1715:
function. The print head has optical paper sensor to automatically detect the left margin of the paper and align printing on the paper, it is printing bidirectional at 35 cps which is quite fast for a daisy wheel printer. Like ET 111 to 116, the print head also has an optical sensor to detect type/pitch and nationality of the daisywheel. Optionally, there was a sprocket and automatic sheet feeder available. The SWP wordprocessor software is able to read MWP documents of ETV 350, 240, 250 and 210s from their proprietary CP/M-based disk format. Optionally, there was an external 360 kB 5.25 inch floppy drive called DU 260 to support diskettes of ETV 300 for document import.
355:, engineered by Riccardo Levi, and designed by Aldo and Adriano Magnelli, it was intended for both office and domestic use. It weighed only 5.2 kilos, as compared to the M1, which weighed 17 kilos, measured 11.7 centimetres high, half the height of the M1. The mechanism was partly concealed by the body, and the monumental vertical structure of the M1 had been flattened and lightened. In addition to the black colour of the M1 and M20, the MP1 was offered in red, blue, light blue, brown, green, grey, and ivory.
1028:
185:
544:
1682:
configuration is diskless, storing all saved documents in battery buffered 32 kB RAM. This configuration can be enhanced by adding one 360 kB single sided 3.5 inch floppy drive supporting the same disk and document format as ETV 350. The 80x25 characters CRT 12 inch green monitor optionally can be mounted on a pivotable arm. Like ET 111 to 116 the print head has also optical sensor to detect type/pitch and nationality of the daisywheel.
661:
1691:
interface cardridges to support serial interface, external 5,25 floppy drive for data exchange with some ET series typewriters and ETV 300. There was a special serial interface to run the ETV 250 on the
Teletex network as a sender and receiver of messages, similar to teletype, this was the so-called ETV 250TTX. Like on ETV 300 the wordprocessor was exitable to run standard CP/M software on this video typewriter.
2530:
1110:
1752:
1565:
1486:
1406:
1194:
938:
805:
715:
409:
282:
207:
25:
1339:
paper wagon was moving what also made possible to take over some mechanics of the Editor series. The mechanics to control the typeball was not controlled by wire ropes which made the
Selectrix hard to adjust to work reliable but on turnable axles which made the Lexikon series very reliable and robust. The national keyboard layouts and typeballs were customizeable over a mechanical '
1637:. Some of them (ETV 300, 350, 500, 2900) were external boxes that could be connected through an optional serial interface to many of the ET series office typewriters, the others were fully integrated with an external monitor which could be installed on a holder over the desk. Most of the ET/ETV/Praxis series electronic typewriters were designed by Marion Bellini.
605:
2757:
613:
597:
1343:' based on metal flags inside the keyboards where in production or maintenance single teeth could be broken out to change the layout according to tables in the service manual. The degrees to rotate the typeball was depending on this coding, using levers with moving turnpoint when pressing a key. The Lexikon 90 was the base model of the series.
1710:
which also could be used to print simple line based graphics in a document. Computer and printer are integrated in one box, like on ETV 240/250 the monitor can be installed on an arm and the keyboard is similar to IBM's XT layout. As mass storage it is uses two 3.5 inch 720 kB floppy drives or one floppy drive plus 20 MB hard disk. The
1654:
drive to store documents over there. Both floppy drives are 40 tracks 160 kB capacity. A rare version is the diskless ETV 300 which used to have the operating system and MWP in a ROM and storing the documents in battery buffered SRAM. The 80x25 characters green monochrome monitor with a diameter of 12 inch can stand on the ETV 300 box.
1281:
movement of the type lever was under full control and made possible to implement a double strike protection based on inertia of the type lever and the force driven by the swinging flag to protect the types from damage when the typist unintentionally hits two or more keys at once. Tekne 1 was the base model of the series.
1743:
keyboard is quite special as it contains 80x5 characters alphanumeric LC display to write the documents. Otherwise its functionally is similar to ETV 240 supporting the same file format in battery buffered SRAM or optionally on one 3.5 inch 720 kb Floppy disks which are also able to read disks from ETV 240, 250 and 350.
1330:
printing, while a mechanical display counts the words in the line, and in the second pass it displays to the typist how many spaces with 2 or 3 elementary steps he still has to fill in the line to get a perfect result. To type spaces with 2 or 3 elementary steps the space bar is divided into two halves.
1742:
With its thermo transfer print head, based on IBM's quietwriter patents combined with the printer chassis of ET 116 the ETV 210s was announced as the future of the typewriter. The ETV 210s runns with a Zilog Z80 compatible CPU from
Hitachi, running CP/M and wordprocessor in ROM. The PC style external
1733:
personal computer. The difference is that the 8088 CPU runs at 8 instead of 4.77 MHz and instead of 5.25 inch floppy drives it uses 720 kB 3.5 inch. The client had the choice to use the same XT layout based keyboard as on ETV 260 or the keyboard of a serial connected ET 112 or ET 116 typewriter.
1653:
operating system. It was connected over serial interface to an ET 121 or ET 225 office typewriter which was used as the keyboard and daisywheel printer. The 5,25 inch single sided boot diskette starts directly in the MWP called wordprocessing software. Optionally it was available with a second floppy
1359:
Upgraded version of
Lexikon 92 having additional correction ribbon, so with this model already written text could be deleted half manually by press a delete key which backspaces the paper wagon and then the typist has to press the character he wants to delete. The machine instead of lifting the black
1071:). The ribbon winds with each key press and automatically changes winding direction when it is finished in one of the two spools in which it is wound. Two mechanical sensors located near each spool move when the ribbon stretches (this indicates that it is finishing) and reverse its winding direction.
