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539:"In Hamera's monotypes, one can trace the wetness of caves inhabited by the Proteus anguinus, the struggles of microbes and moulds, the smell of the compressed fauna and flora of mining shafts, where dripping from the walls and tangled wires and cables glisten in the corner. But in almost every monotype of Hamera's there is a trilobite, that beautiful greeting from the primordial mountains, a print that resembles a human skeleton, a crushed miner's lamp, the lacing of a hussar's coat, the trilobite as Hamera's signature and jingle, which has arced into the Barrandov rocks and thence into Hamera and, through his hands, into printmaking."
286:, he first tried active and structural printmaking techniques after Boudník and tried his own distinctive contribution and various modifications of matrix preparation. Hamera soon began to break away from his teacher's influence in his monotypes with cycles on the themes of space, water worlds or the birth of matter. Later he developed his own original technique of layered monotype, where by gradually scanning the prints he reveals the different coloured layers previously applied to the matrix.
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colour printer. For political reasons, however, he had to go into lower job grades, where he successively held positions as a copyist, photographer, bookbinder or yard worker. In the 1980s, he returned for a short time once more to the job of printer, but again had to move from it within the company to the department of catalogue sheets for construction as a technical editor and graphic designer. As a draughtsman he worked with the
Department of Parasitology at the Faculty of Science,
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163:. He has been drawing living organisms and made prints of fossilized animals all his life and originally wanted to become a scientist. Because of his family background, he was not allowed to study and eventually trained as a machinist and machine repairman, but his interest in art and scientific fields such as paleontology, mineralogy, and medicine persisted.
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on
Wenceslas Square in Prague. Due to his political views, however, he soon had to leave the post and became an ordinary worker. In 1973, he trained as a printer of small offset presses at Central Bohemia Printers and began working at the Czechoslovak Centre for Construction and Architecture as a
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He returned to natural history themes in the 1990s, when he collaged his prints with images from scientific publications. Often these were auto-collages using his own older scientific illustrations of trilobites, graptolites, orthoceras or ammonites. The colouring of Hamera's prints is muted and
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again. He devoted himself to applied graphic art, book illustration and lecturing. He appeared in documentaries and popular science films and participated in radio broadcasts. In
December 2012 he underwent a liver transplant. He then gradually returned to painting, drawing and printmaking.
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To Jiří Kolář on his 75th birthday, with texts by Jan Skácel, "Thanks", "Not a Day" by Karel Šiktanec, "Letter to a Friend" by
Bohumil Hrabal and "Report on the Slavia Café" by Ludvík Vaculík, with his own monotype: Tribute to Jiří Kolář with John Bull motif and roulades by Jiří
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422:, whom Hamera remembered years later on the occasion of their anniversaries, appear in his most recent collages from 2014. Hamera depicts each of them in their own world, Hrabal as a pundit telling incredible stories, Boudník as a creator of original graphic sheets.
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Josef Váchal - Orbis pictus. Facsimile of Váchal's print (slightly reduced) from 1932. Cover by the publisher, edition of 120 copies. Mounting of lithographs by Oldřich Hamera. Before the publisher's afterword photo by Bohdan Holomíček. Published in
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Hamera's active etching technique works with low relief, which is created by etching a metal plate. On it, layers of colour are gradually rolled on, which the artist reverse-scans in the same way as when working with a monotype.
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Oldřich Hamera participated as a typographer in the editing of catalogues and anthologies published by the Ztichlá klika publishing house and in the publications of the Prague
Imagination publishing house dedicated to
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In the late 1970s, the house where Hamera lived and had his studio was demolished. At the same time, his marriage went through a crisis and ended in divorce. Hamera continued to paint and draw and revived
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Hamera Oldřich, Popel Jiří, Placák Jan, Stankovič Andrej, Fecurka
Konstantin, Groch Erich, Stryko Marcel, Ztichlá klika 1, samizdat anthology, 140 p., edited by Jan Placák, Ztichlá klika, Prague
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Josef Váchal - Enchanted Sumava. First edition of unpublished text. Printed by Mirek Bujárek, graphic design by V. Z., montage by Oldřich Hamera. Edition of 110 copies, published in 1985
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Nešlehová Mahulena, The
Message of Another Expression (The Concept of Informel in Czech Art of the 1950s and the First Half of the 1960s), Artefact, Prague 1997, ISBN 80-902160-0-5
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In the 1970s, Hamera drew on his fresh experience as an illustrator of scientific publications, and in his monotypes he refers to bizarre living organisms (the
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In Memory of
Jaroslav Kladiva, with texts by Karel Marysky "For Ph. Dr. Jaroslav Kladiva" and Hrabal's literary collage "The Rite of Spring", 1987, samizdat
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1998 Design and participation in the realization of a large-scale painting on the wall of the
District Office for Prague 10, with students of the VŠUP
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Cílek Václav: Stones in the Time of
Dreaming. A word on the catalogue of Oldřich Hamera's exhibition. Minerál, Vol. 6, No. 1 (1998), pp. 57–58.
