31:
989:
956:
925:
896:
865:
420:
258:
362:"set the style for all the future Keatons; the opening gag sequence ... the slow build-up ... the frenetic climax ... and then that climax outmatched by the final sequence". Furthermore, the film lay the basis for the cinematic techniques of his future films: "The simple setups, the flat comedy lighting, the spare use of titles—and the overall excellence of the direction".
238:
269:
as a wedding gift. The instructions describe how to construct the house by assembling materials in numbered packing crates. A rejected suitor secretly renumbers packing crates, and the result is a lopsided structure with revolving walls, kitchen fixtures on the exterior, and upper-floor doors that
520:
wrote: "If Buster Keaton in 'One Week' broke loose in a museum he'd tickle the mummies to life again. You never knew such fast and furious fun as this clever comedian provokes in his seven-day wonder". The Akron
Evening Times agrees: "It is two reels in length and every foot of the two reels is
277:
The couple find they have built the house on the wrong lot and must move it. They manage to move it on rollers but it stalls on railroad tracks. The couple try to move it out the way of an oncoming train, which eventually passes on the neighboring track. As the couple look relieved, the house is
452:
Keaton's fall down two stories after stepping out of the bathroom was one of the few times he injured himself badly. His arms and back swelled up a few hours after the filming. His physical trainer gave him both hot and cold showers and then treated the swelling with olive oil and horse
411:
Many special effects, such as the house spinning around during a storm and the train collision, were filmed as they occurred and were not model work. The house was constructed on a turntable so that it could spin around during the storm scene. The train collision was filmed at the
331:. Keaton used numerous elements seen in the film, including "the wedding, the Model T and the use of the pages from a daily calendar to show the house being built in one week" in his comic parody. Years later, Keaton told an interviewer that the film's title is a play on
241:
245:
244:
240:
239:
246:
243:
278:
immediately struck and demolished by another train coming the other way. The groom stares at the scene, places a 'For Sale' sign with the heap (attaching the building instructions) and walks off with his bride.
464:-breaking gag) someone's hand is placed over the camera lens so she can lean out and retrieve it. Although intended as a joke, the scene has appeared in a number of documentaries as an example of
1716:
242:
1726:
1650:
1721:
527:
wrote, "Buster Keaton's 'One Week' stands in a comedy class by itself". By early 1921, the film was being termed "one of the famous Buster Keaton comedies".
460:
The film is noted for a risqué (for its time) scene involving Seely's character taking a bath. She drops a bar of soap out of the tub and waits until (as a
1701:
485:
earlier. Keaton considered the latter film an inferior effort to debut with, and released it the following year when he was convalescing from an injury.
629:
1736:
1696:
1711:
1246:
1731:
1085:
1706:
30:
1623:
1665:
1607:
1219:
427:
Keaton reused the gag of the side of a building falling on him, but emerging unscathed in the opening of a window in the wall, from the
1127:
1106:
1064:
1615:
883:
516:
1147:
514:
wrote: "Buster Keaton's 'One Week' is one of the funniest pictures ever made and plants Buster firmly on his feet as star".
214:
co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.
1741:
1318:
1239:
479:
was released on
September 1, 1920. It is noted as the first of Keaton's independent releases, although he had filmed
1691:
1162:
943:
523:
762:
1599:
1455:
1416:
1304:
1266:
590:
206:, the first independent film production he released on his own. The film was written and directed by Keaton and
1360:
399:
Sybil Seely plays the young bride in her film debut. The mischievous rival ("Handy Hank") is an unknown actor.
354:, toward mining more and more gags from a few basic elements—in this case, the house and ladders. According to
1591:
1559:
1483:
977:
1075:
988:
955:
924:
895:
864:
611:
1658:
1642:
1402:
1374:
1232:
1150:
577:
433:
328:
222:
1325:
1311:
1197:
938:
413:
348:
is Keaton's first attempt to move away from a plot-driven narrative, as he employed in his earlier film
1054:
521:
packed with comedy situations and 'gags' that would start cackles at an undertaker's convention". The
1353:
1346:
1339:
375:
1036:
1686:
1573:
1497:
1490:
1469:
445:
400:
299:
226:
92:
36:
1395:
847:
564:
500:
465:
333:
324:
909:
1186:
1123:
1102:
1081:
1060:
559:
71:
1117:
1096:
969:
1552:
1545:
1388:
1174:
178:
508:, a Buster Keaton work, has more fun in it than most slap-stick, trick-property comedies".