342:
To update the M20, Olivetti worked on a new model which came out in 1930 and remained in production until 1948, the M40. A second version came out in 1937 and another one in the 1940s. Customers particularly appreciated the fixed-guide carriage, the lightness of touch of the keyboard and the speed of
1714:
printer is fully software driven by a config.sys driver running on the 8088 CPU and behaves like an external printer on LPT1:. The printer driver also contains a hotkey function which is running under any MS-DOS software to write directly on the printer like a normal typewriter, inclusive correction
1254:
The Editor series was used for speed typing championship competition. The Editor 5 from 1969 was the top model of that series, with proportional spacing and the ability to support justified text borders. In 1972 the electromechanical typeball machines of the
Lexicon 90 to 94C series were introduced,
1094:
The set of characters available has obvious shortcomings: there is no key with the number 1, which is obtained by using the lowercase letter l (L) or the capital I (i); there are no keys for the accented uppercase vowels used in the
Italian language, which were replaced by normal letters followed by
1338:
The
Lexikon 9x series was Olivetti's quite successful attempt to follow IBM' Selectrix series to have exchangeable fonts on typeball. To avoid IBM's patents Olivetti made everything different, so the typeball does not rotate horizontally, but vertically, it has no moving print head, but instead the
1280:
The Tekne and later Editor series introduced
Olivett's own solution to drive the type lever. While other manufactures based their drive on a rotating roller, rubber coated or with teeth, Olivetti designed an up and down swinging flag drive which pulls the type lever towards the paper roller. So the
1062:
With the same mechanics as the
Lettera 32, the Olivetti Lettera 35 is a typewriter with pressure writing levers. Each time a key is pressed, the corresponding hammer, through the kinematic mechanism, goes to beat on the tape with red or black ink, behind which is the sheet of paper on which is thus
998:
From then on, the technology of the hand-held portables tends to stabilize. The mechanics of the
Lettera 32 is therefore maintained at the base of the subsequent models: the Olivetti Dora and Lettera De Luxe (1965), Lettera 25 and 35 (1974), Lettera 10 and 12 (1979) and 40/41/42 and 50/51/52 (1980)
783:
Ribbon movement, which also occurs at every keypress, automatically reverses direction when there is no ribbon left on the feed reel; two mechanical sensors, situated next to each wheel, move when the ribbon is put under tension (indicating ribbon end), attaching the appropriate wheel to the ribbon
390:
The set of writing keys has an obvious lack: there is no key with the number 1, which is obtained by using the lowercase letter l (L) or the capital I (i); likewise, there is no zero, which is obtained by typing the capital O (o). Although this may seem strange today, it was quite common in the old
192:
Until the mid-1960s, the Olivetti typewriters were fully mechanical. Introduced at the Word Fair in Turin in 1911, the first Olivetti typewriter, the M1, was made of about 3000 hand made parts and weighed 17 kg. It was the first Italian typewriter and had a keyboard of 42 keys corresponding to
1767:
and the SWP word processor software which is document compatible to ETV 260 / 3000 SWP. The external black and white CGA compatible can be installed on a pivotable arm. As mass storage there could be one 720 kB MS-DOS compatible floppy drive, or two of them, or one of them plus 20 MB XTA interface
1129:
bodywork and matching red case. Its mechanical components are derived from the Lettra 32. Despite being an expensive, functionally limited and somewhat technically mediocre product which failed to find success in the marketplace, the Valentine ultimately became a celebrated icon — largely on
488:
This machine was first published as M80, featuring a keyboard with round keys that had a thin metal outline to the circunference, appealing notoriously to many older models, like the M40. Despite the M80 series being a standard machine, it only came in the short 10" carriage, that fulfilled common
1709:
mainboard and ET 116 office typewriter daisywheel printer. As it has Intel 8088 CPU at 8 MHz (M19 is only 4.77 MHz), 640 kB RAM and CGA graphics it runs MS-DOS and its applications. The word processing software SWP is based on Olivetti branded MS-DOS 3.20. SWP supports to include tables
1681:
The ETV 240 is a typewriter integrated design. On the base board it has two computers, a simpler one, based on NEC 7801 CPU to control the keyboaerd and the ET 115 office typewriter based daisywheel printer and a Z80 CPU based running CP/M 2.2 and the MWP wordprocessor software from ROM. The base
1546:
For home users in 1982 the Praxis 35, Praxis 40 and 45D were some of the first portable electronic typewriters. Later, Olivetti added the Praxis 20, ET Compact 50, ET Compact 60, ET Compact 70, ET Compact 65/66, the ET Personal series and Linea 101. The top models were 8 lines LCD based portables
911:
used an Olivetti Lettera 32 to write nearly all of his fiction, screenplays, and correspondence, totalling by his estimate more than 5 million words. The Lettera 32 that he purchased in 1963 was auctioned at Christie's on December 4, 2009, to an unidentified American collector for $ 254,500, more
519:
Dismountable carriages vary in size, anywhere from 9 or 10 inches up to 30 inches. While they're not actually meant to be dismounted and replaced in the first place, dismountable carriages are just an easy shortcut for servicemen to access the insides of the machine and, if necessary, replace the
1798:
ETV 400 is similar to ETV 500, but the base is not M19 PC, but M290. So with Intel 80286 CPU this wordprocessing system was running Windows 2.0 with the wordprocessing software of ETV 4000s. The standard printer was TH700 which is more or less a keyboard/floppydrive-less version of the ETV 210s.
1690:
This is enhanced version of ETV 240. Instead of ROM based design the ETV 250 boots CP/M 2.2 and MWP wordprocessor from 3.5 floppy. Optionally the ETV 250 can have two floppy drives. For ETV 240 and 250 sprockets and automatic sheet feeder could be added. The ETV 250 could be enhanced with serial
779:
typewriter. The typebars strike a red/black inked ribbon, which is positioned between the typebar and the paper by a lever whenever a key is pressed; a small switch located near the upper right side of the keyboard can be used to control the strike position of the ribbon, in order to print with
1329:
The E5 was the top model of the Editor series. Based on the E4 it has carbon ribbon, proportional spacing and block aligned text support. The combination of proportional spacing and block aligned text is a challenge for the typist as he/she has to write every line two times, first time without
1781:
This is same like ETV 2900, the only difference is modified BIOS to prevent user to boot from standard MS-DOS diskettes. So always the VM 2000 own diskettes have to be used. This prevented the user to run other MS-DOS based applications on VM 2000. This is explained by employment laws in the
1320:
The Editor 4 alternatively was available with textile or carbon ribbon. A special version of it was the Editor 4ST which was used by Olivetti as an alphanumeric printer for some of their first personal computers like P506 and P652. The typewriter was controlled by the computer by additional
1090:
keys totaled 43 of the 86 total keys. Other than this, the keyboard had a space bar, two keys to set uppercase letters, a caps lock key, a lever to for the ability to go beyond the set margins, a key for backspacing, a lever to switch tabs, and a (red) key to switch between tabs.
1667:
The ETV 350 is the successor of ETV 300. The box was a bit more compact and instead of one or two 5.25 inch drives it was using the more modern 3,5 inc single sided diskettes with 320 kB. Usually the ETV 350 was delivered with ET 111 or ET 115 as keyboard and printer.
1471:
and different levels of text editing capabilities were popular in offices. Models in that line were ET 121, ET 201, ET 221, ET 225, ET 231, ET 351, ET 109, ET 110, ET 111, ET 112, ET 115, ET 116, ET 2000, ET 2100, ET 2200, ET 2250, ET 2300, Et 2400 and ET 2500.
267:
In 1920 the M1 was replaced by a new model, the M20. It featured several innovations, including the trolley running on a fixed guideway. Unlike the M1, which was essentially sold in Italy, it was exported to many European and non-European markets.
