254:
In 1999, Kobayashi accused taiko groups in North
America of performing pieces owned by Oedo Sukeroku Taiko, using their style and equipment, without permission, acknowledgment, or compensation for their intellectual property. In two letters, Kobayashi demanded that groups or individuals either study
263:
Oedo
Sukeroku Taiko is thought to have had the greatest influence in the development and styles of North American taiko groups. One commentator noted, "It would not be a far reach to say that most groups in North America owe a stylistic debt to Oedo Sukeroku." Their style of playing and repertoire
212:
as a practice space. The initial group included three others including
Kobayashi: Onozato Motoe, Ishizuka Yutaka, and Ishikura Yoshihisa. One account of why Oedo Sukeroku Taiko started was that it emerged from a competitive atmosphere among young, male drum performers to stand out and impress
280:
drums are positioned on a diagonal stand in a slanted fashion. Second, players take on a specific position with their left leg bent, and their right leg fully extended, and the drum is approximately at the performer's waist level. Their style also blends certain
255:
under their group in Japan or with the San
Francisco Taiko Dojo to obtain permission. These demands were, however, largely ignored by the North American community, no compensation was given, and the group abandoned their requests.
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after a dispute with
Kobayashi over money and the band's direction split them apart. However, Oedo Sukeroku Taiko continues to perform in national exhibitions in Japan as well as internationally in countries such as
30:
150:. It is considered the first taiko group to begin touring professionally and, sometimes, the first professional taiko group. The group formed in
154:
in 1959, and is one of the oldest recognized taiko groups in Japan. Oedo
Sukeroku Taiko has an eponymous style of performance, typically called
332:
264:
are considered a standard in the
Americas, and perhaps because of its prevalence, the group is not often credited for developing this style.
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in the summertime, and in fact, Kobayashi and the other performers had previously been in a Bon performance group called Oedo
Sukeroku Kai.
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Some initial members of Oedo
Sukeroku Taiko left to start independent groups; one of them was a similarly named group simply called
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Thinking comprehensively about education : spaces of educative possibility and their implications for public policy
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186:. Sukeroku is a hero in the play, and is thought to represent the traditional spirit of Edo.
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Kogen taiko: Japanese
American taiko drumming and ethnic identity in the Midwest
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Diasporas and Interculturalism in Asian Performing Arts: Translating Traditions
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The performance style specific to Oedo Sukeroku Taiko, sometimes called
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767:
Powell, Kimberly (2012). Ezekiel Dixon-Román, Edmund W. Gordon (ed.).
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Innovations in Educational Ethnography: Theories, Methods, and Results
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style. They are also credited with popularizing taiko performance in
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179:
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Powell, Kimberly (2012). George Spindler & Lorie Hammond (ed.).
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590:"Agnes Monica Pakai Yukata Batik di Penutupan Jak-Japan Matsuri"
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The name of the group comes from the former name for Tokyo,
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and classical music elements from a tradition called
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Osaka: The Merchants' Capital of Early Modern Japan
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34:Official 2013 T-shirt Logo for Oedo Sukeroku Taiko
376:Taiko Boom: Japanese Drumming in Place and Motion
346:James L. McClain & Osamu Wakita, ed. (1999).
316:. University of Wisconsin--Madison. p. 27.
251:, and also teaches Sukeroku-style performance.
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379:. University of California Press. p. 18.
352:. Cornell University Press. pp. 145–146.
247:, founded a group in San Francisco called the
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653:Speak it Louder: Asian Americans Making Music
8:
487:配島克彦; 上松亮介; 道下健弘; 山本康行 (9 September 2013).
200:In 1959, Oedo Sukeroku Taiko formed in the
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17:
331:sfn error: no target: CITEREFPowell2006 (
243:. In the 1969, a student of the group,
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564:"Jokowi was Followup Jak-Japan Matsuri"
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525:(in Japanese). January 2012. p. 2
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562:Nugraha, Azwin (9 September 2013).
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773:. London: Routledge. p. 124.
545:"Tokyo Drums veroveren Vlaanderen"
14:
624:. 7 February 2007. Archived from
596:(in Indonesian). 9 September 2013
208:and three other men, using the
489:"友好の絆を再確認 モナスでフィナーレ ジャカルタ日本祭り"
1:
616:"A lot more than just rhythm"
515:第15回日本太鼓全国フェスティバル ～長野県上田市で開催～
184:Sukeroku Yukari no Edo Zakura
174:, and a main character named
310:Bathke, Christopher (2000).
136:
834:
656:. Routledge. p. 204.
551:(in Dutch). 24 April 2008.
268:Sukeroku performance style
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818:Musical groups from Tokyo
734:. Routledge. p. 80.
493:The Daily Jakarta Shimbun
226:founded by former player
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27:
514:
285:from traditions such as
249:San Francisco Taiko Dojo
523:Nippon Taiko Foundation
728:Um, Hae-kyung (2004).
650:Wong, Deborah (2004).
373:Bender, Shawn (2012).
40:Background information
210:Yushima Tenjin Shrine
406:. Psychology Press.
202:Bunkyo ward in Tokyo
703:, pp. 192–193.
628:on 21 November 2007
176:Sukeroku Hanakawado
137:Ōedo Sukeroku Daiko
125:Oedo Sukeroku Taiko
50:Oedo Sukeroku Daiko
22:Oedo Sukeroku Taiko
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213:young women at
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274:Sukeroku style
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245:Seiichi Tanaka
223:Sukeroku Taiko
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813:Taiko groups
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632:13 September
630:. Retrieved
626:the original
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598:. Retrieved
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574:13 September
572:. Retrieved
568:Liputan6.com
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527:. Retrieved
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77:Years active
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701:Bender 2012
677:Bender 2012
475:Bender 2012
463:Bender 2012
451:Bender 2012
439:Bender 2012
427:Bender 2012
327:Powell 2006
146:group from
807:Categories
741:0203641906
663:0203497279
549:ZangTalent
359:0801436303
297:References
194:See also:
97:Playasound
755:Wong 2004
716:Wong 2004
689:Wong 2004
621:The Hindu
278:chū-daiko
237:Indonesia
594:WowKeren
156:Sukeroku
89:-present
794:Um 2004
233:Belgium
190:History
131:大江戸助六太鼓
106:Website
83: (
61:, Japan
777:
738:
660:
410:
383:
356:
291:hogaku
259:Impact
239:, and
204:under
180:kabuki
94:Labels
66:Genres
55:Origin
519:(PDF)
241:India
178:in a
152:Tokyo
148:Japan
144:taiko
142:is a
70:Taiko
59:Tokyo
775:ISBN
736:ISBN
658:ISBN
634:2013
602:2013
576:2013
531:2013
500:2013
408:ISBN
381:ISBN
354:ISBN
333:help
287:budō
283:kata
166:Name
113:.com
85:1959
81:1959
235:,
172:Edo
809::
708:^
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