Knowledge (XXG)

Open Engagement

Source đź“ť

126:, was hosted by the university, the Dunlop Art Gallery, The Mackenzie Art Gallery and local Regina residents from October 11–13, 2007. Each of the three days focused on a unique theme of exploration; October 11, You are all that I see: Art and everyday experience; October 12, It takes two: Collaborations, collectives, other team relationships; October 13. I'll call you: Long-term relationships, communities, and connectivity. Over 40 national and international contributors were present during this first conference. The contributors were selected through an open call for submissions, participating alongside three keynote presenters. 138:, planned in conjunction with the Art and Social Practice students, continuing under the leadership of Delos Reyes. The artists involved in Open Engagement: Making Things, Making Things Better, Making Things Worse, challenged traditional ideas of what art is and does. The artists' projects mediated the contemporary frameworks of art as service, as social space, as activism, as interactions, and as relationships. 161:
Open Engagement 2011 explored broadly art and social practice. Through conversations, interviews, open reflection on experiences, and related projects created for or presented at the conference, five themes were examined: Peoples and Publics, Social Economies, In Between Places, Tracking and Tracing,
108:
The conference is free of charge and has hosted over 700 presenters, taking place in two countries over the past seven years. Since the first Open Engagement conference in 2007, the event has become a locus for people interested in socially engaged art. The conference offers a primary site where
297:
Open Engagement 2017 took place at the University of Illinois at Chicago and a constellation of sites across the city. The conference theme JUSTICE was guided by the curatorial vision of Romi Crawford and Lisa Yun Lee. Featured presenters included
256:. These and other artists, scholars and conference participants reflected on the theme of Life/Work. In 2014 the conference became mobile and was hosted by Queens Museum in the borough of Queens, New York City. 280:
The 2016 iteration of Open Engagement took place at the Oakland Museum of California. The 2016 conference theme, POWER, was guided by the curatorial vision of René de Guzman and featured keynote speakers
264:
In 2015, Open Engagement moved to Pittsburgh to explore the themes of place and revolution. A Blade of Grass was the year's organizational partner and the conference featured keynote presentations by
233:. They were brought together to reflect on the themes of publics, contexts, and institutions in relation to the current state of socially engaged art, education, and institutional practice. 236:
The conference included dozens of panels, workshops, and lectures, as well as a continuation of the socially engaged art in art institutions summit as well as a public conversation with
181:, and concurrent summits on art and education and social practice/participatory programs and practices arising at museums. The summits featured representatives from 178: 186: 190: 105:
in 2007, the conference incorporates workshops, exhibitions, residencies, pedagogy, curatorial practice and collaborative projects.
411: 579: 221:. The work by these artists and scholars informed the conference themes: Politics, Economies, Education, and Representation. 194: 182: 352: 485: 135: 48: 461: 174: 253: 533: 141:
Over 150 presenters were accepted through an open call for submissionS. Featured keynote presenters were
123: 53: 198: 109:
practitioners convene annually to take stock of the field, playing host to artists and activists.
327: 218: 230: 150: 436: 249: 102: 98: 72: 415: 299: 214: 229:
Open Engagement 2013 featured keynote presenters Claire Doherty, Tom Finkelpearl, and
573: 237: 202: 43: 401:
Delos Reyes, Jen. 2012. Open Engagement: An Anthology. Portland: Publication Studio
303: 286: 282: 509: 265: 146: 307: 167: 163: 534:"Open Engagement 2017 — JUSTICE | UChicago Arts | The University of Chicago" 269: 142: 356: 122:
The initial conference, born out of Delos Reyes' graduate studies at the
462:"In Defense of the Possible at Open Engagement | Temporary Art Review" 377: 213:
The 2012 Open Engagement featured presentations from keynote speakers
240:
on the roles of the Creative Time Summit and Open Engagement.
97:
is an international conference and artist project focusing on
562: 486:"Open Engagement 2015 Heads to Pittsburgh - A Blade of Grass" 412:"Postcard from Portland | Blog | Frieze Publishing" 162:
and Sentiment and Strategies. 2011's keynote presenters were
