513:
1508:
1503:
1498:
1496:Shyama Sangeet
1493:
1488:
1483:
1478:
1473:
1468:
1467:
1466:
1461:
1456:
1438:
1437:
1433:
1432:
1429:Music of India
1424:
1423:
1419:Carnatic music
1413:
1402:
1399:
1385:(Tekkali) and
1283:Paralakhemundi
1270:
1267:
1255:
1252:
1210:
1209:
1206:
1203:
1200:
1197:
1194:
1191:
1188:
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1164:
1161:
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1155:
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1149:
1146:
1143:
1140:
1093:Paralakhemundi
1072:
1069:
1066:
1065:
1062:
1058:
1057:
1054:
1050:
1049:
1048:Mālaśrī Gaudā
1046:
1045:Mālasī Gabudā
1042:
1041:
1038:
1034:
1033:
1031:
1027:
1026:
1023:
1019:
1018:
1016:
1015:Kāhnu Gunjarī
1012:
1011:
1008:
1004:
1003:
1000:
996:
995:
992:
988:
987:
984:
980:
979:
976:
972:
971:
968:
964:
963:
960:
956:
955:
952:
948:
947:
945:
941:
940:
937:
870:
867:
850:
847:
787:
781:
760:
757:
694:
691:
665:
662:
604:
601:
599:
596:
513:Baladeba Ratha
502:Upendra Bhanja
395:
394:
392:
391:
384:
377:
369:
366:
365:
364:
363:
358:
352:
351:
346:
341:
336:
331:
326:
318:
317:
313:
312:
311:
310:
305:
300:
298:Carnatic music
292:
291:
283:
282:
272:
271:
269:
268:
261:
254:
246:
243:
242:
241:
240:
235:
230:
225:
217:
216:
212:
211:
210:
209:
204:
199:
194:
189:
184:
179:
174:
169:
164:
156:
155:
151:
150:
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148:
141:
134:
127:
117:
116:
112:
111:
110:
109:
104:
97:
92:
87:
82:
77:
69:
68:
64:
63:
57:
49:
48:
42:
41:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
7159:
7148:
7145:
7143:
7140:
7138:
7135:
7133:
7130:
7128:
7125:
7123:
7120:
7118:
7115:
7114:
7112:
7097:
7096:Odia calendar
7094:
7092:
7089:
7088:
7086:
7082:
7076:
7073:
7071:
7068:
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7063:
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7060:Yuva Puraskar
7058:
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7051:
7048:
7047:
7045:
7041:
7035:
7032:
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7027:
7025:
7022:
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6898:
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6893:
6892:
6890:
6886:
6883:
6879:
6873:
6870:
6869:
6867:
6863:
6859:
6858:Odia language
6852:
6847:
6845:
6840:
6838:
6833:
6832:
6829:
6819:
6809:
6803:
6800:
6798:
6797:Odia calendar
6795:
6794:
6792:
6789:
6784:
6776:
6773:
6772:
6771:
6768:
6767:
6765:
6761:
6751:
6748:
6746:
6743:
6741:
6740:Wooden crafts
6738:
6736:
6733:
6731:
6728:
6726:
6723:
6721:
6718:
6716:
6713:
6712:
6710:
6706:
6698:
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6690:
6688:
6685:
6683:
6680:
6679:
6677:
6673:
6670:
6664:
6658:
6655:
6653:
6650:
6648:
6645:
6643:
6640:
6638:
6635:
6633:
6630:
6628:
6625:
6623:
6620:
6618:
6615:
6613:
6610:
6609:
6607:
6603:
6597:
6594:
6593:
6591:
6587:
6581:
6578:
6576:
6573:
6571:
6570:Savitri Brata
6568:
6566:
6565:Samba Dashami
6563:
6561:
6558:
6556:
6553:
6551:
6550:Prathamastami
6548:
6546:
6543:
6541:
6538:
6536:
6533:
6531:
6528:
6526:
6525:Kumar Purnima
6523:
6521:
6520:Gamha Purnima
6518:
6516:
6513:
6511:
6508:
6506:
6503:
6501:
6498:
6496:
6495:Boita Bandana
6493:
6491:
6488:
6487:
6485:
6483:
6479:
6473:
6470:
6469:
6467:
6463:
6453:
6452:Sakhi kandhei
6450:
6448:
6447:Ravana chhaya
6445:
6444:
6442:
6438:
6432:
6429:
6427:
6424:
6422:
6419:
6417:
6414:
6412:
6409:
6408:
6406:
6402:
6399:
6393:
6387:
6384:
6382:
6379:
6377:
6374:
6372:
6369:
6368:
6366:
6364:
6360:
6350:
6347:
6345:
6342:
6340:
6337:
6335:
6332:
6330:
6327:
6325:
6322:
6320:
6317:
6316:
6314:
6310:
6304:
6301:
6299:
6296:
6294:
6291:
6289:
6286:
6284:
6281:
6279:
6276:
6274:
6271:
6269:
6266:
6264:
6261:
6259:
6256:
6254:
6251:
6249:
6246:
6244:
6241:
6239:
6236:
6234:
6231:
6229:
6226:
6224:
