Knowledge (XXG)

Oonga (film)

Source 📝

31: 234:
Oonga braves his way across forests, rivers and roads, hitching stolen rides on cars past valleys dug up for industrialization... along under-construction highways... until he reaches Lohabad. This world is much larger, brighter and faster than where he came from. After being denied entry he sneaks
246:
When he emerges after the play, Oonga believes he has become Rama! Painted blue, he returns to Pottacheru, unaware that he is now returning not to the home he left behind, but to a battlefield where the ‘company’ will do anything to take the adivasi's land away from them to mine it for Bauxite.
384:
praised the cinematography and music, and commented favourably on Raju Singh's performance, while Saibal Chaterjee from Civil Society Online said that the film "is remarkably free from the good-versus-evil narrative dynamics that define mainstream Hindi cinema."
322:
came to Devashish Makhija from a journey through the tribal belt of South Orissa and North Andhra with the photo-journalist Javed Iqbal, and documentary filmmaker Faiza Ahmad Khan. The film was shot on a limited budget, on a tight schedule of 18 days.
326:
The story of Oonga found its seed in a small anecdote Devashish Makhija heard while in Koraput, Orissa. He recalls Sharanya Nayak, the local head of Action Aid there telling him how she had taken a group of adivasis to watch a dubbed version of
238:
He is stunned to see that Rama is everything that the adivasi are - gentle, brave, a forest dweller and protector of mother-earth Sita. Except, he is also blue! Oonga gapes in awe as this blue hero saves Sita from the demon king
398:"does a pretty good job explaining why the regional police and the Naxalites, Maoist-inspired guerrillas coming from native tribes, are in a standoff in modern India"; she also praised the cinematography and the actors. 219:; the 13th River to River Florence Indian film festival 2013 and the Indian film festival at Melbourne 2014. Oonga is also a part of the international competition at the International Film Festival of Kerala 2014. 231:’. Upset about being the only kid in his tribal village Pottacheru who has not yet seen the mythical warrior-king ‘Rama’, Oonga runs away, embarking on a long adventurous journey to the big city of Lohabad. 579: 371:
described the film as "a complicated tale of a complicated existence in a place where simplicity still reigns" and praised the beauty of the Indian landscape in the film. Louis Proyect of the
342:". About a fortnight before the filming of the abduction scene, in Koraput, Orissa, an adivasi MLA was actually kidnapped from a spot very near to the location for the planned shoot. 356:
is spoken in the film. The actors playing Naxalites and the CRPF were from Mumbai, and the actors playing the adivasis were from Orissa, while Nandita Das speaks both languages.
728: 759: 655: 338:
Most of what is shown in the film is based on real incidents Makhija had witnessed or heard or read of. The character of Hemla was "inspired in part by the case of
415: 674: 476: 445: 575: 499: 786: 193:, set against the backdrop of corrupt land mining activities threatening to destroy his village and the civil strife it leads to. The film stars 867: 701: 258:
soldiers go to war over Pottacheru, little Oonga, in his Rama avatar, believes he can save his home from this Ravana seeking to ravage it.
548: 958: 948: 953: 943: 840: 813: 724: 751: 918: 372: 212: 255: 526: 419: 670: 468: 441: 923: 602: 390: 782: 335:
right through the film as if they were their own fellow-tribals, fighting the same battles they were.
863: 380: 216: 938: 913: 328: 697: 898: 649: 552: 182: 64: 44: 633: 185:, and produced by Speaking Tree Pictures & Moo Print Pictures. It is a story of a little 375:
called it "the first film I have seen out of India that takes up the cause of the Adivasi."
836: 809: 919:
http://www.livemint.com/Leisure/jCpqwBd2aYR0brLZ4lSJgP/Mumbai-Film-Festival--Oonga.html
349: 178: 932: 303: 297: 291: 273: 198: 90: 368: 285: 267: 202: 194: 94: 86: 30: 332: 630:"24thInternational Film Festival of Kerala | IFFK2019 at Thiruvananthapuram" 518: 339: 279: 251: 228: 924:
http://www.gqindia.com/content/6-ways-enjoy-mumbais-film-festival?page=2
892: 215:
on 3 May 2013; and was screened in the 'India Gold' section at the 15th
186: 240: 908: 353: 174: 903: 606: 227:
Little adivasi Oonga misses his village school trip to see the ‘
190: 914:
http://www.indianexpress.com/news/zoom-into-conflict/1180549/0
629: 158: 150: 140: 116: 108: 100: 82: 72: 60: 50: 40: 23: 364:The film received several favourable reviews. 8: 628:Kerala, 24thInternational Film Festival of. 654:: CS1 maint: numeric names: authors list ( 29: 20: 407: 348:was shot as a bilingual film, and both 647: 731:from the original on 18 February 2014 704:from the original on 21 December 2013 7: 843:from the original on 10 January 2014 816:from the original on 9 February 2014 789:from the original on 10 January 2014 677:from the original on 10 January 2014 636:from the original on 7 November 2008 479:from the original on 3 December 2013 133: (New York Indian Film Festival) 448:from the original on 4 October 2013 870:from the original on 13 March 2014 762:from the original on 15 March 2016 582:from the original on 13 April 2014 529:from the original on 30 April 2013 14: 909:http://speakingtreepictures.com/ 601:Indian film festival Melbourne. 331:. They hollered and cheered the 574:Florence Indian film festival. 517:New York Indian Film Festival. 211:had its world premiere at the 189:boy's obsession with becoming 1: 904:http://www.oongathemovie.com/ 373:New York Indian Film Festival 213:New York Indian Film Festival 205:and Raju Singh (as Oonga). 750:twitch film, Josh Hurtado. 549:"India Gold Section - MAMI" 975: 959:2010s Hindi-language films 949:Films scored by Krsna Solo 314:Production and development 309:Raju Singh (Debut)as Oonga 954:2010s Odia-language films 944:Indian multilingual films 416:"Sunday Indian interview" 28: 696:The Big Indian Picture. 835:Civil Society Online. 752:"13 best Indian films" 391:The Hollywood Reporter 235:in to watch the play. 862:Hollywood Reporter. 217:Mumbai Film Festival 125:3 May 2013 808:Man's World India. 504:epaper2.mid-day.com 422:on 30 December 2013 603:"Festival Website" 576:"festival website" 360:Critical reception 329:Avatar (2009 film) 104:Jehangir Choudhary 555:on 2 October 2013 388:Deborah Young of 183:Devashish Makhija 181:film directed by 166: 165: 68:Sarat Talluri Rao 65:Devashish Makhija 54:Devashish Makhija 45:Devashish Makhija 966: 880: 879: 877: 875: 859: 853: 852: 850: 848: 832: 826: 825: 823: 821: 805: 799: 798: 796: 794: 778: 772: 771: 769: 767: 747: 741: 740: 738: 736: 720: 714: 713: 711: 709: 693: 687: 686: 684: 682: 666: 660: 659: 653: 645: 643: 641: 625: 619: 618: 616: 614: 609:on 13 April 2014 605:. Archived from 598: 592: 591: 589: 587: 571: 565: 564: 562: 560: 551:. Archived from 545: 539: 538: 536: 534: 514: 508: 507: 495: 489: 488: 486: 484: 469:"Little Big Boy" 464: 458: 457: 455: 453: 438: 432: 431: 429: 427: 418:. Archived from 412: 378:Arnesh Ghose of 367:Josh Hurtado of 132: 130: 33: 21: 18:2013 Indian film 974: 973: 969: 968: 967: 965: 964: 963: 929: 928: 889: 884: 883: 873: 871: 861: 860: 856: 846: 844: 834: 833: 829: 819: 817: 807: 806: 802: 792: 790: 781:Louis Proyect. 780: 779: 775: 765: 763: 749: 748: 744: 734: 732: 722: 721: 717: 707: 705: 695: 694: 690: 680: 678: 668: 667: 663: 646: 639: 637: 627: 626: 622: 612: 610: 600: 599: 595: 585: 583: 573: 572: 568: 558: 556: 547: 546: 542: 532: 530: 516: 515: 511: 500:"NYIFF entries" 497: 496: 492: 482: 480: 467:Mumbai Mirror. 