1114:.Text Lubomír Krupka, Miroslava Krupková, Eva Čapková, Hana Klimešová, Oldřich Hamera, 87 p., Maldoror Gallery Prague 2021, ISBN 978-80-903469-8-7
1096:, Vladimír Boudník, Machalický Jiří, Hrabal Bohumil, cat. 58 p., National Gallery in Prague and Gallery of the Capital City of Prague, Prague 1992
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After 2000, he returned to the technique of active printmaking with works from the series " Roosters", where he used irregularly shaped matrices (
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and the company of unofficial and semi-official artists, art theoreticians and writers of the 1960s. Hrabal introduced Hamera to
151:(3 March 1944 – 15 November 2021) was a Czech printmaker, painter, illustrator, printer, typographer, publisher, and restorer.
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He wanted to be a painter, he worked as a worker in the ČKD. His prints are now in New York and Prague, Czech Radio, 12.2.2015
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1979 Exhibition: fine art and music, Theatre of Music, together with Vladimír Lébl, presented to the Mrs. Martinů Foundation
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1999 Fossils from the collections of the North Bohemian Museum - Oldřich Hamera "Monotypes"; North Bohemian Museum, Liberec
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Dubský, Ivan: Discourse on the Theme of One Theorem of Klim and Other Essays, Prague Imagination 1991, ISBN 80-7110-034-X
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Karlík Viktor, Hamera Oldřich, Placák Jan, On mne tu satinýrku dal (RR interview), Revolver Revue 29,1995/09, 192-210
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Since the mid-1970s, he has also worked on the restoration of important monuments in the Czech Republic (the
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1989 Realization of the representative rooms of Pragomont, interior design and decoration, utility objects
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Pravoslav Kotík: Portrait of a Czech Artist, 1976, samizdat, compiled, introductory text by Bohumil Hrabal
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Oldřich Hamera has participated in dozens of joint exhibitions since 1967, for a selection see abART.
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Oldřich Hamera is also the author of several graphic signs, decoration of the representative rooms of
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Hamera's derealisations use as source material the palaeontological tables of the Silurian system of
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series) and especially to visually appealing paleontological finds such as trilobites and ammonites.
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Oldřich Hamera, text Eva Čapková, 256 p., 321 il., Arbor Vitae, Prague 2019, ISBN 978-80-88256-11-3
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K. H. Mácha (diaries of Karel Hynek Mácha with illustrations by Jiří Kolář), 40 p., samizdat, 1976
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respects the hues of natural materials such as oxidized minerals, fossil imprints and soil dyes.
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Zapletal Zdeněk: Born in ČSR, or, Vekslštůbe cimrfraj, Akropolis Prague 1994, ISBN 80-85770-10-5
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Karel Hynek Mácha, Máj, Oldřich Hamera, monotypes, nakl. Triáda, 2010, ISBN 978-80-87256-40-4
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2014 Prints by Olřich Hamera through the eyes of Bohumil Hrabal, Czech Centre, Munich, Germany
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Boudník, Vladimír: Z korespondence II, (1957-1968), Pražská imaginace 1994, ISBN 80-7110-141-9
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Boudník, Vladimír: Z korespondence I, (1949-1956), Prague Imagination 1994, ISBN 80-7110-140-0
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1979 Monotypes, Central Institute of Geology of the Czechoslovak Academy of Sciences, Prague
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Popel Richard: Paradýzo ztracené a znovunalezené, Akropolis Prague 2000, ISBN 9788086903798
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Boudník, Vladimír: Z literární pozůstalosti, Prague Imagination 1993, ISBN 80-7110-118-4
1078:, Hrabal Bohumil, Kroutvor Josef, cat. 16 p., Central Institute of Geology, Prague 1979
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2006 Oldřich Hamera. On the occasion of his seventieth birthday, Lucerna Palace, Prague
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Participation in the preparation: Nezval, Vítězslav: Sexual Nocturne, samizdat, undated
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412:). He achieved a similar effect by derealizing musical scores or geographical atlases.