6223:Kathi Kandhei
6221:
6219:
6218:Kandhei nacha
6216:
6214:
6211:
6209:
6206:
6204:
6201:
6199:
6196:
6194:
6191:
6189:
6186:
6184:
6181:
6179:
6176:
6174:
6171:
6169:
6166:
6164:
6161:
6159:
6156:
6154:
6151:
6150:
6148:
6146:
6142:
6136:
6133:
6131:
6128:
6126:
6123:
6122:
6120:
6118:
6114:
6111:
6107:
6103:
6096:
6091:
6089:
6084:
6082:
6077:
6076:
6073:
6060:
6057:
6054:
6051:
6048:
6047:
6045:
6043:
6039:
6028:
6025:
6022:
6020:
6019:Kannada music
6017:
6015:
6012:
6010:Marathi Music
6009:
6008:
6006:
6002:
5996:
5993:
5991:
5988:
5986:
5985:Uttar Pradesh
5983:
5981:
5978:
5976:
5973:
5971:
5968:
5966:
5963:
5961:
5958:
5956:
5953:
5951:
5948:
5946:
5943:
5941:
5938:
5936:
5933:
5931:
5928:
5926:
5923:
5921:
5918:
5916:
5913:
5911:
5908:
5906:
5903:
5901:
5898:
5896:
5893:
5891:
5888:
5886:
5883:
5881:
5878:
5876:
5873:
5871:
5868:
5866:
5863:
5861:
5858:
5856:
5853:
5851:
5848:
5845:
5843:
5840:
5838:
5835:
5834:
5832:
5828:
5822:
5819:
5816:
5814:
5813:Natya Sangeet
5811:
5810:
5808:
5804:
5798:
5795:
5794:
5792:
5788:
5785:
5781:
5775:
5772:
5769:
5766:
5764:
5761:
5759:Bihu of Assam
5758:
5756:
5753:
5752:
5750:
5748:
5744:
5738:
5735:
5733:
5730:
5728:
5727:Natya Sangeet
5725:
5724:
5722:
5720:
5716:
5706:
5703:
5701:
5698:
5696:
5693:
5692:
5690:
5686:
5680:
5677:
5675:
5672:
5670:
5667:
5665:
5662:
5661:
5659:
5655:
5649:
5646:
5644:
5641:
5638:
5637:
5635:
5631:
5625:
5622:
5620:
5617:
5615:
5612:
5610:
5607:
5605:
5602:
5600:
5597:
5595:
5592:
5590:
5587:
5585:
5582:
5580:
5577:
5576:
5574:
5570:
5564:
5561:
5559:
5556:
5554:
5551:
5549:
5546:
5544:
5541:
5539:
5536:
5534:
5531:
5529:
5526:
5525:
5523:
5519:
5516:
5514:
5510:
5504:
5501:
5499:
5496:
5494:
5491:
5489:
5486:
5484:
5481:
5479:
5476:
5475:
5473:
5469:
5463:
5460:
5458:
5455:
5453:
5450:
5449:
5447:
5445:
5441:
5435:
5432:
5429:
5427:
5424:
5422:
5419:
5418:
5416:
5412:
5408:
5401:
5396:
5394:
5389:
5387:
5382:
5381:
5378:
5367:
5357:
5354:
5352:
5349:
5347:
5344:
5342:
5339:
5337:
5336:Sindhu Kamodi
5334:
5332:
5329:
5327:
5324:
5322:
5319:
5317:
5314:
5312:
5309:
5307:
5304:
5302:
5299:
5297:
5294:
5292:
5289:
5287:
5284:
5282:
5281:Nata Narayana
5279:
5277:
5274:
5272:
5269:
5267:
5264:
5262:
5259:
5257:
5254:
5252:
5249:
5247:
5244:
5242:
5239:
5237:
5234:
5232:
5229:
5227:
5224:
5222:
5219:
5217:
5216:Malasri Gouda
5214:
5212:
5209:
5207:
5204:
5202:
5199:
5197:
5194:
5192:
5189:
5187:
5186:Lalita Kamodi
5184:
5182:
5179:
5177:
5174:
5172:
5169:
5167:
5166:Krusna Kedara
5164:
5162:
5159:
5157:
5154:
5152:
5151:Khanda Kamodi
5149:
5147:
5144:
5142:
5141:Kedara Kamodi
5139:
5137:
5134:
5132:
5129:
5127:
5124:
5122:
5119:
5117:
5116:Kalyana Ahari
5114:
5112:
5109:
5107:
5104:
5102:
5099:
5097:
5094:
5092:
5089:
5087:
5084:
5082:
5079:
5077:
5074:
5072:
5069:
5067:
5064:
5062:
5059:
5057:
5054:
5052:
5049:
5047:
5044:
5042:
5041:Chinta Kamodi
5039:
5037:
5034:
5032:
5029:
5027:
5024:
5022:
5019:
5017:
5014:
5012:
5009:
5007:
5004:
5001:
4999:
4996:
4994:
4991:
4989:
4986:
4984:
4981:
4979:
4976:
4974:
4971:
4969:
4968:Ananda Kedara
4966:
4964:
4961:
4959:
4956:
4954:
4951:
4949:
4946:
4945:
4942:
4938:
4930:
4925:
4923:
4918:
4916:
4911:
4910:
4907:
4895:
4894:Rabana Chhaya
4892:
4890:
4887:
4885:
4882:
4880:
4877:
4875:
4872:
4870:
4867:
4865:
4862:
4860:
4857:
4855:
4852:
4851:
4849:
4845:
4839:
4836:
4834:
4831:
4829:
4826:
4824:
4821:
4819:
4816:
4814:
4811:
4809:
4806:
4804:
4801:
4799:
4796:
4794:
4791:
4790:
4788:
4784:
4778:
4775:
4773:
4770:
4768:
4765:
4763:
4760:
4758:
4755:
4753:
4750:
4748:
4745:
4743:
4740:
4739:
4737:
4735:
4731:
4725:
4722:
4719:
4718:Ramarao Patra
4716:
4714:
4711:
4709:
4706:
4704:
4701:
4699:
4696:
4693:
4691:
4688:
4685:
4683:
4680:
4678:
4675:
4673:
4670:
4667:
4665:
4662:
4660:
4657:
4655:
4652:
4650:
4647:
4645:
4642:
4640:
4639:Sukadeb Patri
4637:
4635:
4632:
4629:
4627:
4626:Lokanath Pala
4624:
4622:
4619:
4617:
4614:
4612:
4611:Lokanath Rath
4609:
4607:
4604:
4602:
4599:
4597:
4594:
4592:
4589:
4587:
4584:
4581:
4579:
4576:
4573:
4571:
4568:
4565:
4563:
4560:
4558:
4555:
4552:
4550:
4547:
4544:
4542:
4539:
4536:
4534:
4531:
4529:
4526:
4524:
4521:
4519:
4516:
4514:
4511:
4509:
4506:
4504:
4501:
4500:
4498:
4494:
4488:
4487:
4483:
4481:
4480:
4476:
4474:
4473:
4469:
4467:
4466:
4462:
4460:
4459:
4455:
4453:
4452:
4448:
4446:
4445:
4441:
4440:
4438:
4434:
4428:
4425:
4422:
4420:
4417:
4415:
4412:
4410:
4407:
4405:
4402:
4400:
4397:
4394:
4392:
4389:
4386:
4384:
4381:
4380:Kabikalahansa
4378:
4376:
4373:
4371:
4368:
4365:
4363:
4360:
4358:
4355:
4354:Utkala Ghanta
4352:
4350:
4347:
4344:
4342:
4341:Banamali Dasa
4339:
4337:
4334:
4332:
4329:
4327:
4324:
4321:
4319:
4316:
4314:
4311:
4308:
4305:
4303:
4300:
4297:
4295:
4292:
4290:
4287:
4284:
4282:
4281:Balarama Dasa
4279:Panchasakha (
4278:
4276:
4275:Damodara Dasa
4273:
4271:
4268:
4266:
4263:
4260:
4259:
4257:
4253:
4247:
4244:
4242:
4239:
4237:
4234:
4232:
4229:
4228:
4226:
4222:
4217:
4207:
4204:
4202:
4199:
4197:
4194:
4192:
4189:
4187:
4184:
4182:
4179:
4177:
4174:
4172:
4169:
4167:
4164:
4163:
4161:
4157:
4153:
4146:
4141:
4139:
4134:
4132:
4127:
4126:
4123:
4117:
4114:
4112:
4109:
4107:
4104:
4102:
4099:
4098:
4094:
4077:
4073:
4069:
4062:
4059:
4046:
4042:
4038:
4031:
4028:
4023:
4021:81-7304-560-7
4017:
4013:
4009:
4003:
4000:
3988:
3984:
3980:
3974:
3972:
3968:
3956:
3952:
3951:The Samikhsya
3948:
3941:
3938:
3925:
3921:
3920:
3915:
3909:
3906:
3894:
3890:
3886:
3879:
3876:
3863:
3859:
3855:
3848:
3845:
3832:
3828:
3827:The Samikshya
3824:
3817:
3814:
3809:
3805:
3804:Hota, Damodar
3799:
3796:
3783:
3779:
3775:
3768:
3765:
3760:
3759:
3758:Natyamanorama
3754:
3748:
3745:
3740:
3739:Orissa Review
3733:
3730:
3725:
3721:
3714:
3710:
3704:
3701:
3696:
3690:
3687:
3682:
3676:
3668:
3664:
3658:
3655:
3650:
3646:
3642:
3636:
3633:
3628:
3624:
3623:Hota, Damodar
3618:
3616:
3612:
3600:
3596:
3590:
3588:
3584:
3573:on 2012-04-03
3572:
3568:
3562:
3560:
3556:
3551:
3547:
3543:
3536:
3533:
3528:
3527:Geeta Prakash
3521:
3518:
3513:
3506:
3503:
3498:
3494:
3490:
3484:
3482:
3480:
3476:
3471:
3464:
3460:
3454:
3452:
3450:
3448:
3446:
3444:
3440:
3432:
3428:
3424:
3417:
3410:
3407:
3402:
3398:
3387:
3384:
3368:
3364:
3363:Orissa Review
3357:
3350:
3347:
3334:
3330:
3329:
3321:
3318:
3313:
3309:
3303:
3300:
3295:
3289:
3285:
3281:
3275:
3273:
3269:
3264:
3260:
3254:
3252:
3250:
3248:
3246:
3244:
3242:
3240:
3236:
3229:
3225:
3222:
3220:
3217:
3215:
3212:
3210:
3207:
3205:
3202:
3200:
3197:
3195:
3192:
3190:
3187:
3186:
3182:
3173:
3168:
3161:
3156:
3149:
3144:
3137:
3132:
3125:
3120:
3116:
3109:
3104:
3100:
3096:
3089:
3084:
3077:
3072:
3065:
3060:
3056:
3049:
3044:
3037:
3032:
3025:
3020:
3013:
3008:
3001:
2996:
2993:
2988:
2983:
2976:
2971:
2968:
2961:
2956:
2952:
2946:
2941:
2938:
2935:
2929:
2924:
2921:
2918:
2912:
2907:
2904:
2901:
2895:
2890:
2887:
2884:
2878:
2873:
2869:
2863:
2858:
2854:
2848:
2843:
2836:
2831:
2827:
2821:
2816:
2811:
2809:
2805:
2802:
2798:
2792:
2790:
2786:
2782:
2778:
2772:
2765:
2762:
2759:
2755:
2752:
2751:
2750:
2748:
2744:
2736:
2734:
2732:
2728:
2727:Ramarao Patra
2724:
2721:
2718:, Padmashree
2717:
2714:, Padmashree
2713:
2709:
2705:
2701:
2698:, Padmashree
2697:
2693:
2690:
2686:
2682:
2678:
2675:
2671:
2668:
2664:
2661:
2653:
2651:
2648:
2644:
2640:
2632:
2628:
2623:
2616:
2614:
2612:
2611:Ramarao Patra
2608:
2604:
2600:
2599:Sangitacharya
2595:
2593:
2589:
2585:
2581:
2577:
2573:
2569:
2565:
2561:
2557:
2553:
2549:
2545:
2541:
2537:
2534:or stringed,
2533:
2529:
2525:
2521:
2520:
2515:
2507:
2503:
2498:
2494:
2492:
2488:
2484:
2480:
2476:
2472:
2468:
2464:
2460:
2451:
2449:
2447:
2443:
2438:
2436:
2432:
2428:
2422:
2420:
2416:
2412:
2408:
2404:
2400:
2396:
2392:
2388:
2384:
2380:
2379:tala-paddhati
2375:
2373:
2369:
2365:
2361:
2357:
2353:
2349:
2345:
2335:
2327:
2324:
2318:
2317:
2314:
2312:
2311:
2305:
2302:
2294:
2293:
2288:
2283:
2275:
2273:
2270:
2268:
2264:
2260:
2259:gati andolita
2255:
2253:
2249:
2245:
2240:
2238:
2233:
2228:
2226:
2222:
2218:
2213:
2211:
2207:
2203:
2198:
2196:
2192:
2187:
2179:
2177:
2175:
2170:
2168:
2164:
2160:
2153:
2150:
2147:
2144:
2141:
2138:
2136:
2133:
2130:
2126:
2123:
2120:
2117:
2114:
2111:
2108:
2105:
2102:
2099:
2096:
2092:
2089:
2086:
2082:
2079:
2076:
2072:
2071:
2067:
2064:
2063:
2059:
2056:
2055:
2051:
2048:
2044:
2043:
2039:
2036:
2035:
2031:
2028:
2027:
2023:
2020:
2019:
2015:
2014:
2013:
2002:
1997:
1995:
1990:
1988:
1983:
1982:
1980:
1979:
1974:
1971:
1969:
1966:
1964:
1963:Uttar Pradesh
1961:
1959:
1956:
1952:
1949:
1948:
1947:
1944:
1942:
1939:
1937:
1934:
1931:
1927:
1924:
1922:
1919:
1917:
1914:
1912:
1909:
1907:
1904:
1902:
1899:
1897:
1894:
1892:
1889:
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1884:
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1879:
1877:
1874:
1872:
1869:
1867:
1864:
1862:
1859:
1857:
1854:
1852:
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1844:
1842:
1839:
1836:
1832:
1829:
1827:
1824:
1822:
1819:
1817:
1814:
1812:
1809:
1808:
1807:
1806:
1801:
1794:
1793:Vande Mataram
1791:
1790:
1785:
1782:
1779:
1778:
1773:
1770:
1769:
1764:
1755:
1754:
1750:
1748:
1747:
1743:
1742:
1741:
1740:
1735:
1730:
1727:
1725:
1722:
1720:
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1715:
1712:
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1707:
1705:
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1701:
1700:
1699:
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1686:
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1680:
1679:
1678:
1673:
1670:
1669:
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1656:
1652:
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1647:
1644:
1643:
1642:
1639:
1637:
1634:
1630:
1627:
1626:
1625:
1622:
1620:
1617:
1615:
1612:
1608:
1605:
1603:
1600:
1598:
1595:
1594:
1593:
1590:
1586:
1583:
1582:
1581:
1578:
1577:
1576:
1575:
1569:
1566:
1562:
1559:
1557:
1554:
1553:
1552:
1549:
1547:
1544:
1542:
1539:
1537:
1534:
1532:
1529:
1527:
1524:
1522:
1519:
1517:
1514:
1512:
1509:
1507:
1504:
1502:
1499:
1497:
1494:
1492:
1489:
1487:
1484:
1482:
1479:
1477:
1474:
1472:
1469:
1465:
1462:
1460:
1457:
1455:
1452:
1451:
1450:
1447:
1446:
1445:
1444:
1440:
1439:
1434:
1430:
1426:
1425:
1420:
1416:
1411:
1407:
1406:
1400:
1398:
1396:
1392:
1388:
1384:
1380:
1376:
1372:
1371:Narasinghapur
1368:
1364:
1360:
1356:
1352:
1348:
1344:
1340:
1336:
1332:
1328:
1324:
1320:
1316:
1312:
1308:
1304:
1300:
1296:
1292:
1288:
1284:
1280:
1276:
1268:
1266:
1263:
1261:
1254:Gopala Nayaka
1253:
1251:
1249:
1245:
1241:
1237:
1232:
1230:
1226:
1222:
1218:
1213:
1207:
1204:
1201:
1198:
1195:
1192:
1189:
1186:
1183:
1180:
1177:
1174:
1171:
1168:
1165:
1162:
1159:
1156:
1153:
1150:
1147:
1144:
1141:
1138:
1137:
1136:
1134:
1130:
1126:
1122:
1117:
1115:
1111:
1107:
1103:
1102:
1094:
1090:
1086:
1082:
1077:
1070:
1063:
1060:
1059:
1055:
1052:
1051:
1047:
1044:
1043:
1039:
1036:
1035:
1032:
1029:
1028:
1024:
1021:
1020:
1017:
1014:
1013:
1009:
1006:
1005:
1001:
998:
997:
993:
990:
989:
985:
982:
981:
977:
974:
973:
969:
966:
965:
961:
958:
957:
953:
950:
949:
946:
943:
942:
938:
935:
934:
929:
927:
923:
918:
914:
910:
906:
901:
899:
894:
890:
889:
888:Charya Gitika
884:
880:
876:
868:
864:
860:
855:
848:
846:
844:
843:
838:
834:
830:
826:
822:
818:
814:
810:
805:
801:
797:
796:
795:Natya Shastra
792:
785:
784:Natya Shastra
782:
780:
778:
774:
770:
766:
758:
753:
749:
745:
743:
738:
736:
732:
729:according to
728:
724:
720:
716:
712:
708:
704:
700:
692:
690:
687:
683:
679:
675:
671:
663:
658:
654:
649:
645:
643:
639:
634:
633:
628:
624:
620:
619:
614:
610:
602:
597:
595:
593:
589:
585:
581:
577:
573:
568:
566:
562:
558:
554:
550:
546:
542:
538:
534:
530:
529:
528:Natya Shastra
523:
521:
518:
517:Kabikalahansa
514:
512:
507:
506:Banamali Dasa
503:
500:
496:
492:
490:
485:
481:
480:dhrubapadanga
477:
473:
469:
467:
463:
456:
454:
450:
446:
442:
435:
429:
420:
419:oṛiśī sangīta
411:ଓଡ଼ିଶୀ ସଙ୍ଗୀତ
408:
404:
390:
385:
383:
378:
376:
371:
370:
368:
367:
362:
359:
357:
354:
353:
350:
347:
345:
342:
340:
337:
335:
332:
330:
327:
325:
322:
321:
320:
319:
314:
309:
306:
304:
301:
299:
296:
295:
294:
293:
289:
285:
284:
281:
277:
267:
262:
260:
255:
253:
248:
247:
245:
244:
239:
236:
234:
231:
229:
226:
224:
221:
220:
219:
218:
213:
208:
205:
203:
200:
198:
195:
193:
190:
188:
185:
183:
180:
178:
175:
173:
170:
168:
165:
163:
160:
159:
158:
157:
152:
147:
146:
142:
140:
139:
135:
133:
132:
128:
126:
125:
121:
120:
119:
118:
113:
108:
105:
103:
102:
98:
96:
93:
91:
88:
86:
83:
81:
78:
76:
73:
72:
71:
70:
65:
61:
55:
51:
50:
47:
43:
40:Oṛiśī Sangīta
39:
38:
33:
19:
7127:Odia culture
7122:Odissi music
7091:Odissi music
7090:
7008:Odia Braille
6763:Architecture
6596:Paika akhada
6589:Martial arts
6411:Bharata Lila
6370:
6163:Chaiti ghoda
6029:Assami music
6023:Telegu music
5880:Chhattisgarh
5732:Baithak Gana
5462:Odissi music
5461:
5407:Indian music
5111:Kalingagouda
5066:Debagandhari
4958:Amrapanchama
4937:Odissi music
4936:
4889:Bharata Lila
4854:Odissi dance
4793:Gita Govinda
4757:Mahadev Rout
4713:Sudha Mishra
4694:
4690:Damodar Hota
4686:
4668:
4630:
4582:
4574:
4566:
4553:
4545:
4537:
4485:
4478:
4471:
4464:
4457:
4451:Gita Prakasa
4450:
4444:Sangita Sara
4443:
4423:
4395:
4388:Sadhaka Kabi
4387:
4379:
4366:
4353:
4345:
4323:Kabi Samrata
4322:
4298:
4285:
4261:
4196:Gita Govinda
4159:Compositions
4152:Odissi music
4151:
4080:. Retrieved
4071:
4061:
4051:12 September
4049:. Retrieved
4040:
4030:
4011:
4002:
3991:. Retrieved
3982:
3959:. Retrieved
3950:
3940:
3928:. Retrieved
3917:
3908:
3897:. Retrieved
3888:
3878:
3866:. Retrieved
3857:
3847:
3835:. Retrieved
3826:
3816:
3807:
3798:
3786:. Retrieved
3777:
3767:
3757:
3747:
3738:
3732:
3712:
3703:
3694:
3689:
3666:
3657:
3648:
3644:
3635:
3626:
3603:. Retrieved
3575:. Retrieved
3571:the original
3541:
3535:
3526:
3520:
3511:
3505:
3496:
3492:
3469:
3462:
3459:Das, Ramhari
3431:the original
3426:
3422:
3409:
3400:
3396:
3386:
3374:. Retrieved
3367:the original
3362:
3349:
3337:. Retrieved
3327:
3320:
3311:
3302:
3283:
3262:
3209:Damodar Hota
3194:Gita Govinda
2950:
2933:
2916:
2899:
2882:
2867:
2852:
2828:Adwaita Guru
2825:
2806:
2797:Damodar Hota
2794:
2788:
2784:
2780:
2776:
2774:
2769:
2757:
2746:
2740:
2737:Classicality
2719:
2716:Prafulla Kar
2712:Damodar Hota
2707:
2688:
2673:
2666:
2659:
2657:
2636:
2630:
2626:
2602:
2598:
2596:
2587:
2579:
2575:
2571:
2567:
2563:
2559:
2555:
2551:
2548:Madala Panji
2543:
2539:
2538:or wind and
2535:
2531:
2523:
2517:
2513:
2511:
2473:, etc. Guru
2470:
2466:
2462:
2458:
2455:
2439:
2423:
2418:
2414:
2410:
2406:
2402:
2394:
2390:
2386:
2378:
2376:
2371:
2367:
2356:Odissi dance
2341:
2329:
2320:
2308:
2306:
2298:
2290:
2271:
2267:sama sangita
2266:
2262:
2258:
2256:
2252:Gita Govinda
2241:
2235:
2231:
2229:
2224:
2220:
2216:
2214:
2199:
2185:
2183:
2174:Gita Govinda
2171:
2166:
2163:Odra-Magadhi
2162:
2157:
2151:
2145:
2139:
2134:
2128:
2124:
2118:
2112:
2106:
2100:
2094:
2090:
2084:
2080:
2074:
2068:
2060:
2052:
2046:
2040:
2034:Gita Prakasa
2032:
2026:Sangita Sara
2024:
2018:Gita Govinda
2016:
2010:
1841:Chhattisgarh
1751:
1744:
1675:Music awards
1573:
1572:
1511:Nazrul Geeti
1458:
1442:
1441:
1397:of Chikiti.
