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Exposé Online's Jeff Melton stated: "From the get-go, this collection of ten tracks stands as a maelstrom of chops, arranging skills and inspired ensemble playing... the dynamics between drums, keys and fretless bass provide a high profile, capable structure for
Holdsworth's top-flight soloing
401:
In an article for Sounds of
Surprise, Matt Phillips wrote: "it's music that breathes... played by empathetic, truly virtuosic musicians. But is it rock, jazz, prog or fusion? Who knows, but it's some of the greatest British instrumental music of all time."
31:
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is that it remains compelling and accessible... Solos flow organically throughout the long-form compositions, integrated in ways that makes them feel a part of the larger whole."
249:
They were intended for a studio album, but were never properly recorded by U.K. as
Bruford kept the pieces for himself when he and Holdsworth exited the band. U.K. bandmate
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253:
co-wrote "The Sahara of Snow" and reprises his violin part on "Forever Until Sunday". Stewart's "Hell's Bells" utilizes a fragment penned by his former
1004:
362:, Dave Connolly wrote: "Good-humored twists and turns abound in the music... Those who enjoy their fusion with a healthy dose of rock will find
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245:. "Forever Until Sunday" and "The Sahara of Snow" had originally been performed at 1978 concerts by Bruford and Holdsworth’s previous band
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praised the "firmly-cemented group sound, and... consistent set of compositions," and commented: "The same characteristics found on
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261:(the 3-chord pattern underlying the guitar solo). Holdsworth's "The Abingdon Chasp" is the only piece he wrote for Bruford.
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229:. Released in 1979 on EG Records, it is a collection of instrumentals in a style that can loosely be defined as
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called the music "strongly melodic, freewheeling and built round
Bruford's ringing percussion."
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719:– drums & percussions, voice of the Mock Turtle (intro to "Fainting in Coils")
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701:– electric guitar, acoustic guitar (midsection of "The Abingdon Chasp")
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Anthea Norman Taylor - voice of Alice (intro to "Fainting in Coils")
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912:
908:
390:, with everyone demonstrating palpable growth... the magic of
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a fair match for anything from Return to
Forever or Brand X."
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Sam Alder – narrator (intro to "Fainting in Coils")
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836:"Bill Bruford: Feels Good To Me And One Of A Kind"
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8:
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29:
20:
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739:John Clark – electric guitar ("Manacles")
225:, and the first proper album by his band
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489:"Travels with Myself – And Someone Else"
410:
221:is the second solo album by the drummer
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707:– keyboards, synthesizers, electronics
819:Cook, Richard; Morton, Brian (2006).
749:Alwyn Clayden – art direction, design
679:
627:
513:
274:
7:
821:The Penguin Guide to Jazz Recordings
372:The Penguin Guide to Jazz Recordings
295:
1118:Albums recorded at Trident Studios
888:"Bruford: One of a Kind Revisited"
862:"Review - Bruford - One of a Kind"
14:
860:Melton, Jeff (1 September 2005).
730:– violin ("Forever Until Sunday")
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886:Phillips, Matt (16 April 2021).
761:– engineer, production assistant
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314:
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18:1979 studio album by Bruford
1005:Bruford Levin Upper Extremities
996:Bruford Levin Upper Extremities
834:Kelman, John (24 April 2005).
647:
533:
417:
233:. Bruford features guitarist
1:
1082:Anderson Bruford Wakeman Howe
823:. Penguin Books. p. 185.
806:. Retrieved March 27, 2012.
614:"The Sahara of Snow, Pt. 2"
600:"The Sahara of Snow, Pt. 1"
1134:
1033:Music for Piano and Drums
752:Sheila Rock – photography
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326:The Penguin Guide to Jazz
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28:
985:If Summer Had Its Ghosts
971:Gradually Going Tornado
755:John Shaw – photography
202:Released: 18 April 1980
1113:Polydor Records albums
666:"Manacles (live 1979)"
586:"Forever Until Sunday"
472:"One of a Kind, Pt. 2"
456:"One of a Kind, Pt. 1"
62:January-February 1979
798:Connolly, Dave.