1476:
1441:
1409:
1283:
542:, "To sit through dozens and dozens of short comedies of the period and then to come upon
271:
207:
51:
1531:
1511:
1381:
1046:
1032:
981:
948:
917:
888:
878:
857:
852:
531:
510:
439:
428:
366:
355:
123:
1680:
1504:
1462:
1332:
1255:
1050:
758:
481:
350:
287:
203:
105:
47:
419:
1448:
572:
380:
257:
1566:
1367:
535:
461:
384:
338:
293:
211:
199:
196:
174:
87:
546:
is to see the one thing no man ever sees: a garden at the moment of blooming."
1434:
1297:
1191:
1156:
193:
1538:
266:
274:, a storm spins the house and its occupants around like a merry-go-round.
1208:
1202:
454:
1180:
1002:
1213:
1168:
391:. However, the idea of combining the films never came to fruition.
229:
as being "culturally, historically, or aesthetically significant".
418:
369:, Buster originally thought to combine two of his two-reel films,
256:
236:
379:(1921), into a four-reeler charting a young couple's adventures.
341:. Keaton reportedly joked that it was "one-third as scandalous".
1224:
1228:
383:, who had been hired for the latter film, was replaced with
717:
715:
713:
575:
released a soundtrack to the film in 1995 on his album
664:
662:
1634:
1583:
1521:
1426:
1275:
270:open onto thin air. During a housewarming party on
265:The story involves a newlywed couple who receive a
221:was selected for preservation in the United States
170:
162:
152:
129:
119:
111:
101:
77:
67:
57:
43:
23:
1173:is available for free viewing and download at the
1041:. Knopf. p. 485 – via Internet Archive.
910:"Creators Opera Company Scores Success In Akron"
491:was one of the top-grossing releases of 1920.
1651:Go West: Music for the Films of Buster Keaton
1240:
947:. September 14, 1920. p. 22 – via
403:has a brief bit as a strong-man piano mover.
8:
1098:Buster Keaton: Cut to the Chase: A Biography
1015:
795:
763:"Buster's Trains – One Week to Speak Easily"
733:
323:, an educational short film produced by the
980:. February 28, 1921. p. 7 – via
819:
783:
721:
704:
653:
1717:United States National Film Registry films
1247:
1233:
1225:
916:. November 8, 1920. p. 7 – via
887:. October 22, 1920. p. 3 – via
423:Keaton admires his build-it-yourself house
29:
20:
630:"Complete National Film Registry Listing"
16:1920 American two-reel silent comedy film
1119:Buster Keaton's Silent Shorts: 1920-1923
1116:Neibaur, James L.; Niemi, Terri (2013).
970:"Nazimova to Appear in Hamilton Picture"
692:
610:Littleton, Cynthia (December 30, 2008).
1727:Films with screenplays by Buster Keaton
1077:The Theater and Cinema of Buster Keaton
602:
856:. May 24, 1921. p. 6 – via
807:
745:
680:
668:
7:
1722:Films produced by Joseph M. Schenck
1666:International Buster Keaton Society
1608:Buster Keaton: A Hard Act to Follow
1220:International Buster Keaton Society
939:"Ethel Clayton Stars at Grauman's"
612:"'Terminator' joins Film Registry"
437:; he would reuse the same joke in
14:
1702:Films directed by Edward F. Cline
1624:Buster Keaton: A Filmmaker's Life
261:Buster Keaton One Week title card
987:
954:
923:
894:
863:
530:More than half a century later,
337:, a notorious 1907 sex novel by
1737:Surviving American silent films
1697:Films directed by Buster Keaton
1616:The Great Buster: A Celebration
884:The Santa Clarita Valley Signal
517:The Santa Clarita Valley Signal
1712:American black-and-white films
1080:. Princeton University Press.