1311:Sanakhemundi
1272:
1269:British rule
1264:
1257:
1247:
1240:Odissi dance
1233:
1224:
1220:
1214:
1211:
1133:Arthagobinda
1132:
1128:
1124:
1120:
1118:
1113:
1109:
1099:
1097:
1085:Gita Govinda
1080:
925:
921:
916:
912:
908:
907:s. The last
904:
902:
891:of Buddhist
886:
872:
840:
836:
816:
812:
808:
803:
799:
793:
789:
783:
762:
751:
741:
739:
734:
730:
722:
718:
696:
682:Chalcolithic
667:
641:
637:
632:Mādalā Pānji
631:
617:
613:Badasinghara
612:
606:
588:Bharata Lila
569:
552:
551:. Of these,
548:
544:
540:
536:
526:
524:
516:
510:
499:Kabi Samrata
498:
488:
479:
475:
471:
459:
457:
452:
399:
398:
308:Odissi music
307:
166:
162:Gita Govinda
154:Compositions
144:
137:
131:Gita Prakasa
130:
124:Sangita Sara
123:
107:Gopalakrusna
100:
46:Odissi music
45:
6708:Handicrafts
6687:Jhoti chita
6682:Pattachitra
6668:Handicrafts
6627:Dhalapathar
6580:Snana Jatra
6575:Sitalsasthi
6555:Ratha Jatra
6421:Dhanu Jatra
6288:Pasu nrutya
6238:Naga nrutya
6208:Jodi sankha
6173:Chutkuchuta
6153:Bagha Nacha
6026:Tamil music
6014:Hindi music
5995:West Bengal
5990:Uttarakhand
5930:Maharashtra
5767:Ganasangeet
5346:Soka Kamodi
5316:Rasamanjari
5206:Malabagouda
5136:Kedaragouda
5071:Desa Baradi
4818:Labanyabati
4803:Rasakallola
4724:Ramhari Das
4687:Padmakesari
4554:Kabichandra
4424:Kabichandra
4396:Kabichandra
4302:Ananta Dasa
4270:Bachha Dasa
4224:Instruments
4008:Pani, Jiwan
3837:4 September
3399:(in Odia).
3376:February 7,
3339:17 December
3219:Ramhari Das
2982:Ramhari Das
2801:Ramhari Das
2731:Ramhari Das
2708:Padmakesari
2645:. Gajapati
2580:jalataranga
2419:jagannātha.
2129:Kabichandra
2095:Kavibhusana
1973:West Bengal
1968:Uttarakhand
1896:Maharashtra
1737:Music media
1521:Atulprasadi
1443:Traditional
1393:of Puri or
1381:(Mandasa),
1317:, Surangi,
1303:Digapahandi
1221:Gitagovinda
1129:Rasikapriya
1101:Gitagovinda
898:Ratha Jatra
893:Mahasiddhas
861:monastery,
837:Udramagadhi
833:Matsya Desa
813:Udramagadhi
809:Odramagadhi
752:Rani Gumpha
707:Bhubaneswar
618:Gitagovinda
553:Odramagadhi
549:Dakshinatya
545:Odramagadhi
215:Instruments
207:Charjyapada
58:Mahāprabhu
7111:Categories
7024:Literature
7017:Literature
6951:Bodo Parja
6944:Sociolects
6933:Singhbhumi
6923:Kalahandia
6910:Sambalpuri
6905:Sundargadi
6786:Calendar (
6735:Stoneworks
6657:Sambalpuri
6617:Berhampuri
6510:Durga Puja
6505:Dola Jatra
6490:Bali Jatra
6416:Dasakathia
6298:Sakhi Nata
6268:Laudi nata
6258:Sambalpuri
6188:Dhan Koela
6183:Danda Nata
5975:Tamil Nadu
5737:Sikh music
5700:Madhyalaya
5356:Todiparaja
5341:Sokabaradi
5276:Nagadhwani
5261:Meghaparni
5251:Manjughosa
5146:Khambabati
5076:Ghantaraba
5036:Chhayatodi
5026:Chakrakeli
4993:Bangalasri
4884:Dasakathia
4798:Usabhilasa
4567:Banikantha
4538:Prabhupada
4346:Kabisurjya
4206:Charyapada
3993:2020-11-27
3961:2020-12-07
3930:7 December
3899:2020-12-07
3605:2012-05-26
3577:2012-05-26
3550:B00GS1O0H4
3397:Rangabhumi
3230:References
2743:Jiwan Pani
2674:Banikantha
2568:jodināgarā
2368:alasakanya
2360:Mukteswara
2225:Sokabaradi
2219:ragas are
1946:Tamil Nadu
1753:The Record
1614:Goa trance
1585:Bhangragga
1501:Ramprasadi
1464:Hindustani
1387:Sadheikala
1375:Athamallik
1307:Khallikote
1287:Mayurbhanj
883:Sahajayana
859:Lalitagiri
769:Muktesvara
699:Khandagiri
674:Sankarjang
653:Sankarjang
584:Dasakathia
511:Kabisurjya
449:Jagannatha
101:Kabisurjya
80:Dinakrusna
60:Jagannātha
6895:Baleswari
6802:Anka year