1066:
A lever located at the top right of the keyboard can be used to control the position of the ribbon and select printing in black, red or without ink (in case of copies with carbon paper or for the preparation of ink matrices for the
621:
503:
The Lexikon 80 had a few changes in contrast to its previous version M80; it had keys fully made out of plastic, it was slightly bigger in size, it startedmost featuring decimal tabulators, and it had a wide variety of
1054:, which maintain a simple and essential style, the Lettera 35 features a robust design to create the image of a professional machine that recalls the future Lettera 36, an electric typewriter released in 1970.
1307:
Initially renamed version of Tekne 3, later production derives from simplified Editor 4. Both versions, old flat and later higher version of Editor 3 were used as alphanumeric printer in Olivetti's computer
386:
type, as is usual for Italian machines (apart from modern computer keyboards). In addition to the writing keys, the keyboard includes a space bar, two shift keys, a shift lock, a return key, and a tab key.
1466:
In 1978 Olivetti was one of the first manufacturers to introduce electronic daisywheel printer-based word processing machines, called TES 401 and TES 501. Later the ET series typewriters without (or with)
394:
There is also a portable version, with the machine fixed on a wooden base with black imitation leather and a removable protection also covered in wood, a black leather carrying handle and a chrome lock.
193:
84 signs, 33-cm paper roll allowing for 110 characters and featured two-colored ribbon, automatic reverse direction, and return key. Heavy and massive, it was intended for professional use in offices.
1380:
for Olivetti. The Lettera 36 had a bad reputation as its mechanics was quite unreliable, but because of its affordable price it was quite successful. There were two different keyboard designs.
593:
lever adding about 1–2 more centimeters in height), making it quite portable at least for the time's standards, even though its 3.7 kg (8.2 lb) weight may limit portability somewhat.
524:
Carriages that went over 25 inches required the typewriter body to have supports on each size to prevent the machine from tipping over when the carriage is moved to one extreme or another.
625:
622:
694:
lever adding about 1–2 centimeters in height), making it portable at least for the time's standards, even though its 5.9 kg weight may limit portability somewhat.
2210:
500:
It came in the first series, with a subtle olive green colour, then came the second series, in grey, and finally, the third series of the machine, which came in blue.
1763:-based PC, with the electronics to control the printer on one small footprint mainboard. Even the keyboard is directly attached to the machine. The system runs
1046:
More than 10 years after the Lettera 32, Olivetti felt the need to renew the design of its portable typewriters. Thus, the Lettera 35 was launched. Unlike the
351:
In 1932, Olivetti presented a portable typewriter shortly after the launch of the M40: the MP1 (Modello Portatile in Italian). Conceived by Gino Martinoli and
2082:
624:
1790:
This is mostly a renamed ETV 260, the only difference is that it has different video connector to support the CRT black & white monitor of ETV 2700.
516:
the M80 had its carriage completely welded to the chassis, and could only be removed with a special key that was only given to authorised servicemen.
1153:
379:. It is characterized by the various colors available: in addition to the classic black, it was also available in red, gray, brown and light blue.
1734:
Typically the connected typewriter was also used as the printer, or some of Olivetti's own dot-matrix or daisy wheel printers could be used.
1586:
1507:
1427:
1215:
959:
826:
736:
430:
303:
228:
42:
2233:
623:
912:
than 10 times its high estimate of $ 20,000. McCarthy paid $ 11 for a replacement typewriter of the same model, but in newer condition.
2329:
2301:
2137:
2121:
2032:
1759:
The ETV 2700 is the low cost successor of ETV 260, based on the ET 2000 series printer mechanics. The machine is a fully integrated,
1612:
1533:
1453:
1241:
985:
852:
762:
456:
329:
254:
108:
485:
and Hispano-Olivetti. It's the most sold typewriter in the world, and has a unique style in color, shape, and structural strength.
89:
1259:, the top model 94c supported proportional spacing and justified text borders like the Editor 5, as well as lift-off correction.
579:
61:
1126:
1590:
1511:
1431:
1219:
963:
830:
740:
434:
307:
232:
46:
68:
2779:
1928:
1633:
operating system based ETV 260, ETV 500, ETV 2700, ETV 2900, ETV 4000s word processing systems having floppy drives or
75:
2267:
1368:
This was the top model of the series providing proportional spacing and block aligned text similar to the Editor 5.
2794:
2717:
2172:
1161:
1145:
1083:
keyboard, although versions with different key arrangements were produced which corresponded with other languages.
57:
1968:
1575:
1496:
1416:
1389:
1256:
1204:
1141:
would lament "I worked sixty years of my life, and it seems the only thing I did is this fucking red machine."
948:
815:
725:
419:
292:
217:
2187:
2155:
2789:
2445:
1594:
1579:
1515:
1500:
1435:
1420:
1223:
1208:
967:
952:
834:
819:
744:
729:
438:
423:
311:
296:
236:
221:
35:
2322:
1854:
1027:
1886:
184:
2784:
2760:
2470:
2234:"David Bowie auction: Sale of late artist's personal collection puts iconic Memphis Group on the map"
2007:
1711:
1548:
1149:
915:
372:
2689:
1309:
866:
684:
634:
553:
538:
137:
1822:
By 1994, Olivetti stopped production of typewriters, as more and more users were transitioning to
510:-mostly removable with a pair of screws, or the pull of two latches for very easy access like the
364:
167:
By 1994, Olivetti stopped production of typewriters, as more and more users were transitioning to
82:
2695:
2538:
2420:
1835:
1104:
2643:
2620:
2460:
2425:
2315:
2241:
1823:
1131:
575:
543:
168:
2057:
2637:
2510:
2475:
2465:
2435:
2410:
2365:
2359:
2195:
680:
676:
563:
558:
478:
376:
352:
153:
1870:
896:(but the Olivetti Lettera 10 has it), which is supposed to be substituted by the lowercase
2712:
2490:
2395:
1138:
1114:
908:
691:
665:
590:
129:
121:
1388:
Portable compact electrical typeball machine, successor of Lettera 36, implementing the
1360:
ribbon it lifts the correction tape to cover up or lift off the character on the paper.
873:, AZERTY and various other layouts. Apart from the typing keys, the keyboard includes a
2733:
2584:
2578:
2572:
2505:
2500:
2485:
2415:
2371:
1095:
the apostrophe. This type of solution was quite common in the typewriters of the time.
660:
567:
522:
A machine must not get its carriage replaced with another one with a different length.
2773:
2739:
2660:
2553:
2495:
2430:
2405:
2390:
1157:
1040:
920:
511:
2083:"NY Times: Finessing Typewriters for Nearly 40 Years, and Now Turning Over the Keys"
2666:
2614:
2608:
2596:
2590:
2515:
2480:
2455:
1730:
1724:
1706:
1700:
1377:
1087:
368:
1625:
The professional line was upgraded with the ETV series video typewriters based on
1321:
electromechanical components at the keyboard levers at the bottom of the machine.
