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entitled "Oliver
Basselin", first published in 1858 along with "The Courtship of Miles Standish", memorializes Basselin and his songs as outliving the baron, knights and abbot of his time since, quoting from the poem, "the poets memory here, of the landscape makes a part: Like the river swift and
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lawyer, Jean Le Houx, purporting to be the work of
Olivier Basselin. There seems to be very little doubt that Le Houx was himself the author of the songs attributed to Basselin, as well as of those he acknowledged as his own.
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It has been suggested that
Basselin's name may be safely connected with some songs preserved in the
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One or more of the preceding sentences incorporates text from a publication now in the
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La Vérité dans la question
Olivier Basselin et Jean le Houx à propos du Vau-de-Vire
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At the beginning of the 17th century a collection of songs was published by a
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174:. Vol. 3 (11th ed.). Cambridge University Press. p. 492.
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in 1866 by M. Armand Gasté. The question is discussed in M.V. Patard's
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about the end of the 14th century. He was by occupation a
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126:clear flows through many a heart:..."
110:(1897). Gasté's edition (1875) of the
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187:The Courtship of Miles Standish
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185:Longfellow, Henry (1901).
227:15th-century French poets
114:was translated (1885) by
171:Encyclopædia Britannica
116:James Patrick Muirhead
96:Bibliothèque Nationale
28:[ɔlivjebaslɛ̃]
222:Writers from Normandy
102:, and published at
54:He was born in the
217:People from Manche
76:Battle of Formigny
232:French male poets
166:Basselin, Olivier
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56:Val-de-Vire
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16:French poet
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130:References
121:A poem by
72:vaudeville
38: – c.
24:pronounced
78:(1450).
60:Normandy
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88:Norman
64:fuller
100:Paris
104:Caen
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50:Life
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22:(
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