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The open notes of the highest three strings may be played as stopped notes on the lowest three strings, offering advantages and disadvantages:
246:, the rapid alternation of two notes, are best between two stopped notes on one string, in which case it is limited to the interval of an
302:, such as the guitar, the pitch of a stopped note is determined by the left hand pressing (stopping) the string at one of the frets.
370:
332:
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129:
109:
though a bowed string instrumentalist, such as a violinist, "when unaccompanied, does not play consistently in either the
557:
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66:
748:
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133:
105:
and accurate finger placement. The lack of frets, as on the guitar fretboard, does allow greater variability in
837:
348:, 224. quote in Kolinski, Mieczyslaw (Summer - Autumn, 1959). "A New Equidistant 12-Tone Temperament", p.210,
640:
61:
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269:: fingerings indicated above staff (i=1, m=2, r=3, p=4), strings below (G=IV, D=III, A=II, E=I). (
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by the player's left hand pressing (stopping) the string against the fingerboard.
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but creates difficulty in that bowed string instruments do not have
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128:
Possible string technique and notation demonstrated on a bit of "
768:
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383:
85:
with the left hand, i.e. not an open string. This assists with
325:
Acoustic and MIDI Orchestration for the
Contemporary Composer
250:, or between stopped notes on two adjacent strings:
215:
Tone color is controllable, and may be more uniform
873:
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785:
767:
709:
639:
591:
528:
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49:whose pitch has been altered from the pitch of the
395:
350:Journal of the American Musicological Society
117:, but tends on the whole to conform with the
8:
169:
164:
212:Tone color may be brash, not blending well
132:". All the notes are fingered, requiring a
649:Bowed string instrument extended technique
402:
388:
380:
319:
317:
315:
144:The pitches of open strings on a violin.
161:
899:Category:Musical performance techniques
311:
196:Unlimited ability to adjust intonation
188:Vibrato and multi-expression available
27:Note type played on string instruments
7:
323:Andrea Pejrolo, Rich DeRosa (2007).
298:On plucked string instruments with
25:
294:C major chord for guitar (open ).
894:
893:
352:, Vol. 12, No. 2/3, pp. 210-214.
226:Notes are shorter when plucked
73:On bowed string instruments, a
1:
920:String performance techniques
237:are harder, but blend better
130:Twinkle, Twinkle, Little Star
30:For the horn technique, see
180:More technically demanding
93:, and sometimes additional
936:
233:
230:
225:
219:
214:
211:
203:
201:Notes are full and bright
200:
195:
192:
187:
184:
179:
176:
29:
889:
601:Piano extended techniques
231:Easier to play two notes
136:, except for the two D's.
838:Extended vocal technique
641:Bowed string instruments
204:Notes are slightly less
193:Essentially fixed pitch
344:Seashore, Carl (1938).
361:Cecil Forsyth (1982).
295:
282:
156:
137:
70:
293:
256:
223:notes sustain longer
185:No vibrato available
143:
127:
64:
795:Snare drum technique
616:Three-hand technique
563:Harmonica technique
538:Saxophone technique
455:Finger substitution
346:Psychology of Music
257:Violin tremolos on
543:Circular breathing
445:Extended technique
411:Musical techniques
296:
283:
157:
138:
89:, the addition of
71:
39:string instruments
907:
906:
244:Fingered tremolos
241:
240:
119:Pythagorean scale
16:(Redirected from
927:
897:
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874:Related articles
853:Overtone singing
654:Violin technique
553:Flutter-tonguing
530:Wind instruments
404:
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248:augmented fourth
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759:Prepared guitar
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659:Cello technique
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288:
286:Plucked strings
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87:tone production
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744:String bending
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739:Hybrid picking
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621:Prepared piano
618:
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606:Finger tapping
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510:Thumb position
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460:Finger vibrato
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275:Play midi file
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777:Prepared harp
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573:Slap tonguing
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371:0-486-24383-4
368:
364:
363:Orchestration
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333:0-240-52021-1
330:
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259:perfect fifth
255:
251:
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191:
183:
177:Easy to play
175:
172:
167:
163:
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152:
142:
135:
131:
126:
122:
120:
116:
115:natural scale
112:
108:
104:
100:
96:
92:
88:
84:
80:
76:
68:
65:Violin First
63:
57:Bowed strings
56:
54:
52:
48:
44:
40:
33:
32:hand-stopping
19:
864:Sprechgesang
862:
815:Stevens grip
805:Cymbal choke
754:Third bridge
674:Bartók pizz.
626:String piano
505:Stopped note
504:
425:Articulation
362:
357:
349:
345:
340:
327:, p.99-100.
324:
297:
242:
235:Double-stops
170:
165:
158:
103:ear training
101:, requiring
77:is a played
75:stopped note
74:
72:
43:stopped note
42:
36:
848:Death growl
830:Human voice
800:Burton grip
729:Flatpicking
724:Fingerstyle
719:Downpicking
686:Free bowing
568:Overblowing
480:Multiphonic
440:Double stop
267:major sixth
263:minor third
51:open string
843:Beatboxing
787:Percussion
631:Tack piano
578:Split tone
548:Embouchure
475:Intonation
107:intonation
69:Fingerings
858:Screaming
810:Drum roll
681:Col legno
669:Pizzicato
664:Bariolage
490:Pizzicato
470:Harmonics
465:Glissando
450:Fingering
365:, p.356.
221:Pizzicato
18:Open note
914:Category
701:Two bows
696:Spiccato
583:Tonguing
558:Growling
500:Slapping
495:Position
485:Phrasing
206:resonant
111:tempered
83:fingered
81:that is
67:Position
820:Rimshot
749:Tambour
734:Picking
691:Martelé
611:Luthéal
520:Vibrato
515:Tremolo
435:Damping
418:General
306:Sources
171:Stopped
113:or the
91:vibrato
711:Guitar
430:Bowing
369:
331:
265:, and
95:volume
881:Étude
593:Piano
300:frets
134:shift
99:frets
45:is a
769:Harp
367:ISBN
329:ISBN
166:Open
150:Play
79:note
47:note
41:, a
37:On
916::
314:^
261:,
121:"
403:e
396:t
389:v
373:.
335:.
281:)
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