1172:
1109:
687:. The Lettera 32 was also very popular amongst writers, journalists and students.
496:. The Olivetti Lexikon 80 was indeed, the most manufactured machine in the world.
1903:
889:
key, margin release key, paragraph indentation key and a tab-stop set/unset key.
2602:
2440:
2400:
1751:
1564:
1485:
1405:
1193:
1168:
937:
918:
used an Olivetti Lettera 32 to write the screenplay for the 1972 motion picture
804:
714:
408:
281:
206:
145:
24:
1952:
2450:
1981:
1351:
This is upgraded version of Lexikon 90 providing to choose different pitches.
1068:
1051:
1047:
149:
141:
133:
2245:
2105:
2058:"NY Times: No Country for Old Typewriters: A Well-Used One Heads to Auction"
1646:
1634:
886:
882:
878:
874:
604:
508:. While dismountable carriages are featured in most standard typewriters,
2744:
2338:
482:
125:
2211:"How the Radical, Rebellious Valentine Typewriter Was Labeled a Mistake"
1547:
like Top 100 and Studio 801, with the possibility to save the text to a
612:
596:
2008:"Typewriter User's Manual - Olivetti-Underwood Lettera 32 (circa 1964)"
1760:
776:
1137:
The fame of the design was such that late in his career, the designer
1130:
account of its expressive design and practicality. It was awarded the
1764:
1630:
1080:
870:
383:
2033:"NY Times: Cormac McCarthy's Typewriter Brings $ 254,500 at Auction"
1272:
Based on Tekne 1 but radically changed design from Ettore Sottsass.
1750:
1108:
1026:
659:
619:
611:
603:
595:
571:
542:
183:
161:
157:
2295:
1650:
1626:
2311:
1629:
operating system, ETV 240, ETV 250, ETV 300, ETV 350 and later
1558:
1479:
1468:
1399:
1340:
1187:
931:
798:
708:
402:
275:
200:
18:
1982:"Storiaolivetti - Macchina per scrivere portatile Lettera 32"
1125:
is a portable, manual typewriter noted for its typically red
2307:
1376:
Portable compact electric type lever machine, produced in
2138:
Dalla MP1 alla Valentine, passando per la Lettera 22 e 32
787:
Its mechanical components were used as the basis for the
701:
did not come with a manual but with an instruction card.
2268:"Discover the Hidden Gems of the 'Bowie/Collector' Sale"
892:
As was common in older typewriters, it lacks the number
1039:
is a portable mechanical typewriter created in 1972 by
1953:
Istruzioni per l'uso della macchina Olivetti Studio 42
586:
as the best design product of the previous 100 years.
566:
in 1949 or, according to the company's current owner
690:
The typewriter is sized about 34x35x10 cm (with the
2726:
2705:
2680:
2653:
2630:
2563:
2546:
2537:
2381:
2352:
2345:
589:The typewriter is sized about 27x37x8 cm (with the
49:. Unsourced material may be challenged and removed.
616:The Lettera 22: "Knowledge, l'enciclopedia libera"
780:black, red, or no ink (for mimeograph stencils).
574:, and it still has many fans. It was awarded the
363:Also known as the M2, it was designed in 1935 by
675:is a portable mechanical typewriter designed by
562:is a portable mechanical typewriter designed by
2188:"Valentine, Italy's Iconic Ruby Red Typewriter"
2156:"Valentine, Italy's Iconic Ruby Red Typewriter"
1392:'golfball' mechanism, after its patent ended.
2323:
2167:
2165:
1782:difference of a typewriter- and a PC worker.
784:transport mechanism and detaching the other.
8:
570:, 1950. This typewriter was very popular in
1593:. Unsourced material may be challenged and
1514:. Unsourced material may be challenged and
1434:. Unsourced material may be challenged and
1222:. Unsourced material may be challenged and
1171:'s Valentine typewriter sold at auction by
966:. Unsourced material may be challenged and
833:. Unsourced material may be challenged and
743:. Unsourced material may be challenged and
437:. Unsourced material may be challenged and
310:. Unsourced material may be challenged and
235:. Unsourced material may be challenged and
2543:
2528:
2349:
2330:
2316:
2308:
2106:Macchina per scrivere portatile Lettera 35
683:) in 1963 as the successor of the popular
633:The model was eventually succeeded by the
1613:Learn how and when to remove this message
1534:Learn how and when to remove this message
1454:Learn how and when to remove this message
1242:Learn how and when to remove this message
986:Learn how and when to remove this message
853:Learn how and when to remove this message
763:Learn how and when to remove this message
481:in 1948, and has been a huge success for
457:Learn how and when to remove this message
330:Learn how and when to remove this message
255:Learn how and when to remove this message
109:Learn how and when to remove this message
2266:Muñoz-Alonso, Lorena (3 November 2016).
1154:Cooper Hewitt, Smithsonian Design Museum
489:purposes, just like a portable machine.
1887:Dante's endorsement for the Olivetti M1
1847:
2374:(head of various divisions, 1956–1990)
1986:Associazione Archivio Storico Olivetti
1079:The original Italian version used the
559:[oliˈvettiˈlɛtteraˌventiˈduːe]
1175:in London for £45,000 (US $ 57,000).
1117:with Perry A. King and Albert Leclerc
557:
188:The M1, the first Olivetti typewriter
7:
2756:
2232:Gleadell, Colin (15 November 2016).
2186:Spagnolello, Rosario (28 May 2020).
2154:Rosario Spagnolello (May 28, 2020).
1591:adding citations to reliable sources
1512:adding citations to reliable sources
1432:adding citations to reliable sources
1220:adding citations to reliable sources
1063:imprinted the corresponding symbol.
1043:and released to the public in 1974.
964:adding citations to reliable sources
831:adding citations to reliable sources
741:adding citations to reliable sources
492:The M80 was shortly after edited to
435:adding citations to reliable sources
308:adding citations to reliable sources
233:adding citations to reliable sources
47:adding citations to reliable sources
1113:The Olivetti Valentine designed by
2362:(founder and president, 1908–1938)
1705:This video typewriter is based on
14:
2304:, the history of Olivetti design.
2209:Amber Snider (20 February 2020).
1144:The Valentine is featured in the
2755:
1563:
1484:
1404:
1192:
936:
803:
713:
580:Illinois Institute of Technology
407:
280:
205:
23:
16:Italian electronics manufacturer
2302:Il design dei prodotti Olivetti
2122:Il design dei prodotti Olivetti
2081:Kilgannon, Corey (2013-12-27).