83: 510:"Open Engagement—POWER | Oakland Museum of California" 78: 68: 60: 39: 31: 23: 18: 328:"Search results for "open season" - Bad at Sports" 248:Open Engagement 2014 featured keynote presenters 173:In 2011 Open Engagement also played host to the 437:"Episode 417: Claire Doherty - Bad at Sports" 8: 179:Bruce High Quality Foundation University 319: 310:, Marisa Jahn and Laurie Jo Reynolds. 177:, Bad at Sports, an exhibition by the 15: 7: 187:University of California Santa Cruz 14: 134:In 2010 Open Engagement moved to 195:California College of the Arts 183:Otis College of Art and Design 1: 378:"Archive - Open Engagement" 596: 101:. Directed and founded by 136:Portland State University 49:Portland State University 27:Art & Social Practice 580:Visual arts conferences 175:Bureau for Open Culture 99:art and social practice 466:Temporaryartreview.com 254:Mierle Laderman Ukeles 217:, Shannon Jackson and 170:, and Pablo Helguera. 124:University of Regina 54:University of Regina 382:Openengagement.info 199:Portland Art Museum 219:Paul Ramirez Jonas 538:Arts.uchicago.edu 353:"Open Engagement" 92: 91: 587: 566: 565: 563:Official website 548: 547: 545: 544: 530: 524: 523: 521: 520: 506: 500: 499: 497: 496: 490:A Blade of Grass 482: 476: 475: 473: 472: 458: 452: 451: 449: 447: 433: 427: 426: 424: 423: 414:. Archived from 408: 402: 399: 393: 392: 390: 388: 374: 368: 367: 365: 364: 355:. Archived from 349: 343: 342: 340: 338: 324: 302:, Maria Gaspar, 231:Michael Rakowitz 151:Amy Franceschini 88: 85: 16: 595: 594: 590: 589: 588: 586: 585: 584: 570: 569: 561: 560: 557: 552: 551: 542: 540: 532: 531: 527: 518: 516: 508: 507: 503: 494: 492: 484: 483: 479: 470: 468: 460: 459: 455: 445: 443: 441:Badatsports.com 435: 434: 430: 421: 419: 410: 409: 405: 400: 396: 386: 384: 376: 375: 371: 362: 360: 351: 350: 346: 336: 334: 332:Badatpsorts.com 326: 325: 321: 316: 295: 278: 262: 250:J. Morgan Puett 246: 227: 211: 159: 132: 120: 115: 103:Jen Delos Reyes 95:Open Engagement 82: 73:Jen Delos Reyes 52: 47: 19:Open Engagement 12: 11: 5: 593: 591: 583: 582: 572: 571: 568: 567: 556: 555:External links 553: 550: 549: 525: 501: 477: 453: 428: 403: 394: 369: 344: 318: 317: 315: 312: 300:Theaster Gates 294: 291: 277: 274: 261: 258: 245: 242: 226: 223: 215:Tania Bruguera 210: 207: 197:, The Walker, 158: 155: 131: 128: 119: 116: 114: 111: 90: 89: 84:openengagement 80: 76: 75: 70: 66: 65: 64:2007 - Present 62: 58: 57: 41: 37: 36: 33: 29: 28: 25: 21: 20: 13: 10: 9: 6: 4: 3: 2: 592: 581: 578: 577: 575: 564: 559: 558: 554: 539: 535: 529: 526: 515: 511: 505: 502: 491: 487: 481: 478: 467: 463: 457: 454: 442: 438: 432: 429: 418:on 2014-02-22 417: 413: 407: 404: 398: 395: 383: 379: 373: 370: 359:on 2013-07-15 358: 354: 348: 345: 333: 329: 323: 320: 313: 311: 309: 305: 301: 292: 290: 288: 284: 275: 273: 271: 267: 259: 257: 255: 251: 243: 241: 239: 238:Creative Time 234: 232: 224: 222: 220: 216: 208: 206: 204: 200: 196: 192: 188: 184: 180: 176: 171: 169: 165: 156: 154: 152: 148: 144: 139: 137: 129: 127: 125: 117: 112: 110: 106: 104: 100: 96: 87: 81: 77: 74: 71: 67: 63: 59: 55: 50: 45: 44:Queens Museum 42: 38: 34: 30: 26: 22: 17: 541:. Retrieved 537: 528: 517:. Retrieved 514:Museumca.org 513: 504: 493:. Retrieved 489: 480: 469:. Retrieved 465: 456: 444:. Retrieved 440: 431: 420:. Retrieved 416:the original 406: 397: 385:. Retrieved 381: 372: 361:. Retrieved 357:the original 347: 335:. Retrieved 331: 322: 304:Maria Varela 296: 287:Suzanne Lacy 283:Angela Davis 279: 263: 247: 235: 228: 212: 205:and others. 172: 160: 140: 133: 121: 107: 94: 93: 61:Years active 266:Emily Jacir 147:Nils Norman 543:2018-11-18 519:2018-11-18 495:2018-11-18 471:2018-11-18 446:8 February 422:2014-02-03 387:8 February 363:2014-02-03 337:8 February 314:References 308:Ai-jen Poo 203:The Hammer 168:Fritz Haeg 164:Julie Ault 270:Rick Lowe 143:Mark Dion 51:, 2010-13 32:Frequency 574:Category 113:History 79:Website 69:Founder 185:, the 149:, and 56:, 2007 46:, 2014 35:Annual 86:.info 40:Venue 24:Genre 448:2019 389:2019 339:2019 293:2017 285:and 276:2016 268:and 260:2015 252:and 244:2014 225:2013 209:2012 191:MICA 157:2011 130:2010 118:2007 576:: 536:. 512:. 488:. 464:. 439:. 380:. 330:. 306:, 289:. 272:. 201:, 193:, 189:, 166:, 153:. 145:, 546:. 522:. 498:. 474:. 450:. 425:. 391:. 366:. 341:.

Index

Queens Museum
Portland State University
University of Regina
Jen Delos Reyes
openengagement.info
art and social practice
Jen Delos Reyes
University of Regina
Portland State University
Mark Dion
Nils Norman
Amy Franceschini
Julie Ault
Fritz Haeg
Bureau for Open Culture
Bruce High Quality Foundation University
Otis College of Art and Design
University of California Santa Cruz
MICA
California College of the Arts
Portland Art Museum
The Hammer
Tania Bruguera
Paul Ramirez Jonas
Michael Rakowitz
Creative Time
J. Morgan Puett
Mierle Laderman Ukeles
Emily Jacir
Rick Lowe

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