6637:Habaspuri
6605:Handlooms
6500:Deepabali
6482:Festivals
6273:Lankapodi
6248:Rasarkeli
6228:Keisabadi
6117:Classical
5965:Rajasthan
5940:Meghalaya
5915:Karnataka
5910:Jharkhand
5674:Sanchaari
5271:Nagaballi
5266:Mukhabari
5191:Madhukiri
5096:Gundakiri
4935:Ragas of
4654:Bina Debi
4436:Treatises
4255:Composers
4072:The Hindu
4041:The Hindu
3858:The Hindu
3778:The Hindu
3724:225908458
3675:cite book
2812:Exponents
2643:Karnataka
2576:mukhabīnā
2544:sebāyatas
2393:etc. The
2372:mardalika
2085:Kaviratna
2047:Kaviratna
1936:Rajasthan
1906:Meghalaya
1881:Karnataka
1876:Jharkhand
1597:Bollywood
1449:Classical
1415:Tyagaraju
1401:Treatises
1369:(Bamra),
1331:Dhenkanal
1291:Ghumusara
1248:ashtapadi
1121:ashtapadi
1056:Rāmakerī
994:Dhanāśrī
991:Dhanāśrī
986:Deśākhya
978:Debakirī
970:Bhairabī
967:Bhairabī
879:Vajrayana
849:Tradition
804:pravritti
791:Bharata's
773:Lingaraja
759:Sculpture
711:Kharabela
703:Udayagiri
627:Devadasis
561:Kharavela
95:Abhimanyu
67:Composers
7142:Jayadeva
7029:Chautisa
7003:Numerals
6928:Phulbani
6888:Regional
6865:Language
6818:Category
6720:Tarakasi
6666:Arts and
6652:Pasapali
6440:Puppetry
6397:puppetry
6376:Khanjani
6263:Samprada
6158:Chadheia
5950:Nagaland
5837:Bhojpuri
5695:Vilambit
5604:Bhairavi
5488:Alankara
5471:Concepts
5331:Sindhuda
5311:Ramakeri
5196:Madhusri
5101:Hunchika
5061:Debakiri
5056:Dhanasri
5011:Bhairaba
4978:Andolita
4669:Suramani
4313:Salabega
4265:Jayadeva
4262:Kabirāja
4241:Khanjani
4181:Chautisa
4076:Archived
4045:Archived
4010:(2004).
3987:Archived
3955:Archived
3924:Archived
3893:Archived
3862:Archived
3831:Archived
3806:(2012).
3782:Archived
3711:(2004).
3643:(2007).
3625:(2005).
3599:Archived
3491:(1995).
3461:(2004).
3333:Archived
3282:(2017).
3189:Jayadeva
3183:See also
2917:Suramani
2789:shastric
2785:shastric
2781:shastric
2777:shastric
2749: :
2747:shastric
2720:Suramani
2564:mrudanga
2556:karatāla
2508:Ensemble
2348:Gajapati
2195:Chautisa
2186:shastric
2159:Jayadeva
1916:Nagaland
1835:Maithili
1624:Indi-pop
1454:Carnatic
1363:Daspalla
1351:Nayagarh
1295:Athagada
1275:Gajapati
1187:Bhairabī
1160:Karṇṇāṭa
1106:Jayadeva
1053:Rāmakrī
1040:Mālaśrī
1030:Mallārī
1010:Gujjarī
1007:Gunjarī
983:Deśākha
975:Debakrī
954:Bangāla
951:Bangāla
924:and not
875:Buddhism
735:Naradiya
668:Ancient
659:, Odisha
623:Jayadeva
557:Jayadeva
541:Panchali
484:Jayadeva
466:chautisā
334:Alankara
316:Concepts
182:Chautisa
115:Shāstras
90:Banamali
75:Jayadeva
7084:Culture
7034:Writers
6998:Kalinga
6979:Scripts
6900:Ganjami
6872:Grammar
6788:Panjika
6725:Ganjapa
6715:Chandua
6515:Nuakhai
6465:Wedding
6381:Kendara
6198:Ghumura
6193:Dhuduki
6178:Dalkhai
6125:Gotipua
5980:Tripura
5945:Mizoram
5935:Manipur
5895:Haryana
5890:Gujarat
5763:Dandiya
5664:Sthaayi
5643:Bandish
5599:Bhairav
5594:Asavari
5579:Bilaval
5558:Qawwali
5528:Dhrupad
5301:Punnaga
5226:Mangala
5211:Malasri
5176:Lalitaa
5126:Karnata
5106:Jayanta
5091:Gujjari
5002:Basanta
4988:Bangala
4983:Asabari
4864:Goṭipua
4734:Mardala
4583:Adiguru
4286:Atibadi
4231:Mardala
4201:Malasri
4186:Bhajana
4171:Chhanda
4082:28 July
3868:28 July
3788:28 July
3199:Mardala
2951:Vidushi
2758:shastra
2660:Adiguru
2627:Adiguru
2540:anaddha
2528:Mardala
2487:Mardala
2483:Mardala
2459:pranali
2444:, Guru
2433:, Guru
2429:, Guru
2411:nihsāri
2364:Konarka
2301:Mardala
2292:Mardala
2282:Mardala
2276:Mardala
2248:Bhajana
2244:Pallabi
2167:Chhanda
1958:Tripura