1645:The ETV 300 wordprocessor is a
1476:Electronic and portable models
775:The Lettera 32 is a downstrike
34:needs additional citations for
2296:Olivetti, storia di un'impresa
2056:Cohen, Patricia (2009-12-01).
1729:This was basically a rebadged
608:A front view of the Lettera 22
124:is an Italian manufacturer of
1:
2175:. Victoria and Albert Museum.
2031:Kennedy, Randy (2009-12-04).
1396:Electronic and office models
600:A side view of the Lettera 22
1299:Renamed model from Tekne 2.
679:(with Adriano Menicanti and
1875:The Classic Typewriter Page
578:prize in 1954. In 1959 the
2811:
2718:Olivetti-Underwood Factory
1722:
1698:
1162:Victoria and Albert Museum
1102:
924:, which he also directed.
536:
2753:
2526:
1873:, Berthold Kerschbaumer,
1257:IBM Selectric typewriters
1184:Electromechanical models
999:differ mainly in design.
547:A Lettera 22, first model
1910:(in Italian). 2020-08-03
2368:(president, 1938–1960)
1756:
1255:as competitors to the
1118:
1032:
668:
630:
617:
609:
601:
548:
506:dismountable carriages
189:
148:. It was founded as a
58:"Olivetti typewriters"
1859:The Typewriter Museum
1818:Jetwriter 910 (1992)
1754:
1649:based box running on
1112:
1030:
663:
628:
615:
607:
599:
546:
187:
2780:Olivetti typewriters
2471:Pier Giorgio Perotto
1587:improve this section
1549:3.5-inch floppy disk
1508:improve this section
1428:improve this section
1216:improve this section
1150:Museum of Modern Art
960:improve this section
916:Francis Ford Coppola
827:improve this section
737:improve this section
431:improve this section
382:The keyboard is the
304:improve this section
229:improve this section
43:improve this article
2736:(acquired Olivetti)
1933:www.provincia.bz.it
1855:Olivetti M1 and M20
1364:Lexikon 94c (1972)
1355:Lexikon 93c (1972)
1146:Metropolitan Museum
1037:Olivetti Lettera 35
685:Olivetti Lettera 22
673:Olivetti Lettera 32
646:Diaspron 82 (1959)
635:Olivetti Lettera 32
554:Olivetti Lettera 22
539:Olivetti Lettera 22
2421:Carlo De Benedetti
2213:. The Culture Trip
2126:Storiaolivetti.it
2087:The New York Times
2037:The New York Times
1836:Olivetti computers
1824:personal computers
1813:Editor 100 (1990)
1757:
1555:Video typewriters
1384:Lexikon 82 (1976)
1372:Lettera 36 (1974)
1347:Lexikon 92 (1972)
1334:Lexikon 90 (1972)
1119:
1105:Olivetti Valentine
1033:
1023:Lettera 35 (1972)
1018:Lettera 25 (1972)
1008:Lettera DL (1965)
669:
664:A Lettera 32 with
656:Lettera 32 (1963)
651:Lettera 10 (1979)
631:
618:
610:
602:
549:
533:Lettera 22 (1950)
498:-M80 is very rare-
469:Also known as the
399:Lexikon 80 (1948)
190:
175:Mechanical models
169:personal computers
2795:Industrial design
2767:
2766:
2676:
2675:
2524:
2523:
2461:Costantino Nivola
2426:Michele De Lucchi
2142:Storiaolivetti.it
2110:Storiaolivetti.it
1971:at Telecom Italia
1794:ETV 4000s (1989)
1755:Olivetti ETV 2700
1623:
1622:
1615:
1544:
1543:
1536:
1464:
1463:
1456:
1268:Praxis 48 (1964)
1252:
1251:
1244:
1179:Studio 46 (1973)
1123:Olivetti Valetine
1013:Studio 45 (1967)
996:
995:
988:
928:Subsequent models
863:
862:
855:
773:
772:
765:
641:Studio 44 (1952)
626:
528:Studio 42 (1950)
467:
466:
459:
359:Studio 42 (1935)
340:
339:
332:
265:
264:
257:
119:
118:
111:
93:
2802:
2761:Commons category
2759:
2758:
2544:
2532:
2531:
2511:Massimo Vignelli
2476:Giovanni Pintori
2466:Marcello Nizzoli
2436:Ignazio Gardella
2411:Natale Capellaro
2366:Adriano Olivetti
2360:Camillo Olivetti
2350:
2332:
2325:
2318:
2309:
2298:, official site.
2283:
2282:
2280:
2278:
2263:
2257:
2256:
2254:
2252:
2229:
2223:
2222:
2220:
2218:
2206:
2200:
2199:
2196:Hearst Magazines
2183:
2177:
2176:
2169:
2160:
2159:
2151:
2145:
2135:
2129:
2119:
2113:
2103:
2097:
2096:
2094:
2093:
2078:
2072:
2071:
2069:
2068:
2053:
2047:
2046:
2044:
2043:
2028:
2022:
2021:
2019:
2018:
2004:
1998:
1997:
1995:
1993:
1978:
1972:
1966:
1960:
1950:
1944:
1943:
1941:
1940:
1925:
1919:
1918:
1916:
1915:
1900:
1894:
1884:
1878:
1868:
1862:
1852:
1803:ETV 5000 (1988)
1786:ETV 3000 (1988)
1772:ETV 2900 (1988)
1768:based harddisk.
