Knowledge (XXG)

Olga Wisinger-Florian

Source đź“ť

288: 25: 302: 316: 93: 243:
sublime approach to nature. The motifs she employed, such as views of tree-lined avenues, gardens and fields, were strongly reminiscent of her teacher's work. After breaking with Schindler in 1884, however, the artist went her own way. Her conception of landscapes became more realistic. Her late work is notable for a lurid palette, with discernible overtones of
607: 274: 242:
in Chicago, Illinois. The artist, who was also active in the middle-class women's movements of the time, was awarded numerous distinctions and prizes. Wisinger-Florian's early paintings can be assigned to what is known as Austrian Mood Impressionism. In her landscape paintings she adopted Schindler's
338: 494:
Die Porträtmalerin Marie Müller 1847‒1935. Leben und Werk. Samt ihrem Briefwechsel mit der Dichterin Marie v. Ebner-Eschenbach und unter Berücks. d. Porträtmalerin Bertha Müller 1848‒1937
204:. She began private art lessons at age 19. Frustrated with her progress and the quality of the instruction, she followed her parents' wishes and trained as a concert pianist with 287: 623: 648: 658: 653: 230:
exhibitions. The work she showed at the Paris and Chicago international exhibitions earned her worldwide acclaim. Wisinger-Florian exhibited her work at the
223:, a 24-part encyclopedia of the lands and peoples of the Austro-Hungarian empire—of the other women included, Wisinger-Florian was the lone Austrian. 231: 668: 663: 301: 693: 688: 219:. When she was 35 she was included in an exhibition of the Viennese Art Association. She was one of only nine women asked to contribute to 259: 46: 68: 235: 678: 192:" (Mood Impressionism), a loose group of Austrian impressionist painters that was considered avant-garde in the 1870s and 1880s. 611: 247:. With landscape and flower pictures that were already Expressionist in palette by the 1890s, she was years ahead of her time. 239: 432: 226:
From 1881 she regularly showed paintings at the annual exhibitions mounted at the artist's house and later often showed at
683: 468: 427: 39: 33: 273: 463: 342: 315: 211:
At age 30, Wisinger-Florian returned to painting, and devoted herself wholly to its study. She studied first with
399: 208:. From 1868 to 1873 she had some success as a pianist, until a hand injury forced her retirement from the piano. 50: 205: 182: 520:
Harriman, Helga H. (1989-01-01). "Olga Wisinger-Florian and Tina Blau: Painters in "Fin de Siècle" Vienna".
413: 673: 418: 187: 377:
Bärbel Holaus, "Olga Wisinger-Florian (1844–1926): Arrangement mit dem "Männlichen" in der Kunst", in:
643: 638: 382: 334: 216: 440: 346: 478: 473:. Die Schule von Plankenberg, Emil Jakob Schindler und der österreichische Stimmungsimpressionismus 409: 537: 363: 556: 371: 529: 251: 227: 212: 109: 497: 387: 632: 445: 351: 244: 174: 170: 155: 379:
Jahrhundert der Frauen: vom Impressionismus zur Gegenwart; Ă–sterreich 1870 bis heute
92: 617: 483: 455: 393: 178: 127: 577: 606: 557:"Women's Art at the World's Columbian Fair & Exposition, Chicago 1893" 424:"NatĂĽrliche Natur. Ă–sterreichische Malerei des Stimmungsimpressionismus" 250:
Despite her late start as a painter, Wisinger-Florian enjoyed renown in
541: 489: 167: 201: 533: 452:
Die großen Österreicherinnen. 90 außergewöhnliche Frauen im Porträt
18: 412:, "Olga Wisinger-Florian". In: exhibition catalogue from das 337:, "Olga Wisinger-Florian", master's thesis, Vienna, 1991 256:
City Of Women: Female artists in Vienna from 1900 to 1938
624:
Biography, Literature and Works by Olga Wisinger-Florian
404:
KĂĽnstler- und Schriftstellerlexikon "Das geistige Wien"
254:
Vienna. Her work was included in the 2019 exhibition
200:
Wisinger-Florian was born and lived all her life in
151: 143: 135: 116: 102: 83: 462:Olga Wisinger-Florian, Katalog zur Ausstellung im 406:, 1891, p. 406, Wien, Heinrich Brockhausen 8: 181:. She was a representative of the Austrian " 166:(1 November 1844 – 27 February 1926) was an 396:), Wien: Kunstforum, 1999, pp. 84‒103 91: 80: 69:Learn how and when to remove this message 32:This article includes a list of general 649:Landscape painters from Austria-Hungary 509: 269: 221:Die österreichisch-Ungarische Monarchie 7: 515: 513: 659:20th-century Austrian women artists 654:19th-century Austrian women artists 475:., 1991, pp. 45‒47, 148, Graz 38:it lacks sufficient corresponding 14: 260:Ă–sterreichische Galerie Belvedere 97:Olga Wisinger-Florian, circa 1890 605: 360:, exhibition guide, Vienna, 1991 314: 300: 286: 272: 23: 620:@ Austrian encyclopedia (AEIOU) 437:: pp. 214‒17, MĂĽrzzuschlag 669:20th-century Austrian painters 664:19th-century Austrian painters 364:A(dalbert). F(ranz). Seligmann 1: 294:Interior with Decorated Table 496:., 2002, p. 124, Wien, 240:World's Columbian Exposition 16:Austrian painter (1844-1926) 694:19th-century women painters 689:20th-century women painters 329:Sources and further reading 710: 358:Die Schule von Plankenberg 90: 183:Stimmungsimpressionismus 679:Austrian women painters 582:Belvedere Museum Vienna 53:more precise citations. 414:Kunsthaus MĂĽrzzuschlag 618:Olga Wisinger-Florian 612:Olga Wisinger-Florian 368:Olga Wisinger-Florian 164:Olga Wisinger-Florian 85:Olga Wisinger-Florian 684:Painters from Vienna 614:at Wikimedia Commons 308:Farmhouse in Etzdorf 236:The Woman's Building 217:Emil Jakob Schindler 522:Woman's Art Journal 232:Palace of Fine Arts 173:painter, mainly of 266:Selected paintings 610:Media related to 426:., 1994, 250 S., 400:Eisenberg, Ludwig 372:Neue Freie Presse 161: 160: 79: 78: 71: 701: 609: 593: 592: 590: 588: 574: 568: 567: 565: 563: 552: 546: 545: 517: 487: 472: 460:Peter Weninger, 449: 436: 422: 391: 355: 318: 304: 290: 276: 228:Vienna Secession 213:August Schaeffer 191: 123: 120:27 February 1926 95: 81: 74: 67: 63: 60: 54: 49:this article by 40:inline citations 27: 26: 19: 709: 708: 704: 703: 702: 700: 699: 698: 629: 628: 602: 597: 596: 586: 584: 578:"City of Women" 576: 575: 571: 561: 559: 555:Nichols, K. L. 554: 553: 549: 534:10.2307/1358208 519: 518: 511: 506: 481: 466: 464:NĂ– Landesmuseum 443: 430: 416: 385: 349: 331: 324: 319: 310: 305: 296: 291: 282: 277: 268: 198: 185: 131: 125: 121: 112: 110:Vienna, Austria 107: 106:1 November 1844 98: 86: 75: 64: 58: 55: 45:Please help to 44: 28: 24: 17: 12: 11: 5: 707: 705: 697: 696: 691: 686: 681: 676: 671: 666: 661: 656: 651: 646: 641: 631: 630: 627: 626: 621: 615: 601: 600:External links 598: 595: 594: 569: 547: 508: 507: 505: 502: 501: 500: 498:self-published 476: 458: 454:. 