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1108:, Čapková Eva, cat. unnumbered, Smečky Gallery, Gallery publishing house, Prague 2015
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Kuchař Jiří: Santo Daimé - Posleství z druhého břehu, Prague 2001, ISBN 80-7281-063-4
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Lemberk Castle - installation of Baroque windows and lining, stone and stucco work
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After completing his basic military service, he worked at the state-owned company
718:Žatec Town Hall - restoration of Gothic ribs in the entrance part of the building
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Klíma, Ladislav: Jsem absolutní vůle, date illegible, together with V. Zadrobílek
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Hrabal, Bohumil: A Love Letter, The Oracle, 1987, samizdat, with his own roulades
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2013 Oldřich Hamera. On his seventieth birthday, Ztichlá klika Gallery, Prague
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House U Bílého koníčka in Karlova Street - restoration of the Gothic staircase
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Pilzová Markéta: Stigmata of the Soul, Eminent Prague 2000, ISBN 80-7281-040-5
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2014 Barrandien through the eyes of Oldřich Hamera, Homeland Museum in Beroun
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Hotel Merkur - realization of stone columns in the atrium of the restaurant
1084:, Caillois Roger, Kroutvor Josef, cat. 4 p., Theatre of Music, Prague 1979
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2005 Decoration of the law office Havel, Kuchař, Ryšavá and partner s.r.o.
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Cílek, Václav: Kameny a hvězdy, Dokořán Praha 2014, ISBN 978-80-7363-603-6
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1967 Institute of Microbiology, Czechoslovak Academy of Sciences, Prague
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1998 Participation in the decoration of the bank, Národní třída, Perštýn
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Brzáková Pavlína: Two Worlds, Eminent Praha 2008, ISBN 978-80-7281-370-4
393:, 2002). He also revisited structural monotypes. In 2010, an edition of
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Skloexport, the only exporter of Czechoslovak glass, went bankrupt 1997
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2014 Mácha's May in Oldřich Hamera's monotypes, K. H. Mácha, Litoměřice
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Holan Vladimír: Noc s Hamletem, Dokořán Prague 2004, ISBN 80-86569-19-5
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Hrabal, Bohumil: Hrabal's Letter to Dubenc from November 1989, samizdat
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1102:, 2014, Rak Štěpán, Čapková Eva, Cílek Václav, cat. 32 p., Beroun 2014
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Plague column in Holýšov (together with Tomáš Rasl and Jana Kremanová)
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2015 Wrinkling. Graphic art by Oldřich Hamera, Smečky Gallery, Prague
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Brzáková Pavlína: Larch Soul, Eminent Prague 2004, ISBN 80-7281-194-0
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2015 Oldřich Hamera. Mácha's May in Monotypes, K. H. Mácha in Doksy
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Savings Bank in Rytířská Street - entrance portals with balustrade
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Váchal, Josef: Vademecum, Prague 1978, together with V. Zadrobílek
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1999 Participation in the decoration of the First Prague Gasworks
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Pilzová Markéta: Phoenix, Eminent Prague 2002, ISBN 80-7281-098-7
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with overprinting of his own matrices of structural graphics (
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Strahov Monastery - stonework for the Premonstratensian Order
901:"Oldřich Hamera († 15.11.2021) – velký tvůrce s mladou duší"
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1997 Participation in the decoration of the Čs. Savings Bank
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illustrated with monotypes by Oldřich Hamera was published.
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Oldřich Hamera's prints through the eyes of Bohumil Hrabal
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2006 Derealization of Barrandien, Akropolis Palace, Prague
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Bank building Na Příkopech - restoration of granite tiles
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Old Town Hall - replacement of ribs in neo-Gothic windows
1090:, Rous Jan, cat. 4 p., Na Chmelnici Theatre, Prague 1988
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invasion of Czechoslovakia by Warsaw Pact troops in 1968
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Michael Rittstein, drawings by Michael Rittstein, 1980s
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In the 1960s, when he acquired printing equipment from
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1995 Decoration of the representative rooms of TV Nova
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Beautiful Poldi, structural monotype and collage, 2013
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Derealization of Barrandien, structural monotype, 2002
977:Čapková, Eva: Oldřich Hamera, Prague 2015, p. 252-253
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2006 Monotypes by O. Hamer, Industrial Palace, Prague
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1976 Collections, Veterinary Research Institute, Brno
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Czechoslovak Centre for Construction and Architecture
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Oldřich Hamera, Monotypes from the cycle Mácha's May
382:, but was not allowed to visit the monument itself.