1747:ETV 2700 (1988)
1738:ETV 210s (1987)
1672:ETS 2010 (1984)
1658:ETS 1010 (1982)
1618:
1611:
1607:
1604:
1598:
1567:
1559:
1539:
1532:
1528:
1525:
1519:
1488:
1480:
1459:
1452:
1448:
1445:
1439:
1408:
1400:
1325:Editor 5 (1969)
1247:
1240:
1236:
1233:
1227:
1196:
1188:
1099:Valentine (1969)
1031:Lettera 35 model
991:
984:
980:
977:
971:
940:
932:
858:
851:
847:
844:
838:
807:
799:
768:
761:
757:
754:
748:
717:
709:
681:Natale Capellaro
677:Marcello Nizzoli
627:
564:Marcello Nizzoli
561:
479:Marcello Nizzoli
477:was designed by
462:
455:
451:
448:
442:
411:
403:
377:Xanti Schawinsky
353:Adriano Olivetti
335:
328:
324:
321:
315:
284:
276:
260:
253:
249:
246:
240:
209:
201:
154:Camillo Olivetti
152:manufacturer by
114:
107:
103:
100:
94:
92:
51:
27:
19:
2810:
2809:
2805:
2804:
2803:
2801:
2800:
2799:
2770:
2769:
2768:
2763:
2749:
2722:
2713:500 Park Avenue
2701:
2672:
2649:
2626:
2565:
2559:
2533:
2529:
2520:
2491:Ettore Sottsass
2396:Getulio Alviani
2383:
2377:
2341:
2336:
2292:
2287:
2286:
2276:
2274:
2265:
2264:
2260:
2250:
2248:
2231:
2230:
2226:
2216:
2214:
2208:
2207:
2203:
2185:
2184:
2180:
2171:
2170:
2163:
2153:
2152:
2148:
2136:
2132:
2120:
2116:
2104:
2100:
2091:
2089:
2080:
2079:
2075:
2066:
2064:
2055:
2054:
2050:
2041:
2039:
2030:
2029:
2025:
2016:
2014:
2006:
2005:
2001:
1991:
1989:
1980:
1979:
1975:
1969:Olivetti design
1967:
1963:
1951:
1947:
1938:
1936:
1927:
1926:
1922:
1913:
1911:
1908:Typewriterstory
1902:
1901:
1897:
1891:Italianways.com
1885:
1881:
1869:
1865:
1853:
1849:
1844:
1832:
1820:
1815:
1810:
1805:
1796:
1788:
1779:
1777:VM 2000 (1989)
1774:
1749:
1740:
1727:
1721:
1719:ETV 500 (1986)
1703:
1697:
1695:ETV 260 (1986)
1688:
1686:ETV 250 (1984)
1679:
1677:ETV 240 (1984)
1674:
1665:
1663:ETV 350 (1984)
1660:
1643:
1641:ETV 300 (1982)
1619:
1608:
1602:
1599:
1584:
1568:
1557:
1540:
1529:
1523:
1520:
1505:
1489:
1478:
1460:
1449:
1443:
1440:
1425:
1409:
1398:
1386:
1374:
1366:
1357:
1349:
1336:
1327:
1318:
1305:
1297:
1292:
1287:
1278:
1276:Tekne 1 (1962)
1270:
1265:
1248:
1237:
1231:
1228:
1213:
1197:
1186:
1181:
1160:as well as the
1139:Ettore Sottsass
1134:prize in 1970.
1115:Ettore Sottsass
1107:
1101:
1077:
1060:
1025:
1020:
1015:
1010:
1005:
992:
981:
975:
972:
957:
941:
930:
909:Cormac McCarthy
906:
904:Popular culture
859:
848:
842:
839:
824:
808:
797:
769:
758:
752:
749:
734:
718:
707:
692:carriage return
666:Arabic keyboard
658:
653:
648:
643:
620:
591:carriage return
541:
535:
530:
463:
452:
446:
443:
428:
412:
401:
373:Ottavio Luzzati
361:
349:
336:
325:
319:
316:
301:
285:
274:
261:
250:
244:
241:
226:
210:
199:
182:
177:
156:in 1908 in the
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
2808:
2806:
2798:
2797:
2792:
2790:Italian design
2787:
2782:
2772:
2771:
2765:
2764:
2754:
2751:
2750:
2748:
2747:
2742:
2737:
2734:Telecom Italia
2730:
2728:
2724:
2723:
2721:
2720:
2715:
2709:
2707:
2703:
2702:
2700:
2699:
2693:
2686:
2684:
2678:
2677:
2674:
2673:
2671:
2670:
2664:
2657:
2655:
2651:
2650:
2648:
2647:
2641:
2634:
2632:
2628:
2627:
2625:
2624:
2618:
2612:
2606:
2600:
2594:
2588:
2582:
2576:
2569:
2567:
2561:
2560:
2558:
2557:
2550:
2548:
2541:
2535:
2534:
2527:
2525:
2522:
2521:
2519:
2518:
2513:
2508:
2506:Lella Vignelli
2503:
2501:Grazia Varisco
2498:
2493:
2488:
2486:Piero Scaruffi
2483:
2478:
2473:
2468:
2463:
2458:
2453:
2448:
2443:
2438:
2433:
2428:
2423:
2418:
2416:Gianni Colombo
2413:
2408:
2403:
2398:
2393:
2387:
2385:
2379:
2378:
2376:
2375:
2369:
2363:
2356:
2354:
2347:
2343:
2342:
2337:
2335:
2334:
2327:
2320:
2312:
2306:
2305:
2299:
2291:
2290:External links
2288:
2285:
2284:
2258:
2224:
2201:
2178:
2161:
2146:
2130:
2114:
2098:
2073:
2048:
2023:
1999:
1973:
1961:
1945:
1920:
1904:"Olivetti MP1"
1895:
1879:
1863:
1846:
1845:
1843:
1840:
1839:
1838:
1831:
1828:
1819:
1816:
1814:
1811:
1809:
1806:
1804:
1801:
1795:
1792:
1787:
1784:
1778:
1775:
1773:
1770:
1748:
1745:
1739:
1736:
1720:
1717:
1696:
1693:
1687:
1684:
1678:
1675:
1673:
1670:
1664:
1661:
1659:
1656:
1642:
1639:
1621:
1620:
1571:
1569:
1562:
1556:
1553:
1542:
1541:
1492:
1490:
1483:
1477:
1474:
1462:
1461:
1412:
1410:
1403:
1397:
1394:
1385:
1382:
1373:
1370:
1365:
1362:
1356:
1353:
1348:
1345:
1335:
1332:
1326:
1323:
1317:
1314:
1304:
1301:
1296:
1293:
1291:
1288:
1286:
1283:
1277:
1274:
1269:
1266:
1264:
1261:
1250:
1249:
1200:
1198:
1191:
1185:
1182:
1180:
1177:
1132:Compasso d'Oro
1103:Main article:
1100:
1097:
1076:
1073:
1059:
1056:
1024:
1021:
1019:
1016:
1014:
1011:
1009:
1006:
1004:
1001:
994:
993:
944:
942:
935:
929:
926:
905:
902:
861:
860:
811:
809:
802:
796:
793:
771:
770:
721:
719:
712:
706:
703:
657:
654:
652:
649:
647:
644:
642:
639:
629:The Lettera 22
576:Compasso d'Oro
568:Telecom Italia
537:Main article:
534:
531:
529:
526:
465:
464:
415:
413:
406:
400:
397:
360:
357:
348:
345:
338:
337:
288:
286:
279:
273:
270:
263:
262:
213:
211:
204:
198:
195:
181:
178:
176:
173:
117:
116:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
2807:
2796:
2793:
2791:
2788:
2786:
2783:
2781:
2778:
2777:
2775:
2762:
2752:
2746:
2743:
2741:
2740:Triumph-Adler
2738:
2735:
2732:
2731:
2729:
2725:
2719:
2716:
2714:
2711:
2710:
2708:
2704:
2697:
2694:
2691:
2688:
2687:
2685:
2683:
2679:
2668:
2665:
2662:
2661:Programma 101
2659:
2658:
2656:
2652:
2645:
2642:
2639:
2636:
2635:
2633:
2629:
2622:
2619:
2616:
2613:
2610:
2607:
2604:
2603:Prodest PC128
2601:
2598:
2595:
2592:
2589:
2586:
2583:
2580:
2577:
2574:
2571:
2570:
2568:
2562:
2555:
2552:
2551:
2549:
2545:
2542:
2540:
2536:
2517:
2514:
2512:
2509:
2507:
2504:
2502:
2499:
2497:
2496:George Sowden
2494:
2492:
2489:
2487:
2484:
2482:
2479:
2477:
2474:
2472:
2469:
2467:
2464:
2462:
2459:
2457:
2454:
2452:
2449:
2447:
2444:
2442:
2439:
2437:
2434:
2432:
2431:Egon Eiermann
2429:
2427:
2424:
2422:
2419:
2417:
2414:
2412:
2409:
2407:
2406:Mario Bellini
2404:
2402:
2399:
2397:
2394:
2392:
2391:Franco Albini
2389:
2388:
2386:
2384:and engineers
2380:
2373:
2370:
2367:
2364:
2361:
2358:
2357:
2355:
2351:
2348:
2344:
2340:
2333:
2328:
2326:
2321:
2319:
2314:
2313:
2310:
2303:
2300:
2297:
2294:
2293:
2289:
2273:
2269:
2262:
2259:
2247:
2243:
2239:
2238:The Telegraph
2235:
2228:
2225:
2212:
2205:
2202:
2197:
2193:
2189:
2182:
2179:
2174:
2168:
2166:
2162:
2158:. Elle Decor.