836:, p. 22, October 25, 1920
35:October 1920 advertisement in
1:
1732:Silent American comedy films
1707:American silent short films
944:Los Angeles Evening Express
524:Los Angeles Evening Express
407:Filming and special effects
210:, and runs for 19 minutes.
138:September 1, 1920
1758:
1524:(for Educational Pictures)
1600:Buster Keaton Rides Again
1262:
1003:"One Week — The Damfinos"
591:Buster Keaton filmography
28:
1056:Buster Keaton Remembered
1016:Neibaur & Niemi 2013
853:The Muncie Evening Press
796:Neibaur & Niemi 2013
734:Neibaur & Niemi 2013
534:theater and film critic
511:The Muncie Evening Press
1592:The Buster Keaton Story
1149:by Daniel Eagan on the
1059:. Harry N. Abrams Inc.
978:Lancaster, Pennsylvania
820:Keaton & Vance 2001
784:Keaton & Vance 2001
722:Keaton & Vance 2001
705:Keaton & Vance 2001
654:Keaton & Vance 2001
538:wrote in his 1975 book
319:was likely inspired by
1659:The High Sign/One Week
1643:The Buster Keaton Show
1151:National Film Registry
1095:Meade, Marion (2014).
1074:Knopf, Robert (1999).
578:The High Sign/One Week
554:Some of the themes of
424:
262:
254:
223:National Film Registry
765:. silentlocations.com
422:
329:prefabricated housing
260:
249:
1742:1920s American films
1038:The Parade's Gone By
1574:Love Nest on Wheels
1498:Steamboat Bill, Jr.
1375:My Wife's Relations
1122:. Scarecrow Press.
1101:. Open Road Media.
914:Akron Evening Times
761:(October 4, 2011).
634:Library of Congress
446:Steamboat Bill, Jr.
387:who had starred in
327:in 1919 to promote
227:Library of Congress
192:is a 1920 American
37:Motion Picture News
1522:Shorts (1934–1937)
1396:The Electric House
1276:Shorts (1917–1923)
1198:TCM Movie Database
683:, pp. 45, 47.
565:The Sitter Downers
501:The New York Times
425:
325:Ford Motor Company
263:
255:
1692:1920 comedy films
1674:
1673:
1319:The Haunted House
1087:978-0-691-00442-6
560:The Three Stooges
540:The Silent Clowns
344:Knopf notes that
247:
185:
184:
72:Joseph M. Schenck
1749:
1553:Grand Slam Opera
1546:Tars and Stripes
1389:The Frozen North
1249:
1242:
1235:
1226:
1175:Internet Archive
1159:
1133:
1112:
1091:
1070:
1042:
1019:
1013:
1007:
1006:
999:
993:
992:
991:
985:
974:The News-Journal
966:
960:
959:
958:
952:
935:
929:
928:
927:
921:
906:
900:
899:
898:
892:
875:
869:
868:
867:
861:
844:
838:
837:
829:
823:
817:
811:
805:
799:
793:
787:
781:
775:
774:
772:
770:
755:
749:
743:
737:
731:
725:
719:
708:
702:
696:
690:
684:
678:
672:
666:
657:
651:
645:
644:
642:
640:
626:
620:
619:
607:
248:
145:
143:
33:
21:
1757:
1756:
1752:
1751:
1750:
1748:
1747:
1746:
1677:
1676:
1675:
1670:
1630:
1579:
1523:
1517:
1477:Battling Butler
1442:Our Hospitality
1422:
1410:The Balloonatic
1284:The Rough House
1271:
1258:
1253:
1167:The short film
1158:One Week (1920)
1157:
1140:
1130:
1115:
1109:
1094:
1088:
1073:
1067:
1047:Keaton, Eleanor
1045:
1033:Brownlow, Kevin
1031:
1028:
1023:
1022:
1014:
1010:
1001:
1000:
996:
986:
968:
967:
963:
953:
937:
936:
932:
922:
908:
907:
903:
893:
877:
876:
872:
862:
846:
845:
841:
831:
830:
826:
818:
814:
806:
802:
794:
790:
782:
778:
768:
766:
757:
756:
752:
744:
740:
732:
728:
720:
711:
703:
699:
691:
687:
679:
675:
667:
660:
652:
648:
638:
636:
628:
627:
623:
609:
608:
604:
599:
587:
558:were reused in
552:
497:
474:
409:
397:
314:
309:
284:
272:Friday the 13th
237:
235:
208:Edward F. Cline
177:
155:
148:
141:
139:
132:
97:
62:
61:Edward F. Cline
52:Edward F. Cline
50:
39:
17:
12:
11:
5:
1755:
1753:
1745:
1744:
1739:
1734:
1729:
1724:
1719:
1714:
1709:
1704:
1699:
1694:
1689:
1679:
1678:
1672:
1671:
1669:
1668:
1663:
1655:
1647:
1638:
1636:
1632:
1631:
1629:
1628:
1620:
1612:
1604:
1596:
1587:
1585:
1581:
1580:
1578:
1577:
1570:
1563:
1556:
1549:
1542:
1535:
1532:The Gold Ghost
1527:
1525:
1519:
1518:
1516:
1515:
1512:Spite Marriage
1508:
1501:
1494:
1487:
1480:
1473:
1466:
1459:
1452:
1445:
1438:
1430:
1428:
1424:
1423:
1421:
1420:
1413:
1406:
1399:
1392:
1385:
1382:The Blacksmith
1378:
1371:
1364:
1357:
1350:
1343:
1336:
1329:
1322:
1315:
1308:
1301:
1294:
1287:
1279:
1277:
1273:
1272:
1270:
1269:
1263:
1260:
1259:
1254:
1252:
1251:
1244:
1237:
1229:
1223:
1222:
1211:
1200:
1189:
1178:
1165:
1154:
1139:
1138:External links
1136:
1135:
1134:
1128:
1113:
1107:
1092:
1086:
1071:
1065:
1051:Vance, Jeffrey
1043:
1027:
1024:
1021:
1020:
1008:
994:
982:Newspapers.com
961:
949:Newspapers.com
930:
918:Newspapers.com
901:
889:Newspapers.com
870:
858:Newspapers.com
839:
834:New York Times
832:"The Screen",
824:
812:
810:, p. 181.
800:
788:
776:
759:Bengtson, John
750:
738:
726:
709:
697:
685:
673:
658:
646:
621:
601:
600:
598:
595:
594:
593:
586:
583:
551:
548:
532:New York Times
504:review said: "
496:
493:
473:
470:
440:The Blacksmith
429:Fatty Arbuckle
416:train station.
408:
405:
396:
393:
367:Eleanor Keaton
356:Kevin Brownlow
313:
310:
308:
305:
304:
303:
302:as piano mover
297:
291:
283:
280:
250:Full short of
234:
231:
183:
182:
172:
168:
167:
164:
160:
159:
156:
153:
150:
149:
147:
146:
135:
133:
130:
127:
126:
124:Metro Pictures
121:
120:Distributed by
117:
116:
113:
109:
108:
103:
102:Cinematography
99:
98:
96:
95:
90:
85:
81:
79:
75:
74:
69:
65:
64:
59:
55:
54:
45:
41:
40:
34:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
1754:
1743:
1740:
1738:
1735:
1733:
1730:
1728:
1725:
1723:
1720:
1718:
1715:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1695:
1693:
1690:
1688:
1685:
1684:
1682:
1667:
1664:
1661:
1660:
1656:
1653:
1652:
1648:
1645:
1644:
1640:
1639:
1637:
1635:Miscellaneous
1633:
1626:
1625:
1621:
1618:
1617:
1613:
1610:
1609:
1605:
1602:
1601:
1597:
1594:
1593:
1589:
1588:
1586:
1582:
1576:
1575:
1571:
1569:
1568:
1564:
1562:
1561:
1557:
1555:
1554:
1550:
1548:
1547:
1543:
1541:
1540:
1536:
1534:
1533:
1529:
1528:
1526:
1520:
1514:
1513:
1509:
1507:
1506:
1505:The Cameraman
1502:
1500:
1499:
1495:
1493:
1492:
1488:
1486:
1485:
1481:
1479:
1478:
1474:
1472:
1471:
1467:
1465:
1464:
1463:Seven Chances
1460:
1458:
1457:
1456:The Navigator
1453:
1451:
1450:
1446:
1444:
1443:
1439:
1437:
1436:
1432:
1431:
1429:
1427:Feature films
1425:
1419:
1418:
1417:The Love Nest
1414:
1412:
1411:
1407:
1405:
1404:
1400:
1398:
1397:
1393:
1391:
1390:
1386:
1384:
1383:
1379:
1377:
1376:
1372:
1370:
1369:
1365:
1363:
1362:
1358:
1356:
1355:
1351:
1349:
1348:
1347:The Playhouse
1344:
1342:
1341:
1337:
1335:
1334:
1333:The High Sign
1330:
1328:
1327:
1323:
1321:
1320:
1316:
1314:
1313:
1309:
1307:
1306:
1305:The Scarecrow
1302:
1300:
1299:
1295:
1293:
1292:
1288:
1286:
1285:
1281:
1280:
1278:
1274:
1268:
1265:
1264:
1261:
1257:
1256:Buster Keaton
1250:
1245:
1243:
1238:
1236:
1231:
1230:
1227:
1221:
1217:
1216:
1212:
1210:
1206:
1205:
1201:
1199:
1195:
1194:
1190:
1188:
1184:
1183:
1179:
1176:
1172:
1171:
1166:
1164:
1160:
1155:
1152:
1148:
1145:
1142:
1141:
1137:
1131:
1129:9780810887411
1125:
1121:
1120:
1114:
1110:
1108:9781497602311
1104:
1100:
1099:
1093:
1089:
1083:
1079:
1078:
1072:
1068:
1066:9780810942271
1062:
1058:
1057:
1052:
1048:
1044:
1040:
1039:
1034:
1030:
1029:
1025:
1018:, p. 30.
1017:
1012:
1009:
1004:
998:
995:
990:
983:
979:
975:
971:
965:
962:
957:
950:
946:
945:
940:
934:
931:
926:
919:
915:
911:
905:
902:
897:
890:
886:
885:
880:
874:
871:
866:
859:
855:
854:
849:
843:
840:
835:
828:
825:
822:, p. 66.
821:
816:
813:
809:
804:
801:
798:, p. 23.
797:
792:
789:
786:, p. 17.
785:
780:
777:
764:
760:
754:
751:
748:, p. 49.
747:
742:
739:
736:, p. 31.
735:
730:
727:
724:, p. 69.
723:
718:
716:
714:
710:
707:, p. 84.
706:
701:
698:
695:, p. 43.
694:
693:Brownlow 1968
689:
686:
682:
677:
674:
671:, p. 65.
670:
665:
663:
659:
656:, p. 68.
655:
650:
647:
635:
631:
625:
622:
617:
613:
606:
603:
596:
592:
589:
588:
584:
582:
580:
579:
574:
569:
567:
566:
562:' short film
561:
557:
549:
547:
545:
541:
537:
533:
528:
526:
525:
519:
518:
513:
512:
507:
503:
502:
494:
492:
490:
486:
484:
483:
482:The High Sign
478:
471:
469:
467:
466:pre-Hays Code
463:
458:
456:
450:
448:
447:
442:
441:
436:
435:
431:–Keaton film
430:
421:
417:
415:
406:
404:
402:
394:
392:
390:
386:
382:
378:
377:
372:
368:
365:According to
363:
361:
357:
353:
352:
351:The High Sign
347:
342:
340:
336:
335:
330:
326:
322:
318:
311:
306:
301:
298:
295:
292:
289:
288:Buster Keaton
286:
285:
281:
279:
275:
273:
268:
259:
253:
232:
230:
228:
224:
220:
215:
213:
209:
205:
204:Buster Keaton
201:
198:
195:
191:
190:
180:
176:
173:
169:
166:United States
165:
161:
157:
151:
137:
136:
134:
128:
125:
122:
118:
115:Buster Keaton
114:
110:
107:
106:Elgin Lessley
104:
100:
94:
91:
89:
86:
84:Buster Keaton
83:
82:
80:
76:
73:
70:
66:
63:Buster Keaton
60:
56:
53:
49:
48:Buster Keaton
46:
42:
38:
32:
27:
22:
19:
1657:
1649:
1641:
1622:
1614:
1606:
1598:
1590:
1572:
1565:
1558:
1551:
1544:
1537:
1530:
1510:
1503:
1496:
1489:
1482:
1475:
1468:
1461:
1454:
1449:Sherlock Jr.