2001, Wien, 438: 410:Edith Futscher 407: 397: 375: 361: 340: 330: 327: 326: 325: 320: 313: 311: 306: 299: 297: 292: 285: 283: 278: 271: 267: 264: 215:and then with 206:Julius Epstein 197: 194: 159: 158: 153: 149: 148: 145: 144:Known for 141: 140: 137: 133: 132: 126: 124:(aged 81) 118: 114: 113: 108: 104: 100: 99: 96: 88: 87: 84: 77: 76: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 706: 695: 692: 690: 687: 685: 682: 680: 677: 675: 674:Impressionism 672: 670: 667: 665: 662: 660: 657: 655: 652: 650: 647: 645: 642: 640: 637: 636: 634: 625: 622: 619: 616: 613: 608: 604: 603: 599: 583: 579: 573: 570: 558: 551: 548: 543: 539: 535: 531: 527: 523: 516: 514: 510: 503: 499: 495: 491: 485: 480: 477: 474: 470: 465: 459: 457: 453: 447: 442: 439: 434: 429: 425: 420: 415: 411: 408: 405: 402:(1858–1910), 401: 398: 395: 389: 384: 380: 376: 373: 369: 366:(1862–1945), 365: 362: 359: 353: 348: 344: 341: 339: 336: 333: 332: 328: 323: 322:In the Garden 317: 312: 309: 303: 298: 295: 289: 284: 281: 275: 270: 265: 263: 261: 257: 253: 252:fin de siècle 248: 246: 245:Expressionism 241: 237: 233: 229: 224: 222: 218: 214: 209: 207: 203: 195: 193: 189: 184: 180: 176: 172: 171:impressionist 169: 165: 157: 156:Impressionism 154: 150: 146: 142: 138: 134: 129: 119: 115: 111: 105: 101: 94: 89: 82: 73: 70: 62: 52: 48: 42: 41: 35: 30: 21: 20: 585:. Retrieved 581: 572: 560:. Retrieved 550: 528:(2): 23–28. 525: 521: 493: 488:(born 1940, 461: 451: 423: 403: 392:(born 1960, 378: 367: 357: 321: 307: 293: 279: 255: 249: 238:at the 1893 225: 220: 210: 199: 163: 162: 122:(1926-02-27) 65: 59:October 2014 56: 37: 644:1926 deaths 639:1844 births 482: [ 467: [ 456:Ueberreuter 444: [ 431: [ 417: [ 394:Zell am See 386: [ 374:, 3.11.1924 350: [ 347:P. Weninger 186: [ 177:and flower 136:Nationality 51:introducing 633:Categories 504:References 441:H. Kratzer 383:I. Brugger 179:still life 175:landscapes 34:references 343:P. MĂĽller 335:M. Schwab 280:Landscape 130:, Austria 128:Grafenegg 479:H. Zeman 168:Austrian 152:Movement 147:Painting 139:Austrian 587:26 June 562:30 July 542:1358208 490:Pernitz 381:, Ed.: 258:at the 47:improve 540:  202:Vienna 36:, but 538:JSTOR 486:] 471:] 448:] 435:] 421:] 390:] 354:] 190:] 589:2020 564:2018 345:and 234:and 196:Life 117:Died 103:Born 530:doi 492:), 428:Ă–WF 635:: 580:. 536:. 526:10 524:. 512:^ 484:de 469:de 450:, 446:de 433:de 419:de 388:de 370:, 356:, 352:de 262:. 188:de 591:. 566:. 544:. 532:: 72:) 66:( 61:) 57:( 43:.

Index

references
inline citations
improve
introducing
Learn how and when to remove this message

Vienna, Austria
Grafenegg
Impressionism
Austrian
impressionist
landscapes
still life
Stimmungsimpressionismus
de
Vienna
Julius Epstein
August Schaeffer
Emil Jakob Schindler
Vienna Secession
Palace of Fine Arts
The Woman's Building
World's Columbian Exposition
Expressionism
fin de siècle
Ă–sterreichische Galerie Belvedere
Landscape
Interior with Decorated Table
Farmhouse in Etzdorf
In the Garden

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