1951:Ancient
1911:Mizoram
1901:Manipur
1856:Haryana
1851:Gujarat
1658:Hip hop
1646:Bengali
1607:Qawwali
1580:Bhangra
1561:Qawwali
1491:Kirtana
1476:Borgeet
1379:Manjusa
1367:Bamanda
1355:Tigiria
1347:Nilgiri
1343:Baramba
1339:Sonepur
1335:Banapur
1319:Jeypore
1315:Chikiti
1196:Basanta
1178:Basanta
1145:Basanta
1064:Śābarī
1061:Śābarī
1037:Mālasī
1025:Kāmoda
1022:Kāmoda
999:Gabadā
962:Barādī
959:Barādī
825:Kangoda
821:Kalinga
777:Konarka
727:Kasyapa
715:Kalinga
676:in the
638:chhanda
598:History
572:Gotipua
565:Kalinga
489:Atibadi
472:raganga
356:Sangita
223:Mardala
202:Pallabi
197:Malasri
192:Bhajana
172:Chhanda
7117:Odissi
6991:Karani
6956:Bhatri
6919:Minor
6750:Dhokra
6697:Idital
6642:Kotpad
6386:Dhumpa
6371:Odissi
6344:Paraja
6329:Kandha
6324:Gadaba
6312:Tribal
6303:Suanga
6283:Tamasa
6253:Ranapa
6233:Nachni
6203:Jhumar
6135:Odissi
6130:Mahari
6061:Kirtan
6058:Lavani
6055:Gavlan
6049:Powada
5970:Sikkim
5960:Punjab
5955:Odisha
5920:Kerala
5774:Lavani
5679:Aabhog
5669:Antara
5624:Kalyan
5584:Khamaj
5572:Thaats
5563:Ghazal
5548:Thumri
5543:Tarana
5533:Dhamar
5503:Prahar
5321:Sabari
5296:Paraja
5201:Malaba
5171:Lalita
5161:Kokila
5131:Kedara
5121:Kanada
5051:Chokhi
4998:Baradi
4963:Ananda
4948:Abhiri
4859:Mahari
4786:Kabyas
4720:(Bina)
4191:Janana
4176:Champu
4166:Odissi
4018:
3722:
3548:
3290:
2702:, Dr.
2590:) and
2588:behelā
2584:violin
2572:mahurī
2536:susira
2471:ragada
2463:jamana
2352:Mahari
2232:Abhiri
1941:Sikkim
1926:Punjab
1921:Odisha
1886:Kerala
1871:Ladakh
1602:Ghazal
1574:Modern
1556:Ghazal
1546:Kajari
1541:Chaiti
1531:Thumri
1486:Bhajan
1459:Odissi
1436:Genres
1383:Tikili
1327:Kanika
1202:Barāḍi
1002:Gaudā
926:Varali
922:Baradi
863:Jajpur
829:Tosali
670:Odisha
642:janana
640:s and
592:Odissi
537:Avanti
462:Champu
445:Odisha
401:Odissi
324:Shruti
187:Janana
177:Champu
85:Bhanja
34:dance.
32:Odissi
6966:Kupia
6915:Desia
6775:Deula
6426:Jatra
6363:Music
6349:Saura
6319:Desia
6293:Patua
6213:Karma
6168:Chhau
6109:Dance
5875:Bihar
5870:Assam
5619:Marwa
5614:Purvi
5553:Dadra
5538:Khyal
5483:Swara
5221:Marua
5086:Goudi
5081:Gouda
4953:Ahari
4496:Gurus
3647:[
3495:[
3468:[
3434:(PDF)
3427:XLVII
3419:(PDF)
3370:(PDF)
3359:(PDF)
3113:Guru
3093:Guru
3053:Guru
2980:Guru
2965:Guru
2592:Sitar
2560:khola
2519:Veena
2210:ragas
2206:ragas
2202:talas
1831:Bihar
1826:Assam
1787:Other
1746:Sruti
1619:Dance
1592:Filmi
1536:Dadra
1359:Baudh
1083:) of
1081:pothi
800:natya
686:celts
678:Angul
657:Angul
424:Odia:
403:music
361:Vadya
329:Svara
6986:Odia
6961:Reli
6730:Clay
6675:Arts
6647:Ikat
6560:Raja
6339:Onra
6334:Koya
6278:Lila
6243:Pala
6145:Folk
5705:Drut
5639:Alap
5609:Todi
5589:Kafi
5498:Tāla
5493:Rāga
5414:Main
4869:Pala
4299:Sisu
4246:Bina
4084:2020
4053:2020
4016:ISBN
3932:2020
3870:2020
3839:2020
3790:2020
3720:OCLC
3681:link
3546:ASIN
3378:2010
3341:2022
3288:ISBN
2710:Dr.
2552:gini
2524:Benu
2514:Bina
2417:and
2387:tala
2383:tala
2362:and
2342:The
2313:as:
2299:The
2223:and
2217:mela
1930:Folk
1651:Raga
1641:Rock
1636:Jazz
1568:Sikh
1551:Sufi
1481:Baul
1471:Folk
1279:Puri
1234:Pt.
1114:tala
1112:and
1110:raga
1098:The
944:Aru
917:tala
913:raga
909:pada
905:pada
881:and
817:Odra
811:(or
775:and
701:and
580:Pala
547:and
478:and
407:Odia
349:Tala
344:Rasa
339:Raga
238:Khol
233:Bina
228:Benu
6052:Gan
5885:Goa
5648:Gat
5351:Sri
2574:or
2562:or
2532:tat
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