466: 465: 461: 451: 449: 440: 439: 435: 425: 423: 414: 413: 409: 404: 362: 316: 264: 254:rebels and the 225: 143: 136: 128: 126: 119: 93: 89: 77: 67: 55: 36: 19: 12: 11: 5: 972: 970: 962: 961: 956: 951: 946: 941: 931: 930: 927: 926: 921: 916: 911: 906: 901: 888: 887:External links 885: 882: 881: 854: 827: 800: 773: 756:twitchfilm.com 742: 715: 688: 661: 620: 593: 566: 540: 509: 490: 459: 433: 406: 405: 403: 400: 361: 358: 315: 312: 311: 310: 307: 301: 295: 289: 288:as Kunja/Tramp 283: 277: 271: 263: 260: 224: 221: 164: 163: 160: 156: 155: 152: 148: 147: 144: 141: 138: 137: 135: 134: 122: 120: 117: 114: 113: 110: 106: 105: 102: 101:Cinematography 98: 97: 84: 80: 79: 78:Mehvash Husain 74: 70: 69: 62: 58: 57: 52: 48: 47: 42: 38: 37: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 971: 960: 957: 955: 952: 950: 947: 945: 942: 940: 937: 936: 934: 925: 922: 920: 917: 915: 912: 910: 907: 905: 902: 900: 896: 895: 891: 890: 886: 869: 865: 858: 855: 842: 838: 831: 828: 815: 811: 804: 801: 788: 784: 777: 774: 761: 757: 753: 746: 743: 730: 726: 723:Twitch Film. 719: 716: 703: 699: 692: 689: 676: 672: 665: 662: 657: 651: 635: 631: 624: 621: 608: 604: 597: 594: 581: 577: 570: 567: 554: 550: 544: 541: 528: 524: 520: 513: 510: 505: 501: 494: 491: 478: 474: 473:Mumbai Mirror 470: 463: 460: 447: 443: 437: 434: 421: 417: 411: 408: 401: 399: 397: 393: 392: 386: 383: 382: 376: 374: 370: 365: 359: 357: 355: 351: 347: 343: 341: 336: 334: 330: 324: 321: 318:The idea for 313: 308: 305: 304:Priyanka Bose 302: 299: 296: 293: 290: 287: 284: 282:as Manoranjan 281: 278: 275: 272: 269: 266: 265: 261: 259: 257: 253: 248: 244: 242: 236: 232: 230: 222: 220: 218: 214: 210: 206: 204: 200: 196: 192: 188: 184: 180: 176: 172: 171: 161: 157: 153: 149: 145: 139: 124: 123: 121: 115: 111: 107: 103: 99: 96: 92: 88: 85: 81: 75: 71: 66: 63: 59: 53: 51:Screenplay by 49: 46: 43: 39: 32: 27: 22: 16: 893: 872:. Retrieved 857: 845:. Retrieved 830: 818:. Retrieved 803: 791:. Retrieved 776: 764:. Retrieved 755: 745: 733:. Retrieved 718: 706:. Retrieved 691: 679:. Retrieved 664: 638:. Retrieved 623: 611:. Retrieved 607:the original 596: 584:. Retrieved 569: 557:. Retrieved 553:the original 543: 531:. Retrieved 522: 512: 503: 493: 481:. Retrieved 472: 462: 450:. Retrieved 436: 424:. Retrieved 420:the original 410: 395: 389: 387: 379: 377: 366: 363: 345: 344: 337: 325: 319: 317: 298:Anand Tiwari 292:Vipin Sharma 274:Seema Biswas 249: 245: 237: 233: 226: 208: 207: 199:Seema Biswas 169: 168: 167: 162:Hindi, Oriya 142:Running time 118:Release date 91:Seema Biswas 15: 698:"Interview" 671:"Interview" 523:www.iaac.us 483:28 November 381:Man's World 369:Twitch Film 306:as Oongamma 286:Salim Kumar 268:Nandita Das 203:Salim Kumar 195:Nandita Das 95:Salim Kumar 87:Nandita Das 76:Harish Amin 73:Produced by 56:Harish Amin 41:Directed by 939:2013 films 933:Categories 874:10 January 847:10 January 820:10 January 793:10 January 766:4 February 735:10 January 708:10 January 681:10 January 669:Pandolin. 442:"Pandolin" 402:References 394:said that 146:98 minutes 129:2013-05-03 559:1 October 498:Mid Day. 452:1 October 426:1 October 340:Soni Sori 300:as Sushil 294:as Pradip 280:Alyy Khan 159:Languages 868:Archived 864:"Review" 841:Archived 837:"Review" 814:Archived 810:"Review" 787:Archived 783:"Review" 760:Archived 729:Archived 725:"Review" 702:Archived 675:Archived 650:cite web 634:Archived 613:10 April 580:Archived 527:Archived 477:Archived 446:Archived 276:as Laxmi 270:as Hemla 252:Naxalite 229:Ramayana 109:Music by 83:Starring 61:Story by 640:31 July 586:9 April 519:"NYIFF" 250:As the 187:adivasi 151:Country 127: ( 533:20 May 241:Ravana 35:Poster 894:Oonga 396:Oonga 354:Hindi 350:Oriya 346:Oonga 333:Na’vi 320:Oonga 209:Oonga 179:Oriya 175:Hindi 173:is a 170:Oonga 154:India 112:Krsna 24:Oonga 899:IMDb 876:2014 849:2014 822:2014 795:2014 768:2024 737:2014 710:2014 683:2014 656:link 642:2020 615:2014 588:2014 561:2013 535:2013 485:2013 454:2013 428:2013 352:and 262:Cast 256:CRPF 223:Plot 191:Rama 177:and 897:at 935:: 866:. 839:. 812:. 785:. 758:. 754:. 727:. 700:. 673:. 652:}} 648:{{ 632:. 578:. 525:. 521:. 502:. 475:. 471:. 444:. 243:. 201:, 197:, 878:. 851:. 824:. 797:. 770:. 739:. 712:. 685:. 658:) 644:. 617:. 590:. 563:. 537:. 506:. 487:. 456:. 430:. 131:)

Index


Devashish Makhija
Devashish Makhija
Nandita Das
Seema Biswas
Salim Kumar
Hindi
Oriya
Devashish Makhija
adivasi
Rama
Nandita Das
Seema Biswas
Salim Kumar
New York Indian Film Festival
Mumbai Film Festival
Ramayana
Ravana
Naxalite
CRPF
Nandita Das
Seema Biswas
Alyy Khan
Salim Kumar
Vipin Sharma
Anand Tiwari
Priyanka Bose
Avatar (2009 film)
Na’vi
Soni Sori

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.