170:in Prague from 1964. Here he met Vladimír Merhaut,
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998:Oldřich Hamera and friends. Recycling, 2021, p. 83
989:Čapková, Eva: Oldřich Hamera, Prague 2015, p. 254
968:Čapková, Eva: Oldřich Hamera, Prague 2015, p. 138
589:Hrabal, Bohumil: The Swan of Avon, 1989, samizdat
574:Boudník, Vladimír: Corpus delicti, 1974, samizdat
531:Graphic art by Olřich Hamera through the eyes of
1158:The Fates: Oldřich Hamera, Czech Radio archive,
706:F. Kafka Theatre - restoration of stone elements
602:Hrabal, Bohumil: Grayhound story, 1989, samizdat
799:1976 Memory of Matter, Theatre of Music, Prague
201:and took a position as technical editor at the
1154:Oldřich Hamera in the abART information system
577:Ladislav Klíma: Cholupický den, 1976, samizdat
535:(from the introduction to the 1975 exhibition)
310:Bergamia praecedens, structural monotype, 1966
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879:Machalický Jiří, in: Vysočanský okruh, 1992]
453:Untitled, monotype, collage, 39x32 cm, 1998
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814:2005 Mácha's May, Průmyslový palác, Prague
596:Homage to Vladimír Boudník, 1989, samizdat
190:, František Šmejkal and Antonín Hartmann.
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1106:Wrinkling. Graphic art by Oldřich Hamera
465:Untitled, monotype and autocollage, 2002
441:Collection Confrontation, monotype, 1985
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134:Printer, editor, scientific illustrator
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234:and bibliophilias dedicated mainly to
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777:Museum of National History in Nymburk
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805:1996 Duna Museum, Esztergom, Hungary
255:fall of the communist regime in 1989
811:2003 Monotypes, Town Hall, Frýdlant
501:Untitled, structural monotype, 2007
112:Protectorate of Bohemia and Moravia
933:Kicked Rooster, Regenerace on line
780:Collection of the Prague Gas Works
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765:Pratt Graphics Center in New York
525:Planet, structural monotype, 2013
269:Hamera died on 15 November 2021.
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193:Due to the protests against the
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248:Jiří Kolář Prize for Literature
889:Revolver Revue: Oldřich Hamera
771:Benedikt Rejt Gallery in Louny
599:Josef Jira :60, 1989, samizdat
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793:1970 Regional Gallery Liberec
757:Representation in collections
774:Gallery of Fine Arts in Cheb
410:Derealisations of Barrandien
246:, for which he received the
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768:Regional Gallery in Liberec
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1206:Czech contemporary artists
762:National Gallery in Prague
667:Illustrations on the cover
334:Individual, monotype, 1972
32:This biographical article
1088:Oldřich Hamera: Monotypes
1082:Oldřich Hamera: Monotypes
1076:Oldřich Hamera: Monotypes
903:(in Czech). České galerie
346:Crucified, monotype, 1972
197:, he was forced to leave
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429:and other realizations.
322:Untitled, monotype, 1971
298:Universe, monotype, 1965
16:Czech artist (1944–2021)
1216:Czech graphic designers
785:Exhibitions (selection)
726:Design and realizations
689:Restoration (selection)
368:Old Town Hall in Prague
566:Publisher (selection)
45:by revising it to be
1038:dissolved after 1989
278:Prints and monotypes
159:Hamera was born in
1211:Czech illustrators
240:The Intimate Diary
208:Charles University
1226:People from Úvaly
1201:Czech printmakers
870:Čapková Eva, 2015
622:Montages on books
244:Karel Hynek Mácha
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59:November 2021
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36:like a résumé
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21:
20:
1135:Publications
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905:. Retrieved
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257:he moved to
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188:Radko Pytlík
165:
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124:(2021-11-15)
104:3 March 1944
69:
56:
51:encyclopedic
33:
1196:2021 deaths
1191:1944 births
172:Josef Hampl
34:is written
1185:Categories
1070:Catalogues
849:References
253:After the
184:Jiří Kolář
168:ČKD Trakce
100:1944-03-03
1060:Monograph
361:Cosmology
250:in 1971.
174:and also
131:Education
1119:Articles
907:15 April
547:Barrande
380:Konstanz
357:Tapeworm
220:samizdat
1055:Sources
427:TV Nova
376:Jan Hus
259:Liberec
216:Boudník
47:neutral
41:Please
593:Kolář.
263:Prague
228:Hrabal
139:Awards
1017:Notes
631:1985.
395:Mácha
232:Klíma
161:Úvaly
108:Úvaly
909:2022
418:and
359:and
273:Work
155:Life
119:Died
94:Born
49:and
1176:(5)
1172:(4)
1168:(3)
1164:(2)
1160:(1)
549:).
399:Máj
397:'s
378:in
242:of
218:'s
199:ČKD
1187::
1174:,
1170:,
1166:,
1162:,
982:^
961:^
857:^
562:.
537::
370:,
230:,
110:,
911:.
541:(
102:)
98:(
61:)
57:(
53:.
39:.
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