572:"The Abingdon Chasp"
270:Professional ratings
1103:Bill Bruford albums
643:
529:
503:"Fainting in Coils"
413:
271:
892:Sounds of Surprise
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527:
411:
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241:, and keyboardist
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978:The Bruford Tapes
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166:The Bruford Tapes
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1050:Related articles
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699:Allan Holdsworth
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642:2005 bonus track
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575:Allan Holdsworth
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384:Feels Good to Me
358:In a review for
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386:are evident on
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255:National Health
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840:All About Jazz
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380:All About Jazz
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199:"Hell's Bells"
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188:One of a Kind
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964:One of a Kind
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948:Studio albums
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866:Exposé Online
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800:One of a Kind
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785:. p. 48.
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713:– bass guitar
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684:
681:Total length:
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629:Total length:
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515:Total length:
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406:Track listing
405:
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395:
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392:One of a Kind
389:
388:One of a Kind
385:
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367:
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364:One of a Kind
361:
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275:Review scores
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264:
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218:One of a Kind
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157:One of a Kind
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24:One of a Kind
22:
16:
1062:King Crimson
1038:
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962:
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940:Bill Bruford
897:27 September
895:. Retrieved
891:
881:
871:27 September
869:. Retrieved
865:
855:
845:27 September
843:. Retrieved
839:
829:
820:
780:"Music Week"
774:
728:Eddie Jobson
722:
717:Bill Bruford
705:Dave Stewart
671:Dave Stewart
619:Eddie Jobson
560:Dave Stewart
477:Dave Stewart
460:Bill Bruford
440:Dave Stewart
400:
396:
391:
387:
383:
377:
370:
368:
363:
357:
324:
251:Eddie Jobson
243:Dave Stewart
223:Bill Bruford
217:
216:
215:
187:
164:
156:
155:
146:
128:Bill Bruford
39:Studio album
15:
1108:1979 albums
1025:and Bruford
711:Jeff Berlin
558:, Bruford,
556:Jeff Berlin
239:Jeff Berlin
231:jazz fusion
84:Jazz fusion
1097:Categories
1077:Earthworks
766:References
744:Production
444:Alan Gowen
398:ability."
259:Alan Gowen
257:colleague
237:, bassist
137:chronology
693:Personnel
669:Bruford,
655:Writer(s)
617:Bruford,
541:Writer(s)
475:Bruford,
425:Writer(s)
265:Reception
54:June 1979
804:AllMusic
552:"Five G"
360:AllMusic
289:AllMusic
123:Producer
73:, London
59:Recorded
51:Released
41: by
603:Bruford
589:Bruford
506:Bruford
492:Bruford
227:Bruford
184:Singles
170:(1979)
161:(1979)
152:(1978)
135:Bruford
116:Polydor
44:Bruford
658:Length
544:Length
528:Side B
428:Length
412:Side A
283:Rating
280:Source
90:Length
67:Studio
1040:Flags
1023:Moraz
783:(PDF)
723:with
652:Title
633:23:58
538:Title
519:22:35
422:Title
186:from
107:Label
79:Genre
1067:U.K.
899:2022
873:2022
847:2022
685:7:25
675:7:25
623:3:23
606:5:18
592:5:46
578:4:50
564:4:41
509:6:33
495:6:10
481:4:00
464:2:20
448:3:32
247:U.K.
1057:Yes
802:at
648:No.
534:No.
418:No.
1099::
890:.
864:.
838:.
811:^
791:^
663:1.
611:5.
597:4.
583:3.
569:2.
549:1.
500:5.
486:4.
469:3.
453:2.
442:,
433:1.
112:EG
99:28
95:46
932:e
925:t
918:v
901:.
875:.
849:.
114:/
97::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