2157:
2150:
2147:
2143:
2139:
2134:
2131:
2127:
2123:
2118:
2115:
2111:
2107:
2102:
2099:
2088:
2084:
2077:
2074:
2063:
2059:
2052:
2049:
2038:
2034:
2027:
2024:
2013:
2009:
2003:
2000:
1987:
1983:
1977:
1974:
1970:
1965:
1962:
1958:
1954:
1949:
1946:
1934:
1930:
1924:
1921:
1909:
1905:
1899:
1896:
1892:
1888:
1883:
1880:
1876:
1872:
1867:
1864:
1860:
1856:
1851:
1848:
1841:
1837:
1834:
1833:
1829:
1827:
1825:
1817:
1812:
1808:CWP 1 (1988)
1807:
1802:
1800:
1793:
1791:
1785:
1783:
1776:
1771:
1769:
1766:
1762:
1753:
1746:
1744:
1737:
1735:
1732:
1726:
1718:
1716:
1713:
1708:
1702:
1694:
1692:
1685:
1683:
1676:
1671:
1669:
1662:
1657:
1655:
1652:
1648:
1640:
1638:
1636:
1632:
1628:
1617:
1614:
1606:
1596:
1592:
1588:
1582:
1581:
1577:
1572:This section
1570:
1566:
1561:
1560:
1554:
1552:
1550:
1538:
1535:
1527:
1517:
1513:
1509:
1503:
1502:
1498:
1493:This section
1491:
1487:
1482:
1481:
1475:
1473:
1470:
1458:
1455:
1447:
1437:
1433:
1429:
1423:
1422:
1418:
1413:This section
1411:
1407:
1402:
1401:
1395:
1393:
1391:
1390:IBM selectric
1383:
1381:
1379:
1371:
1369:
1363:
1361:
1354:
1352:
1346:
1344:
1342:
1333:
1331:
1324:
1322:
1315:
1313:
1311:
1302:
1300:
1294:
1289:
1284:
1282:
1275:
1273:
1267:
1262:
1260:
1258:
1246:
1243:
1235:
1225:
1221:
1217:
1211:
1210:
1206:
1201:This section
1199:
1195:
1190:
1189:
1183:
1178:
1176:
1174:
1170:
1165:
1163:
1159:
1158:Design Museum
1155:
1151:
1147:
1142:
1140:
1135:
1133:
1128:
1124:
1116:
1111:
1106:
1098:
1096:
1092:
1089:
1084:
1082:
1074:
1072:
1070:
1064:
1057:
1055:
1053:
1049:
1044:
1042:
1041:Mario Bellini
1038:
1029:
1022:
1017:
1012:
1007:
1002:
1000:
990:
987:
979:
969:
965:
961:
955:
954:
950:
945:This section
943:
939:
934:
933:
927:
925:
923:
922:
921:The Godfather
917:
913:
910:
903:
901:
899:
895:
890:
888:
884:
880:
876:
872:
868:
857:
854:
846:
836:
832:
828:
822:
821:
817:
812:This section
810:
806:
801:
800:
794:
792:
790:
785:
781:
778:
767:
764:
756:
746:
742:
738:
732:
731:
727:
722:This section
720:
716:
711:
710:
704:
702:
700:
695:
693:
688:
686:
682:
678:
674:
667:
662:
655:
650:
645:
640:
638:
636:
614:
606:
598:
594:
592:
587:
585:
581:
577:
573:
569:
565:
560:
556:
555:
545:
540:
532:
527:
525:
523:
517:
515:
513:
512:Olympia-Werke
507:
501:
499:
495:
490:
486:
484:
480:
476:
472:
461:
458:
450:
440:
436:
432:
426:
425:
421:
416:This section
414:
410:
405:
404:
398:
396:
392:
391:typewriters.