1447:
1440:
1433:
1415:
1408:
1401:
1394:
1387:
1380:
1373:
1366:
1361:The Paleface
1359:
1352:
1345:
1338:
1331:
1324:
1317:
1310:
1303:
1296:
1290:
1289:
1282:
1214:
1203:
1192:
1181:
1169:
1143:
1118:
1097:
1076:
1055:
1037:
1011:
997:
973:
964:
942:
933:
913:
904:
882:
873:
851:
842:
833:
827:
815:
803:
791:
779:
767:. Retrieved
753:
741:
729:
700:
688:
676:
649:
637:. Retrieved
633:
624:
615:
605:
576:
573:Bill Frisell
570:
563:
555:
553:
543:
539:
529:
522:
515:
509:
505:
499:
498:
488:
487:
480:
476:
475:
468:censorship.
459:
451:
444:
438:
432:
426:
410:
398:
388:
381:Virginia Fox
374:
370:
364:
359:
349:
345:
343:
332:
320:
316:
315:
296:as the bride
290:as the groom
276:
264:
251:
218:
216:
188:
187:
186:
154:Running time
131:Release date
18:
1584:Works about
1567:Mixed Magic
1560:Blue Blazes
1484:The General
1267:Filmography
769:January 11,
536:Walter Kerr
462:fourth wall
443:(1922) and
401:Joe Roberts
385:Sybil Seely
339:Elinor Glyn
334:Three Weeks
312:Development
300:Joe Roberts
294:Sybil Seely
212:Sybil Seely
200:comedy film
181:intertitles
175:Silent film
93:Joe Roberts
88:Sybil Seely
68:Produced by
44:Directed by
1687:1920 films
1681:Categories
1435:Three Ages
1403:Day Dreams
1298:Convict 13
879:"One Week"
848:"Theaters"
808:Knopf 1999
746:Knopf 1999
681:Knopf 1999
669:Meade 2014
597:References
571:Guitarist
550:Other uses
434:Back Stage
307:Production
158:19 minutes
142:1920-09-01
58:Written by
1539:Allez Oop
1326:Hard Luck
1312:Neighbors
495:Reception
414:Inglewood
321:Home Made
267:kit house
217:In 2008,
202:starring
171:Languages
112:Edited by
1354:The Boat
1340:The Goat
1291:One Week
1215:One Week
1209:AllMovie
1204:One Week
1193:One Week
1182:One Week
1170:One Week
1144:One Week
1053:(2001).
1035:(1968).
585:See also
568:(1937).
556:One Week
544:One Week
506:One Week
489:One Week
477:One Week
455:liniment
449:(1928).
389:One Week
376:The Boat
371:One Week
360:One Week
346:One Week
317:One Week
252:One Week
219:One Week
194:two-reel
189:One Week
78:Starring
24:One Week
1491:College
1470:Go West
1218:at the
1196:at the
1163:YouTube
1153:website
1026:Sources
616:Variety
472:Release
395:Casting
225:by the
179:English
163:Country
140: (
1662:(1995)
1654:(1995)
1646:(1950)
1627:(2022)
1619:(2018)
1611:(1987)
1603:(1965)
1595:(1957)
1146:essay
1126:
1105:
1084:
1063:
639:May 7,
197:silent
1368:Cops
1187:IMDb
1124:ISBN
1103:ISBN
1082:ISBN
1061:ISBN
771:2021
641:2020
373:and
282:Cast
233:Plot
1207:at
1185:at
1161:on
1683::
1049:;
976:.
972:.
941:.
912:.
881:.
850:.
712:^
661:^
632:.
614:.
581:.
457:.
358:,
1248:e
1241:t
1234:v
1177:.
1132:.
1111:.
1090:.
1069:.
1005:.
984:.
951:.
920:.
891:.
860:.
773:.
643:.
618:.
144:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