388:
385:
380:
378:
374:
370:
366:
358:
356:
354:
346:
344:
334:
331:
323:
313:
309:
305:
299:
298:
294:
289:This section
287:
283:
278:
277:
271:
269:
259:
256:
248:
238:
234:
230:
224:
223:
219:
214:This section
212:
208:
203:
202:
196:
194:
186:
179:
174:
172:
170:
165:
163:
159:
155:
151:
147:
143:
139:
135:
131:
127:
123:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
2727:Acquisitions
2681:
2667:Divisumma 18
2516:Marco Zanuso
2481:Carlo Scarpa
2456:Bruno Munari
2446:James Irvine
2275:. Retrieved
2271:
2261:
2249:. Retrieved
2237:
2227:
2215:. Retrieved
2204:
2191:
2181:
2149:
2141:
2133:
2125:
2117:
2109:
2101:
2090:. Retrieved
2086:
2076:
2065:. Retrieved
2061:
2051:
2040:. Retrieved
2036:
2026:
2015:. Retrieved
2012:www.munk.org
2011:
2002:
1990:. Retrieved
1988:(in Italian)
1985:
1976:
1964:
1956:
1948:
1937:. Retrieved
1935:(in Italian)
1932:
1923:
1912:. Retrieved
1907:
1898:
1893:(March 2015)
1890:
1882:
1874:
1866:
1858:
1850:
1821:
1797:
1789:
1780:
1758:
1741:
1731:Olivetti M19
1728:
1725:Olivetti M19
1707:Olivetti M19
1704:
1701:Olivetti M19
1689:
1680:
1666:
1644:
1624:
1609:
1603:October 2023
1600:
1585:Please help
1573:
1545:
1530:
1524:October 2023
1521:
1506:Please help
1494:
1465:
1450:
1444:October 2023
1441:
1426:Please help
1414:
1387:
1375:
1367:
1358:
1350:
1337:
1328:
1319:
1306:
1298:
1279:
1271:
1263:Lexikon 80e
1253:
1238:
1232:October 2023
1229:
1214:Please help
1202:
1166:
1143:
1136:
1122:
1120:
1093:
1088:alphanumeric
1085:
1078:
1065:
1061:
1045:
1036:
1034:
1003:Dora (1965)
997:
982:
976:October 2023
973:
958:Please help
946:
919:
914:
907:
897:
893:
891:
864:
849:
843:October 2023
840:
825:Please help
813:
788:
786:
782:
774:
759:
753:October 2023
750:
735:Please help
723:
698:
696:
689:
672:
670:
632:
588:
583:
552:
550:
521:
518:
509:
505:
502:
497:
493:
491:
487:
474:
470:
468:
453:
447:October 2023
444:
429:Please help
417:
393:
389:
381:
369:Gino Pollini
365:Luigi Figini
362:
350:
341:
326:
320:October 2023
317:
302:Please help
290:
266:
251:
245:October 2023
242:
227:Please help
215:
191:
166:
146:fax machines
120:
105:
99:October 2023
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
2785:Typewriters
2682:Typewriters
2654:Calculators
2556:(1957–1964)
2554:Elea series
2441:Franca Helg
2401:Gae Aulenti
2372:Franco Tatò
2272:Artnet News
2173:"Valentine"
1871:Olivetti M1
1712:daisy wheel
1169:David Bowie
1156:, London's
1127:ABS plastic
520:carriage.
347:MP1 (1932)
272:M40 (1930)
197:M20 (1920)
160:commune of
142:calculators
134:smartphones
2774:Categories
2690:Lettera 22
2547:Mainframes
2451:Louis Kahn
2353:Executives
2346:Key people
2277:29 January
2251:29 January
2217:29 January
2192:Elle Decor
2092:2021-03-20
2067:2009-11-30
2042:2009-12-04
2017:2021-09-03
1992:21 January
1939:2022-09-29
1914:2022-09-29
1842:References
1723:See also:
1699:See also:
1635:hard disks
1069:mimeograph
1048:Lettera 22
879:shift keys
699:Lettera 32
584:Lettera 22
582:chose the
494:Lexikon 80
475:Lexikon 80
180:M1 (1911)
150:typewriter
69:newspapers
2706:Locations
2696:Valentine
2566:computers
2539:Computers
2382:Designers
2246:0307-1235
1929:"Invicta"
1647:Zilog Z80
1574:does not
1495:does not
1415:does not
1316:Editor 4
1303:Editor 3
1295:Editor 2
1203:does not
1173:Sotheby's
1167:In 2016,
1058:Mechanics
947:does not
887:backspace
883:caps lock
875:space bar
814:does not
789:Valentine
724:does not
705:Mechanics
418:does not
343:writing.
291:does not
216:does not
164:, Italy.
126:computers
2745:Omnidata
2644:Quaderno
2621:Envision
2564:Personal
2339:Olivetti
2062:NY Times
1957:Olivetti
1830:See also
1290:Tekne 3
1285:Tekne 2
1075:Keyboard
867:keyboard
795:Keyboard
483:Olivetti
138:printers
122:Olivetti
2631:Laptops
2198:Italia.
1959:, 1935.
1761:NEC V40
1595:removed
1580:sources
1516:removed
1501:sources
1436:removed
1421:sources
1224:removed
1209:sources
968:removed
953:sources
835:removed
820:sources
791:model.
777:typebar
745:removed
730:sources
439:removed
424:sources
312:removed
297:sources
237:removed
222:sources
130:tablets
83:scholar
2698:(1969)
2692:(1949)
2669:(1972)
2663:(1965)
2646:(1992)
2640:(1983)
2623:(1995)
2617:(1986)
2611:(1986)
2605:(1985)
2599:(1983)
2593:(1982)
2587:(1975)
2581:(1975)
2575:(1975)
2244:
2144:(2008)
2128:(2008)
2112:(2021)
1877:(2021)
1861:(2017)
1765:MS-DOS
1631:MS-DOS
1081:QZERTY
877:, two
871:QWERTY
473:, the
384:QZERTY
144:, and
85:
78:
71:
64:
56:
2585:P6066
2579:P6060
2573:P6040
869:uses
572:Italy
162:Ivrea
158:Turin
90:JSTOR
76:books
2279:2024
2253:2024
2242:ISSN
2219:2024
1994:2024
1651:CP/M
1627:CP/M
1578:any
1576:cite
1499:any
1497:cite
1419:any
1417:cite
1310:P203
1207:any
1205:cite
1121:The
1086:The
1050:and
1035:The
951:any
949:cite
885:, a
881:, a
865:The
818:any
816:cite
728:any
726:cite
697:The
671:The
551:The
514:SG1-
422:any
420:cite
375:and
367:and
295:any
293:cite
220:any
218:cite
62:news
2638:M10
2615:M19
2609:M28
2597:M24
2591:M20
1589:by
1510:by
1469:LCD
1430:by
1378:GDR
1341:ROM
1218:by
1148:,
962:by
829:by
739:by
471:M80
433:by
306:by
231:by
45:by
2776::
2270:.
2240:.
2236:.
2194:.
2190:.
2164:^
2140:,
2124:,
2108:,
2085:.
2060:.
2035:.
2010:.
1984:.
1955:,
1931:.
1906:.
1889:,
1857:,
1826:.
1551:.
1312:.
1164:.
1152:,
1052:32
900:.
637:.
371:,
171:.
140:,
136:,
132:,
128:,
2331:e
2324:t
2317:v
2281:.
2255:.
2221:.
2095:.
2070:.
2045:.
2020:.
1996:.
1942:.
1917:.
1616:)
1610:(
1605:)
1601:(
1597:.
1583:.
1537:)
1531:(
1526:)
1522:(
1518:.
1504:.
1457:)
1451:(
1446:)
1442:(
1438:.
1424:.
1245:)
1239:(
1234:)
1230:(
1226:.
1212:.
989:)
983:(
978:)
974:(
970:.
956:.
898:l
894:1
856:)
850:(
845:)
841:(
837:.
823:.
766:)
760:(
755:)
751:(
747:.
733:.
460:)
454:(
449:)
445:(
441:.
427:.
333:)
327:(
322:)
318:(
314:.
300:.
258:)
252:(
247:)
243:(
239:.
225:.
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
